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Galería RGR
Now on view: Wang Yi - Penumbra and Shadow
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Today we celebrate the birthday of Francisco Muñoz (Tlaxcala, Mexico, 1986). Born in Tlaxcala, a region deeply connected to the narratives of the Conquest, he explores in his work visual elements of pre-Columbian culture and the historical imaginary surrounding Mexico’s colonial past.
Through a multidisciplinary practice that integrates ceramics, painting, collage, textiles, drawing, and installation, Muñoz approaches materials, objects, and their symbols as bearers of historical tension. His work intertwines artisanal traditions and cultural references, translating them into a contemporary visual language.
We send him our warmest wishes on this very special day. ✨
___________________________
Hoy celebramos el cumpleaños de Francisco Muñoz (Tlaxcala, México, 1986). Nacido en Tlaxcala, una región profundamente ligada a las narrativas de la Conquista, explora en su obra elementos visuales de la cultura precolombina y del imaginario histórico que rodea el pasado colonial de México.
A través de una práctica multidisciplinaria que integra cerámica, pintura, collage, textiles, dibujo e instalación, Muñoz aborda los materiales, los objetos y sus símbolos como portadores de una tensión histórica. Su trabajo entrelaza tradiciones artesanales y referencias culturales, traduciéndolas en un lenguaje visual contemporáneo.
Le enviamos nuestros más cálidos deseos en este día tan especial. ✨
Cartography of Abstraction
Presented as part of the 50th anniversary of Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA at the Museo de Arte Contemporáneo de Monterrey proposes a reading of Latin American art beyond linear narratives and fixed geographies.
Organized around five thematic axes, the exhibition establishes connections between works, periods, and artistic positions, approaching the collection through constellations rather than chronology.
Bringing together artists such as Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández and Magali Lara, among others, the exhibition moves through questions surrounding territory, abstraction, geometry, colonial structures, and the relationship between bodies and landscape, reflecting the diversity of approaches that shape modern and contemporary Latin American art.
Constelaciones y derivas: arte de América Latina desde la Colección FEMSA
Museo de Arte Contemporáneo de Monterrey (MARCO)
Until August 16, 2026
_______________________________________
Cartografías del arte latinoamericano
Presentada en el marco del 50 aniversario de Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA en el Museo de Arte Contemporáneo de Monterrey (MARCO) propone una lectura del arte latinoamericano más allá de relatos lineales y geografías fijas.
Organizada a partir de cinco ejes temáticos, la exposición establece conexiones entre obras, períodos y posiciones artísticas, acercándose a la colección desde una lógica de constelaciones más que de cronologías.
Reuniendo artistas como Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández, y Magali Lara, entre otros, la muestra atraviesa cuestiones vinculadas al territorio, la abstracción, la geometría, las estructuras coloniales y la relación entre cuerpos y paisaje, reflejando la diversidad de enfoques que atraviesan el arte moderno y contemporáneo de América Latina.
Vista de exposición
Cortesía Colección FEMSA y Museo de Arte Contemporáneo de Monterrey
Fotografías: Michelle Lartigue
Cartography of Abstraction
Presented as part of the 50th anniversary of Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA at the Museo de Arte Contemporáneo de Monterrey proposes a reading of Latin American art beyond linear narratives and fixed geographies.
Organized around five thematic axes, the exhibition establishes connections between works, periods, and artistic positions, approaching the collection through constellations rather than chronology.
Bringing together artists such as Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández and Magali Lara, among others, the exhibition moves through questions surrounding territory, abstraction, geometry, colonial structures, and the relationship between bodies and landscape, reflecting the diversity of approaches that shape modern and contemporary Latin American art.
Constelaciones y derivas: arte de América Latina desde la Colección FEMSA
Museo de Arte Contemporáneo de Monterrey (MARCO)
Until August 16, 2026
_______________________________________
Cartografías del arte latinoamericano
Presentada en el marco del 50 aniversario de Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA en el Museo de Arte Contemporáneo de Monterrey (MARCO) propone una lectura del arte latinoamericano más allá de relatos lineales y geografías fijas.
Organizada a partir de cinco ejes temáticos, la exposición establece conexiones entre obras, períodos y posiciones artísticas, acercándose a la colección desde una lógica de constelaciones más que de cronologías.
Reuniendo artistas como Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández, y Magali Lara, entre otros, la muestra atraviesa cuestiones vinculadas al territorio, la abstracción, la geometría, las estructuras coloniales y la relación entre cuerpos y paisaje, reflejando la diversidad de enfoques que atraviesan el arte moderno y contemporáneo de América Latina.
Vista de exposición
Cortesía Colección FEMSA y Museo de Arte Contemporáneo de Monterrey
Fotografías: Michelle Lartigue
Cartography of Abstraction
Presented as part of the 50th anniversary of Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA at the Museo de Arte Contemporáneo de Monterrey proposes a reading of Latin American art beyond linear narratives and fixed geographies.
Organized around five thematic axes, the exhibition establishes connections between works, periods, and artistic positions, approaching the collection through constellations rather than chronology.
Bringing together artists such as Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández and Magali Lara, among others, the exhibition moves through questions surrounding territory, abstraction, geometry, colonial structures, and the relationship between bodies and landscape, reflecting the diversity of approaches that shape modern and contemporary Latin American art.
