Alam / Profeta
Architecture & Design Practice | US - IT - DE
@maaaalam & @daniele_profeta
@syr_arch_florence
@tde_buw

Last week we shared some work in progress from our collaboration with @osservatoriosantanna - a multimedia thick-mapping archive for the Sant’Anna complex.
We’re grateful for @_lemonot invite to contribute to the project, and to @scuolapiccolazattere for having us as part of their public program.
We’re looking forward to working more on this collaborative piece, one that overlays digital traces and collective memories to begin reimagining a future for this site.
#wip #moresoon

Last week we shared some work in progress from our collaboration with @osservatoriosantanna - a multimedia thick-mapping archive for the Sant’Anna complex.
We’re grateful for @_lemonot invite to contribute to the project, and to @scuolapiccolazattere for having us as part of their public program.
We’re looking forward to working more on this collaborative piece, one that overlays digital traces and collective memories to begin reimagining a future for this site.
#wip #moresoon

Last week we shared some work in progress from our collaboration with @osservatoriosantanna - a multimedia thick-mapping archive for the Sant’Anna complex.
We’re grateful for @_lemonot invite to contribute to the project, and to @scuolapiccolazattere for having us as part of their public program.
We’re looking forward to working more on this collaborative piece, one that overlays digital traces and collective memories to begin reimagining a future for this site.
#wip #moresoon

Last week we shared some work in progress from our collaboration with @osservatoriosantanna - a multimedia thick-mapping archive for the Sant’Anna complex.
We’re grateful for @_lemonot invite to contribute to the project, and to @scuolapiccolazattere for having us as part of their public program.
We’re looking forward to working more on this collaborative piece, one that overlays digital traces and collective memories to begin reimagining a future for this site.
#wip #moresoon

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, was presented in the double portico of Palazzo Gravina, in Naples. The exhibition and its materials, developed for the Stirling Pavilion, were adapted to engage the new context and extend the research through a shared seminar between the Università “Federico II” and the Syracuse University School of Architecture @syr_arch_florence .
It has been inspiring to think about the ways in which the elements invoked by the show ended up leaving their traces on all the pieces during their permanence at the Stirling Pavilion; water, air (and a little bit of earth) have worked their way into our paper apparatus. When meeting a new environment in Naples, we worked to mend the exhibition and care for the elements without shying away from their unintended transformations. If, like the pop-up books, the Stirling pavilion and its design ambitions were framed as ‘in the process of becoming something else,’ we hope you’ll enjoy the way in which we let environmental conditions, material logistics, and economies of production inform the work once more.
The exhibition was followed by a presentation by Sylvia Lavin, interim Dean of Princeton University School of Architecture @princetonarchitecture , who presented the theoretical framework of elementality underpinning the project, with a conversation with Maya Alam @maaaalam , Marianna Ascolese @_manias_____, Alberto Calderoni, Benedetta Di Donato, Daniele Profeta @daniele_profeta and Vincenzo Moschetti @vince.msc
The traveling exhibition showcases reformatted works by AD—WO: Emanuel Admassu & Jen Wood @ad__wo, A/P Practice: Maya Alam & Daniele Profeta, Besler & Sons: Erin Besler @beslerandsons, First Office: Andrew Atwood & Anna Neimark @first_office_architecture, Low Design Office: DK Osseo-Asare @yosseo, MOS: Michael Meredith & Hilary Sample @mmmosarchitects.
Thank you again for all your availability and flexibility in sharing the work to extend the life of the project.
Finally, many thanks to @albrt_cldrn for welcoming us at @uninait - hoping this will be only the first of many :)
Photos by the amazing @deepbluestudio_

Sterling meets Palazzo Gravina.
We are excited to extend the life of ‘The Perimeter of Architecture: Amid the Elements’ bringing the exhibition curated by Sylvia Lavin from Venice to Naples.
Together with @albrt_cldrn we have organized a seminar and a re-assemblage of the exhibition at the @uninait
Following the closing of the 2025 Biennale, the project Amid the Elements, curated by Sylvia Lavin, will be presented in the double portico of Palazzo Gravina. The exhibition and its materials, developed for the Stirling Pavilion, are adapted to engage the new context and extend the research through a shared seminar between the Università Federico II and the Syracuse University School of Architecture @syr_arch @syr_arch_florence
Borrowing from the curatorial prompt, this seminar will question the shifting forms of architecture’s engagement with what the field once considered its perimeter: matters of environmental concern. If the exhibition draws out the potential of the elemental interactions typically relegated to architecture’s edge, we are interested in unpacking the manifold ways in which the definition of ‘environment’ itself has helped shape different forms of design practice. Sylvia Lavin, Interim Dean at Princeton University School of Architecture, will present the theoretical framework of elementality underpinning the project, and it will be followed by a conversation with Maya Alam,
Marianna Ascolese @_manias_____ , Alberto Calderoni, Benedetta Di Donato, Daniele Profeta
and Vincenzo Moschetti @vince.msc
With works of @beslerandsons @first_office_architecture @ad__wo @mmmosarchitects @yosseo
Come join us!

