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UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

UM~A -
in the frame of the Master's research - this room was named TRIBUTO - to the ones who came before us to the ones who are becoming alongside myself.
Tribute is a way to honoring forces, elements and the soil which has corroborate to our last long history on Earth - So, it's the time to pay it back
The installation was open to the visitors during the 3 days of Master Presentation and was activated on the 21st with the Open Rehearsal
During the research I visited and had the immense privilege to visit and learn and count on the hospitality of @drdaborracha - Agradeco imensamente a generosidade
Installation
various elements
imagination
and more than we can see
trails of choreography
smells of forest
hands and feets
voices and whispers

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Open Rehearsal - Poetics of Togetherness
21st of April - 2026
Das Choreography
Master Presentation
We start this gathering on February in Amsterdam - since then 8 events happened, and this was the deflagration of this process which has not yet ended.
The concept is contamination
ancestral methodologies
and a simple
act of holding hands
opening the voice
inviting the unknow
bringing the street to the theatre
the home to the theatre
it's an invitation to bend the walls of the establish ways of making theatre
it's simple, awkard, abstraction
beautfil,
transforming
this was part of my master research at DAS - UM~A
and I'm blessed and very grateful to the people who joined this process, nisha, kim, alla, maria magdalena, ivan, clara, laura
and many others,
to the audience, which was brave, generous, and had become not an audience anymore but agents of the space, keepers, performers and autonomus creative beings
So, the contaminaton has happened but now it's difficult to know who was the responsible - because we all are in togetherness in poetics of togetherness
pictures by Thomas Lenden

Urban Poetics - UM~A
connecting the forest to the city

What the rubber reveals is not only a system of exploitation of the soil and the soul of humans and the non human
It's a memory which is carved in trees and hearts of native people who had their life, culture and entire families destroyed and killed by a system which last until these days - colonialism-
Putumayo is a fact ,a time in history which is not known, not writte in historie's book - and what many people call the Golden Age of the Amazon region - is a massacre of native people, and destruction of the land
So, rubber comes to inform, to make memory and still to enhances this art work with its resilence and elasticity.
performers
An Spoza
Simon Truong
tis aly

sound technology
Farzaneh Nouri

In collaboration with ID LAB
Filmed in part on location at EYE Film Museum, Amsterdam Noord
Kindly supported by Aart Janszen Fund

Urban Poetics - UM~A
connecting the forest to the city

What the rubber reveals is not only a system of exploitation of the soil and the soul of humans and the non human
It's a memory which is carved in trees and hearts of native people who had their life, culture and entire families destroyed and killed by a system which last until these days - colonialism-
Putumayo is a fact ,a time in history which is not known, not writte in historie's book - and what many people call the Golden Age of the Amazon region - is a massacre of native people, and destruction of the land
So, rubber comes to inform, to make memory and still to enhances this art work with its resilence and elasticity.
performers
An Spoza
Simon Truong
tis aly

sound technology
Farzaneh Nouri

In collaboration with ID LAB
Filmed in part on location at EYE Film Museum, Amsterdam Noord
Kindly supported by Aart Janszen Fund

Urban Poetics - UM~A
connecting the forest to the city

What the rubber reveals is not only a system of exploitation of the soil and the soul of humans and the non human
It's a memory which is carved in trees and hearts of native people who had their life, culture and entire families destroyed and killed by a system which last until these days - colonialism-
Putumayo is a fact ,a time in history which is not known, not writte in historie's book - and what many people call the Golden Age of the Amazon region - is a massacre of native people, and destruction of the land
So, rubber comes to inform, to make memory and still to enhances this art work with its resilence and elasticity.
performers
An Spoza
Simon Truong
tis aly

sound technology
Farzaneh Nouri

In collaboration with ID LAB
Filmed in part on location at EYE Film Museum, Amsterdam Noord
Kindly supported by Aart Janszen Fund