Constelaciones y derivas: arte de América Latina desde la Colección FEMSA
Museo de Arte Contemporáneo de Monterrey (MARCO)
Until August 16, 2026
_______________________________________
Cartografías del arte latinoamericano
Presentada en el marco del 50 aniversario de Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA en el Museo de Arte Contemporáneo de Monterrey (MARCO) propone una lectura del arte latinoamericano más allá de relatos lineales y geografías fijas.
Organizada a partir de cinco ejes temáticos, la exposición establece conexiones entre obras, períodos y posiciones artísticas, acercándose a la colección desde una lógica de constelaciones más que de cronologías.
Reuniendo artistas como Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández, y Magali Lara, entre otros, la muestra atraviesa cuestiones vinculadas al territorio, la abstracción, la geometría, las estructuras coloniales y la relación entre cuerpos y paisaje, reflejando la diversidad de enfoques que atraviesan el arte moderno y contemporáneo de América Latina.
Vista de exposición
Cortesía Colección FEMSA y Museo de Arte Contemporáneo de Monterrey
Fotografías: Michelle Lartigue
Cartography of Abstraction
Presented as part of the 50th anniversary of Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA at the Museo de Arte Contemporáneo de Monterrey proposes a reading of Latin American art beyond linear narratives and fixed geographies.
Organized around five thematic axes, the exhibition establishes connections between works, periods, and artistic positions, approaching the collection through constellations rather than chronology.
Bringing together artists such as Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández and Magali Lara, among others, the exhibition moves through questions surrounding territory, abstraction, geometry, colonial structures, and the relationship between bodies and landscape, reflecting the diversity of approaches that shape modern and contemporary Latin American art.
Constelaciones y derivas: arte de América Latina desde la Colección FEMSA
Museo de Arte Contemporáneo de Monterrey (MARCO)
Until August 16, 2026
_______________________________________
Cartografías del arte latinoamericano
Presentada en el marco del 50 aniversario de Colección FEMSA, Constelaciones y derivas: arte de América Latina desde la Colección FEMSA en el Museo de Arte Contemporáneo de Monterrey (MARCO) propone una lectura del arte latinoamericano más allá de relatos lineales y geografías fijas.
Organizada a partir de cinco ejes temáticos, la exposición establece conexiones entre obras, períodos y posiciones artísticas, acercándose a la colección desde una lógica de constelaciones más que de cronologías.
Reuniendo artistas como Carlos Cruz-Diez, Gego, Jesús Rafael Soto, Julio Le Parc, Magdalena Fernández, y Magali Lara, entre otros, la muestra atraviesa cuestiones vinculadas al territorio, la abstracción, la geometría, las estructuras coloniales y la relación entre cuerpos y paisaje, reflejando la diversidad de enfoques que atraviesan el arte moderno y contemporáneo de América Latina.
Vista de exposición
Cortesía Colección FEMSA y Museo de Arte Contemporáneo de Monterrey
Fotografías: Michelle Lartigue
Body, play, and resonance
Mercedes Azpilicueta presents CaccHho CucchhA, an installation developed with de Appel and currently on view at Kunstmuseum Liechtenstein. Conceived for both children and adults, the installation brings together textile structures, wearable elements, and sound, activating the body through movement and interaction. Rather than a fixed form, the installation unfolds through participation, where gesture, play, and collective exploration become the work itself. Within this shifting environment, the boundaries between viewer and artwork dissolve, offering an open-ended sensory experience in constant transformation.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Until November 22
Photo: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
————————————————————
Cuerpo, juego y resonancia
Mercedes Azpilicueta presenta CaccHho CucchhA, una instalación desarrollada en colaboración con de Appel y que actualmente se exhibe en el Kunstmuseum Liechtenstein. Concebida tanto para niños como para adultos, la instalación combina estructuras textiles, elementos que se pueden llevar puestos y sonido, activando el cuerpo a través del movimiento y la interacción. Lejos de ser una forma fija, la instalación se desarrolla a través de la participación, donde el gesto, el juego y la exploración colectiva se convierten en la obra misma. Dentro de este entorno cambiante, los límites entre el espectador y la obra de arte se disuelven, ofreciendo una experiencia sensorial abierta y en constante transformación.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Hasta el 22 de noviembre
Fotografia: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
Body, play, and resonance
Mercedes Azpilicueta presents CaccHho CucchhA, an installation developed with de Appel and currently on view at Kunstmuseum Liechtenstein. Conceived for both children and adults, the installation brings together textile structures, wearable elements, and sound, activating the body through movement and interaction. Rather than a fixed form, the installation unfolds through participation, where gesture, play, and collective exploration become the work itself. Within this shifting environment, the boundaries between viewer and artwork dissolve, offering an open-ended sensory experience in constant transformation.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Until November 22
Photo: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
————————————————————
Cuerpo, juego y resonancia
Mercedes Azpilicueta presenta CaccHho CucchhA, una instalación desarrollada en colaboración con de Appel y que actualmente se exhibe en el Kunstmuseum Liechtenstein. Concebida tanto para niños como para adultos, la instalación combina estructuras textiles, elementos que se pueden llevar puestos y sonido, activando el cuerpo a través del movimiento y la interacción. Lejos de ser una forma fija, la instalación se desarrolla a través de la participación, donde el gesto, el juego y la exploración colectiva se convierten en la obra misma. Dentro de este entorno cambiante, los límites entre el espectador y la obra de arte se disuelven, ofreciendo una experiencia sensorial abierta y en constante transformación.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Hasta el 22 de noviembre
Fotografia: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
