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#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #LynetteYiadomBoakye who paints entirely fictional Black figures, invented from found images and imagination rather than live models, depicting them in intimate, timeless moments that exist outside of any fixed era or place. Completed typically in a single day using loose, spontaneous brushwork informed by the Old Masters’ chiaroscuro and the improvisational rhythm of jazz, her dark, luminous canvases sit between familiarity and mystery. A writer as well as a painter, her poetic titles function as extensions of the work itself, with writing and painting operating as two intertwined but distinct modes of expression. Yiadom-Boakye currently has a solo show at Jack Shainman in New York. @lynetteyiadomboakye @jackshainman
Three terms that are themes in or have been used to describe Yiadom-Boakye’s work: ahistorical, Black representation, improvisational feel
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Elliot Perry (Collector, Memphis) @perryartcollection
+ Horace Ballard (Curator at Harvard Art Museums, Boston) horaceballard
+ Sibylle Rochat (Art advisor, London) @sibylle.rochat
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeloves #NinaHartmann who makes multimedia works that sit between sculpture and painting, using inkjet printing, resin, encaustic, wood, and acrylic to create what she calls ‘sculptural paintings,’ drawing source material from declassified government documents, military technology publications, UFO believer websites, and conspiracy message boards. Her practice interrogates how truth and proof are constructed and delivered in a post-truth information age, treating her creative process as algorithmic, absorbing research until a point of saturation before translating it into visual form. Influenced by chaos magic, sacred geometry, industrial music, and the concept of the ‘operational image,’ her work maps the overlapping territories of mysticism, systems theory, alternative histories, and institutional power. Hartmann currently has a solo show at Silke Lindner in New York. @ninahartmann___ @silkelindner.nyc
Three terms that are themes in or have been used to describe Hartmanni’s work: chaos magic, mysticism, operational image
Nina Hartmann is also included in our 2026 Discoveries Report, featuring the top 100 early-career artists ready to be discovered this year and beyond.
What tastemakers love (from our 2026 Discoveries Report):
‘Nina Hartmann’s work is probably post-meme and definitely post-gamebook. When looking at Hartmann’s sculptural paintings, some parts make me think about what future I might choose — a decision I might stick with for a couple of minutes. Her work evolves from her personal experiences around the shaping of belief systems through the acquisition of knowledge, while also aiming to reflect a shared zeitgeist or collective unconscious through universal symbols and motifs. She explores the power of belief and its influence on our individual realities, embracing the subversiveness of maintaining a vivid imagination.’ - Gea Politi, Editor-in-chief of Flash Art @geapolitik
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeevents around the world this week (10 must-see shows and other events):
1. Antwerp: Christopher Hartmann @hartmann.christopher at @gnypgallery__
2. London: Anna Park @annaparkart at @lehmannmaupin
3. Los Angeles: Celeste Dupuy-Spencer at @jeffreydeitchgallery
4. Los Angeles: Hilary Pecis @hilary_pecis at @davidkordanskygallery
5. New York: Francesca Mollett @___frangle at @grimmgallery
6. New York: Nina Hartmann @ninahartmann___ at @silkelindner.nyc
7. New York: Sedrick Chisom @sedrickchisom at @matthewbrowngallery
8. New York: Tony Lewis @tony_lewis_ at @olneygleason
9. Seoul: Kajin Kim @kajinkim at @fimseoul
10. Venice: Flora Yukhnovich @flora_yukhnovich at @victoriamirogallery
This week, we’re happy to again feature artists who were in our previous Discoveries Reports, including Nina Hartmann. Congratulations on your solo show!
Did we miss an event? Let us know in the comments.
#artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #KajinKim who explores shifting senses of relationship within technological and media environments through the use of transparent materials and light. By combining digital imagery with physical materials, the artist constructs scenes where separation and contact intersect, evoking unstable forms of closeness shaped through misalignment, overlap, and suspension. Kim currently has her solo show ‘Sweet Spot’ at FIM in Seoul, which is on view through June 13th.
