Instagram Story Viewer
Instagram Stories anonym ansehen
icp
Int'l Center of Photography
Museum and school dedicated to photography and visual culture.
It is with deep sadness that we have reflected on the news of the passing of Muriel Hasbun—an incredible artist whose life and work impacted many of us in the ICP community.
Many of us here at ICP got to know Muriel when we presented the first survey of her work, Muriel Hasbun: Tracing Terruño, in 2023. The exhibition showcased Hasbun’s dedication to exploring identity and memory, using her personal story to examine collective histories through photography, video, and installation from the late 1980s to the present. While working with Muriel, our team had the opportunity to know her as a kind, funny, and insightful person. We were proud to celebrate her work through this exhibition and through her public programs and talks here at ICP.
Muriel will be remembered as both an artist and an educator who shared deeply personal stories of exile, loss, and migration through her work. Our thoughts are with her husband and son at this time.
Images:
1: Asher Selle
2+3: Jeenah Moon
5: Muriel Hasbun, Todos los santos (Volcán de Izalco, amén) / All the Saints (Izalco Volcano, Amen),
from Santos y sombras (Saints and Shadows), Gelatin silver print, 1995–96. © Muriel Hasbun
6: Muriel Hasbun, ¿Sólo una sombra? / Only a Shadow? (Ester IV), from the series Santos y
sombras (Saints and Shadows), Gelatin silver print, 1993–94. © Muriel Hasbu
It is with deep sadness that we have reflected on the news of the passing of Muriel Hasbun—an incredible artist whose life and work impacted many of us in the ICP community.
Many of us here at ICP got to know Muriel when we presented the first survey of her work, Muriel Hasbun: Tracing Terruño, in 2023. The exhibition showcased Hasbun’s dedication to exploring identity and memory, using her personal story to examine collective histories through photography, video, and installation from the late 1980s to the present. While working with Muriel, our team had the opportunity to know her as a kind, funny, and insightful person. We were proud to celebrate her work through this exhibition and through her public programs and talks here at ICP.
Muriel will be remembered as both an artist and an educator who shared deeply personal stories of exile, loss, and migration through her work. Our thoughts are with her husband and son at this time.
Images:
1: Asher Selle
2+3: Jeenah Moon
5: Muriel Hasbun, Todos los santos (Volcán de Izalco, amén) / All the Saints (Izalco Volcano, Amen),
from Santos y sombras (Saints and Shadows), Gelatin silver print, 1995–96. © Muriel Hasbun
6: Muriel Hasbun, ¿Sólo una sombra? / Only a Shadow? (Ester IV), from the series Santos y
sombras (Saints and Shadows), Gelatin silver print, 1993–94. © Muriel Hasbu
It is with deep sadness that we have reflected on the news of the passing of Muriel Hasbun—an incredible artist whose life and work impacted many of us in the ICP community.
Many of us here at ICP got to know Muriel when we presented the first survey of her work, Muriel Hasbun: Tracing Terruño, in 2023. The exhibition showcased Hasbun’s dedication to exploring identity and memory, using her personal story to examine collective histories through photography, video, and installation from the late 1980s to the present. While working with Muriel, our team had the opportunity to know her as a kind, funny, and insightful person. We were proud to celebrate her work through this exhibition and through her public programs and talks here at ICP.
Muriel will be remembered as both an artist and an educator who shared deeply personal stories of exile, loss, and migration through her work. Our thoughts are with her husband and son at this time.
Images:
1: Asher Selle
2+3: Jeenah Moon
5: Muriel Hasbun, Todos los santos (Volcán de Izalco, amén) / All the Saints (Izalco Volcano, Amen),
from Santos y sombras (Saints and Shadows), Gelatin silver print, 1995–96. © Muriel Hasbun
6: Muriel Hasbun, ¿Sólo una sombra? / Only a Shadow? (Ester IV), from the series Santos y
sombras (Saints and Shadows), Gelatin silver print, 1993–94. © Muriel Hasbu
It is with deep sadness that we have reflected on the news of the passing of Muriel Hasbun—an incredible artist whose life and work impacted many of us in the ICP community.
Many of us here at ICP got to know Muriel when we presented the first survey of her work, Muriel Hasbun: Tracing Terruño, in 2023. The exhibition showcased Hasbun’s dedication to exploring identity and memory, using her personal story to examine collective histories through photography, video, and installation from the late 1980s to the present. While working with Muriel, our team had the opportunity to know her as a kind, funny, and insightful person. We were proud to celebrate her work through this exhibition and through her public programs and talks here at ICP.