Body, play, and resonance
Mercedes Azpilicueta presents CaccHho CucchhA, an installation developed with de Appel and currently on view at Kunstmuseum Liechtenstein. Conceived for both children and adults, the installation brings together textile structures, wearable elements, and sound, activating the body through movement and interaction. Rather than a fixed form, the installation unfolds through participation, where gesture, play, and collective exploration become the work itself. Within this shifting environment, the boundaries between viewer and artwork dissolve, offering an open-ended sensory experience in constant transformation.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Until November 22
Photo: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
————————————————————
Cuerpo, juego y resonancia
Mercedes Azpilicueta presenta CaccHho CucchhA, una instalación desarrollada en colaboración con de Appel y que actualmente se exhibe en el Kunstmuseum Liechtenstein. Concebida tanto para niños como para adultos, la instalación combina estructuras textiles, elementos que se pueden llevar puestos y sonido, activando el cuerpo a través del movimiento y la interacción. Lejos de ser una forma fija, la instalación se desarrolla a través de la participación, donde el gesto, el juego y la exploración colectiva se convierten en la obra misma. Dentro de este entorno cambiante, los límites entre el espectador y la obra de arte se disuelven, ofreciendo una experiencia sensorial abierta y en constante transformación.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Hasta el 22 de noviembre
Fotografia: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
Body, play, and resonance
Mercedes Azpilicueta presents CaccHho CucchhA, an installation developed with de Appel and currently on view at Kunstmuseum Liechtenstein. Conceived for both children and adults, the installation brings together textile structures, wearable elements, and sound, activating the body through movement and interaction. Rather than a fixed form, the installation unfolds through participation, where gesture, play, and collective exploration become the work itself. Within this shifting environment, the boundaries between viewer and artwork dissolve, offering an open-ended sensory experience in constant transformation.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Until November 22
Photo: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
————————————————————
Cuerpo, juego y resonancia
Mercedes Azpilicueta presenta CaccHho CucchhA, una instalación desarrollada en colaboración con de Appel y que actualmente se exhibe en el Kunstmuseum Liechtenstein. Concebida tanto para niños como para adultos, la instalación combina estructuras textiles, elementos que se pueden llevar puestos y sonido, activando el cuerpo a través del movimiento y la interacción. Lejos de ser una forma fija, la instalación se desarrolla a través de la participación, donde el gesto, el juego y la exploración colectiva se convierten en la obra misma. Dentro de este entorno cambiante, los límites entre el espectador y la obra de arte se disuelven, ofreciendo una experiencia sensorial abierta y en constante transformación.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Hasta el 22 de noviembre
Fotografia: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
Body, play, and resonance
Mercedes Azpilicueta presents CaccHho CucchhA, an installation developed with de Appel and currently on view at Kunstmuseum Liechtenstein. Conceived for both children and adults, the installation brings together textile structures, wearable elements, and sound, activating the body through movement and interaction. Rather than a fixed form, the installation unfolds through participation, where gesture, play, and collective exploration become the work itself. Within this shifting environment, the boundaries between viewer and artwork dissolve, offering an open-ended sensory experience in constant transformation.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Until November 22
Photo: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
————————————————————
Cuerpo, juego y resonancia
Mercedes Azpilicueta presenta CaccHho CucchhA, una instalación desarrollada en colaboración con de Appel y que actualmente se exhibe en el Kunstmuseum Liechtenstein. Concebida tanto para niños como para adultos, la instalación combina estructuras textiles, elementos que se pueden llevar puestos y sonido, activando el cuerpo a través del movimiento y la interacción. Lejos de ser una forma fija, la instalación se desarrolla a través de la participación, donde el gesto, el juego y la exploración colectiva se convierten en la obra misma. Dentro de este entorno cambiante, los límites entre el espectador y la obra de arte se disuelven, ofreciendo una experiencia sensorial abierta y en constante transformación.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Hasta el 22 de noviembre
Fotografia: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
Body, play, and resonance
Mercedes Azpilicueta presents CaccHho CucchhA, an installation developed with de Appel and currently on view at Kunstmuseum Liechtenstein. Conceived for both children and adults, the installation brings together textile structures, wearable elements, and sound, activating the body through movement and interaction. Rather than a fixed form, the installation unfolds through participation, where gesture, play, and collective exploration become the work itself. Within this shifting environment, the boundaries between viewer and artwork dissolve, offering an open-ended sensory experience in constant transformation.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Until November 22
Photo: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
————————————————————
Cuerpo, juego y resonancia
Mercedes Azpilicueta presenta CaccHho CucchhA, una instalación desarrollada en colaboración con de Appel y que actualmente se exhibe en el Kunstmuseum Liechtenstein. Concebida tanto para niños como para adultos, la instalación combina estructuras textiles, elementos que se pueden llevar puestos y sonido, activando el cuerpo a través del movimiento y la interacción. Lejos de ser una forma fija, la instalación se desarrolla a través de la participación, donde el gesto, el juego y la exploración colectiva se convierten en la obra misma. Dentro de este entorno cambiante, los límites entre el espectador y la obra de arte se disuelven, ofreciendo una experiencia sensorial abierta y en constante transformación.
