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For over a year, I’ve been working on a project, Telharmonium, in Holyoke, Massachusetts. Holyoke is a post-industrial city that gave birth, over a century ago, to the first musical synthesizer. Named the “Telharmonium,” the 200-ton instrument played its electronic music over telephone lines. Although the Telharmonium played in New York City, the first public version of the instrument was manufactured in Holyoke, a former mill town and center of American industry.
 
The project, a generative film and sound installation, had its premiere at @matta___________'s booth at Artissima last October, where it entered the collection of Castello di Rivoli. Bringing the piece back to @lower_cavity in Holyoke was a kind of homecoming for the work. Here, Telharmonium is expanded for the lower_cavity space, including multiple screens, along with sensors and a camera that monitor the galleries for changes in the environment. Although Telharmonium is not a site-specific work, it is a work about a specific place, and to show it in lower_cavity’s former mill building, only a couple of blocks away from where the instrument was created, gave the installation an intensity it won’t receive anywhere else.
 
I’ll post more about Telharmonium in the coming month, but here are a few iPhone images and videos to give you an idea of the incredible subterranean space. Thanks to everyone who trekked out for the opening. The show remains open until May 31st, when we will do a closing event. Contact @lower_cavity for more information.
 
Images:
1, 2. Main projector room, Telharmonium, generative film and score of infinite length
3, 4. Side chamber, second channel
5. Data screen showing economic simulation powering the economy plus data sensor reading from the space
6. Composer @ex.wiish during install

For over a year, I’ve been working on a project, Telharmonium, in Holyoke, Massachusetts. Holyoke is a post-industrial city that gave birth, over a century ago, to the first musical synthesizer. Named the “Telharmonium,” the 200-ton instrument played its electronic music over telephone lines. Although the Telharmonium played in New York City, the first public version of the instrument was manufactured in Holyoke, a former mill town and center of American industry.
 
The project, a generative film and sound installation, had its premiere at @matta___________'s booth at Artissima last October, where it entered the collection of Castello di Rivoli. Bringing the piece back to @lower_cavity in Holyoke was a kind of homecoming for the work. Here, Telharmonium is expanded for the lower_cavity space, including multiple screens, along with sensors and a camera that monitor the galleries for changes in the environment. Although Telharmonium is not a site-specific work, it is a work about a specific place, and to show it in lower_cavity’s former mill building, only a couple of blocks away from where the instrument was created, gave the installation an intensity it won’t receive anywhere else.
 
I’ll post more about Telharmonium in the coming month, but here are a few iPhone images and videos to give you an idea of the incredible subterranean space. Thanks to everyone who trekked out for the opening. The show remains open until May 31st, when we will do a closing event. Contact @lower_cavity for more information.
 
Images:
1, 2. Main projector room, Telharmonium, generative film and score of infinite length
3, 4. Side chamber, second channel
5. Data screen showing economic simulation powering the economy plus data sensor reading from the space
6. Composer @ex.wiish during install

For over a year, I’ve been working on a project, Telharmonium, in Holyoke, Massachusetts. Holyoke is a post-industrial city that gave birth, over a century ago, to the first musical synthesizer. Named the “Telharmonium,” the 200-ton instrument played its electronic music over telephone lines. Although the Telharmonium played in New York City, the first public version of the instrument was manufactured in Holyoke, a former mill town and center of American industry.
 
The project, a generative film and sound installation, had its premiere at @matta___________'s booth at Artissima last October, where it entered the collection of Castello di Rivoli. Bringing the piece back to @lower_cavity in Holyoke was a kind of homecoming for the work. Here, Telharmonium is expanded for the lower_cavity space, including multiple screens, along with sensors and a camera that monitor the galleries for changes in the environment. Although Telharmonium is not a site-specific work, it is a work about a specific place, and to show it in lower_cavity’s former mill building, only a couple of blocks away from where the instrument was created, gave the installation an intensity it won’t receive anywhere else.
 
I’ll post more about Telharmonium in the coming month, but here are a few iPhone images and videos to give you an idea of the incredible subterranean space. Thanks to everyone who trekked out for the opening. The show remains open until May 31st, when we will do a closing event. Contact @lower_cavity for more information.
 
