Instagram Hikaye Görüntüleyici
Instagram Hikayelerini Anonim Olarak Görüntüleyin
robertlmcgee
rlm
pure silver.
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
@addictedtorags SS ‘23 Shop Lookbook
A collaborative project between @juliandrake_ & @robertlmcgee
Photography: @juliandrake_ & @robertlmcgee
Layout Design & Effects: @robertlmcgee
Retouching/Color: @juliandrake_
Models: @tannerreddick @eddiemarcoe @nova9367101
Styling: @eduardovertti
“RARE EARTH”
A Fashion Film Directed by Robert McGee
A visual exploration of nature’s unifying patterns, their connection to movement, and the human form.
Director/DP: @robertlmcgee
Edit/Color/VFX: @robertlmcgee
Gaffer: @juliandrake_
Stylist: @tate.jp
Sound Design: @kanelefou
Production: Sol Focus
Studio: @7space8
Talent: @charlie.crook
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
“Who killed the dreamcatcher?”
18 in. x 5 ft.
1/1 portrayal of models exact wingspan
a death of mind under the stars and stripes.
print details:
printed on 14pt NEENAH paper
CMYK process
matte finish
pieces:
1 pen
1 sketchbook
1 notebook
and a brain
model: @kirrav
who killed the dreamcatcher?
are you so wounded?
they tried to shake it
she couldn’t take it
now she’s but a dream.
Campaign Teaser for @somar.us
Directed and Edited by Robert McGee.
Shot on a Sony A7IV, digitally rescanned with a 2004 Pentax Optio pointed directly at my MacBook Pro.
The end credit sequence consists of 200+ written and printed elements, each individually scanned and composited together to play at 24 fps.
“Ahab Denim” sold out everywhere.
Director/DP: @robertlmcgee
CD/Styling: @owenmhyatt
Edit/Color/VFX/Title Design: @robertlmcgee
Producer/Casting/BTS: @mustbemargiela
Gaffer/Assistant: @kelvintohar
Talent: @carllovestrand
Production: Sol Focus
Stills from the making of “SLINGSHOT”.
+ A physical copy of my edits/notes while retouching.
Shot/Retouched by: @robertlmcgee
Lighting/PA: @juliandrake_
Model/Styling: @tannerreddick
Stills from the making of “SLINGSHOT”.
+ A physical copy of my edits/notes while retouching.
Shot/Retouched by: @robertlmcgee
Lighting/PA: @juliandrake_
Model/Styling: @tannerreddick
Stills from the making of “SLINGSHOT”.
+ A physical copy of my edits/notes while retouching.
Shot/Retouched by: @robertlmcgee
Lighting/PA: @juliandrake_
Model/Styling: @tannerreddick
Stills from the making of “SLINGSHOT”.
+ A physical copy of my edits/notes while retouching.
Shot/Retouched by: @robertlmcgee
Lighting/PA: @juliandrake_
Model/Styling: @tannerreddick
“SEE-THROUGH” process work
Experimentation with concrete as a substrate.
A total of 8 hand cast concrete tiles were produced, only two of which discernible enough to be included in the final piece.
Excited by this technique as I am now familiarized with how to properly adhere ink to an atypical substrate.
I have always been fascinated with the idea of replicating pieces of my environment and intend on using this technique in such a capacity down the line.
“SEE-THROUGH” process work
Experimentation with concrete as a substrate.
A total of 8 hand cast concrete tiles were produced, only two of which discernible enough to be included in the final piece.
Excited by this technique as I am now familiarized with how to properly adhere ink to an atypical substrate.
I have always been fascinated with the idea of replicating pieces of my environment and intend on using this technique in such a capacity down the line.
“SEE-THROUGH” process work
Experimentation with concrete as a substrate.
A total of 8 hand cast concrete tiles were produced, only two of which discernible enough to be included in the final piece.
Excited by this technique as I am now familiarized with how to properly adhere ink to an atypical substrate.