Urban Poetics - UM~A
connecting the forest to the city

What the rubber reveals is not only a system of exploitation of the soil and the soul of humans and the non human
It's a memory which is carved in trees and hearts of native people who had their life, culture and entire families destroyed and killed by a system which last until these days - colonialism-
Putumayo is a fact ,a time in history which is not known, not writte in historie's book - and what many people call the Golden Age of the Amazon region - is a massacre of native people, and destruction of the land
So, rubber comes to inform, to make memory and still to enhances this art work with its resilence and elasticity.
performers
An Spoza
Simon Truong
tis aly

sound technology
Farzaneh Nouri

In collaboration with ID LAB
Filmed in part on location at EYE Film Museum, Amsterdam Noord
Kindly supported by Aart Janszen Fund

Master Presentations 2026 – 'tongue bitten | tongue bite | bitten tongue'
On 19, 20 and 21 April our second year students Fernanda Libman, Julek Kreutzer, nisha ha and tis aly will share their work.

The title, proposed by the four artists, activates movement, imagery, flesh and sensation. Tongues bitten to hide emotion, tongue-biting as something sensual or erotic, a bitten tongue that causes pain.

More than anything, the title points to the fragility of staying in resonance with one another when violence, exhaustion and overwhelm shape the conditions under which we gather, move and feel.

We look forward to sharing the frequencies of these works which cannot be contained within the days of the presentations alone, but have unfolded across the two years that the artists’ studies together have encompassed.

Program note: The April 20th presentation of nisha ha will be a covid-safe showing. Please self-test before arriving to DAS. Tests and masks will be available on site as well.

Find out more and get your tickets at the link in our bio 🔗

Master Presentations 2026 – 'tongue bitten | tongue bite | bitten tongue'
On 19, 20 and 21 April our second year students Fernanda Libman, Julek Kreutzer, nisha ha and tis aly will share their work.

The title, proposed by the four artists, activates movement, imagery, flesh and sensation. Tongues bitten to hide emotion, tongue-biting as something sensual or erotic, a bitten tongue that causes pain.

More than anything, the title points to the fragility of staying in resonance with one another when violence, exhaustion and overwhelm shape the conditions under which we gather, move and feel.

We look forward to sharing the frequencies of these works which cannot be contained within the days of the presentations alone, but have unfolded across the two years that the artists’ studies together have encompassed.

Program note: The April 20th presentation of nisha ha will be a covid-safe showing. Please self-test before arriving to DAS. Tests and masks will be available on site as well.

Find out more and get your tickets at the link in our bio 🔗

Master Presentations 2026 – 'tongue bitten | tongue bite | bitten tongue'
On 19, 20 and 21 April our second year students Fernanda Libman, Julek Kreutzer, nisha ha and tis aly will share their work.

The title, proposed by the four artists, activates movement, imagery, flesh and sensation. Tongues bitten to hide emotion, tongue-biting as something sensual or erotic, a bitten tongue that causes pain.

More than anything, the title points to the fragility of staying in resonance with one another when violence, exhaustion and overwhelm shape the conditions under which we gather, move and feel.

We look forward to sharing the frequencies of these works which cannot be contained within the days of the presentations alone, but have unfolded across the two years that the artists’ studies together have encompassed.

Program note: The April 20th presentation of nisha ha will be a covid-safe showing. Please self-test before arriving to DAS. Tests and masks will be available on site as well.

Find out more and get your tickets at the link in our bio 🔗

Master Presentations 2026 – 'tongue bitten | tongue bite | bitten tongue'
On 19, 20 and 21 April our second year students Fernanda Libman, Julek Kreutzer, nisha ha and tis aly will share their work.

The title, proposed by the four artists, activates movement, imagery, flesh and sensation. Tongues bitten to hide emotion, tongue-biting as something sensual or erotic, a bitten tongue that causes pain.

More than anything, the title points to the fragility of staying in resonance with one another when violence, exhaustion and overwhelm shape the conditions under which we gather, move and feel.

