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I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
I feel really lucky to have this one out with @drawnandquarterly . Here is Cannon in some of her many moods 👽.
Big thank you to @ambookcomics as always for being my hot cool agent.
Out in Fall of this year!
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
When I said in my Stella speech the other day that it’s “a complicated but great honour to be the first trans person accepting this award”, a big part of what I meant was anticipating terfs using bioessentialism to, once again, further target trans women. This BS is alive and well in Australia.
My legitimacy to the Stella is not because I was “born a woman”. Hopefully it’s because the judges liked the book ¯\_(ツ)_/¯
To the trans people, especially the trans girls and femmes (who I know and don’t know personally) reading or engaging with any of the dialogue: take care and I love you. If you are writing books in Australia, enter this prize— it is inclusive of trans women and non binary people and I will do what I can to support the next trans or non binary person listed.
What feels not at all complicated, btw, is how many proud parents of trans kids I met at the Stella ceremony the other night. Thank you for coming and saying hi and gushing about your kids. You all made my night.
Protect the dolls, protect the kids.
PS. Ngl, I have had some chuckles at the furious moustache comments.
The 2026 Carol Shields Prize for Fiction Shortlist!
📘 Hellions by Julia Elliott (Tin House)
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls...for all its wildness, there is tremendous control; Elliott is a gifted and thrilling writer.”
📘 The White Hot by Quiara Alegría Hudes (One World)
“In The White Hot, a woman, a mother, a daughter of immigrants, does the unthinkable: She leaves. At the heart of this masterful work is the most uncomfortable question of all: ‘How could love look like leaving?’”
📘 Cannon by Lee Lai (Drawn & Quarterly)
“Cannon investigates huge topics like cultural identity, elder care, death, betrayal, regret, and necessary rage, while still compelling the reader to stay up until the last page has been turned.”
📘 A Guardian and a Thief by Megha Majumdar (McClelland & Stewart, Canada; Knopf, USA)
“Through trenchant images, deft character creation, and breathtaking plot-twists, Majumdar embroils us in the lives of Ma and Boomba until we are no longer sure who is the guardian and who the thief.”
📘 Lion by Sonya Walger (New York Review Books)
“With a mastery of skill, a deft hand, and a brilliant grasp of everything dark and aching that moves us, Sonya Walger has delivered a book that reaches in and yanks out the beating heart of family.”
This year’s nominees were chosen by a Jury of writers made up of @carmenmmachado (Jury Chair), @ivancoyote, Cherie Dimaline, @divakarunichitra, and @deeshaphilyaw.
The winner of the Carol Shields Prize for Fiction will receive $150,000 USD and a five-night stay at @fogoislandinn. The four finalists will each receive $12,500 USD.
The winner and four finalists will be invited to participate in a group retreat residency in the Leighton Artist Studios, @banffcentre.
The winner will be announced on June 2 at a ceremony in Toronto, Canada.
On June 1, you are invited to a reading and discussion event celebrating the shortlist, moderated by 2025 Shields Prize Winner, @canisia.lubrin. Link in bio to get your tickets.
The prize is generously supported by BMO.
The 2026 Carol Shields Prize for Fiction Shortlist!
📘 Hellions by Julia Elliott (Tin House)
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls...for all its wildness, there is tremendous control; Elliott is a gifted and thrilling writer.”
📘 The White Hot by Quiara Alegría Hudes (One World)
“In The White Hot, a woman, a mother, a daughter of immigrants, does the unthinkable: She leaves. At the heart of this masterful work is the most uncomfortable question of all: ‘How could love look like leaving?’”
📘 Cannon by Lee Lai (Drawn & Quarterly)
“Cannon investigates huge topics like cultural identity, elder care, death, betrayal, regret, and necessary rage, while still compelling the reader to stay up until the last page has been turned.”
