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Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Loads of pink and lots of blue (wrapped up in desert landscapes) these last few (seven lol) months .｡ｏ♡
Cheesy but I must say the Balearics surprised me in such a special way. They are magic 🌟
Please don’t forget to call if you are visiting. It’s always incredibly heartwarming to welcome people 💞 I’m so happy for each visit that has come to the island and to the gallery <33 x
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
Some red days in Cologne!
Congratulations to @stefanbruggemann1975 on his exhibition SPEED at @gathering.london 🖤 The show will be up until October 28!
Super happy how this came and the great ride it has been ˚₊‧꒰ა ♱ ໒꒱ ‧₊˚
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
What a pleasure it has been to work with @natalia.gonzalez.martin (gracias, gracias) and be able to spend precious time with her paintings.
Contemplation wakes them up in an exciting yet slightly aggressive way… son “golosas” como diríamos en español.
I wish the photos would make justice to the way the colors fill the space. The delicate tension carefully created in each painting has been my companion during my time in Ibiza <3
I was incredibly slow to post, but please, if you are in the island come see the show, come say hi, have a margarita at MIRA –pasen a saludarme 🩵
The exhibition, Falsa Primavera, will be up until June 15 at @gathering.london Ibiza
🍉🍇🍒🍇🍉
Next week is the last one to see Valley of the Dolls!
✨💞🧼💞✨
If you are in Los Angeles, don’t miss @juliahazelthompson exhibition at Dries Van Noten’s Little House.
Curated by @coma.artservices, this exhibition presents artworks that are complex, intimate, and ever-changing. They materialize the passage of time and explore its relationship with desire, relationships, addiction, and memory.
As @moffygathornehardy very well put it in the exhibition text:
The very business of remembering involves either a grave-digging or a bringing (back) to life of an experience whose bizarre status we lack the grammar to describe, that which has passed, which is not now — to use that word which pulls the rug from under one’s feet and leaves one breathless and grappling — and in other words, is closer in its condition to being dead.
It has been a pleasure to work with such amazing people like @lecoeurcasse.
And we are incredibly thankful to have this video created by the talented@hannamoon69. Where we can dive in deeper into Julia Thompson’s creative process.
Valley of the Dolls
at Dries Van Noten, Little House
451 N La Cienega Blvd, Los Angeles, CA 90048, United States
Tuesday-Saturday 11:00 to 19:00
Until September 21, 2024
🎥 @hannamoon69
#DriesVanNoten
#LittleHouse
#ValleyoftheDolls
#Art #Exhibition #LosAngeles
#Soap
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
sooooo i just delivered my dissertation for an MA in anthropology!!! 🥂 not that anyone cares, but at i am proud of myself lol the thesis has followed me for a whole year to different destinations (on the laptop and in the back my head blurrg)
thank you so much to everyone that gave me the time to share your opinions and let me write them down <3 you know who you are ;))
Valley of the Dolls will be open until August 31st at @driesvannoten in Los Angeles :))
It has been a pleasure for @coma.artservices to work with @juliahazelthompson 💖 these new iterations of artworks have become very close to my heart, in a way that sometimes I have a hard time describing them.
Make sure you swing by and check it out <3
Photos by: @santgazi and @mattekavanagh
Valley of the Dolls will be open until August 31st at @driesvannoten in Los Angeles :))
It has been a pleasure for @coma.artservices to work with @juliahazelthompson 💖 these new iterations of artworks have become very close to my heart, in a way that sometimes I have a hard time describing them.
Make sure you swing by and check it out <3
Photos by: @santgazi and @mattekavanagh
Valley of the Dolls will be open until August 31st at @driesvannoten in Los Angeles :))
It has been a pleasure for @coma.artservices to work with @juliahazelthompson 💖 these new iterations of artworks have become very close to my heart, in a way that sometimes I have a hard time describing them.
Make sure you swing by and check it out <3
Photos by: @santgazi and @mattekavanagh
Valley of the Dolls will be open until August 31st at @driesvannoten in Los Angeles :))
It has been a pleasure for @coma.artservices to work with @juliahazelthompson 💖 these new iterations of artworks have become very close to my heart, in a way that sometimes I have a hard time describing them.