Images:
1, 2. Main projector room, Telharmonium, generative film and score of infinite length
3, 4. Side chamber, second channel
5. Data screen showing economic simulation powering the economy plus data sensor reading from the space
6. Composer @ex.wiish during install

For over a year, I’ve been working on a project, Telharmonium, in Holyoke, Massachusetts. Holyoke is a post-industrial city that gave birth, over a century ago, to the first musical synthesizer. Named the “Telharmonium,” the 200-ton instrument played its electronic music over telephone lines. Although the Telharmonium played in New York City, the first public version of the instrument was manufactured in Holyoke, a former mill town and center of American industry.
 
The project, a generative film and sound installation, had its premiere at @matta___________'s booth at Artissima last October, where it entered the collection of Castello di Rivoli. Bringing the piece back to @lower_cavity in Holyoke was a kind of homecoming for the work. Here, Telharmonium is expanded for the lower_cavity space, including multiple screens, along with sensors and a camera that monitor the galleries for changes in the environment. Although Telharmonium is not a site-specific work, it is a work about a specific place, and to show it in lower_cavity’s former mill building, only a couple of blocks away from where the instrument was created, gave the installation an intensity it won’t receive anywhere else.
 
I’ll post more about Telharmonium in the coming month, but here are a few iPhone images and videos to give you an idea of the incredible subterranean space. Thanks to everyone who trekked out for the opening. The show remains open until May 31st, when we will do a closing event. Contact @lower_cavity for more information.
 
Images:
1, 2. Main projector room, Telharmonium, generative film and score of infinite length
3, 4. Side chamber, second channel
5. Data screen showing economic simulation powering the economy plus data sensor reading from the space
6. Composer @ex.wiish during install

For over a year, I’ve been working on a project, Telharmonium, in Holyoke, Massachusetts. Holyoke is a post-industrial city that gave birth, over a century ago, to the first musical synthesizer. Named the “Telharmonium,” the 200-ton instrument played its electronic music over telephone lines. Although the Telharmonium played in New York City, the first public version of the instrument was manufactured in Holyoke, a former mill town and center of American industry.
 
The project, a generative film and sound installation, had its premiere at @matta___________'s booth at Artissima last October, where it entered the collection of Castello di Rivoli. Bringing the piece back to @lower_cavity in Holyoke was a kind of homecoming for the work. Here, Telharmonium is expanded for the lower_cavity space, including multiple screens, along with sensors and a camera that monitor the galleries for changes in the environment. Although Telharmonium is not a site-specific work, it is a work about a specific place, and to show it in lower_cavity’s former mill building, only a couple of blocks away from where the instrument was created, gave the installation an intensity it won’t receive anywhere else.
 
I’ll post more about Telharmonium in the coming month, but here are a few iPhone images and videos to give you an idea of the incredible subterranean space. Thanks to everyone who trekked out for the opening. The show remains open until May 31st, when we will do a closing event. Contact @lower_cavity for more information.
 
Images:
1, 2. Main projector room, Telharmonium, generative film and score of infinite length
3, 4. Side chamber, second channel
5. Data screen showing economic simulation powering the economy plus data sensor reading from the space
6. Composer @ex.wiish during install

For over a year, I’ve been working on a project, Telharmonium, in Holyoke, Massachusetts. Holyoke is a post-industrial city that gave birth, over a century ago, to the first musical synthesizer. Named the “Telharmonium,” the 200-ton instrument played its electronic music over telephone lines. Although the Telharmonium played in New York City, the first public version of the instrument was manufactured in Holyoke, a former mill town and center of American industry.
 
The project, a generative film and sound installation, had its premiere at @matta___________'s booth at Artissima last October, where it entered the collection of Castello di Rivoli. Bringing the piece back to @lower_cavity in Holyoke was a kind of homecoming for the work. Here, Telharmonium is expanded for the lower_cavity space, including multiple screens, along with sensors and a camera that monitor the galleries for changes in the environment. Although Telharmonium is not a site-specific work, it is a work about a specific place, and to show it in lower_cavity’s former mill building, only a couple of blocks away from where the instrument was created, gave the installation an intensity it won’t receive anywhere else.
 
I’ll post more about Telharmonium in the coming month, but here are a few iPhone images and videos to give you an idea of the incredible subterranean space. Thanks to everyone who trekked out for the opening. The show remains open until May 31st, when we will do a closing event. Contact @lower_cavity for more information.
 