📘 A Guardian and a Thief by Megha Majumdar (McClelland & Stewart, Canada; Knopf, USA)
“Through trenchant images, deft character creation, and breathtaking plot-twists, Majumdar embroils us in the lives of Ma and Boomba until we are no longer sure who is the guardian and who the thief.”
📘 Lion by Sonya Walger (New York Review Books)
“With a mastery of skill, a deft hand, and a brilliant grasp of everything dark and aching that moves us, Sonya Walger has delivered a book that reaches in and yanks out the beating heart of family.”
This year’s nominees were chosen by a Jury of writers made up of @carmenmmachado (Jury Chair), @ivancoyote, Cherie Dimaline, @divakarunichitra, and @deeshaphilyaw.
The winner of the Carol Shields Prize for Fiction will receive $150,000 USD and a five-night stay at @fogoislandinn. The four finalists will each receive $12,500 USD.
The winner and four finalists will be invited to participate in a group retreat residency in the Leighton Artist Studios, @banffcentre.
The winner will be announced on June 2 at a ceremony in Toronto, Canada.
On June 1, you are invited to a reading and discussion event celebrating the shortlist, moderated by 2025 Shields Prize Winner, @canisia.lubrin. Link in bio to get your tickets.
The prize is generously supported by BMO.
The 2026 Carol Shields Prize for Fiction Shortlist!
📘 Hellions by Julia Elliott (Tin House)
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls...for all its wildness, there is tremendous control; Elliott is a gifted and thrilling writer.”
📘 The White Hot by Quiara Alegría Hudes (One World)
“In The White Hot, a woman, a mother, a daughter of immigrants, does the unthinkable: She leaves. At the heart of this masterful work is the most uncomfortable question of all: ‘How could love look like leaving?’”
📘 Cannon by Lee Lai (Drawn & Quarterly)
“Cannon investigates huge topics like cultural identity, elder care, death, betrayal, regret, and necessary rage, while still compelling the reader to stay up until the last page has been turned.”
📘 A Guardian and a Thief by Megha Majumdar (McClelland & Stewart, Canada; Knopf, USA)
“Through trenchant images, deft character creation, and breathtaking plot-twists, Majumdar embroils us in the lives of Ma and Boomba until we are no longer sure who is the guardian and who the thief.”
📘 Lion by Sonya Walger (New York Review Books)
“With a mastery of skill, a deft hand, and a brilliant grasp of everything dark and aching that moves us, Sonya Walger has delivered a book that reaches in and yanks out the beating heart of family.”
This year’s nominees were chosen by a Jury of writers made up of @carmenmmachado (Jury Chair), @ivancoyote, Cherie Dimaline, @divakarunichitra, and @deeshaphilyaw.
The winner of the Carol Shields Prize for Fiction will receive $150,000 USD and a five-night stay at @fogoislandinn. The four finalists will each receive $12,500 USD.
The winner and four finalists will be invited to participate in a group retreat residency in the Leighton Artist Studios, @banffcentre.
The winner will be announced on June 2 at a ceremony in Toronto, Canada.
On June 1, you are invited to a reading and discussion event celebrating the shortlist, moderated by 2025 Shields Prize Winner, @canisia.lubrin. Link in bio to get your tickets.
The prize is generously supported by BMO.
The 2026 Carol Shields Prize for Fiction Shortlist!
📘 Hellions by Julia Elliott (Tin House)
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls...for all its wildness, there is tremendous control; Elliott is a gifted and thrilling writer.”
📘 The White Hot by Quiara Alegría Hudes (One World)
“In The White Hot, a woman, a mother, a daughter of immigrants, does the unthinkable: She leaves. At the heart of this masterful work is the most uncomfortable question of all: ‘How could love look like leaving?’”
📘 Cannon by Lee Lai (Drawn & Quarterly)
“Cannon investigates huge topics like cultural identity, elder care, death, betrayal, regret, and necessary rage, while still compelling the reader to stay up until the last page has been turned.”