I have always been fascinated with the idea of replicating pieces of my environment and intend on using this technique in such a capacity down the line.
“SEE-THROUGH” process work
Experimentation with concrete as a substrate.
A total of 8 hand cast concrete tiles were produced, only two of which discernible enough to be included in the final piece.
Excited by this technique as I am now familiarized with how to properly adhere ink to an atypical substrate.
I have always been fascinated with the idea of replicating pieces of my environment and intend on using this technique in such a capacity down the line.
“SEE-THROUGH” process work
Experimentation with concrete as a substrate.
A total of 8 hand cast concrete tiles were produced, only two of which discernible enough to be included in the final piece.
Excited by this technique as I am now familiarized with how to properly adhere ink to an atypical substrate.
I have always been fascinated with the idea of replicating pieces of my environment and intend on using this technique in such a capacity down the line.
“SEE-THROUGH” process work
Experimentation with concrete as a substrate.
A total of 8 hand cast concrete tiles were produced, only two of which discernible enough to be included in the final piece.
Excited by this technique as I am now familiarized with how to properly adhere ink to an atypical substrate.
I have always been fascinated with the idea of replicating pieces of my environment and intend on using this technique in such a capacity down the line.
“SLINGSHOT”
My salute to the golden age of title sequences.
In keeping with the era, all effects/transitions have been created in true analog fashion.
The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film.
An enlightening challenge and experience in terms of technique application.
Director/DP/Edit: @robertlmcgee
Gaffer/PA: @juliandrake_
Sound Design: @freeadvice.xyz
Talent/Styling: @tannerreddick
Forward is forward.
“SLINGSHOT”
My salute to the golden age of title sequences.
In keeping with the era, all effects/transitions have been created in true analog fashion.
The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film.
An enlightening challenge and experience in terms of technique application.
Director/DP/Edit: @robertlmcgee
Gaffer/PA: @juliandrake_
Sound Design: @freeadvice.xyz
Talent/Styling: @tannerreddick
Forward is forward.
“SLINGSHOT”
My salute to the golden age of title sequences.
In keeping with the era, all effects/transitions have been created in true analog fashion.
The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film.
An enlightening challenge and experience in terms of technique application.
Director/DP/Edit: @robertlmcgee
Gaffer/PA: @juliandrake_
Sound Design: @freeadvice.xyz
Talent/Styling: @tannerreddick
Forward is forward.
“SLINGSHOT”
My salute to the golden age of title sequences.
In keeping with the era, all effects/transitions have been created in true analog fashion.
The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film.
An enlightening challenge and experience in terms of technique application.
Director/DP/Edit: @robertlmcgee
Gaffer/PA: @juliandrake_
Sound Design: @freeadvice.xyz
Talent/Styling: @tannerreddick
Forward is forward.
“SLINGSHOT”
My salute to the golden age of title sequences.
In keeping with the era, all effects/transitions have been created in true analog fashion.
The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film.
An enlightening challenge and experience in terms of technique application.
Director/DP/Edit: @robertlmcgee
Gaffer/PA: @juliandrake_
Sound Design: @freeadvice.xyz
Talent/Styling: @tannerreddick
Forward is forward.
“SLINGSHOT”
My salute to the golden age of title sequences.
In keeping with the era, all effects/transitions have been created in true analog fashion.
The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film.
An enlightening challenge and experience in terms of technique application.
Director/DP/Edit: @robertlmcgee
Gaffer/PA: @juliandrake_
Sound Design: @freeadvice.xyz
Talent/Styling: @tannerreddick
Forward is forward.
“SLINGSHOT”
My salute to the golden age of title sequences.
In keeping with the era, all effects/transitions have been created in true analog fashion.
The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film.
An enlightening challenge and experience in terms of technique application.
Director/DP/Edit: @robertlmcgee
Gaffer/PA: @juliandrake_
Sound Design: @freeadvice.xyz
Talent/Styling: @tannerreddick
Forward is forward.