Muriel will be remembered as both an artist and an educator who shared deeply personal stories of exile, loss, and migration through her work. Our thoughts are with her husband and son at this time.
Images:
1: Asher Selle
2+3: Jeenah Moon
5: Muriel Hasbun, Todos los santos (Volcán de Izalco, amén) / All the Saints (Izalco Volcano, Amen),
from Santos y sombras (Saints and Shadows), Gelatin silver print, 1995–96. © Muriel Hasbun
6: Muriel Hasbun, ¿Sólo una sombra? / Only a Shadow? (Ester IV), from the series Santos y
sombras (Saints and Shadows), Gelatin silver print, 1993–94. © Muriel Hasbu
It is with deep sadness that we have reflected on the news of the passing of Muriel Hasbun—an incredible artist whose life and work impacted many of us in the ICP community.
Many of us here at ICP got to know Muriel when we presented the first survey of her work, Muriel Hasbun: Tracing Terruño, in 2023. The exhibition showcased Hasbun’s dedication to exploring identity and memory, using her personal story to examine collective histories through photography, video, and installation from the late 1980s to the present. While working with Muriel, our team had the opportunity to know her as a kind, funny, and insightful person. We were proud to celebrate her work through this exhibition and through her public programs and talks here at ICP.
Muriel will be remembered as both an artist and an educator who shared deeply personal stories of exile, loss, and migration through her work. Our thoughts are with her husband and son at this time.
Images:
1: Asher Selle
2+3: Jeenah Moon
5: Muriel Hasbun, Todos los santos (Volcán de Izalco, amén) / All the Saints (Izalco Volcano, Amen),
from Santos y sombras (Saints and Shadows), Gelatin silver print, 1995–96. © Muriel Hasbun
6: Muriel Hasbun, ¿Sólo una sombra? / Only a Shadow? (Ester IV), from the series Santos y
sombras (Saints and Shadows), Gelatin silver print, 1993–94. © Muriel Hasbu
It is with deep sadness that we have reflected on the news of the passing of Muriel Hasbun—an incredible artist whose life and work impacted many of us in the ICP community.
Many of us here at ICP got to know Muriel when we presented the first survey of her work, Muriel Hasbun: Tracing Terruño, in 2023. The exhibition showcased Hasbun’s dedication to exploring identity and memory, using her personal story to examine collective histories through photography, video, and installation from the late 1980s to the present. While working with Muriel, our team had the opportunity to know her as a kind, funny, and insightful person. We were proud to celebrate her work through this exhibition and through her public programs and talks here at ICP.
Muriel will be remembered as both an artist and an educator who shared deeply personal stories of exile, loss, and migration through her work. Our thoughts are with her husband and son at this time.
Images:
1: Asher Selle
2+3: Jeenah Moon
5: Muriel Hasbun, Todos los santos (Volcán de Izalco, amén) / All the Saints (Izalco Volcano, Amen),
from Santos y sombras (Saints and Shadows), Gelatin silver print, 1995–96. © Muriel Hasbun
6: Muriel Hasbun, ¿Sólo una sombra? / Only a Shadow? (Ester IV), from the series Santos y
sombras (Saints and Shadows), Gelatin silver print, 1993–94. © Muriel Hasbu
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
This Jewish American Heritage Month, we're highlighting one of the most important street photographers you probably don’t know by name.
Helen Levitt turned everyday city life into something worth noticing, documenting the humor, movement, and quiet moments unfolding on New York’s streets. Her work reminds us that history isn’t just made in big events, it’s happening in the small, passing moments all around us.
Photo credits © Film Documents LLC, courtesy Zander Galerie, Cologne/Paris
"Exciting" was the word most used to describe ICP’s fifth Photobook Fest last weekend, where we hosted over 75 publishers from around the world from May 8–10.
A selection of publishers and attendees told us how it felt to be part of the weekend and picked some of their current favorites from across the wide range of photo books and zines available.
Some of the publishers and artists highlighted here include: @kgpnyc, @rachellemozmansolano, @subjectivelyobjective, @jamesparker_, and @stephenedwardferry.
Whether you’re a first-time attendee or a Photobook Fest regular, we'd love to hear about your experience in the comments. And if you weren’t able to be there this time, works by some of the participating publishers are available through the ICP Shop at the link in bio.
Join us at ICP on the Lower East Side for Evidence of Existence, the 2026 ICP Recent Graduates Exhibition, now on view through May 25*.
Curated by Sara Ickow (@sasickow), ICP’s Associate Director of Exhibitions, it explores how photography can give form to what is often overlooked, or just beyond reach. Featuring new work by over 80 artists from ICP’s One-Year Certificate Programs and Teen Academy Imagemakers program, it offers a look at the next generation of creatives.