📘 A Guardian and a Thief by Megha Majumdar (McClelland & Stewart, Canada; Knopf, USA)
“Through trenchant images, deft character creation, and breathtaking plot-twists, Majumdar embroils us in the lives of Ma and Boomba until we are no longer sure who is the guardian and who the thief.”
📘 Lion by Sonya Walger (New York Review Books)
“With a mastery of skill, a deft hand, and a brilliant grasp of everything dark and aching that moves us, Sonya Walger has delivered a book that reaches in and yanks out the beating heart of family.”
This year’s nominees were chosen by a Jury of writers made up of @carmenmmachado (Jury Chair), @ivancoyote, Cherie Dimaline, @divakarunichitra, and @deeshaphilyaw.
The winner of the Carol Shields Prize for Fiction will receive $150,000 USD and a five-night stay at @fogoislandinn. The four finalists will each receive $12,500 USD.
The winner and four finalists will be invited to participate in a group retreat residency in the Leighton Artist Studios, @banffcentre.
The winner will be announced on June 2 at a ceremony in Toronto, Canada.
On June 1, you are invited to a reading and discussion event celebrating the shortlist, moderated by 2025 Shields Prize Winner, @canisia.lubrin. Link in bio to get your tickets.
The prize is generously supported by BMO.
The 2026 Carol Shields Prize for Fiction Shortlist!
📘 Hellions by Julia Elliott (Tin House)
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls...for all its wildness, there is tremendous control; Elliott is a gifted and thrilling writer.”
📘 The White Hot by Quiara Alegría Hudes (One World)
“In The White Hot, a woman, a mother, a daughter of immigrants, does the unthinkable: She leaves. At the heart of this masterful work is the most uncomfortable question of all: ‘How could love look like leaving?’”
📘 Cannon by Lee Lai (Drawn & Quarterly)
“Cannon investigates huge topics like cultural identity, elder care, death, betrayal, regret, and necessary rage, while still compelling the reader to stay up until the last page has been turned.”
📘 A Guardian and a Thief by Megha Majumdar (McClelland & Stewart, Canada; Knopf, USA)
“Through trenchant images, deft character creation, and breathtaking plot-twists, Majumdar embroils us in the lives of Ma and Boomba until we are no longer sure who is the guardian and who the thief.”
📘 Lion by Sonya Walger (New York Review Books)
“With a mastery of skill, a deft hand, and a brilliant grasp of everything dark and aching that moves us, Sonya Walger has delivered a book that reaches in and yanks out the beating heart of family.”
This year’s nominees were chosen by a Jury of writers made up of @carmenmmachado (Jury Chair), @ivancoyote, Cherie Dimaline, @divakarunichitra, and @deeshaphilyaw.
The winner of the Carol Shields Prize for Fiction will receive $150,000 USD and a five-night stay at @fogoislandinn. The four finalists will each receive $12,500 USD.
The winner and four finalists will be invited to participate in a group retreat residency in the Leighton Artist Studios, @banffcentre.
The winner will be announced on June 2 at a ceremony in Toronto, Canada.
On June 1, you are invited to a reading and discussion event celebrating the shortlist, moderated by 2025 Shields Prize Winner, @canisia.lubrin. Link in bio to get your tickets.
The prize is generously supported by BMO.
The 2026 Carol Shields Prize for Fiction Shortlist!
📘 Hellions by Julia Elliott (Tin House)
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls...for all its wildness, there is tremendous control; Elliott is a gifted and thrilling writer.”
📘 The White Hot by Quiara Alegría Hudes (One World)
“In The White Hot, a woman, a mother, a daughter of immigrants, does the unthinkable: She leaves. At the heart of this masterful work is the most uncomfortable question of all: ‘How could love look like leaving?’”
📘 Cannon by Lee Lai (Drawn & Quarterly)
“Cannon investigates huge topics like cultural identity, elder care, death, betrayal, regret, and necessary rage, while still compelling the reader to stay up until the last page has been turned.”