In ‘Sweet Spot’, Kim uses transparent materials like resin, acrylic, and silicone alongside light to explore connection and instability in contemporary technological life. Digitally generated images are transferred onto translucent surfaces, where light refracts and diffuses them, so they drift across space rather than remaining fixed. The figures in the work reach toward each other without ever fully touching, evoking suspended states of closeness and misalignment. A key shift in Kim’s recent practice is that relational instability is no longer treated as a deficiency to overcome, but as an unavoidable condition to inhabit — the work lingers in incompleteness rather than seeking resolution. The title ‘Sweet Spot’ captures this tension: an unstable intersection where disconnection and connection, materiality and immateriality coexist without fully merging.
Three terms that are themes in or have been used to describe Kim’s work: absence vs. presence, light as transformative element, complexities of mediation
@kajinkim @fimseoul #artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #HilaryPecis who makes paintings and drawings in which interlocking fields of saturated color, geometric patterning, and bold linework depict sun-drenched domestic still lifes and California landscapes, treating meticulously arranged interiors and exteriors as a self-portrait in which objects and locations become signifiers for human characteristics. Working in acrylic on canvas, she transforms scenes sourced through photographs and memory, depicting friends’ homes filled with books, records, plants, and artwork alongside overlooked public spaces captured during her runs around Los Angeles. Her distorted perspectives and surprising juxtapositions of hue place her in dialogue with Fauvism, while her investment in personal imagery transforms recognizable everyday scenes into vivid explorations of the self. Pecis currently has a solo show at David Kordansky Gallery in Los Angeles. @hilary_pecis @davidkordanskygallery
Three terms that are themes in or have been used to describe Pecis’s work: exuberant colors, topography of daily life, urban LA landscape
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Heidi Zuckerman (Cultural entrepreneur, California) @heidizuckerman
+ Josh Abraham (Collector, Los Angeles) @joshabraham
+ Karyn Lovegrove (Art advisor, Los Angeles) @karynlovegrove
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubeloves #DanielleMckinney who paints exclusively Black women in moody, dimly lit domestic interiors, building her compositions from a black canvas outward in the style of Caravaggio, with chiaroscuro lighting that lets figures emerge from darkness in quiet acts of smoking, reading, or rest. Trained as a photographer, she constructs her scenes by collaging sourced images from magazines, Pinterest, and vintage photography, drawing on the cinematic sensibility of Edward Hopper and the old masters to depict moments of solitude as quiet assertions of autonomy and agency. Her practice reclaims the historically marginalized Black female figure as a subject of introspection and strength, with influences ranging from Barkley Hendricks and Jacob Lawrence to Henri Matisse and Alfred Hitchcock’s voyeuristic lens. Mckinney currently has a solo show at Marianne Boesky in New York. @danielle_mckinney_ @marianneboeskygallery
Three terms that are themes in or have been used to describe Mckinney’s work: Black female identity, examination of voyeurism, spiritual introspection
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Ekow Eshun (Curator, London) @ekoweshun
+ Max Edouard Hetzler (Director at Galerie Max Hetzler, London) @maxedouardhetzler
+ Patrizia Sandretto Re Rebaudengo (Collector, Turin) @patriziasandrettorerebaudengo
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubepeople our weekly feature of 10 individuals shaping the art world today:
1. Alia Swastika (Curator, Jakarta) – Swastika is director of Biennale Jogja & one of Southeast Asia’s leading curators, building a practice rooted in decoloniality, feminism, and Global South art histories. @alia.swastika
2. Çağla Ilk (Curator, Berlin) – Ilk is a curator & architect whose transdisciplinary practice across art, theatre, and architecture is leading to her upcoming directorship of Maxim Gorki Theater. @ilkcagla
3. Diane Lima (Curator, São Paulo) – Lima is a curator and leading voice of Black feminism in Latin American art, curating both the Brazilian Pavilion at Venice & MAM São Paulo’s Panorama. @dianelima
4. Flavin Judd (Artistic director, NY) – Judd is a curator & artistic director of Judd Foundation, shaping how Donald Judd’s minimalist legacy is curated, published, and spatially preserved. @flavinjudd
5. Fredrik Liew (Curator, Stockholm) – Liew is chief curator & director of exhibitions at Moderna Museet, known for shaping its collection and curating the landmark Nan Goldin touring retrospective. @fredrikliew
6. Peggy Gou (Collector, Berlin) – Gou is a DJ, collector, and cultural entrepreneur whose global reach across music, fashion, and art fairs makes her a crossover force in contemporary culture. @peggygou_
7. Polly Staple (Curator, London) – Staple is a curator & Tate’s former director of collection for British Art, known for championing emerging artists & expanding access to art across the UK. @polly.staple
8. Thomas Dane (Gallerist, London) – Dane is a gallerist whose program is distinguished by its commitment to film, curatorial experimentation, and a genuinely cross-continental ambition. @thomasdanegallery
9. Thomas Conchou (Curator, Paris) – Conchou is director of Ferme du Buisson, developing a socially engaged, queer-informed curatorial practice rooted in collaboration and emerging artistic voices. @tconch
10. Toby Webster (Gallerist, Glasgow) – Webster founded The Modern Institute, building one of the UK’s most internationally respected galleries entirely outside London over nearly 30 years. @themoderninstitute
Give them a follow.