The exhibition is free and open with a suggested donation. Get your ticket at the link in bio.
*ICP's museum will be closed Sunday, May 17 and Tuesday, May 19.
Image: Miles Henderson (Documentary Practice and Visual Journalism '26), Jules' Fibers, 2025 © Miles Henderson (@thiismiles)
Photography collector, philanthropist, and ICP Trustee Jan Mulder Panas has spent decades supporting photography across Latin America, not only through collecting, but through exhibitions and education.
In this video, we speak with Jan and Sebastián Montalvo Gray (@sebastianmontalvogray), Director of the Jan Mulder Collection and an ICP alum. Jan shares more about the collection and exhibitions he has helped bring to life, while Sebastián reflects on his time at ICP and his experience working with Jan.
Jan’s commitment to supporting the next generation of image-makers also extends to ICP through the Jan Mulder–Pacific Scholarship, which provides full tuition for a photographer from countries along the Pacific Coast of the Americas to study in ICP’s onsite One-Year Certificate Programs in New York City. Learn more at the link in bio.
The Jan Mulder Collection is currently featured in A Collection Is a Desire, an exhibition on view in Lima featuring more than 100 works from across Latin America and beyond.
Jan Mulder Collection – Contemporary Photography, the first catalog dedicated to the collection, is also available in the ICP Shop via the link in bio.
This summer, ICP's Open Education and Youth Programs courses take inspiration from our upcoming exhibitions Yves Saint Laurent and Photography and Photobooks USA 2000–25, offering the chance to explore their themes through hands-on learning.
From fashion photography and editorial storytelling to photobooks, archives, and the changing landscape of New York City, these courses invite students to engage directly with the ideas shaping the exhibitions on view this season.
Open Education courses:
• Seeing America through the New York Cityscape: Based on Iconic Photobooks with Jade Doskow (@j_doskow): June 22—July 8
• ICP × Mana Collections: The Garment District with Cara Dellatte and Branden Wallace: July 11
• Fashioning Narrative: Editorial Photography Through the YSL Archives (Online) with Janusz Kawa (@januszkawa): July 11—August 15
• Project Fashion Shootwith Alice O’Malley: August 1—9
Teen Academy courses:
• DIY Photobooks with Anthoula Lelekidis (@anthoulalelekidis): July 20—24
Explore all upcoming classes and register at the link in bio.
Images:
1: Ormond Gigli, Girls in the Windows, 1960, International Center of Photograhy,Museum Purchase, 1998 (12.1998)
2: Janusz Kawa
3: Jade Doskow
This summer, ICP's Open Education and Youth Programs courses take inspiration from our upcoming exhibitions Yves Saint Laurent and Photography and Photobooks USA 2000–25, offering the chance to explore their themes through hands-on learning.
From fashion photography and editorial storytelling to photobooks, archives, and the changing landscape of New York City, these courses invite students to engage directly with the ideas shaping the exhibitions on view this season.
Open Education courses:
• Seeing America through the New York Cityscape: Based on Iconic Photobooks with Jade Doskow (@j_doskow): June 22—July 8
• ICP × Mana Collections: The Garment District with Cara Dellatte and Branden Wallace: July 11
• Fashioning Narrative: Editorial Photography Through the YSL Archives (Online) with Janusz Kawa (@januszkawa): July 11—August 15
• Project Fashion Shootwith Alice O’Malley: August 1—9
Teen Academy courses:
• DIY Photobooks with Anthoula Lelekidis (@anthoulalelekidis): July 20—24
Explore all upcoming classes and register at the link in bio.
Images:
1: Ormond Gigli, Girls in the Windows, 1960, International Center of Photograhy,Museum Purchase, 1998 (12.1998)
2: Janusz Kawa
3: Jade Doskow
This summer, ICP's Open Education and Youth Programs courses take inspiration from our upcoming exhibitions Yves Saint Laurent and Photography and Photobooks USA 2000–25, offering the chance to explore their themes through hands-on learning.
From fashion photography and editorial storytelling to photobooks, archives, and the changing landscape of New York City, these courses invite students to engage directly with the ideas shaping the exhibitions on view this season.
Open Education courses:
• Seeing America through the New York Cityscape: Based on Iconic Photobooks with Jade Doskow (@j_doskow): June 22—July 8
• ICP × Mana Collections: The Garment District with Cara Dellatte and Branden Wallace: July 11
• Fashioning Narrative: Editorial Photography Through the YSL Archives (Online) with Janusz Kawa (@januszkawa): July 11—August 15
• Project Fashion Shootwith Alice O’Malley: August 1—9
Teen Academy courses:
• DIY Photobooks with Anthoula Lelekidis (@anthoulalelekidis): July 20—24
Explore all upcoming classes and register at the link in bio.