CaccHho CucchhA
Kunstmuseum Liechtenstein, Liechtenstein
Hasta el 22 de noviembre
Fotografia: Sandra Maier
©️ Kunstmuseum Liechtenstein, Vaduz
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
Cosmotechnics: Ding Yi as a Planetary Code is now on view at Fondazione Querini Stampalia, presented during the 61st Venice Biennale.
For more than three decades, Ding Yi has developed one of the most consistent and recognizable visual languages in contemporary abstraction. Through the continuous evolution of his Appearance of Crosses series, the cross becomes less an image than a method: a structure through which rhythm, perception, and pictorial space are built.
Set within the Area Scarpa, the exhibition brings Ding Yi’s work into close relation with the architectural precision and spatial sensibility of Carlo Scarpa. New and historical paintings are presented alongside stone steles, while a constellation of twelve black-and-white works introduces a distilled, monochrome register within the installation.
Rather than approaching painting as representation, Ding Yi’s practice unfolds as a system of repetition, variation, and accumulation. In this context, Yuk Hui’s notion of “cosmotechnics” opens a broader reflection on how form, technique, and perception can connect individual gesture to larger spatial and temporal orders.
Curated by Alfredo Cramerotti and Auronda Scalera. Presented by Fondazione Querini Stampalia with the support of Lisson and ShanghART.
Cosmotechnics: Ding Yi as a Planetary Code
Venice, Italy
Until November 22, 2026
Installation views of DING YI’s “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia, Venice, 2026. Copyright the artist. Photo by George Darrell. Courtesy Lisson Gallery and ShanghART Gallery.
A Collective Breath
Jeppe Hein presents Reflections on Breathing at Vanhaerents Art Collection Project Space, an environment shaped by breathing, movement, and awareness.
Breathe With Me, a participatory installation, invites visitors to translate each exhale into a blue line, individual gestures gradually forming a collective drawing.
The exhibition brings together Hein’s Modified Social Benches and Rotating Mirrors, sculptures that reshape how we move, sit, interact, and perceive space. Together, the works create a setting that invites participation and attentiveness, encouraging a heightened awareness of one’s presence within a shared environment.
Reflections on Breathing
Vanhaerents Art Collection Project Space, Belgium
April 25 – December 31, 2026
Photos: Courtesy of Vanhaerents Art Collection
————————————-
Una respiración colectiva
Jeppe Hein presenta Reflections on Breathing en Vanhaerents Art Collection Project Space, un entorno configurado por la respiración, el movimiento y la conciencia.
Breathe With Me, una instalación participativa, invita a los visitantes a traducir cada exhalación en una línea azul, donde gestos individuales forman gradualmente un dibujo colectivo.
La exposición reúne también Modified Social Benches y Rotating Mirrors, esculturas que transforman la manera en que nos movemos, nos sentamos, interactuamos y percibimos el espacio. En conjunto, las obras crean una experiencia que invita a la participación y la atención, favoreciendo una mayor conciencia de la propia presencia en un entorno compartido.
Reflections on Breathing
Vanhaerents Art Collection Project Space, Bélgica
Hasta el 31 de diciembre de 2026
Fotografías: Cortesía de Vanhaerents Art Collection
A Collective Breath
Jeppe Hein presents Reflections on Breathing at Vanhaerents Art Collection Project Space, an environment shaped by breathing, movement, and awareness.
Breathe With Me, a participatory installation, invites visitors to translate each exhale into a blue line, individual gestures gradually forming a collective drawing.
The exhibition brings together Hein’s Modified Social Benches and Rotating Mirrors, sculptures that reshape how we move, sit, interact, and perceive space. Together, the works create a setting that invites participation and attentiveness, encouraging a heightened awareness of one’s presence within a shared environment.
Reflections on Breathing
Vanhaerents Art Collection Project Space, Belgium
April 25 – December 31, 2026
Photos: Courtesy of Vanhaerents Art Collection
————————————-
Una respiración colectiva
Jeppe Hein presenta Reflections on Breathing en Vanhaerents Art Collection Project Space, un entorno configurado por la respiración, el movimiento y la conciencia.
Breathe With Me, una instalación participativa, invita a los visitantes a traducir cada exhalación en una línea azul, donde gestos individuales forman gradualmente un dibujo colectivo.
La exposición reúne también Modified Social Benches y Rotating Mirrors, esculturas que transforman la manera en que nos movemos, nos sentamos, interactuamos y percibimos el espacio. En conjunto, las obras crean una experiencia que invita a la participación y la atención, favoreciendo una mayor conciencia de la propia presencia en un entorno compartido.
Reflections on Breathing
Vanhaerents Art Collection Project Space, Bélgica
Hasta el 31 de diciembre de 2026
Fotografías: Cortesía de Vanhaerents Art Collection
A Collective Breath
Jeppe Hein presents Reflections on Breathing at Vanhaerents Art Collection Project Space, an environment shaped by breathing, movement, and awareness.
Breathe With Me, a participatory installation, invites visitors to translate each exhale into a blue line, individual gestures gradually forming a collective drawing.
The exhibition brings together Hein’s Modified Social Benches and Rotating Mirrors, sculptures that reshape how we move, sit, interact, and perceive space. Together, the works create a setting that invites participation and attentiveness, encouraging a heightened awareness of one’s presence within a shared environment.
Reflections on Breathing
Vanhaerents Art Collection Project Space, Belgium
April 25 – December 31, 2026
Photos: Courtesy of Vanhaerents Art Collection
————————————-
Una respiración colectiva
Jeppe Hein presenta Reflections on Breathing en Vanhaerents Art Collection Project Space, un entorno configurado por la respiración, el movimiento y la conciencia.
