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arash.core
13ai12
Visual Science
My Own NY
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
Arash, artista romano della scena underground, nella sua pratica fonde codici urbani del graffitismo e pattern geometrici della tradizione iraniana, cultura di origine, creando immaginari visivi unici
*Allestimento ArtRoom25 a cura di @faac.ap disponibile fino a marzo 2026
#arash #artroom2025 #fanfullart #streetart #murales arteurbana
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
Seta e Cemento.
Rabbia e Radici.
Simboli antichi e cultura metropolitana.
Un gesto riconciliatorio tra le mie origini orientali e le mie new ballance in gore-tex.
Qualche mese fa all’inaugurazione di @tnks_social_house_ 🍻
Seta e Cemento.
Rabbia e Radici.
Simboli antichi e cultura metropolitana.
Un gesto riconciliatorio tra le mie origini orientali e le mie new ballance in gore-tex.
Qualche mese fa all’inaugurazione di @tnks_social_house_ 🍻
Seta e Cemento.
Rabbia e Radici.
Simboli antichi e cultura metropolitana.
Un gesto riconciliatorio tra le mie origini orientali e le mie new ballance in gore-tex.
Qualche mese fa all’inaugurazione di @tnks_social_house_ 🍻
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Durante LA Coreografia.
Quella indimenticabile di Roma - Bilbao, in mezzo a migliaia di bandiere giallorosse, all’Olimpico sventolava una bandiera con un disegno Kilim.
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.