Images:
1, 2. Main projector room, Telharmonium, generative film and score of infinite length
3, 4. Side chamber, second channel
5. Data screen showing economic simulation powering the economy plus data sensor reading from the space
6. Composer @ex.wiish during install

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

Shots of my latest installation 🟧🔶🟦
works developed during my residency at @lower_cavity ✨ in collaboration with @fr.moca 🙏🏼
thank you for having me

"Here and There; the Both of Us"
quilted cotton fabric
36” × 81”

📸 photos by @yourethinkingofabrickwall

see you soon Holyoke!!

A few images of new textile works produced by @luluvarona during her three-week stay at l_c, which just wrapped up yesterday. This was the second of two residencies l_c hosted in partnership with @fr.moca, which provided time, space, and a modest material budget to support research and the production of new work.

A few images of new textile works produced by @luluvarona during her three-week stay at l_c, which just wrapped up yesterday. This was the second of two residencies l_c hosted in partnership with @fr.moca, which provided time, space, and a modest material budget to support research and the production of new work.

A few images of new textile works produced by @luluvarona during her three-week stay at l_c, which just wrapped up yesterday. This was the second of two residencies l_c hosted in partnership with @fr.moca, which provided time, space, and a modest material budget to support research and the production of new work.

A few images of new textile works produced by @luluvarona during her three-week stay at l_c, which just wrapped up yesterday. This was the second of two residencies l_c hosted in partnership with @fr.moca, which provided time, space, and a modest material budget to support research and the production of new work.

A few images of new textile works produced by @luluvarona during her three-week stay at l_c, which just wrapped up yesterday. This was the second of two residencies l_c hosted in partnership with @fr.moca, which provided time, space, and a modest material budget to support research and the production of new work.

A few images of new textile works produced by @luluvarona during her three-week stay at l_c, which just wrapped up yesterday. This was the second of two residencies l_c hosted in partnership with @fr.moca, which provided time, space, and a modest material budget to support research and the production of new work.

lower_cavity is pleased to announce the upcoming presentation of @johnmenick 's "Telharmonium," a generative film installation developed during his residency. The project will be on view by appointment April 26–May 31, with an opening reception April 26, 4–7 pm.

Filmed in Holyoke over one year, "Telharmonium" explores the automation of culture through one of the earliest electronic instruments. Built in the 1900s by Thaddeus Cahill, the Telharmonium was a two-hundred-ton organ-like instrument whose music was transmitted over telephone networks—the first time a single electrical current could imitate multiple instruments. Its first public version was built in Holyoke, just blocks from lower_cavity.

Like the player piano and phonograph, the Telharmonium was an early attempt to automate cultural labor. For Menick, these tensions echo today's debates over AI and creative work: just as the Telharmonium displaced live musicians, AI now imitates artistic styles with unsettling accuracy.

The film is a complex machine, algorithmically changing in real time—its montage and sound controlled by software routing economic simulation data to video and audio. Footage shot with thermal, infrared, drone, and night vision cameras is intercut with speculative reconstructions of the Telharmonium and AI-generated imagery, while a synthetic voice speaks in fragments about telephony, telepathy, and automation. The generative score was composed with @ex.wiish .

For its presentation at lower_cavity, the work operates as a "lights out" factory—running continuously, gathering data while visitors are absent, unfolding over several weeks on its own programmed circadian rhythm.

"Telharmonium" was produced by @matta___________ , Milan, with additional support from @kadistkadist . Premiered at Artissima 2025; collection of Castello di Rivoli.

Menick's work has been exhibited at dOCUMENTA(13), MoMA/PS1, Palais de Tokyo, and CCA Wattis. johnmenick.com

Shirken's work has been presented at Pioneer Works, Cannes, IFFR, and Brooklyn Academy of Music. benshirken.com

416 Dwight Street
Holyoke MA
lowercavity.space

lower_cavity is pleased to announce the upcoming presentation of @johnmenick 's "Telharmonium," a generative film installation developed during his residency. The project will be on view by appointment April 26–May 31, with an opening reception April 26, 4–7 pm.

Filmed in Holyoke over one year, "Telharmonium" explores the automation of culture through one of the earliest electronic instruments. Built in the 1900s by Thaddeus Cahill, the Telharmonium was a two-hundred-ton organ-like instrument whose music was transmitted over telephone networks—the first time a single electrical current could imitate multiple instruments. Its first public version was built in Holyoke, just blocks from lower_cavity.

Like the player piano and phonograph, the Telharmonium was an early attempt to automate cultural labor. For Menick, these tensions echo today's debates over AI and creative work: just as the Telharmonium displaced live musicians, AI now imitates artistic styles with unsettling accuracy.