“SEE-THROUGH”. 2023.
Concrete, water, ink, ziploc bag, and a corroded nail.
My first ever self portraits permanently mounted on quick-setting cement.
The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles.
Words:
We fall apart
and stand up just as fast
a defiant game we play
showing the powers that be
that we
are fit and able.
“SEE-THROUGH”. 2023.
Concrete, water, ink, ziploc bag, and a corroded nail.
My first ever self portraits permanently mounted on quick-setting cement.
The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles.
Words:
We fall apart
and stand up just as fast
a defiant game we play
showing the powers that be
that we
are fit and able.
“SEE-THROUGH”. 2023.
Concrete, water, ink, ziploc bag, and a corroded nail.
My first ever self portraits permanently mounted on quick-setting cement.
The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles.
Words:
We fall apart
and stand up just as fast
a defiant game we play
showing the powers that be
that we
are fit and able.
“SEE-THROUGH”. 2023.
Concrete, water, ink, ziploc bag, and a corroded nail.
My first ever self portraits permanently mounted on quick-setting cement.
The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles.
Words:
We fall apart
and stand up just as fast
a defiant game we play
showing the powers that be
that we
are fit and able.
“SEE-THROUGH”. 2023.
Concrete, water, ink, ziploc bag, and a corroded nail.
My first ever self portraits permanently mounted on quick-setting cement.
The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles.
Words:
We fall apart
and stand up just as fast
a defiant game we play
showing the powers that be
that we
are fit and able.
“SEE-THROUGH”. 2023.
Concrete, water, ink, ziploc bag, and a corroded nail.
My first ever self portraits permanently mounted on quick-setting cement.
The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles.
Words:
We fall apart
and stand up just as fast
a defiant game we play
showing the powers that be
that we
are fit and able.
“SEE-THROUGH”. 2023.
Concrete, water, ink, ziploc bag, and a corroded nail.
My first ever self portraits permanently mounted on quick-setting cement.
The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles.
Words:
We fall apart
and stand up just as fast
a defiant game we play
showing the powers that be
that we
are fit and able.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“sacrosanct”
a reclamation of self.
print details:
printed on 130lb ultrawhite eggshell
2-color riso print process
matte finish
19x28”
parts:
858.2 miles in under 2 days
14 hours on the road
4 full tanks of gas
1 reclaimed 1960’s window sash
4 nails + washers
and a renewed perspective
description:
This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery.
I was in pain and seeking answers.
In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning.
I did this alone,
and told no one until today.
I found peace out west.
“Salvation costs $112.45”
A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects.
In collaboration with: @nik.harshaw
Materials used:
5 plastic zip ties
1 50lb bag of fast-set concrete
1 stripped power cord
1 20z gorilla poly glue
1 4ft LED strip light
1 2ft LED strip light
1 cardboard box
and a sugarfree red bull.
What is the natural response to unnatural intervention?
Concept: @robertlmcgee
Wiring: @nik.harshaw
Construction: @nik.harshaw + @robertlmcgee
Photos by: @juliandrake_
Assisted by: @sashisudhakar
Wardrobe provided by: @addictedtorags
“Salvation costs $112.45”
A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects.
In collaboration with: @nik.harshaw
Materials used:
5 plastic zip ties
1 50lb bag of fast-set concrete
1 stripped power cord
1 20z gorilla poly glue
1 4ft LED strip light
1 2ft LED strip light
1 cardboard box
and a sugarfree red bull.
What is the natural response to unnatural intervention?
Concept: @robertlmcgee
Wiring: @nik.harshaw
Construction: @nik.harshaw + @robertlmcgee
Photos by: @juliandrake_
Assisted by: @sashisudhakar
Wardrobe provided by: @addictedtorags
“Salvation costs $112.45”
A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects.