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #SedrickChisom whose practice is rooted in world-building, constructing an apocalyptic, dystopian universe that fuses the iconography of the American Civil War, medieval mythology, Greek myth, and speculative sci-fi to confound racial origin myths and white supremacist narratives. His large-scale, unstretched paintings layer spray paint, acrylic, and oil through repeated washing and scraping, creating hazy, atmospheric surfaces where figures hover between legibility and illegibility in a palette of muddy blues and tropical pinks. Inspired by Octavia Butler, Francisco Goya, Color Field painting, and Japanese anime, his canvases serve as an ongoing, pro-Black mythmaking project in which history, fantasy, and prophecy collapse into one another. Chisom currently has a solo show at Matthew Brown in New York. @sedrickchisom @matthewbrowngallery
Three terms that are themes in or have been used to describe Chisom’s work: medieval Christian iconography, mythmaking, unhinged humor
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Edwin Oostmeijer (Collector, Amsterdam) @edwinoostmeijer
+ Karen Ziegler Smith (Collector, New York) kzieglersmith
+ Tabish Khan (Critic, London) @londonartcritic
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves #Lisa Yuskavage who has developed her own genre of portraiture in which lavish, erotic, and angelic women inhabit fantastical landscapes or dramatically lit interiors, blending pop cultural imagery, color theory, and Renaissance painting techniques. Her figures oscillate between liberation and objectification, their exaggerated nudity inspired by classical High Renaissance methods while probing the complicated gaze of contemporary sexual mores and gender politics. Color is her primary vehicle, used as a conduit for complex psychological states, with influences ranging from Bellini and Vermeer to Degas and Color Field painting informing her deeply layered approach to the female form. Yuskavage currently has a solo show at David Zwirner in New York. @davidzwirner
Three terms that are themes in or have been used to describe Yuskavage’s work: angelic women, candy colors, mixed subliminal messages
#artcubepeople meet some of the tastemakers highlighting the artist and give them a follow if you haven’t already:
+ Christopher Yin (Collector, Los Angeles) @christopheryin
+ Claire Gilman (Curator at The Morgan Library, New York) @clairesgilman
+ Tarka Russell (Art advisor, Miami) @tarkarussell
#artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at Frieze:
1. Beatrice Arraes @biaarraesc at @almeidaedale
2. Dabin Ahn @dabinahn at @francoisghebaly
3. Emil Sands @emil.sands at @victoriamirogallery
4. Libasse Ka @libasseka at @carlos_ishikawa
5. Livien Yin @livienyin at @tinakimgallery
6. Nada Elkalaawy @nadaelkalaawy at @lawrieshabibi
Which artists did you discover at the fair?
#FriezeArtFair @friezeofficial #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at Frieze:
1. Beatrice Arraes @biaarraesc at @almeidaedale
2. Dabin Ahn @dabinahn at @francoisghebaly
3. Emil Sands @emil.sands at @victoriamirogallery
4. Libasse Ka @libasseka at @carlos_ishikawa
5. Livien Yin @livienyin at @tinakimgallery
6. Nada Elkalaawy @nadaelkalaawy at @lawrieshabibi
Which artists did you discover at the fair?