Make sure you swing by and check it out <3
Photos by: @santgazi and @mattekavanagh
Valley of the Dolls will be open until August 31st at @driesvannoten in Los Angeles :))
It has been a pleasure for @coma.artservices to work with @juliahazelthompson 💖 these new iterations of artworks have become very close to my heart, in a way that sometimes I have a hard time describing them.
Make sure you swing by and check it out <3
Photos by: @santgazi and @mattekavanagh
Valley of the Dolls will be open until August 31st at @driesvannoten in Los Angeles :))
It has been a pleasure for @coma.artservices to work with @juliahazelthompson 💖 these new iterations of artworks have become very close to my heart, in a way that sometimes I have a hard time describing them.
Make sure you swing by and check it out <3
Photos by: @santgazi and @mattekavanagh
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
Excited to inaugurate @juliahazelthompson second solo show in Los Angeles, Valley of the Dolls. And this time at @driesvannoten and curated by @coma.artservices !! 💖🌟
Join us tomorrow July 27, from 17:00 to 19:00 to celebrate :))
It will warm my heart to see all the friends I’ve missed so much 🙂↕️
I am incredibly grateful and happy for this journey and excited for people to get to see it.
Thank you so much to everyone that collaborated and made this happened 🎀 Specially @lecoeurcasse for bringing the show into existence 🎀To @hannamoon69 and @spam__jam for the beautiful video and photos . To @jonathansmall for all his help in the studio and impecable eye. To @moffygathornehardy for such a beautiful text, and putting into words what feels inexplicable at times. And of course, to my CO,MA’s for always being there and making all these amazing projects happen @apaasch80 @andreapantera 🌸
And lastly, but mainly: to the princess who made the artworks @juliahazelthompson SKÅL 🥂
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
LAST DAYS 🦋 to go and see “A Stubborn Man and a Hermit Walk into a Bar” at the House/Studio Nancarrow designed by Juan O’Gorman :))
Don’t miss it!! ✨
11:00 to 18:00 Thursday to Saturday (!!)
Thank you again for the invitation to curate on this incredible space @peana_ and to all the participating artists and galleries. To my dear @coma.artservices <33 and to @delpesco for comissioning great works for the stuido!
[1] Installation view of Conlon Nancarrow’s archive table alongside Mario García Torres, Maraclave or From Bullet to Hole, There Is a Tube Drawn (An Instrument for C. Nancarrow), n/d. Photographs courtesy of Fundación ENO and © Conlon Nancarrow Collection, Paul Sacher Foundation, Basel.
[2] Fernando Palma, Azohuelmanaz. Ofrenda de amor, 2023
[3] and [4] Fritzia Irizar, Sin título (fuente de los deseos), 2022
[5] Carlos H. Matos, Seat for surrender, 2023
[6] and [7] Tomás Díaz Cedeño, Mud and Ash, 2024
[8] Pedro Reyes, Disarm Clock, 2017
[9] Rometti Costales, Reuniones informales, 2022
All photographs by Caylon Hackwith. Courtesy of PEANA.
Porque siempre hay más 🪷 A couple more photos of the exhibition “A Stubborn Man and a Hermit Walk into a Bar” presented by @peana_ , curated by @coma.artservices and @delpesco, at the House/Studio Nancarrow, Mexico City.
To me, these works are more in tone with rhythm. Spirituality. The tantrik, the intangible, yet sensorial. Whereas the works on the first post might be more in line with resistance, these feel to me more in relation to letting go. We keep what we have by giving it away. Listening to the hidden messages nature, spirits and our own inner self have for us:)
Hope I am not being cheesy and annoying! But I do consider that we took the time with the artists to find which of their works would make the most sense in the exhibition. And I feel happy to share this thoughts with you.
Images:
[1] Installation view of Goulven Elies, “Tántrika” sculptures, 1990
[2] Liza Lacroix, Your visit on 01/17/2024, 2023; Liza Lacroix, Mondays and Wednesdays - 7:30am 8:10 am, 2023
[3] Fritzia Irizar, Sin título (murmullo conus), 2022
[4] and [5] Aureliano Alvarado Faesler, Imix II (Umbrales, Dyptich), 2024
[6] Goulven Elies, Tántrika 2, 1990
[7] Installation view of Conlon Nancarrow correspondence with John Cage, Betty Freeman and György Ligeti from 1955-1968. Letters copyright owned by ©Conlon Nancarrow Collection, Paul Sacher Foundation, Basel. Photograph courtesy of Fundación ENO, Mexico City.