We look forward to sharing the frequencies of these works which cannot be contained within the days of the presentations alone, but have unfolded across the two years that the artists’ studies together have encompassed.

Program note: The April 20th presentation of nisha ha will be a covid-safe showing. Please self-test before arriving to DAS. Tests and masks will be available on site as well.

Find out more and get your tickets at the link in our bio 🔗

Master Presentations 2026 – 'tongue bitten | tongue bite | bitten tongue'
On 19, 20 and 21 April our second year students Fernanda Libman, Julek Kreutzer, nisha ha and tis aly will share their work.

The title, proposed by the four artists, activates movement, imagery, flesh and sensation. Tongues bitten to hide emotion, tongue-biting as something sensual or erotic, a bitten tongue that causes pain.

More than anything, the title points to the fragility of staying in resonance with one another when violence, exhaustion and overwhelm shape the conditions under which we gather, move and feel.

We look forward to sharing the frequencies of these works which cannot be contained within the days of the presentations alone, but have unfolded across the two years that the artists’ studies together have encompassed.

Program note: The April 20th presentation of nisha ha will be a covid-safe showing. Please self-test before arriving to DAS. Tests and masks will be available on site as well.

Find out more and get your tickets at the link in our bio 🔗

UM~A
Is a series of procedures connecting the public space and the theater as a social gathering space
Featuring two installations at DAS building
a public space site specific performance and a participatory event, ongoing process which is happening since February in Amsterdam.
The process is not about one theme but how complexity connects us all, and how disconnected we tend to be.
Ecology of the sense, engagement with the more than human.
You are invited and I would be truly happy to see you around to witness the work of 4 amazing artists and human beings
The whole program under the link

https://www.atd.ahk.nl/en/dance-programmes/das-choreography/master-presentations/

*Public space at the surrounding of Eye Film Museum on the 19th of April

17 and 20:30

*At DAS building

21st at 20:30

There is a huge list of collaborators which you can check at the website and I'm truly blessed to have had the opportunity to work with them since the beginning of this journey

Gathering on Solidarity - This upcoming event has a focus to support current students and future paths to equity within Dutch education, and particularly in addressing the increasing disparity between the very high tuition fees paid by students from outside the EU/EER compared to the much lower rate for students from within that region. This event builds on two previous such initiatives put forward by ATD Lectorate and OC DAS (October 2023 & 2024).

With our starting point being an understanding of education as a basic right that needs to be available and accessible for everyone...

We support initiatives that speak directly to students, gather with people who have their own lived experiences as non-EU students, and find ways to sustain their lives within educational institutions and beyond.
We bring ideas around a Single Fee tuition model with Fernado Belfiore, strategies and knowledge from recent and current non-EU students Doga, Anllel, Saman, and acknowledge resiliencies with an open ritual with Dwayne Toemere.
The event is for everyone, current and future students, teachers, and staff; and everyone who thinks education and equity walk together, and are seeking ways to equalize the asymmetries of contemporary times.

The evening will include:

Dwayne Toemere - Researcher ATD Lectorate • Program coördinator for Platform 2025/Diversity, Equity & Inclusion
An opening ritual with the intention to create a moment of collective presence before the conversation begins. Acknowledging the weight of the topic, the courage it takes to gather, and the strength that already exists within this community.

Date: 18 march 2026
Time: 17:30-19:30
Location: ATD foyer - Academy for Theatre and Dance
Address: Jodenbreestraat 3

Reserve your place:
Please register by 15 march, with sending an email to: Gatheronsoly2026@outlook.com
Please be sure to mention how many people you are reserving for.
Drop ins it’s also welcome

Open Rehearsal:

is a series of creative dance processes that invites artists and anyone who has a relation to body movement, somatic practices, community building, shared knowledge, and practices of regeneration to join. These sessions happen in the frame of Tis Aly's artistic research at DAS Choreography MA programme between February and April 2026.

