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GOD ERA presents a selection of iconic silhouettes and archival works withinLEVANI’s (@levanmindi )installation, The Mother Pillar I, as part of TAF 2026.

LEVANI @levanmindi + INVITED ARTISTS* KERA

FRIDAY, MAY 22
20:00 Fashion Show featuring a selection of iconic looks from GOD ERA

@shallymatt
@assault__angel
@saintnino.g

commissioned to IDAAF LAB (Nana Zaalishvili, Tako Bezhanishvili, Mariam Khvedelidze, Ana Eloshvili, Nino Karsanidze, Nita Mtsituridze) @idaaflab
CHAIRS:
Nana Zaalishvili (@idaafarchitects ), Nino Nozadze Design Studio @ninoni04, LEVANI x PAPUNa
FASHION
@god_era (Nino Goderidze)

LIVE
VAZHMARR (Vazha Marr)
20:30 LIVE by @vazhmarr

Levani’s The Mother Pillar I is the first installment of a developing series of multifunctional public installations.
Following its presentation at Tbilisi Art Fair, the installation will continue its trajectory at Kvareli Foundation for Contemporary Art. See more about the project on tbilisiartfair.art

@mbfashionweektbilisi

GOD ERA Fall/Winter 2026
New collection shown at Mercedes-Benz Fashion Week Tbilisi.
08 May · 17:00 · Factory Tbilisi
By invitation only.

Dust application process

Hand-crafted surface using micronised recycled plastic

Dust application process

Hand-crafted surface using micronised recycled plastic

Dust application process

Hand-crafted surface using micronised recycled plastic

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @nic0le11111

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @nic0le11111

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @christinaa__c

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @christinaa__c

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @christinaa__c

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.
Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.
Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @christinaa__c

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @nic0le11111

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @nic0le11111

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @nic0le11111

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @nic0le11111

FW26

Hand craft: an imitation of dust is created using micronised recycled plastic, forming a weathered surface texture.

Dust functions as a parallel to time, memory, and social restraint. Like belief or tradition, it accumulates slowly and becomes invisible through repetition, allowing garments to carry meaning through long periods of non-use rather than wear.

Inspired by women in rural Georgia who owned a single black garment worn only for funerals, preserved for years by necessity, ritual, and tradition.

photos @ruskaosiashvili @nucaosiashvili @rosistudios model @streetscasting @nic0le11111