Coming soon - Sterling meets Palazzo Gravina.
We are excited to extend the life of ‘The Perimeter of Architecture: Amid the Elements’ bringing the exhibition curated by Sylvia Lavin from Venice to Naples.
Together with @albrt_cldrn we have organized a seminar and a re-assemblage of the exhibition at the @uninait
More info coming soon!
With works of @beslerandsons @first_office_architecture @ad__wo @mmmosarchitects @yosseo

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, responding to the curatorial focus on Carta Azzurra, builds up the site using exclusively paper-based elements, creating a cellulose-infrastructure able to accommodate more than one inhabitant.
Following a detailed survey of the Stirling Pavilion, our installation reacts with mm precision to the existing structure, bracing the vertical columns with a hovering plinth (Zatterone) and floating in the interior space, multiplying its archipelagic condition (Isola)
The top layer is treated with a high-resolution print, mediating its raw materiality with Stirling’s environmental sketching techniques: an evershifting entanglement of elements from ‘natural’ to ‘synthetic’.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood (AD—WO) @ad__wo
Erin Besler (Besler & Sons) @beslerandsons
Rachaporn Choochuey [all(zone)] @allzone.official
Rania Ghosn and El Hadi Jazairy (DESIGN EARTH) @_designearth
Michael Meredith and Hilary Sample (MOS Architects) @mmmosarchitects
Anna Neimark and Andrew Atwood (First Office) @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture @princetonarchitecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, responding to the curatorial focus on Carta Azzurra, builds up the site using exclusively paper-based elements, creating a cellulose-infrastructure able to accommodate more than one inhabitant.
Following a detailed survey of the Stirling Pavilion, our installation reacts with mm precision to the existing structure, bracing the vertical columns with a hovering plinth (Zatterone) and floating in the interior space, multiplying its archipelagic condition (Isola)
The top layer is treated with a high-resolution print, mediating its raw materiality with Stirling’s environmental sketching techniques: an evershifting entanglement of elements from ‘natural’ to ‘synthetic’.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood (AD—WO) @ad__wo
Erin Besler (Besler & Sons) @beslerandsons
Rachaporn Choochuey [all(zone)] @allzone.official
Rania Ghosn and El Hadi Jazairy (DESIGN EARTH) @_designearth
Michael Meredith and Hilary Sample (MOS Architects) @mmmosarchitects
Anna Neimark and Andrew Atwood (First Office) @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture @princetonarchitecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, responding to the curatorial focus on Carta Azzurra, builds up the site using exclusively paper-based elements, creating a cellulose-infrastructure able to accommodate more than one inhabitant.
Following a detailed survey of the Stirling Pavilion, our installation reacts with mm precision to the existing structure, bracing the vertical columns with a hovering plinth (Zatterone) and floating in the interior space, multiplying its archipelagic condition (Isola)
The top layer is treated with a high-resolution print, mediating its raw materiality with Stirling’s environmental sketching techniques: an evershifting entanglement of elements from ‘natural’ to ‘synthetic’.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood (AD—WO) @ad__wo
Erin Besler (Besler & Sons) @beslerandsons
Rachaporn Choochuey [all(zone)] @allzone.official
Rania Ghosn and El Hadi Jazairy (DESIGN EARTH) @_designearth
Michael Meredith and Hilary Sample (MOS Architects) @mmmosarchitects
Anna Neimark and Andrew Atwood (First Office) @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture @princetonarchitecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, responding to the curatorial focus on Carta Azzurra, builds up the site using exclusively paper-based elements, creating a cellulose-infrastructure able to accommodate more than one inhabitant.
Following a detailed survey of the Stirling Pavilion, our installation reacts with mm precision to the existing structure, bracing the vertical columns with a hovering plinth (Zatterone) and floating in the interior space, multiplying its archipelagic condition (Isola)
The top layer is treated with a high-resolution print, mediating its raw materiality with Stirling’s environmental sketching techniques: an evershifting entanglement of elements from ‘natural’ to ‘synthetic’.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood (AD—WO) @ad__wo
Erin Besler (Besler & Sons) @beslerandsons
Rachaporn Choochuey [all(zone)] @allzone.official
Rania Ghosn and El Hadi Jazairy (DESIGN EARTH) @_designearth
Michael Meredith and Hilary Sample (MOS Architects) @mmmosarchitects
Anna Neimark and Andrew Atwood (First Office) @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture @princetonarchitecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, responding to the curatorial focus on Carta Azzurra, builds up the site using exclusively paper-based elements, creating a cellulose-infrastructure able to accommodate more than one inhabitant.
Following a detailed survey of the Stirling Pavilion, our installation reacts with mm precision to the existing structure, bracing the vertical columns with a hovering plinth (Zatterone) and floating in the interior space, multiplying its archipelagic condition (Isola)
The top layer is treated with a high-resolution print, mediating its raw materiality with Stirling’s environmental sketching techniques: an evershifting entanglement of elements from ‘natural’ to ‘synthetic’.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood (AD—WO) @ad__wo