Breathe With Me, una instalación participativa, invita a los visitantes a traducir cada exhalación en una línea azul, donde gestos individuales forman gradualmente un dibujo colectivo.
La exposición reúne también Modified Social Benches y Rotating Mirrors, esculturas que transforman la manera en que nos movemos, nos sentamos, interactuamos y percibimos el espacio. En conjunto, las obras crean una experiencia que invita a la participación y la atención, favoreciendo una mayor conciencia de la propia presencia en un entorno compartido.
Reflections on Breathing
Vanhaerents Art Collection Project Space, Bélgica
Hasta el 31 de diciembre de 2026
Fotografías: Cortesía de Vanhaerents Art Collection
New Narratives in Latin American Art
As part of its 25th anniversary, Museo de Arte Latinoamericano de Buenos Aires (MALBA) presents Colección Malba–Costantini: Latinoamérica en expansión, a new display of its collection.
Bringing together works from the museum’s holdings and the collection of Eduardo F. Costantini, the exhibition traces key trajectories of Latin American modernism across the twentieth century.
With figures such as Carlos Cruz-Diez, Jesús Rafael Soto, Gego, and Julio Le Parc among others the exhibition mark a field in which abstraction, movement, and perception remain central.
Colección Malba–Costantini: Latinoamérica en expansión
Buenos Aires, Argentina
Until February 8, 2027
Photos: Alejandro Guyot Courtesy of Museo MALBA
—————————————————-
Nuevas narrativas en el arte latinoamericano
Con motivo de su 25 aniversario, el Museo de Arte Latinoamericano de Buenos Aires (MALBA) presenta Colección Malba–Costantini: Latinoamérica en expansión, una nueva presentación de su colección.
Reuniendo obras del acervo del museo y de la colección de Eduardo F. Costantini, la exposición traza recorridos clave del modernismo latinoamericano a lo largo del siglo XX.
Con figuras como Carlos Cruz-Diez, Jesús Rafael Soto, Gego y Julio Le Parc entre otros, la exposición marca un campo en el que la abstracción, el movimiento y la percepción siguen siendo centrales. Revisar que de verdad no nos falte nombrar a ningún artista.
Colección Malba–Costantini: Latinoamérica en expansión
Buenos Aires, Argentina
Hasta el 8 de febrero de 2027
Fotografías: Alejandro Guyot, Cortesía Museo MALBA
New Narratives in Latin American Art
As part of its 25th anniversary, Museo de Arte Latinoamericano de Buenos Aires (MALBA) presents Colección Malba–Costantini: Latinoamérica en expansión, a new display of its collection.
Bringing together works from the museum’s holdings and the collection of Eduardo F. Costantini, the exhibition traces key trajectories of Latin American modernism across the twentieth century.
With figures such as Carlos Cruz-Diez, Jesús Rafael Soto, Gego, and Julio Le Parc among others the exhibition mark a field in which abstraction, movement, and perception remain central.
Colección Malba–Costantini: Latinoamérica en expansión
Buenos Aires, Argentina
Until February 8, 2027
Photos: Alejandro Guyot Courtesy of Museo MALBA
—————————————————-
Nuevas narrativas en el arte latinoamericano
Con motivo de su 25 aniversario, el Museo de Arte Latinoamericano de Buenos Aires (MALBA) presenta Colección Malba–Costantini: Latinoamérica en expansión, una nueva presentación de su colección.
Reuniendo obras del acervo del museo y de la colección de Eduardo F. Costantini, la exposición traza recorridos clave del modernismo latinoamericano a lo largo del siglo XX.
Con figuras como Carlos Cruz-Diez, Jesús Rafael Soto, Gego y Julio Le Parc entre otros, la exposición marca un campo en el que la abstracción, el movimiento y la percepción siguen siendo centrales. Revisar que de verdad no nos falte nombrar a ningún artista.
Colección Malba–Costantini: Latinoamérica en expansión
Buenos Aires, Argentina
Hasta el 8 de febrero de 2027
Fotografías: Alejandro Guyot, Cortesía Museo MALBA
New Narratives in Latin American Art
As part of its 25th anniversary, Museo de Arte Latinoamericano de Buenos Aires (MALBA) presents Colección Malba–Costantini: Latinoamérica en expansión, a new display of its collection.
Bringing together works from the museum’s holdings and the collection of Eduardo F. Costantini, the exhibition traces key trajectories of Latin American modernism across the twentieth century.
With figures such as Carlos Cruz-Diez, Jesús Rafael Soto, Gego, and Julio Le Parc among others the exhibition mark a field in which abstraction, movement, and perception remain central.
Colección Malba–Costantini: Latinoamérica en expansión
Buenos Aires, Argentina
Until February 8, 2027
Photos: Alejandro Guyot Courtesy of Museo MALBA
—————————————————-
Nuevas narrativas en el arte latinoamericano
Con motivo de su 25 aniversario, el Museo de Arte Latinoamericano de Buenos Aires (MALBA) presenta Colección Malba–Costantini: Latinoamérica en expansión, una nueva presentación de su colección.
Reuniendo obras del acervo del museo y de la colección de Eduardo F. Costantini, la exposición traza recorridos clave del modernismo latinoamericano a lo largo del siglo XX.