#FriezeArtFair @friezeofficial #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at Frieze:
1. Beatrice Arraes @biaarraesc at @almeidaedale
2. Dabin Ahn @dabinahn at @francoisghebaly
3. Emil Sands @emil.sands at @victoriamirogallery
4. Libasse Ka @libasseka at @carlos_ishikawa
5. Livien Yin @livienyin at @tinakimgallery
6. Nada Elkalaawy @nadaelkalaawy at @lawrieshabibi
Which artists did you discover at the fair?
#FriezeArtFair @friezeofficial #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at Frieze:
1. Beatrice Arraes @biaarraesc at @almeidaedale
2. Dabin Ahn @dabinahn at @francoisghebaly
3. Emil Sands @emil.sands at @victoriamirogallery
4. Libasse Ka @libasseka at @carlos_ishikawa
5. Livien Yin @livienyin at @tinakimgallery
6. Nada Elkalaawy @nadaelkalaawy at @lawrieshabibi
Which artists did you discover at the fair?
#FriezeArtFair @friezeofficial #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at Frieze:
1. Beatrice Arraes @biaarraesc at @almeidaedale
2. Dabin Ahn @dabinahn at @francoisghebaly
3. Emil Sands @emil.sands at @victoriamirogallery
4. Libasse Ka @libasseka at @carlos_ishikawa
5. Livien Yin @livienyin at @tinakimgallery
6. Nada Elkalaawy @nadaelkalaawy at @lawrieshabibi
Which artists did you discover at the fair?
#FriezeArtFair @friezeofficial #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at Frieze:
1. Beatrice Arraes @biaarraesc at @almeidaedale
2. Dabin Ahn @dabinahn at @francoisghebaly
3. Emil Sands @emil.sands at @victoriamirogallery
4. Libasse Ka @libasseka at @carlos_ishikawa
5. Livien Yin @livienyin at @tinakimgallery
6. Nada Elkalaawy @nadaelkalaawy at @lawrieshabibi
Which artists did you discover at the fair?
#FriezeArtFair @friezeofficial #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at Frieze:
1. Beatrice Arraes @biaarraesc at @almeidaedale
2. Dabin Ahn @dabinahn at @francoisghebaly
3. Emil Sands @emil.sands at @victoriamirogallery
4. Libasse Ka @libasseka at @carlos_ishikawa
5. Livien Yin @livienyin at @tinakimgallery
6. Nada Elkalaawy @nadaelkalaawy at @lawrieshabibi
Which artists did you discover at the fair?
#FriezeArtFair @friezeofficial #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at NADA:
1. Effie Wanyi Li @effiewanyi.li at @foundryseoul
2. Esai Alfredo @esai_alfredo at @spinelloprojects
3. Kelly Tapia-Chuning @kelly_chuning at @milkmoongallery
4. Margaret R. Thompson @margaret_r_thompson at @redarrowgallery
5. TJ Rinoski @tj_rinoski at @meganmulrooneygallery
6. Yam Shalev @yam.shalev at @room57gallery
Which artists did you discover at the fair?
#NADA @newartdealers #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at NADA:
1. Effie Wanyi Li @effiewanyi.li at @foundryseoul
2. Esai Alfredo @esai_alfredo at @spinelloprojects
3. Kelly Tapia-Chuning @kelly_chuning at @milkmoongallery
4. Margaret R. Thompson @margaret_r_thompson at @redarrowgallery
5. TJ Rinoski @tj_rinoski at @meganmulrooneygallery
6. Yam Shalev @yam.shalev at @room57gallery
Which artists did you discover at the fair?
#NADA @newartdealers #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at NADA:
1. Effie Wanyi Li @effiewanyi.li at @foundryseoul
2. Esai Alfredo @esai_alfredo at @spinelloprojects
3. Kelly Tapia-Chuning @kelly_chuning at @milkmoongallery
4. Margaret R. Thompson @margaret_r_thompson at @redarrowgallery
5. TJ Rinoski @tj_rinoski at @meganmulrooneygallery
6. Yam Shalev @yam.shalev at @room57gallery
Which artists did you discover at the fair?