Erin Besler (Besler & Sons) @beslerandsons
Rachaporn Choochuey [all(zone)] @allzone.official
Rania Ghosn and El Hadi Jazairy (DESIGN EARTH) @_designearth
Michael Meredith and Hilary Sample (MOS Architects) @mmmosarchitects
Anna Neimark and Andrew Atwood (First Office) @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture @princetonarchitecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, responding to the curatorial focus on Carta Azzurra, builds up the site using exclusively paper-based elements, creating a cellulose-infrastructure able to accommodate more than one inhabitant.
Following a detailed survey of the Stirling Pavilion, our installation reacts with mm precision to the existing structure, bracing the vertical columns with a hovering plinth (Zatterone) and floating in the interior space, multiplying its archipelagic condition (Isola)
The top layer is treated with a high-resolution print, mediating its raw materiality with Stirling’s environmental sketching techniques: an evershifting entanglement of elements from ‘natural’ to ‘synthetic’.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood (AD—WO) @ad__wo
Erin Besler (Besler & Sons) @beslerandsons
Rachaporn Choochuey [all(zone)] @allzone.official
Rania Ghosn and El Hadi Jazairy (DESIGN EARTH) @_designearth
Michael Meredith and Hilary Sample (MOS Architects) @mmmosarchitects
Anna Neimark and Andrew Atwood (First Office) @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture @princetonarchitecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale
Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, Zatterone e Isola, roots itself in Venice, thickening a collective ground in the Stirling Book Pavilion.
Walking in Venice requires an acknowledgment of the ossified forest lying beneath our feet. Our intervention foregrounds this distinct terraforming strategy to stitch together the architecture of the Pavilion with the elemental grounds of the lagoon. Layering Stirling’s own environmental sketching techniques, the curatorial attention to Carta Azzurra as a fundamental ingredient for architecture’s knowledge production, as well as our point cloud of the Pavilion’s perimeter, our Zatterone begins to operate as a mediating device across books, models, and architecture.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood @ad__wo
Erin Besler @beslerandsons
Rachaporn Choochuey @allzone.official
Rania Ghosn and El Hadi Jazairy @_designearth
Michael Meredith and Hilary Sample @mmmosarchitects
Anna Neimark and Andrew Atwood @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, Zatterone e Isola, roots itself in Venice, thickening a collective ground in the Stirling Book Pavilion.
Walking in Venice requires an acknowledgment of the ossified forest lying beneath our feet. Our intervention foregrounds this distinct terraforming strategy to stitch together the architecture of the Pavilion with the elemental grounds of the lagoon. Layering Stirling’s own environmental sketching techniques, the curatorial attention to Carta Azzurra as a fundamental ingredient for architecture’s knowledge production, as well as our point cloud of the Pavilion’s perimeter, our Zatterone begins to operate as a mediating device across books, models, and architecture.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood @ad__wo
Erin Besler @beslerandsons
Rachaporn Choochuey @allzone.official
Rania Ghosn and El Hadi Jazairy @_designearth
Michael Meredith and Hilary Sample @mmmosarchitects
Anna Neimark and Andrew Atwood @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, Zatterone e Isola, roots itself in Venice, thickening a collective ground in the Stirling Book Pavilion.
Walking in Venice requires an acknowledgment of the ossified forest lying beneath our feet. Our intervention foregrounds this distinct terraforming strategy to stitch together the architecture of the Pavilion with the elemental grounds of the lagoon. Layering Stirling’s own environmental sketching techniques, the curatorial attention to Carta Azzurra as a fundamental ingredient for architecture’s knowledge production, as well as our point cloud of the Pavilion’s perimeter, our Zatterone begins to operate as a mediating device across books, models, and architecture.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood @ad__wo
Erin Besler @beslerandsons
Rachaporn Choochuey @allzone.official
Rania Ghosn and El Hadi Jazairy @_designearth
Michael Meredith and Hilary Sample @mmmosarchitects
Anna Neimark and Andrew Atwood @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, Zatterone e Isola, roots itself in Venice, thickening a collective ground in the Stirling Book Pavilion.
Walking in Venice requires an acknowledgment of the ossified forest lying beneath our feet. Our intervention foregrounds this distinct terraforming strategy to stitch together the architecture of the Pavilion with the elemental grounds of the lagoon. Layering Stirling’s own environmental sketching techniques, the curatorial attention to Carta Azzurra as a fundamental ingredient for architecture’s knowledge production, as well as our point cloud of the Pavilion’s perimeter, our Zatterone begins to operate as a mediating device across books, models, and architecture.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood @ad__wo
Erin Besler @beslerandsons
Rachaporn Choochuey @allzone.official
Rania Ghosn and El Hadi Jazairy @_designearth
Michael Meredith and Hilary Sample @mmmosarchitects
Anna Neimark and Andrew Atwood @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale

Zatterone e Isola is our site-specific installation for “The Perimeter of Architecture: Amid the Elements” at the Stirling Pavilion curated by Sylvia Lavin at the 19th International Architecture Exhibition of La Biennale di Venezia.
Our installation, Zatterone e Isola, roots itself in Venice, thickening a collective ground in the Stirling Book Pavilion.
Walking in Venice requires an acknowledgment of the ossified forest lying beneath our feet. Our intervention foregrounds this distinct terraforming strategy to stitch together the architecture of the Pavilion with the elemental grounds of the lagoon. Layering Stirling’s own environmental sketching techniques, the curatorial attention to Carta Azzurra as a fundamental ingredient for architecture’s knowledge production, as well as our point cloud of the Pavilion’s perimeter, our Zatterone begins to operate as a mediating device across books, models, and architecture.
The Pavilion hosts contributions by:
Emanuel Admassu and Jen Wood @ad__wo
Erin Besler @beslerandsons
Rachaporn Choochuey @allzone.official
Rania Ghosn and El Hadi Jazairy @_designearth
Michael Meredith and Hilary Sample @mmmosarchitects
Anna Neimark and Andrew Atwood @first_office_architecture
DK Osseo-Asare @yosseo
Graphic Design
Christina Huang @cxlhuang
Research Coordinator
Tairan An @antairman
Research Team (PhD Candidates at Princeton University School of Architecture)
Foivos Geralis @_phebus , Dimitris Hartonas @dhartonas, Maxwell Smith-Holmes @global_brooklyn, Chenchen Yan @chenchen_yan
@labiennale
As we put together some of the materials for House W8, we wanted to look back at the initial LiDAR scan of the site. More than simply visualizing what was built, it acted as a design tool to engage with the multiple material layers of the building.
#digitalsurveying #designresearch #architecturalreuse #lidar #existingconditions
House W8 is approaching the finish line.
Over the past 1.5 years, we’ve had the chance to work directly with this building — translating dense point clouds into design decisions, adapting to the complexities of a pre-war structure, and seeing it all take shape on site—a project rooted in precision, patience, and the messy beauty of existing conditions.
#digitalsurveying #designresearch #architecturalreuse #materialfriction #lidar #existingconditions
@daniele_profeta
@maaaalam

Il disegno dei Punti: drawing from points
Excited to share some of our latest work at @ubuffaloarchplan this coming Friday- thank you @jules.cz for the invite! I will be fun!