Con figuras como Carlos Cruz-Diez, Jesús Rafael Soto, Gego y Julio Le Parc entre otros, la exposición marca un campo en el que la abstracción, el movimiento y la percepción siguen siendo centrales. Revisar que de verdad no nos falte nombrar a ningún artista.
Colección Malba–Costantini: Latinoamérica en expansión
Buenos Aires, Argentina
Hasta el 8 de febrero de 2027
Fotografías: Alejandro Guyot, Cortesía Museo MALBA
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Resonances of a Living Abstraction
Elias Crespin positions himself within the Venezuelan abstract and kinetic tradition, in dialogue with figures such as Gego, Jesús Rafael Soto, Carlos Cruz-Diez, and Alejandro Otero.
Working with motors and custom programming, Crespin activates suspended geometric structures whose movement unfolds over time. These electrokinetic sculptures operate through sequences governed by mathematical systems.
His work continues a tradition in which abstraction is linked to movement, space, and perception.
Espacio TCB21
Madrid, Spain
Photos: Juliette Valentin ©️ Atelier Crespin
—————————————————
Resonancias de una abstracción viva
Elias Crespin se sitúa en relación con la tradición abstracta y cinética venezolana, en diálogo con figuras como Gego, Jesús Rafael Soto, Carlos Cruz-Diez y Alejandro Otero.
A través de motores y programación propia, Crespin activa estructuras geométricas suspendidas cuyo movimiento se despliega en el tiempo. Estas esculturas electrocinéticas operan mediante secuencias regidas por sistemas matemáticos.
Su trabajo continúa una tradición en la que la abstracción está ligada al movimiento, el espacio y la percepción.
Espacio TCB21
Madrid, España
Fotografias: Juliette Valentin ©️ Atelier Crespin
Rituals of becoming
Hilma’s Ghost takes part in A Queer Arcana: Art, Magic, and Spirit at Palm Springs Art Museum, a group exhibition that brings together artists exploring how magic, spirituality, and esoteric knowledge have shaped queer art and culture.
Drawing on the notion of arcana as hidden and mystical knowledge, the exhibition considers how spiritual practices become sources of connection, transformation, and community.
Within this context, Hilma’s Ghost engages ritual, symbols, and collective practices, approaching magic as a way to imagine worlds beyond repressive systems and to reclaim sexuality as a source of power.
A Queer Arcana
Palm Springs Art Museum
Until March 28, 2026
Photos courtesy of: @psartmuseum
____________________________________________
Rituals of becoming
Hilma’s Ghost participa en A Queer Arcana: Art, Magic, and Spirit en el Palm Springs Art Museum, una exposición colectiva que reúne a artistas que exploran cómo la magia, la espiritualidad y el conocimiento esotérico han configurado el arte y la cultura queer.
A partir de la noción de arcana como conocimiento oculto y místico, la exposición considera cómo las prácticas espirituales se convierten en fuentes de conexión, transformación y comunidad.
En este contexto, Hilma’s Ghost trabaja con ritual, símbolos y prácticas colectivas, abordando la magia como una forma de imaginar mundos más allá de sistemas represivos y de reivindicar la sexualidad como una fuente de poder.
A Queer Arcana
Palm Springs Art Museum
Hasta el 28 de marzo de 2026
Rituals of becoming
Hilma’s Ghost takes part in A Queer Arcana: Art, Magic, and Spirit at Palm Springs Art Museum, a group exhibition that brings together artists exploring how magic, spirituality, and esoteric knowledge have shaped queer art and culture.
Drawing on the notion of arcana as hidden and mystical knowledge, the exhibition considers how spiritual practices become sources of connection, transformation, and community.
Within this context, Hilma’s Ghost engages ritual, symbols, and collective practices, approaching magic as a way to imagine worlds beyond repressive systems and to reclaim sexuality as a source of power.
A Queer Arcana
Palm Springs Art Museum
Until March 28, 2026
Photos courtesy of: @psartmuseum
____________________________________________
Rituals of becoming
Hilma’s Ghost participa en A Queer Arcana: Art, Magic, and Spirit en el Palm Springs Art Museum, una exposición colectiva que reúne a artistas que exploran cómo la magia, la espiritualidad y el conocimiento esotérico han configurado el arte y la cultura queer.
A partir de la noción de arcana como conocimiento oculto y místico, la exposición considera cómo las prácticas espirituales se convierten en fuentes de conexión, transformación y comunidad.
En este contexto, Hilma’s Ghost trabaja con ritual, símbolos y prácticas colectivas, abordando la magia como una forma de imaginar mundos más allá de sistemas represivos y de reivindicar la sexualidad como una fuente de poder.
A Queer Arcana
Palm Springs Art Museum
Hasta el 28 de marzo de 2026
Rituals of becoming
Hilma’s Ghost takes part in A Queer Arcana: Art, Magic, and Spirit at Palm Springs Art Museum, a group exhibition that brings together artists exploring how magic, spirituality, and esoteric knowledge have shaped queer art and culture.
Drawing on the notion of arcana as hidden and mystical knowledge, the exhibition considers how spiritual practices become sources of connection, transformation, and community.
Within this context, Hilma’s Ghost engages ritual, symbols, and collective practices, approaching magic as a way to imagine worlds beyond repressive systems and to reclaim sexuality as a source of power.