The aim is to create together, to meet the alterity, to find ways of organizing and creating territories of commonality through dance, voice, and music.

In each session, a professional musician and/or voice trainer will join to facilitate paths of togetherness, joy, shared experiences, and awakened senses, along with body movement sessions.

Each session is 6 hours long, so that we take time to relax, enjoy and move. There is time to share a meal, perhaps cook together, to engage with creative writing, to listen and to be heard. We ask you to sign up, before coming. Drop a line to say hello, and what is your interest in the Open Rehearsal - tisaly424@gmail.com

Everyone is welcome to join, but there are limited resources to accommodate all the different abled bodies. If you have a request or a suggestion, please get in touch. Share a tool with us.

Age is not a limitation. Underage people should be accompanied by their parents and all kuirs and immigrant folks are welcome. All activities are free of charge and are designed to enable movement as a language of feelings.

Dates & Time:

February 7 and 14: at MiMe Fabrik

February 21 and March 7 in ATD - Academy of Theatre and Dance (studio 810)

April 4 and 11 at DAS

Every session is between 12 and 18 o’clock, with 2 hours break.

Language: English
Project kindly supported by Arts Janszen

No dia 7 de novembro, às 19h, o Teatro do Goethe-Institut Salvador-Bahia recebe LAVA || The Shit and the Sunrise – Perspectivas: exibição de filme e apresentação de livro. Um encontro potente entre cinema, literatura e ativismo.

📌Da Nigéria, o artista e ativista Matthew Blaise Nwozaku @matthew.blaiseapresenta o livro "The Shit and the Sunrise" (@iwalewabooks ), uma antologia insurgente sobre a vida queer no país.
@obodo_nigeria

📌Direto de Berlim, os artistas Marc Philipp Gabriel @marquitogabriellae Tis Aly @tisaalyexibem o curta LAVA – filme produzido com participação de artes de Salvador e rodado na cidade. Uma obra poética que transborda cuidado, revolução e renascimento.

💬 Uma noite de trocas, escuta e imaginação. Para quem acredita na arte como ferramenta de resistência e transformação.

📍 Entrada gratuita
📅 07/11/2025
🕖 19h
📌 Teatro Goethe-Institut Salvador-Bahia

#LAVA #TheShitAndTheSunrise #Artivismo #CinemaQueer #LiteraturaLGBTQ #GoetheBahia #ArteÉResistência #agendacultural

Looking back at the studio showings of the second year students in September ✨

UM~A
By @tisaaly

um~a is a research and performance project exploring territories; of intimacy, imagination, connecting near futures and desired presents. Departing from a place of spirituality within kuir endeavors. The performance doesn’t end with the performative act, but overflows into embodied practices of devotion, resistance, and consciousness.
Immateriality and opacity as a mode of becoming. Engaging materials and presences like rubber and soil which crossed the process to teach past and current histories that needs to be know, shown,
reminded, claiming for actions towards the rights of natural environments and their inhabitants.

Looking back at the studio showings of the second year students in September ✨

UM~A
By @tisaaly

um~a is a research and performance project exploring territories; of intimacy, imagination, connecting near futures and desired presents. Departing from a place of spirituality within kuir endeavors. The performance doesn’t end with the performative act, but overflows into embodied practices of devotion, resistance, and consciousness.
Immateriality and opacity as a mode of becoming. Engaging materials and presences like rubber and soil which crossed the process to teach past and current histories that needs to be know, shown,
reminded, claiming for actions towards the rights of natural environments and their inhabitants.

Let's see how things move without them

I had the pleasure to collaborate with @tisaaly part of my on-going work, representing @atd.idlab , programming sensors and turning @tisaaly ‘s beautiful motions to sound.
Mark your calendars to come to @das_choreography on the 5th at 21:00 to experience the performance.