All photographs by Caylon Hackwith. Courtesy of PEANA.
Porque siempre hay más 🪷 A couple more photos of the exhibition “A Stubborn Man and a Hermit Walk into a Bar” presented by @peana_ , curated by @coma.artservices and @delpesco, at the House/Studio Nancarrow, Mexico City.
To me, these works are more in tone with rhythm. Spirituality. The tantrik, the intangible, yet sensorial. Whereas the works on the first post might be more in line with resistance, these feel to me more in relation to letting go. We keep what we have by giving it away. Listening to the hidden messages nature, spirits and our own inner self have for us:)
Hope I am not being cheesy and annoying! But I do consider that we took the time with the artists to find which of their works would make the most sense in the exhibition. And I feel happy to share this thoughts with you.
Images:
[1] Installation view of Goulven Elies, “Tántrika” sculptures, 1990
[2] Liza Lacroix, Your visit on 01/17/2024, 2023; Liza Lacroix, Mondays and Wednesdays - 7:30am 8:10 am, 2023
[3] Fritzia Irizar, Sin título (murmullo conus), 2022
[4] and [5] Aureliano Alvarado Faesler, Imix II (Umbrales, Dyptich), 2024
[6] Goulven Elies, Tántrika 2, 1990
[7] Installation view of Conlon Nancarrow correspondence with John Cage, Betty Freeman and György Ligeti from 1955-1968. Letters copyright owned by ©Conlon Nancarrow Collection, Paul Sacher Foundation, Basel. Photograph courtesy of Fundación ENO, Mexico City.
All photographs by Caylon Hackwith. Courtesy of PEANA.
Porque siempre hay más 🪷 A couple more photos of the exhibition “A Stubborn Man and a Hermit Walk into a Bar” presented by @peana_ , curated by @coma.artservices and @delpesco, at the House/Studio Nancarrow, Mexico City.
To me, these works are more in tone with rhythm. Spirituality. The tantrik, the intangible, yet sensorial. Whereas the works on the first post might be more in line with resistance, these feel to me more in relation to letting go. We keep what we have by giving it away. Listening to the hidden messages nature, spirits and our own inner self have for us:)
Hope I am not being cheesy and annoying! But I do consider that we took the time with the artists to find which of their works would make the most sense in the exhibition. And I feel happy to share this thoughts with you.
Images:
[1] Installation view of Goulven Elies, “Tántrika” sculptures, 1990
[2] Liza Lacroix, Your visit on 01/17/2024, 2023; Liza Lacroix, Mondays and Wednesdays - 7:30am 8:10 am, 2023
[3] Fritzia Irizar, Sin título (murmullo conus), 2022
[4] and [5] Aureliano Alvarado Faesler, Imix II (Umbrales, Dyptich), 2024
[6] Goulven Elies, Tántrika 2, 1990
[7] Installation view of Conlon Nancarrow correspondence with John Cage, Betty Freeman and György Ligeti from 1955-1968. Letters copyright owned by ©Conlon Nancarrow Collection, Paul Sacher Foundation, Basel. Photograph courtesy of Fundación ENO, Mexico City.
All photographs by Caylon Hackwith. Courtesy of PEANA.
Porque siempre hay más 🪷 A couple more photos of the exhibition “A Stubborn Man and a Hermit Walk into a Bar” presented by @peana_ , curated by @coma.artservices and @delpesco, at the House/Studio Nancarrow, Mexico City.
To me, these works are more in tone with rhythm. Spirituality. The tantrik, the intangible, yet sensorial. Whereas the works on the first post might be more in line with resistance, these feel to me more in relation to letting go. We keep what we have by giving it away. Listening to the hidden messages nature, spirits and our own inner self have for us:)
Hope I am not being cheesy and annoying! But I do consider that we took the time with the artists to find which of their works would make the most sense in the exhibition. And I feel happy to share this thoughts with you.
Images:
[1] Installation view of Goulven Elies, “Tántrika” sculptures, 1990
[2] Liza Lacroix, Your visit on 01/17/2024, 2023; Liza Lacroix, Mondays and Wednesdays - 7:30am 8:10 am, 2023
[3] Fritzia Irizar, Sin título (murmullo conus), 2022
[4] and [5] Aureliano Alvarado Faesler, Imix II (Umbrales, Dyptich), 2024
[6] Goulven Elies, Tántrika 2, 1990
[7] Installation view of Conlon Nancarrow correspondence with John Cage, Betty Freeman and György Ligeti from 1955-1968. Letters copyright owned by ©Conlon Nancarrow Collection, Paul Sacher Foundation, Basel. Photograph courtesy of Fundación ENO, Mexico City.