The film is a complex machine, algorithmically changing in real time—its montage and sound controlled by software routing economic simulation data to video and audio. Footage shot with thermal, infrared, drone, and night vision cameras is intercut with speculative reconstructions of the Telharmonium and AI-generated imagery, while a synthetic voice speaks in fragments about telephony, telepathy, and automation. The generative score was composed with @ex.wiish .

For its presentation at lower_cavity, the work operates as a "lights out" factory—running continuously, gathering data while visitors are absent, unfolding over several weeks on its own programmed circadian rhythm.

"Telharmonium" was produced by @matta___________ , Milan, with additional support from @kadistkadist . Premiered at Artissima 2025; collection of Castello di Rivoli.

Menick's work has been exhibited at dOCUMENTA(13), MoMA/PS1, Palais de Tokyo, and CCA Wattis. johnmenick.com

Shirken's work has been presented at Pioneer Works, Cannes, IFFR, and Brooklyn Academy of Music. benshirken.com

416 Dwight Street
Holyoke MA
lowercavity.space

lower_cavity has gone a bit dark recently (I had two of my own exhibitions back to back) but things are gearing up again. As winter finally begins to recede we're very pleased to welcome @luluvarona as the second of two artists-in-residents l_c is hosting in partnership with @fr.moca .

María Lucía “Lulu” Varona Borges (San Juan, Puerto Rico, 1993) is an interdisciplinary artist whose practice centers on embroidery, textiles, and the study of Puerto Rican social history. Her work weaves together labor memories, diaspora narratives, and the legacy of the needlework industry, using cross-stitch and other manual techniques as conceptual tools to examine labor, territory, and community.
Varona studied Multidisciplinary Visual Arts at the University of Puerto Rico, Río Piedras Campus. She has been an artist-in-residence at Art Omi (2023), the International Studio & Curatorial Program – ISCP (2018), Flux Factory (2019), ACRE (2021), and the Independent Studies Program at the Museum of Contemporary Art of Puerto Rico (2020). Her work has been exhibited in Puerto Rico, Mexico, and the United States, and is part of private and institutional collections, including the Whitney Museum of American Art.

l_c is pleased to announce the arrival of its latest artist-in-residence, MA-based artist @hamzatincorporated . This will be not only the first residency of 2026, but also the first of two residencies l_c is hosting in partnership with @fr.moca . Over the next four weeks, Incorporated will be conducting research towards new work that will eventually be presented as part of FR. MoCA's programming later in the year.

Hamzat Incorporated (NE Raheem, b. 1995) is a Nigeria-born artist whose identity operates as an entanglement of corporate entity, public figure, and private citizen. He earned a BFA in Conceptual Art from The Cooper Union in New York and an MFA in Stone Carving from Kyoto Seika University in Kyoto, Japan. Centered on the art of being an artist, his practice spans sculpture, drawing, and branding, treating authorship, labor, and value as materials in themselves. His work adopts corporate and branding structures as both subject and method, positioning names, images, exhibitions, and public interventions as strategic acts of valuation. His work has been presented with Steven Zevitas Gallery in Boston, Jeffrey Deitch Gallery in California, and Harlesden High Street Gallery in London.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

Documentation of @blinn_and_lambert 's "Couplets," the most recent project in lower_cavity's CHAMBER series, is now up on the l_c site. It was really great to host Kyle and Nick and see these works (two of them brand new) come to life in the space.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

On Sunday, January 11th, from 2 – 5 pm, lower_cavity will be hosting a closing event for the two most recent projects.

The first of these is "Everybody Here Wants You," an exhibition conceived by the most recent artist-in-residence @helmet_lung , featuring works by Li, @jepisalla , @carrie.yamaoka , and #davidnelson (1960-2013). Utilizing various spaces across the two l_c buildings and materials sourced on site, Li's project actively materializes ongoing reflections and resonance among the four artists' oeuvre into sequences of site-responsive installations. The exhibition is accompanied with a commissioned essay from William Wiebe. During the event on the 11th, Episalla, Li and Yamaoka will be present for a guided tour through the exhibition.