With:
@maviveloso@raposo.fred @lyonzyon_

Costume, concept and development:
Tis Aly
Sunni Lumin Barrow
Lucia Rodrigues aka mujercobra

Light Assistant:
Fred Raposo

Creative technologies, Sound:
Farzaneh Nouri

Sound archive by:
Lea Arafah

Music, creation and performance:
Lyon

Mentorship:
Pedra Costa

Production, technology assistant:
IDlab

Thanks to:
Dr. da Borracha - Acre - Brazil

I had the pleasure to collaborate with @tisaaly part of my on-going work, representing @atd.idlab , programming sensors and turning @tisaaly ‘s beautiful motions to sound.
Mark your calendars to come to @das_choreography on the 5th at 21:00 to experience the performance.

With:
@maviveloso@raposo.fred @lyonzyon_

Costume, concept and development:
Tis Aly
Sunni Lumin Barrow
Lucia Rodrigues aka mujercobra

Light Assistant:
Fred Raposo

Creative technologies, Sound:
Farzaneh Nouri

Sound archive by:
Lea Arafah

Music, creation and performance:
Lyon

Mentorship:
Pedra Costa

Production, technology assistant:
IDlab

Thanks to:
Dr. da Borracha - Acre - Brazil

I had the pleasure to collaborate with @tisaaly part of my on-going work, representing @atd.idlab , programming sensors and turning @tisaaly ‘s beautiful motions to sound.
Mark your calendars to come to @das_choreography on the 5th at 21:00 to experience the performance.

With:
@maviveloso@raposo.fred @lyonzyon_

Costume, concept and development:
Tis Aly
Sunni Lumin Barrow
Lucia Rodrigues aka mujercobra

Light Assistant:
Fred Raposo

Creative technologies, Sound:
Farzaneh Nouri

Sound archive by:
Lea Arafah

Music, creation and performance:
Lyon

Mentorship:
Pedra Costa

Production, technology assistant:
IDlab

Thanks to:
Dr. da Borracha - Acre - Brazil

I had the pleasure to collaborate with @tisaaly part of my on-going work, representing @atd.idlab , programming sensors and turning @tisaaly ‘s beautiful motions to sound.
Mark your calendars to come to @das_choreography on the 5th at 21:00 to experience the performance.

With:
@maviveloso@raposo.fred @lyonzyon_

Costume, concept and development:
Tis Aly
Sunni Lumin Barrow
Lucia Rodrigues aka mujercobra

Light Assistant:
Fred Raposo

Creative technologies, Sound:
Farzaneh Nouri

Sound archive by:
Lea Arafah

Music, creation and performance:
Lyon

Mentorship:
Pedra Costa

Production, technology assistant:
IDlab

Thanks to:
Dr. da Borracha - Acre - Brazil

I had the pleasure to collaborate with @tisaaly part of my on-going work, representing @atd.idlab , programming sensors and turning @tisaaly ‘s beautiful motions to sound.
Mark your calendars to come to @das_choreography on the 5th at 21:00 to experience the performance.

With:
@maviveloso@raposo.fred @lyonzyon_

Costume, concept and development:
Tis Aly
Sunni Lumin Barrow
Lucia Rodrigues aka mujercobra

Light Assistant:
Fred Raposo

Creative technologies, Sound:
Farzaneh Nouri

Sound archive by:
Lea Arafah

Music, creation and performance:
Lyon

Mentorship:
Pedra Costa

Production, technology assistant:
IDlab

Thanks to:
Dr. da Borracha - Acre - Brazil

Creation and performance

Tis Aly

Farzaneh Nouri

Fred Raposo

Mavi Veloso

Costume - concept and development 

Tis Aly

Sunni Lamin Barrow 

Lusia Rodrigues aka mujercobra

Light Assistant

Fred Raposo

Sound Artist - Creative Technologist

Farzaneh Nouri 

Sounds collector

Lea Arafah

Music - creation and performance 

Lyon 

Mentorship

Pedra Costa

Production - technology assistant 

ID - LAB

Thanks to Bike City Amstertrans. 

Dr. da Borracha - Acre - Brazil 

and other entities