All photographs by Caylon Hackwith. Courtesy of PEANA.
Porque siempre hay más 🪷 A couple more photos of the exhibition “A Stubborn Man and a Hermit Walk into a Bar” presented by @peana_ , curated by @coma.artservices and @delpesco, at the House/Studio Nancarrow, Mexico City.
To me, these works are more in tone with rhythm. Spirituality. The tantrik, the intangible, yet sensorial. Whereas the works on the first post might be more in line with resistance, these feel to me more in relation to letting go. We keep what we have by giving it away. Listening to the hidden messages nature, spirits and our own inner self have for us:)
Hope I am not being cheesy and annoying! But I do consider that we took the time with the artists to find which of their works would make the most sense in the exhibition. And I feel happy to share this thoughts with you.
Images:
[1] Installation view of Goulven Elies, “Tántrika” sculptures, 1990
[2] Liza Lacroix, Your visit on 01/17/2024, 2023; Liza Lacroix, Mondays and Wednesdays - 7:30am 8:10 am, 2023
[3] Fritzia Irizar, Sin título (murmullo conus), 2022
[4] and [5] Aureliano Alvarado Faesler, Imix II (Umbrales, Dyptich), 2024
[6] Goulven Elies, Tántrika 2, 1990
[7] Installation view of Conlon Nancarrow correspondence with John Cage, Betty Freeman and György Ligeti from 1955-1968. Letters copyright owned by ©Conlon Nancarrow Collection, Paul Sacher Foundation, Basel. Photograph courtesy of Fundación ENO, Mexico City.
All photographs by Caylon Hackwith. Courtesy of PEANA.
Porque siempre hay más 🪷 A couple more photos of the exhibition “A Stubborn Man and a Hermit Walk into a Bar” presented by @peana_ , curated by @coma.artservices and @delpesco, at the House/Studio Nancarrow, Mexico City.
To me, these works are more in tone with rhythm. Spirituality. The tantrik, the intangible, yet sensorial. Whereas the works on the first post might be more in line with resistance, these feel to me more in relation to letting go. We keep what we have by giving it away. Listening to the hidden messages nature, spirits and our own inner self have for us:)
Hope I am not being cheesy and annoying! But I do consider that we took the time with the artists to find which of their works would make the most sense in the exhibition. And I feel happy to share this thoughts with you.
Images:
[1] Installation view of Goulven Elies, “Tántrika” sculptures, 1990
[2] Liza Lacroix, Your visit on 01/17/2024, 2023; Liza Lacroix, Mondays and Wednesdays - 7:30am 8:10 am, 2023
[3] Fritzia Irizar, Sin título (murmullo conus), 2022
[4] and [5] Aureliano Alvarado Faesler, Imix II (Umbrales, Dyptich), 2024
[6] Goulven Elies, Tántrika 2, 1990
[7] Installation view of Conlon Nancarrow correspondence with John Cage, Betty Freeman and György Ligeti from 1955-1968. Letters copyright owned by ©Conlon Nancarrow Collection, Paul Sacher Foundation, Basel. Photograph courtesy of Fundación ENO, Mexico City.
All photographs by Caylon Hackwith. Courtesy of PEANA.
Porque siempre hay más 🪷 A couple more photos of the exhibition “A Stubborn Man and a Hermit Walk into a Bar” presented by @peana_ , curated by @coma.artservices and @delpesco, at the House/Studio Nancarrow, Mexico City.
To me, these works are more in tone with rhythm. Spirituality. The tantrik, the intangible, yet sensorial. Whereas the works on the first post might be more in line with resistance, these feel to me more in relation to letting go. We keep what we have by giving it away. Listening to the hidden messages nature, spirits and our own inner self have for us:)
Hope I am not being cheesy and annoying! But I do consider that we took the time with the artists to find which of their works would make the most sense in the exhibition. And I feel happy to share this thoughts with you.