The new facade is coming up soon in our house renovation project in Wuppertal - here some snapshots of our site survey from neighborhood to old windows’ hinges hidden below the previous facade. We’re excited to share more in the coming weeks!
#ThickAesthetics #MaterialFriction #ArchitecturalReuse #DigitalSurveying #BuildingLifecycle #ArchitecturalDiscourse #ReclaimedArchitecture #DesignResearch #lidar #photogrammetry #architecture #reuse #digitalart #archilovers #design #dezeen #next
@daniele_profeta @maaaalam

The new facade is coming up soon in our house renovation project in Wuppertal - here some snapshots of our site survey from neighborhood to old windows’ hinges hidden below the previous facade. We’re excited to share more in the coming weeks!
#ThickAesthetics #MaterialFriction #ArchitecturalReuse #DigitalSurveying #BuildingLifecycle #ArchitecturalDiscourse #ReclaimedArchitecture #DesignResearch #lidar #photogrammetry #architecture #reuse #digitalart #archilovers #design #dezeen #next
@daniele_profeta @maaaalam

WIP of a project and paper we are currently working on:
Building in existing conditions can be considered one of the most relevant design tasks in the current environmental crisis; beyond the age-old discourse on contextualism and architecture’s role in the historical palimpsest of the city, interventions focused on extending buildings’ lifecycle and material reuse dominate contemporary discourse.
This project expands our research around digital surveying techniques to enhance our engagement with such contexts. Using a housing project in Wuppertal, Germany, as a case study, we explore workflows and design strategies that merge planning with the existing site’s granular surfaces. The survey acts as an active agent, transforming data acquisition and visualization into collaborative design processes.
#ThickAesthetics #MaterialFriction #ArchitecturalReuse #DigitalSurveying #BuildingLifecycle #MachinicVision #ArchitecturalDiscourse #ReclaimedArchitecture #DesignResearch #lidar #photogram #photogrammetry
@daniele_profeta @maaaalam

WIP of a project and paper we are currently working on:
Building in existing conditions can be considered one of the most relevant design tasks in the current environmental crisis; beyond the age-old discourse on contextualism and architecture’s role in the historical palimpsest of the city, interventions focused on extending buildings’ lifecycle and material reuse dominate contemporary discourse.
This project expands our research around digital surveying techniques to enhance our engagement with such contexts. Using a housing project in Wuppertal, Germany, as a case study, we explore workflows and design strategies that merge planning with the existing site’s granular surfaces. The survey acts as an active agent, transforming data acquisition and visualization into collaborative design processes.
#ThickAesthetics #MaterialFriction #ArchitecturalReuse #DigitalSurveying #BuildingLifecycle #MachinicVision #ArchitecturalDiscourse #ReclaimedArchitecture #DesignResearch #lidar #photogram #photogrammetry
@daniele_profeta @maaaalam

Decolonize Wuppertal &
der Lehrstuhl für Theorie & Diskurs im Entwurf laden euch zu einer Diskussion und Pop-Up Ausstellung von StudentInnen der Architektur zum Thema Geschichte der architektonischen Visualisierung im Allgemeinen und der Bausubstanz Wuppertals im Zusammenhang mit der Kolonialgeschichte im Einzelnen ein.
Studentische Arbeiten von:
Hannah Radke @hannah_lzbth
Luna Emembolu @luna.emembolu
Filip Daust @filip.dst
Mehran Scherzad
David Erdinc
Wissenschaftlicher Lehrstuhl Team:
Richard Haverland @ririririmaro
Hannah Radke @hannah_lzbth

Decolonize Wuppertal &
der Lehrstuhl für Theorie & Diskurs im Entwurf laden euch zu einer Diskussion und Pop-Up Ausstellung von StudentInnen der Architektur zum Thema Geschichte der architektonischen Visualisierung im Allgemeinen und der Bausubstanz Wuppertals im Zusammenhang mit der Kolonialgeschichte im Einzelnen ein.
Studentische Arbeiten von:
Hannah Radke @hannah_lzbth
Luna Emembolu @luna.emembolu
Filip Daust @filip.dst
Mehran Scherzad
David Erdinc
Wissenschaftlicher Lehrstuhl Team:
Richard Haverland @ririririmaro
Hannah Radke @hannah_lzbth

Decolonize Wuppertal &
der Lehrstuhl für Theorie & Diskurs im Entwurf laden euch zu einer Diskussion und Pop-Up Ausstellung von StudentInnen der Architektur zum Thema Geschichte der architektonischen Visualisierung im Allgemeinen und der Bausubstanz Wuppertals im Zusammenhang mit der Kolonialgeschichte im Einzelnen ein.
Studentische Arbeiten von:
Hannah Radke @hannah_lzbth
Luna Emembolu @luna.emembolu
Filip Daust @filip.dst
Mehran Scherzad
David Erdinc
Wissenschaftlicher Lehrstuhl Team:
Richard Haverland @ririririmaro
Hannah Radke @hannah_lzbth
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Der Dienst ist kostenlos nutzbar.
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.