In collaboration with: @nik.harshaw
Materials used:
5 plastic zip ties
1 50lb bag of fast-set concrete
1 stripped power cord
1 20z gorilla poly glue
1 4ft LED strip light
1 2ft LED strip light
1 cardboard box
and a sugarfree red bull.
What is the natural response to unnatural intervention?
Concept: @robertlmcgee
Wiring: @nik.harshaw
Construction: @nik.harshaw + @robertlmcgee
Photos by: @juliandrake_
Assisted by: @sashisudhakar
Wardrobe provided by: @addictedtorags
“Salvation costs $112.45”
A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects.
In collaboration with: @nik.harshaw
Materials used:
5 plastic zip ties
1 50lb bag of fast-set concrete
1 stripped power cord
1 20z gorilla poly glue
1 4ft LED strip light
1 2ft LED strip light
1 cardboard box
and a sugarfree red bull.
What is the natural response to unnatural intervention?
Concept: @robertlmcgee
Wiring: @nik.harshaw
Construction: @nik.harshaw + @robertlmcgee
Photos by: @juliandrake_
Assisted by: @sashisudhakar
Wardrobe provided by: @addictedtorags
“Salvation costs $112.45”
A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects.
In collaboration with: @nik.harshaw
Materials used:
5 plastic zip ties
1 50lb bag of fast-set concrete
1 stripped power cord
1 20z gorilla poly glue
1 4ft LED strip light
1 2ft LED strip light
1 cardboard box
and a sugarfree red bull.
What is the natural response to unnatural intervention?
Concept: @robertlmcgee
Wiring: @nik.harshaw
Construction: @nik.harshaw + @robertlmcgee
Photos by: @juliandrake_
Assisted by: @sashisudhakar
Wardrobe provided by: @addictedtorags
“Salvation costs $112.45”
A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects.
In collaboration with: @nik.harshaw
Materials used:
5 plastic zip ties
1 50lb bag of fast-set concrete
1 stripped power cord
1 20z gorilla poly glue
1 4ft LED strip light
1 2ft LED strip light
1 cardboard box
and a sugarfree red bull.
What is the natural response to unnatural intervention?
Concept: @robertlmcgee
Wiring: @nik.harshaw
Construction: @nik.harshaw + @robertlmcgee
Photos by: @juliandrake_
Assisted by: @sashisudhakar
Wardrobe provided by: @addictedtorags
“Salvation costs $112.45”
A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects.
In collaboration with: @nik.harshaw
Materials used:
5 plastic zip ties
1 50lb bag of fast-set concrete
1 stripped power cord
1 20z gorilla poly glue
1 4ft LED strip light
1 2ft LED strip light
1 cardboard box
and a sugarfree red bull.
What is the natural response to unnatural intervention?