#NADA @newartdealers #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at NADA:
1. Effie Wanyi Li @effiewanyi.li at @foundryseoul
2. Esai Alfredo @esai_alfredo at @spinelloprojects
3. Kelly Tapia-Chuning @kelly_chuning at @milkmoongallery
4. Margaret R. Thompson @margaret_r_thompson at @redarrowgallery
5. TJ Rinoski @tj_rinoski at @meganmulrooneygallery
6. Yam Shalev @yam.shalev at @room57gallery
Which artists did you discover at the fair?
#NADA @newartdealers #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at NADA:
1. Effie Wanyi Li @effiewanyi.li at @foundryseoul
2. Esai Alfredo @esai_alfredo at @spinelloprojects
3. Kelly Tapia-Chuning @kelly_chuning at @milkmoongallery
4. Margaret R. Thompson @margaret_r_thompson at @redarrowgallery
5. TJ Rinoski @tj_rinoski at @meganmulrooneygallery
6. Yam Shalev @yam.shalev at @room57gallery
Which artists did you discover at the fair?
#NADA @newartdealers #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at NADA:
1. Effie Wanyi Li @effiewanyi.li at @foundryseoul
2. Esai Alfredo @esai_alfredo at @spinelloprojects
3. Kelly Tapia-Chuning @kelly_chuning at @milkmoongallery
4. Margaret R. Thompson @margaret_r_thompson at @redarrowgallery
5. TJ Rinoski @tj_rinoski at @meganmulrooneygallery
6. Yam Shalev @yam.shalev at @room57gallery
Which artists did you discover at the fair?
#NADA @newartdealers #artcube
#artcubeloves a good discovery! Here are our top 6 discoveries at NADA:
1. Effie Wanyi Li @effiewanyi.li at @foundryseoul
2. Esai Alfredo @esai_alfredo at @spinelloprojects
3. Kelly Tapia-Chuning @kelly_chuning at @milkmoongallery
4. Margaret R. Thompson @margaret_r_thompson at @redarrowgallery
5. TJ Rinoski @tj_rinoski at @meganmulrooneygallery
6. Yam Shalev @yam.shalev at @room57gallery
Which artists did you discover at the fair?
#NADA @newartdealers #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
#artcubeevents ‘MAKE IT MAKE SENSE’ at Room57 Gallery in New York presents a group exhibition featuring paintings by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant.
In a world where so little seems to make sense, we turn to art for joy, perspective, knowledge, and connection. This exhibition features works by Callum Eaton, Daniel Roibal, Marco Paul Lorenzetti, and Olivier Souffrant, four artists with distinct, signature styles that differ greatly from one another.
These differences should be celebrated, not scolded. They are what create beauty in the world, and that beauty can be seen throughout this exhibition. While each artist’s work may not appear directly related to one another, they perfectly complement one another.
From Callum Eaton’s photorealistic Tulip, dramatically blown out of proportion, to Daniel Roibal’s serene abstractions exploring beauty through color and motion, a connection emerges when viewed with imagination. Up close, Callum’s painting reveals details so clear and enlarged that the image begins to feel abstract. From afar, Daniel Roibal’s paintings evoke the feeling of looking out onto a lush landscape, and somewhere within that imagined landscape, the tulip exists.
In contrast, Olivier Souffrant and Marco Paul Lorenzetti create lively, layered scenes filled with detail, drawing the viewer deeply into their worlds. Together, these artists remind us that meaning does not always come from similarity. Sometimes, it comes from contrast, imagination, and the beauty of things that should not make sense but somehow do.
‘MAKE IT MAKE SENSE’ opens today at Room57 Gallery in New York and is on view until July 3rd.
Featured artists include: Callum Eaton (@callumeats), Daniel Roibal (@daniroibal), Marco Paul Lorenzetti (@_marcopaull), and Olivier Souffrant (@0livier_).
#Room57Gallery @room57gallery #artcube
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
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