📘 A Guardian and a Thief by Megha Majumdar (McClelland & Stewart, Canada; Knopf, USA)
“Through trenchant images, deft character creation, and breathtaking plot-twists, Majumdar embroils us in the lives of Ma and Boomba until we are no longer sure who is the guardian and who the thief.”
📘 Lion by Sonya Walger (New York Review Books)
“With a mastery of skill, a deft hand, and a brilliant grasp of everything dark and aching that moves us, Sonya Walger has delivered a book that reaches in and yanks out the beating heart of family.”
This year’s nominees were chosen by a Jury of writers made up of @carmenmmachado (Jury Chair), @ivancoyote, Cherie Dimaline, @divakarunichitra, and @deeshaphilyaw.
The winner of the Carol Shields Prize for Fiction will receive $150,000 USD and a five-night stay at @fogoislandinn. The four finalists will each receive $12,500 USD.
The winner and four finalists will be invited to participate in a group retreat residency in the Leighton Artist Studios, @banffcentre.
The winner will be announced on June 2 at a ceremony in Toronto, Canada.
On June 1, you are invited to a reading and discussion event celebrating the shortlist, moderated by 2025 Shields Prize Winner, @canisia.lubrin. Link in bio to get your tickets.
The prize is generously supported by BMO.
The 2026 Carol Shields Prize for Fiction Shortlist!
📘 Hellions by Julia Elliott (Tin House)
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls...for all its wildness, there is tremendous control; Elliott is a gifted and thrilling writer.”
📘 The White Hot by Quiara Alegría Hudes (One World)
“In The White Hot, a woman, a mother, a daughter of immigrants, does the unthinkable: She leaves. At the heart of this masterful work is the most uncomfortable question of all: ‘How could love look like leaving?’”
📘 Cannon by Lee Lai (Drawn & Quarterly)
“Cannon investigates huge topics like cultural identity, elder care, death, betrayal, regret, and necessary rage, while still compelling the reader to stay up until the last page has been turned.”
📘 A Guardian and a Thief by Megha Majumdar (McClelland & Stewart, Canada; Knopf, USA)
“Through trenchant images, deft character creation, and breathtaking plot-twists, Majumdar embroils us in the lives of Ma and Boomba until we are no longer sure who is the guardian and who the thief.”
📘 Lion by Sonya Walger (New York Review Books)
“With a mastery of skill, a deft hand, and a brilliant grasp of everything dark and aching that moves us, Sonya Walger has delivered a book that reaches in and yanks out the beating heart of family.”
This year’s nominees were chosen by a Jury of writers made up of @carmenmmachado (Jury Chair), @ivancoyote, Cherie Dimaline, @divakarunichitra, and @deeshaphilyaw.
The winner of the Carol Shields Prize for Fiction will receive $150,000 USD and a five-night stay at @fogoislandinn. The four finalists will each receive $12,500 USD.
The winner and four finalists will be invited to participate in a group retreat residency in the Leighton Artist Studios, @banffcentre.
The winner will be announced on June 2 at a ceremony in Toronto, Canada.
On June 1, you are invited to a reading and discussion event celebrating the shortlist, moderated by 2025 Shields Prize Winner, @canisia.lubrin. Link in bio to get your tickets.
The prize is generously supported by BMO.
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Wrote a rambling post about editing my own comics, economical cartooning and the mechanics of specific scenes, up on the patreon now. Feat. Some deleted scenes including this one that never made it out of the messy pencils
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 2/2. Really thought about just putting this on Patreon but it felt rude to stick it behind a paywall. But look if you wanted to sign up to my Patreon regardless, I won’t tell you not to 🤡
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Part 1/2. A scrappy little comic I made a few months ago, with some thoughts on disliking my own work. Feat. a tiny cartoon Samia who endlessly indulges me in these kinds of convos. It happens to be her birthday today, go tell her that you love her!