Alongside Li’s exhibition, l_c is hosting "Couplets," the latest project in its ongoing CHAMBER series, a suite of film- and slide-based works by the collaborative duo @blinnandlambert (AKA Nicholas Steindorf and Kyle Williams). Drawn together by their shared backgrounds in painting, which led them to their work in moving-image, installation, and projected light, their collaboration is shaped by a sensibility for deadpan humor and pacing, and by a process that centers on experimentation, invention, and material exploration. Their work explores questions rooted in their history with painting: How does an image hold time? What is the tension between material and presence?

This will be the last chance to see these projects in person before they come down, so if you find yourself in Western MA that weekend, please come by.

Thanks and best wishes for the New Year.

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

It's a wrap on year 5at l_c. Here's a look back at all the projects in 2025:

1. @sandra_ono_ , Feb. 2025
2. @permanentautumn , April - May 2025
3. CHAMBER: @coco_herewithme_dido.flac , April - June 2025
4. @spa_shorts , @joshschaedel , @lauraschawelka , June - July 2025
5. @szilviabolla , August - Oct. 2025
6. CHAMBER: @ivana.dama , November 2025
7: @helmet_lung , with @jepisalla , @carrie.yamaoka , and #davidnelson , Nov 2025 - January 2026
8: CHAMBER: @blinn_and_lambert , Nov 2025 - January 2026

Thanks to all of you who came through, it was great working with each of you and seeing your ideas evolve in the weird underworld that is l_c. See you in 2026!

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

By appointment only @lower_cavity Holyoke, MA. On view until January 11, 2026. We will be leading a tour on the last day of the show (01/11) at 2pm as part of the closing reception.

David Nelson
Hand in Hole
2000 / 2001
Silver gelatin print
24 x 20 in. (unframed)
31 x 25.5 x 1 in. (framed)
Edition of 5

Craig Jun Li
Untitled
2024
Oil paint, alcohol, silicone
12 x 8 in. each (flat)
In a suite of five, each unique

Joy Episalla
foldtogram (1152” x 50”, August), iteration 5 
2019 / 2021(2) / 2023 / 2025
Light sensitive emulsion-coated paper
Dimensions variable

David Nelson
Tidal Records
1987 / 1989
Ink and sand on paper
26 x 20 in. each
Twenty-six panels, each unique

Carrie Yamaoka
peeled 3 
2025
Flexible urethane resin on black vinyl
20.25 x 25.25 in. (framed)

Joy Episalla and Carrie Yamaoka
Day for Night
2019 / 2025
5 minute digital video, flexible urethane resin on black vinyl
Video dimension varies / vinyl measures 48 x 91 in.

Craig Jun Li
Untitled
2023
SX-70 film on reflective silver mylar in artist’s frame
16.25 x 20.25 in. (framed)
Unique

Craig Jun Li
“untitled” (pets)
2024
SX-70 film in artist’s frame
16.25 x 20.25 in. (framed)
In a suite of three, each unique

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

Everybody Here Wants You: Craig Jun Li with Joy Episalla, David Nelson (1960-2013), Carrie Yamaoka

On view until January 10, 2026
By appointment only @lower_cavity Holyoke, MA

Basement # 2

David Nelson
Untitled (Timer/Sand/Pull)
c.1993
Photogram
16 x 20 in. each
In a suite of five, each unique

Craig Jun Li
“Untitled” (Bad Clocks/Kyle)
2024 / 2025
Antique 120 hour bank vault time locks, acrylic, embossed silicone, clear poly sheeting, cigarette ash, artist’s saliva, mirror-polished stainless steel, aluminum, glassine, cinder blocks

Joy Episalla
foldtogram (chromo sm 1)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 2)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 3)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Joy Episalla
foldtogram (chromo sm 4)
2025
Light sensitive emulsion-coated paper
10.25 x 12.375 in. (framed)

Carrie Yamaoka
Blue bubble remains
2025
Urethane resin and mixed media
16.5 x 20.375 in.

#CraigJunLi @helmet_lung
#JoyEpisalla @jepisalla
#DavidNelson the Estate of David Nelson @barrypaddock
#CarrieYamaoka @carrie.yamaoka

"Couplet," a double slide projection work by @blinn_and_lambert , part of a suite of three works in l_c's lower annex as part of the ongoing CHAMBER series.

On view by appointment through January 10th (although note I'll be traveling from 12/20 - 12/30).

"Couplet," a double slide projection work by @blinn_and_lambert , part of a suite of three works in l_c's lower annex as part of the ongoing CHAMBER series.

On view by appointment through January 10th (although note I'll be traveling from 12/20 - 12/30).