Images:
1: Ormond Gigli, Girls in the Windows, 1960, International Center of Photograhy,Museum Purchase, 1998 (12.1998)
2: Janusz Kawa
3: Jade Doskow
This summer, ICP's Open Education and Youth Programs courses take inspiration from our upcoming exhibitions Yves Saint Laurent and Photography and Photobooks USA 2000–25, offering the chance to explore their themes through hands-on learning.
From fashion photography and editorial storytelling to photobooks, archives, and the changing landscape of New York City, these courses invite students to engage directly with the ideas shaping the exhibitions on view this season.
Open Education courses:
• Seeing America through the New York Cityscape: Based on Iconic Photobooks with Jade Doskow (@j_doskow): June 22—July 8
• ICP × Mana Collections: The Garment District with Cara Dellatte and Branden Wallace: July 11
• Fashioning Narrative: Editorial Photography Through the YSL Archives (Online) with Janusz Kawa (@januszkawa): July 11—August 15
• Project Fashion Shootwith Alice O’Malley: August 1—9
Teen Academy courses:
• DIY Photobooks with Anthoula Lelekidis (@anthoulalelekidis): July 20—24
Explore all upcoming classes and register at the link in bio.
Images:
1: Ormond Gigli, Girls in the Windows, 1960, International Center of Photograhy,Museum Purchase, 1998 (12.1998)
2: Janusz Kawa
3: Jade Doskow
The deadline to apply for ICP’s Summer Intensive in Visual Storytelling in Turin, Italy, is approaching. Applications close May 17.
From July 2–16, 2026, participants will join ICP and CAMERA (@cameratorino) for an immersive documentary photography workshop centered on visual storytelling, fieldwork, and project development.
Over fifteen days in Turin, photographers will work closely with faculty and peers to produce a short documentary project through critiques, one-on-one mentorship, and on-the-ground image making, culminating in a public presentation of completed work.
Led by ICP faculty Karen Marshall (@kmphoto) and Andrew Lichtenstein (@andrewlichtenstein), alongside Gaia Squarci (@gaiasquarci) and Alessandro Ghirelli (@just3notes), the program brings together a range of international perspectives on documentary practice today.
Participants who complete the program are automatically accepted into ICP’s One-Year Certificate Programs, with priority consideration for fellowships.
Apply at the link in bio before May 17.
Image: Chiara Agostinetto
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
What stays with you after your time at ICP?
In this video, alumni from ICP's onsite One-Year Certificate programs look back on their experience and the ways it has helped to shape their practice. From what they learned in the classroom to the community connections they forged, their reflections offer a glimpse into what life is like as an ICP student.
Featured alumni include: Paola Fiterre @paola_fiterre (Creative Practices ‘19), Hector Ruiz Cardenas @borre_ruiz__ (Documentary Practice and Visual Journalism '25), Gloria Ning @glorianing28 (Documentary Practice and Visual Journalism '25), Gabrielle Ravet @gaby_ravy (Creative Practices ‘19).
Rolling admissions are now open for ICP’s onsite One-Year Certificate Programs. Limited merit-based scholarships are available for qualified applicants.
Learn more at the link in bio.
Photobook Fest kicks off tomorrow, and to celebrate, ICP spoke with a selection of independent presses founded by alumni and staff who will be part of the weekend.
Featured here are ’cademy (@cademy.biz), founded by ICP alumni Shao-Feng Hsu (@shaofenghsu), Fernando Zelaya, and Nick Sansone; Studio 21 (@studio21press), founded by ICP staff member Asher Selle (@__selle); and Matarile Ediciones (@matarileediciones), founded by ICP faculty and staff member Martha Naranjo Sandoval (@martha_mydear)
Their work reflects the range of practices that grow out of ICP, and the ways photobooks continue to evolve as a space for collaboration and storytelling.
Join us May 8–10 as over 75 publishers from around the world take over ICP’s museum and school. Don’t miss the Community Table on Floor 2, featuring photobooks and zines by alumni, students, faculty, and staff. All sales go directly to the artists.
Tickets are on sale now at the link in bio. ICP Members attend free all weekend.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On the birthday of Jacob Riis, we’re diving into how photographer Riis exposed life inside New York’s tenements. From crowded tenements on the Lower East Side to the pages of his book, "How the Other Half Lives," Riis used photography as evidence and storytelling as a call to action.
This Lower East Side History Month, we’re looking at how images can do more than document, they can demand change.
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.