A Queer Arcana
Palm Springs Art Museum
Until March 28, 2026
Photos courtesy of: @psartmuseum
____________________________________________
Rituals of becoming
Hilma’s Ghost participa en A Queer Arcana: Art, Magic, and Spirit en el Palm Springs Art Museum, una exposición colectiva que reúne a artistas que exploran cómo la magia, la espiritualidad y el conocimiento esotérico han configurado el arte y la cultura queer.
A partir de la noción de arcana como conocimiento oculto y místico, la exposición considera cómo las prácticas espirituales se convierten en fuentes de conexión, transformación y comunidad.
En este contexto, Hilma’s Ghost trabaja con ritual, símbolos y prácticas colectivas, abordando la magia como una forma de imaginar mundos más allá de sistemas represivos y de reivindicar la sexualidad como una fuente de poder.
A Queer Arcana
Palm Springs Art Museum
Hasta el 28 de marzo de 2026
Mexico City is one of the world's most exciting art cities. Ocula's City Art Guides make it easy to discover exhibitions, museums and galleries around the world.
On view now in Mexico City: Delcy Morelos at Museo Universitario Arte Contemporáneo (@eneltamayo), Wang Yi (@wangyi_________) at Galería RGR (@rgrart) and José María Velasco at
Museo Kaluz (@museokaluz).
Head to the link in our bio to explore with Ocula's City Art Guides.
Mexico City is one of the world's most exciting art cities. Ocula's City Art Guides make it easy to discover exhibitions, museums and galleries around the world.
On view now in Mexico City: Delcy Morelos at Museo Universitario Arte Contemporáneo (@eneltamayo), Wang Yi (@wangyi_________) at Galería RGR (@rgrart) and José María Velasco at
Museo Kaluz (@museokaluz).
Head to the link in our bio to explore with Ocula's City Art Guides.
Mexico City is one of the world's most exciting art cities. Ocula's City Art Guides make it easy to discover exhibitions, museums and galleries around the world.
On view now in Mexico City: Delcy Morelos at Museo Universitario Arte Contemporáneo (@eneltamayo), Wang Yi (@wangyi_________) at Galería RGR (@rgrart) and José María Velasco at
Museo Kaluz (@museokaluz).
Head to the link in our bio to explore with Ocula's City Art Guides.
Mexico City is one of the world's most exciting art cities. Ocula's City Art Guides make it easy to discover exhibitions, museums and galleries around the world.
On view now in Mexico City: Delcy Morelos at Museo Universitario Arte Contemporáneo (@eneltamayo), Wang Yi (@wangyi_________) at Galería RGR (@rgrart) and José María Velasco at
Museo Kaluz (@museokaluz).
Head to the link in our bio to explore with Ocula's City Art Guides.
Mexico City is one of the world's most exciting art cities. Ocula's City Art Guides make it easy to discover exhibitions, museums and galleries around the world.
On view now in Mexico City: Delcy Morelos at Museo Universitario Arte Contemporáneo (@eneltamayo), Wang Yi (@wangyi_________) at Galería RGR (@rgrart) and José María Velasco at
Museo Kaluz (@museokaluz).
Head to the link in our bio to explore with Ocula's City Art Guides.
Mexico City is one of the world's most exciting art cities. Ocula's City Art Guides make it easy to discover exhibitions, museums and galleries around the world.
On view now in Mexico City: Delcy Morelos at Museo Universitario Arte Contemporáneo (@eneltamayo), Wang Yi (@wangyi_________) at Galería RGR (@rgrart) and José María Velasco at
Museo Kaluz (@museokaluz).
Head to the link in our bio to explore with Ocula's City Art Guides.
Mexico City is one of the world's most exciting art cities. Ocula's City Art Guides make it easy to discover exhibitions, museums and galleries around the world.
On view now in Mexico City: Delcy Morelos at Museo Universitario Arte Contemporáneo (@eneltamayo), Wang Yi (@wangyi_________) at Galería RGR (@rgrart) and José María Velasco at
Museo Kaluz (@museokaluz).
Head to the link in our bio to explore with Ocula's City Art Guides.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Reflection of Shadow
Built through a slow, laborious process, these paintings develop through the accumulation of several hundred thin layers of pigment. Working with glazing, Wang Yi produces blurred interstitial zones of color and soft transitions across the surface.
Starting from a single pixel of color, depth appears gradually as surface effects emerge over time.
On view until May 23 at RGR.
—————————————
Reflection of Shadow
Construidas a través de un proceso lento y laborioso, estas pinturas se desarrollan mediante la acumulación de cientos de capas delgadas de pigmento. Trabajando con veladuras, Wang Yi produce zonas intersticiales de color y transiciones suaves sobre la superficie.
Partiendo de un solo píxel de color, la profundidad aparece gradualmente a medida que los efectos de superficie emergen con el tiempo.
En exhibición hasta el 23 de mayo en RGR.
Woven Identities
Mercedes Azpilicueta is currently on view in La vie climatique. Histoires sensibles des collections privées at [mac] Musée d’art contemporain de Marseille, presented as part of the 8th De leur temps Triennial, organized by ADIAF.
Her Jacquard tapestry “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originally commissioned by Gasworks, London, is presented within this context.
The work draws on the figure of Katalina de Erauso, developing narratives of transformation and fluid identity. The exhibition brings together works acquired over the past three years and approaches the collection as a living ecosystem, questioning the “ideal climate” of museums in relation to contemporary ecological, political, and social conditions.
On view until September 20, 2026.