I’ve been reading this one aloud in a handful of university talks that I’ve been doing over the past months while touring Cannon, and have been heartened (and concerned lol) about how much it’s resonated. You’re all as neurotic as me!
Join Zoe Terakes, Lee Lai, Liz Duck-Chong and Hasib Hourani for a conversation about creativity, identity and storytelling.
This panel explores the joys and challenges of being visible and asks a bigger question: How can writing help create a world where trans people are not only seen, but safe and thriving?
📍 Marrickville Library Pavilion
⏰ Thursday 26 March, 6.30pm-7.30pm
🆓 Free event, register now
🌐 www.innerwest.nsw.gov.au/LibraryEvents
🔝 Link in the bio or call 9392 5588
@zoeterakes
@lizduckchong
@_leelai
@hellohourani
#TDOV #TransDayOfVisibility #Writing #InnerWest #InnerWestLibraries #NSWPublicLibraries
In Australia doing some events soon 💛 I just put on my big girl boots and made my first linktree to jam all the event links into my bio, so go register there if you’re in Sydney or Melbourne and would like to come say hi. Mostly events are free but you just gotta register for yr seat!
In Australia doing some events soon 💛 I just put on my big girl boots and made my first linktree to jam all the event links into my bio, so go register there if you’re in Sydney or Melbourne and would like to come say hi. Mostly events are free but you just gotta register for yr seat!
In Australia doing some events soon 💛 I just put on my big girl boots and made my first linktree to jam all the event links into my bio, so go register there if you’re in Sydney or Melbourne and would like to come say hi. Mostly events are free but you just gotta register for yr seat!
In Australia doing some events soon 💛 I just put on my big girl boots and made my first linktree to jam all the event links into my bio, so go register there if you’re in Sydney or Melbourne and would like to come say hi. Mostly events are free but you just gotta register for yr seat!
In Australia doing some events soon 💛 I just put on my big girl boots and made my first linktree to jam all the event links into my bio, so go register there if you’re in Sydney or Melbourne and would like to come say hi. Mostly events are free but you just gotta register for yr seat!
In Australia doing some events soon 💛 I just put on my big girl boots and made my first linktree to jam all the event links into my bio, so go register there if you’re in Sydney or Melbourne and would like to come say hi. Mostly events are free but you just gotta register for yr seat!
In Australia doing some events soon 💛 I just put on my big girl boots and made my first linktree to jam all the event links into my bio, so go register there if you’re in Sydney or Melbourne and would like to come say hi. Mostly events are free but you just gotta register for yr seat!
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Im not usually inclined to the decade flashback trend but 2016 was a big one for me because its when I moved to Montreal, got slammed with a bunch of Very Humbling life lessons, met many ppl who have become some of the most important in my life, and started putting a lot more time into comics.
I remember it too as a year when The Bad Man V1 was elected and many of our conversations, imaginings and determinations took a new turn. Interesting to think about at this point in time.
Anyway here is a messy little comic I made in 2016 loosely based on my mother. Funny noticing how much my painting has changed but how little my dialogue writing habits have, lol. The extremely great Alice Chipkin ( @a_kinchip ) took that photo of baby me in @creationsli's studio, with a stronger hairline and weaker moustache 🥸
Some end of year sketchbook peeks and ramblings about process up on the patreon now. Turns out there’s so much to say about drawing? Turns out also I am verbose as fuck, but thats not new information 🤡
Some end of year sketchbook peeks and ramblings about process up on the patreon now. Turns out there’s so much to say about drawing? Turns out also I am verbose as fuck, but thats not new information 🤡
Some end of year sketchbook peeks and ramblings about process up on the patreon now. Turns out there’s so much to say about drawing? Turns out also I am verbose as fuck, but thats not new information 🤡
Some end of year sketchbook peeks and ramblings about process up on the patreon now. Turns out there’s so much to say about drawing? Turns out also I am verbose as fuck, but thats not new information 🤡
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.