Images:
[1] Installation view of Goulven Elies, “Tántrika” sculptures, 1990
[2] Liza Lacroix, Your visit on 01/17/2024, 2023; Liza Lacroix, Mondays and Wednesdays - 7:30am 8:10 am, 2023
[3] Fritzia Irizar, Sin título (murmullo conus), 2022
[4] and [5] Aureliano Alvarado Faesler, Imix II (Umbrales, Dyptich), 2024
[6] Goulven Elies, Tántrika 2, 1990
[7] Installation view of Conlon Nancarrow correspondence with John Cage, Betty Freeman and György Ligeti from 1955-1968. Letters copyright owned by ©Conlon Nancarrow Collection, Paul Sacher Foundation, Basel. Photograph courtesy of Fundación ENO, Mexico City.
All photographs by Caylon Hackwith. Courtesy of PEANA.
I wanted to share a couple images from the exhibition “Un terco y un ermitaño entran a un bar” and take the opportunity to say thank you to everyone that took the time to come see the exhibition ❣️ means a lot to me 🥹
The show is on view until March 2nd 🌞!! Don’t miss it
I feel like the works in these pictures in particular are related to labor –of the body itself. The technologies of the body used in our time, crafts, materiality, efficiency and the economy of the self (flesh). The dangers and limits of it. The rotting of the body with time, with hard physical labor, with sexuality. Overuse. But idk! You tell me what you think of the works and exhibition.
More pics to come :))
PS. If you want any info on the show or works you can always DM me!
Thank you again and always @coma.artservices, @peana_, @apaasch80, @andreapantera, @allegraaaaaaa, @anapescoto. All the artists and all the galleries <3
Images:
[1] Michael Angelo Bala, Blue of Shadows (Hallway No. 02), 2023
[2] Installation view of Michael Angelo Bala artworks
[3] Samuel Guerrero, Ritual de Iluminación, 2023
[4] and [5] Tomás Díaz Cedeño, Mud and Ash, 2024
[6] Victor Barragán, SIDA Chair, 2023
All photographs by Caylon Hackwith. Courtesy of PEANA.
I wanted to share a couple images from the exhibition “Un terco y un ermitaño entran a un bar” and take the opportunity to say thank you to everyone that took the time to come see the exhibition ❣️ means a lot to me 🥹
The show is on view until March 2nd 🌞!! Don’t miss it
I feel like the works in these pictures in particular are related to labor –of the body itself. The technologies of the body used in our time, crafts, materiality, efficiency and the economy of the self (flesh). The dangers and limits of it. The rotting of the body with time, with hard physical labor, with sexuality. Overuse. But idk! You tell me what you think of the works and exhibition.
More pics to come :))
PS. If you want any info on the show or works you can always DM me!
Thank you again and always @coma.artservices, @peana_, @apaasch80, @andreapantera, @allegraaaaaaa, @anapescoto. All the artists and all the galleries <3
Images:
[1] Michael Angelo Bala, Blue of Shadows (Hallway No. 02), 2023
[2] Installation view of Michael Angelo Bala artworks
[3] Samuel Guerrero, Ritual de Iluminación, 2023
[4] and [5] Tomás Díaz Cedeño, Mud and Ash, 2024
[6] Victor Barragán, SIDA Chair, 2023
All photographs by Caylon Hackwith. Courtesy of PEANA.
I wanted to share a couple images from the exhibition “Un terco y un ermitaño entran a un bar” and take the opportunity to say thank you to everyone that took the time to come see the exhibition ❣️ means a lot to me 🥹
The show is on view until March 2nd 🌞!! Don’t miss it
I feel like the works in these pictures in particular are related to labor –of the body itself. The technologies of the body used in our time, crafts, materiality, efficiency and the economy of the self (flesh). The dangers and limits of it. The rotting of the body with time, with hard physical labor, with sexuality. Overuse. But idk! You tell me what you think of the works and exhibition.
More pics to come :))
PS. If you want any info on the show or works you can always DM me!
Thank you again and always @coma.artservices, @peana_, @apaasch80, @andreapantera, @allegraaaaaaa, @anapescoto. All the artists and all the galleries <3
Images:
[1] Michael Angelo Bala, Blue of Shadows (Hallway No. 02), 2023
[2] Installation view of Michael Angelo Bala artworks
[3] Samuel Guerrero, Ritual de Iluminación, 2023
[4] and [5] Tomás Díaz Cedeño, Mud and Ash, 2024
[6] Victor Barragán, SIDA Chair, 2023
All photographs by Caylon Hackwith. Courtesy of PEANA.