Concept: @robertlmcgee
Wiring: @nik.harshaw
Construction: @nik.harshaw + @robertlmcgee
Photos by: @juliandrake_
Assisted by: @sashisudhakar
Wardrobe provided by: @addictedtorags
Instagram Hikayelerini Gizli Görüntüleyin
Instagram Hikaye Görüntüleyici, Instagram hikayelerini, videoları, fotoğrafları veya IGTV'yi gizlice izleyip kaydetmenizi sağlayan basit bir araçtır. Bu hizmetle, içerikleri indirip istediğiniz zaman çevrimdışı olarak keyfini çıkarabilirsiniz. Instagram'da daha sonra görmek istediğiniz bir şey bulduysanız veya anonim kalmak isterseniz, bizim Görüntüleyicimiz sizin için mükemmeldir. Anonstories, kimliğinizi gizli tutmak için mükemmel bir çözüm sunar. Instagram, Hikaye özelliğini Ağustos 2023'te başlatmış ve bu format, etkileşimi yüksek ve zaman sınırlı olduğu için hızla diğer platformlar tarafından benimsenmiştir. Hikayeler, kullanıcıların hızlı güncellemeler paylaşmasını sağlar; fotoğraflar, videolar veya selfie'ler, metin, emojiler veya filtrelerle zenginleştirilmiş ve sadece 24 saat görünür. Bu sınırlı süre, normal gönderilere göre yüksek etkileşim yaratır. Bugünlerde, Hikayeler sosyal medyada bağlantı kurmanın ve iletişim kurmanın en popüler yollarından biridir. Ancak, bir Hikaye görüntülediğinizde, yaratıcısı adınızı görüntüleyici listesinde görebilir ki bu da gizlilik endişesi yaratabilir. Peki ya Hikayeleri fark edilmeden görüntülemek isterseniz? İşte burada Anonstories devreye girer. Kimliğinizi ifşa etmeden, kamuya açık Instagram içeriğini izlemenizi sağlar. Sadece merak ettiğiniz profilin kullanıcı adını girin, araç size en son Hikayelerini gösterecektir. Anonstories Görüntüleyicisinin Özellikleri: - Anonim Tarama: Hikayeleri görüntüleyici listesine düşmeden izleyin. - Hesap Gerekmez: Instagram hesabı oluşturmadan kamuya açık içeriği görüntüleyin. - İçerik İndirme: Hikaye içeriklerini cihazınıza indirip çevrimdışı olarak kullanabilirsiniz. - Öne Çıkanlar Görüntüleme: Instagram Öne Çıkanlarına erişin, 24 saatlik süreyi aşarak da. - Yeniden Paylaşım Takibi: Kişisel profillerin Hikayeleri üzerindeki paylaşımları veya etkileşim seviyelerini takip edin. Kısıtlamalar: - Bu araç yalnızca açık hesaplarla çalışır; özel hesaplar erişilemez. Yararları: - Gizlilik Dostu: Herhangi bir Instagram içeriğini fark edilmeden izleyin. - Basit ve Kolay: Uygulama yükleme veya kayıt gerekmez. - Özel Araçlar: Instagram’ın sunmadığı şekilde içerik indirme ve yönetme.
Anonstories'in Avantajları
IG Hikayelerini Gizli İzleyin
Instagram güncellemelerini gizlice takip edin, gizliliğinizi koruyun ve anonim kalın.
Özel Instagram Görüntüleyicisi
Özel Profil Görüntüleyicisi ile profilleri ve fotoğrafları anonim olarak kolayca görüntüleyin.
Ücretsiz Hikaye Görüntüleyici
Bu ücretsiz araç, hikaye yükleyicisine görünmeden Instagram Hikayelerini anonim olarak görüntülemenizi sağlar.
Sıkça Sorulan Sorular
Anonimlik
Anonstories, kullanıcıların Instagram hikayelerini yaratıcıyı uyarmadan görüntülemelerini sağlar.
Cihaz Uyumluluğu
iOS, Android, Windows, macOS ve Chrome ile Safari gibi modern tarayıcılarda sorunsuz çalışır.
Güvenlik ve Gizlilik
Giriş bilgisi gerektirmeden güvenli, anonim taramayı ön planda tutar.
Kayıt Gerektirmez
Kullanıcılar, sadece bir kullanıcı adı girerek halka açık hikayeleri görüntüleyebilir—hesap gerekmez.
Desteklenen Formatlar
Fotoğrafları (JPEG) ve videoları (MP4) kolayca indirir.
Ücret
Hizmet ücretsizdir.
Özel Hesaplar
Özel hesaplardan içerikler yalnızca takipçiler tarafından erişilebilir.
Dosya Kullanımı
Dosyalar yalnızca kişisel veya eğitimsel kullanım içindir ve telif hakkı kurallarına uymalıdır.
Nasıl Çalışır
Bir kamu kullanıcı adı girin, hikayeleri görüntüleyin veya indirin. Hizmet, içeriği yerel olarak kaydetmek için doğrudan bağlantılar oluşturur.