______________________________________________
Identidades tejidas
Mercedes Azpilicueta se presenta actualmente en La vie climatique. Histoires sensibles des collections privées en [mac] Musée d’art contemporain de Marseille como parte de la 8ª Trienal De leur temps, organizada por ADIAF.
Su tapete “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originalmente comisionado por Gasworks, Londres, se presenta en este contexto.
La obra se basa en la figura de Catalina de Erauso, desarrollando narrativas de transformación e identidad fluida. La exposición reúne obras adquiridas en los últimos tres años y concibe la colección como un ecosistema vivo, cuestionando el “clima ideal” de los museos frente a las condiciones ecológicas, políticas y sociales contemporáneas.
En exhibición hasta el 20 de septiembre de 2026.
Woven Identities
Mercedes Azpilicueta is currently on view in La vie climatique. Histoires sensibles des collections privées at [mac] Musée d’art contemporain de Marseille, presented as part of the 8th De leur temps Triennial, organized by ADIAF.
Her Jacquard tapestry “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originally commissioned by Gasworks, London, is presented within this context.
The work draws on the figure of Katalina de Erauso, developing narratives of transformation and fluid identity. The exhibition brings together works acquired over the past three years and approaches the collection as a living ecosystem, questioning the “ideal climate” of museums in relation to contemporary ecological, political, and social conditions.
On view until September 20, 2026.
______________________________________________
Identidades tejidas
Mercedes Azpilicueta se presenta actualmente en La vie climatique. Histoires sensibles des collections privées en [mac] Musée d’art contemporain de Marseille como parte de la 8ª Trienal De leur temps, organizada por ADIAF.
Su tapete “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originalmente comisionado por Gasworks, Londres, se presenta en este contexto.
La obra se basa en la figura de Catalina de Erauso, desarrollando narrativas de transformación e identidad fluida. La exposición reúne obras adquiridas en los últimos tres años y concibe la colección como un ecosistema vivo, cuestionando el “clima ideal” de los museos frente a las condiciones ecológicas, políticas y sociales contemporáneas.
En exhibición hasta el 20 de septiembre de 2026.
Woven Identities
Mercedes Azpilicueta is currently on view in La vie climatique. Histoires sensibles des collections privées at [mac] Musée d’art contemporain de Marseille, presented as part of the 8th De leur temps Triennial, organized by ADIAF.
Her Jacquard tapestry “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originally commissioned by Gasworks, London, is presented within this context.
The work draws on the figure of Katalina de Erauso, developing narratives of transformation and fluid identity. The exhibition brings together works acquired over the past three years and approaches the collection as a living ecosystem, questioning the “ideal climate” of museums in relation to contemporary ecological, political, and social conditions.
On view until September 20, 2026.
______________________________________________
Identidades tejidas
Mercedes Azpilicueta se presenta actualmente en La vie climatique. Histoires sensibles des collections privées en [mac] Musée d’art contemporain de Marseille como parte de la 8ª Trienal De leur temps, organizada por ADIAF.
Su tapete “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originalmente comisionado por Gasworks, Londres, se presenta en este contexto.
La obra se basa en la figura de Catalina de Erauso, desarrollando narrativas de transformación e identidad fluida. La exposición reúne obras adquiridas en los últimos tres años y concibe la colección como un ecosistema vivo, cuestionando el “clima ideal” de los museos frente a las condiciones ecológicas, políticas y sociales contemporáneas.
En exhibición hasta el 20 de septiembre de 2026.
Woven Identities
Mercedes Azpilicueta is currently on view in La vie climatique. Histoires sensibles des collections privées at [mac] Musée d’art contemporain de Marseille, presented as part of the 8th De leur temps Triennial, organized by ADIAF.
Her Jacquard tapestry “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originally commissioned by Gasworks, London, is presented within this context.
The work draws on the figure of Katalina de Erauso, developing narratives of transformation and fluid identity. The exhibition brings together works acquired over the past three years and approaches the collection as a living ecosystem, questioning the “ideal climate” of museums in relation to contemporary ecological, political, and social conditions.
On view until September 20, 2026.
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Identidades tejidas
Mercedes Azpilicueta se presenta actualmente en La vie climatique. Histoires sensibles des collections privées en [mac] Musée d’art contemporain de Marseille como parte de la 8ª Trienal De leur temps, organizada por ADIAF.
Su tapete “The Lieutenant-Nun Is Passing: An Autobiography of Katalina, Antonio, Alonso and More” 2021, originalmente comisionado por Gasworks, Londres, se presenta en este contexto.
La obra se basa en la figura de Catalina de Erauso, desarrollando narrativas de transformación e identidad fluida. La exposición reúne obras adquiridas en los últimos tres años y concibe la colección como un ecosistema vivo, cuestionando el “clima ideal” de los museos frente a las condiciones ecológicas, políticas y sociales contemporáneas.
En exhibición hasta el 20 de septiembre de 2026.
Wrapping up @sp_arte 2026!
We extend our sincere gratitude to all who visited our booth over the past days. Your engagement and interest defined this edition for us.
Stay connected for our upcoming exhibitions and future fair participations.
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Cerramos @sp_arte 2026!
Expresamos nuestra sincera gratitud a todos quienes visitaron nuestro booth durante estos días. Su interés y participación marcaron esta edición para nosotros.
Les invitamos a seguirnos para conocer nuestras próximas exposiciones y participaciones en ferias.
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