I wanted to share a couple images from the exhibition “Un terco y un ermitaño entran a un bar” and take the opportunity to say thank you to everyone that took the time to come see the exhibition ❣️ means a lot to me 🥹
The show is on view until March 2nd 🌞!! Don’t miss it
I feel like the works in these pictures in particular are related to labor –of the body itself. The technologies of the body used in our time, crafts, materiality, efficiency and the economy of the self (flesh). The dangers and limits of it. The rotting of the body with time, with hard physical labor, with sexuality. Overuse. But idk! You tell me what you think of the works and exhibition.
More pics to come :))
PS. If you want any info on the show or works you can always DM me!
Thank you again and always @coma.artservices, @peana_, @apaasch80, @andreapantera, @allegraaaaaaa, @anapescoto. All the artists and all the galleries <3
Images:
[1] Michael Angelo Bala, Blue of Shadows (Hallway No. 02), 2023
[2] Installation view of Michael Angelo Bala artworks
[3] Samuel Guerrero, Ritual de Iluminación, 2023
[4] and [5] Tomás Díaz Cedeño, Mud and Ash, 2024
[6] Victor Barragán, SIDA Chair, 2023
All photographs by Caylon Hackwith. Courtesy of PEANA.
I wanted to share a couple images from the exhibition “Un terco y un ermitaño entran a un bar” and take the opportunity to say thank you to everyone that took the time to come see the exhibition ❣️ means a lot to me 🥹
The show is on view until March 2nd 🌞!! Don’t miss it
I feel like the works in these pictures in particular are related to labor –of the body itself. The technologies of the body used in our time, crafts, materiality, efficiency and the economy of the self (flesh). The dangers and limits of it. The rotting of the body with time, with hard physical labor, with sexuality. Overuse. But idk! You tell me what you think of the works and exhibition.
More pics to come :))
PS. If you want any info on the show or works you can always DM me!
Thank you again and always @coma.artservices, @peana_, @apaasch80, @andreapantera, @allegraaaaaaa, @anapescoto. All the artists and all the galleries <3
Images:
[1] Michael Angelo Bala, Blue of Shadows (Hallway No. 02), 2023
[2] Installation view of Michael Angelo Bala artworks
[3] Samuel Guerrero, Ritual de Iluminación, 2023
[4] and [5] Tomás Díaz Cedeño, Mud and Ash, 2024
[6] Victor Barragán, SIDA Chair, 2023
All photographs by Caylon Hackwith. Courtesy of PEANA.
I wanted to share a couple images from the exhibition “Un terco y un ermitaño entran a un bar” and take the opportunity to say thank you to everyone that took the time to come see the exhibition ❣️ means a lot to me 🥹
The show is on view until March 2nd 🌞!! Don’t miss it
I feel like the works in these pictures in particular are related to labor –of the body itself. The technologies of the body used in our time, crafts, materiality, efficiency and the economy of the self (flesh). The dangers and limits of it. The rotting of the body with time, with hard physical labor, with sexuality. Overuse. But idk! You tell me what you think of the works and exhibition.
More pics to come :))
PS. If you want any info on the show or works you can always DM me!
Thank you again and always @coma.artservices, @peana_, @apaasch80, @andreapantera, @allegraaaaaaa, @anapescoto. All the artists and all the galleries <3
Images:
[1] Michael Angelo Bala, Blue of Shadows (Hallway No. 02), 2023
[2] Installation view of Michael Angelo Bala artworks
[3] Samuel Guerrero, Ritual de Iluminación, 2023
[4] and [5] Tomás Díaz Cedeño, Mud and Ash, 2024
[6] Victor Barragán, SIDA Chair, 2023
All photographs by Caylon Hackwith. Courtesy of PEANA.
Lucas Cantú, Go Away - No One’s Coming
(the ghost of Nancarrow)
On-Site installation
Film 2024
Thanks to:
@jpcelis
@panamastudio
@audiomaquinas
Part of “Un terco y un ermitaño entran a un bar” exhibition taking place at the House/Studio of Colon Nancarrow, designed by Juan O´Gorman in Mexico City. Open from February 6 until March 3, 2024.
Curated by
@peana_
@coma.artservices
@beggingformerci
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