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🎉 I am absolutely thrilled and honored to announce that our studio has been included in this year’s AD100! 🌟 What a whirlwind year it has been, and this truly feels like the cherry on top.

A massive thank you to my incredible team—without you, none of this would be possible. I’m so grateful to work alongside such talented and dedicated individuals who tirelessly strive for excellence.

Thank you SO much to @amyastley, @samuelcochran, @alevasseur1, and @archdigest for your unwavering support and recognition of our work. Your encouragement means the world to us!

What a fantastic way to cap off the year! Here’s to more adventures ahead! 🥂✨

#ad100 #bryanosullivanstudio #ad1002025

📸 @jakecurtisphoto

“The building in which Bryan O’Sullivan lives with his husband and their toddler son is not without irony. A glowering brutalist tower in the Barbican, it is the antithesis of the glamorous and irreverent style for which his interior design studio has become known. Colour, curves and comfort are very much O’Sullivan’s signature, evident from his long list of prestigious projects, including the recent redesign of Claridge’s Restaurant and the stylish Berkeley Bar & Terrace, with its splashes of coral. Those and more are the focus of O’Sullivan’s first book, A New Glamour, which is published this week and charts the past ten years of his studio’s impressive achievements.

Rather like his work, O’Sullivan is full of surprises. His love for the Barbican estate and its jagged-edged silhouette is one he has held since his architecture-student days. “I have always been obsessed with it,” the Irishman says. “So when the opportunity came up to buy an apartment here I jumped at the chance. Although James took a little more convincing.”

Hugest of thanks to @theststyle @phoebejmcd @busolaevans for this wonderful feature ahead of our book launch next week!

📸 James McDonald

“The building in which Bryan O’Sullivan lives with his husband and their toddler son is not without irony. A glowering brutalist tower in the Barbican, it is the antithesis of the glamorous and irreverent style for which his interior design studio has become known. Colour, curves and comfort are very much O’Sullivan’s signature, evident from his long list of prestigious projects, including the recent redesign of Claridge’s Restaurant and the stylish Berkeley Bar & Terrace, with its splashes of coral. Those and more are the focus of O’Sullivan’s first book, A New Glamour, which is published this week and charts the past ten years of his studio’s impressive achievements.

Rather like his work, O’Sullivan is full of surprises. His love for the Barbican estate and its jagged-edged silhouette is one he has held since his architecture-student days. “I have always been obsessed with it,” the Irishman says. “So when the opportunity came up to buy an apartment here I jumped at the chance. Although James took a little more convincing.”

Hugest of thanks to @theststyle @phoebejmcd @busolaevans for this wonderful feature ahead of our book launch next week!

📸 James McDonald

“The building in which Bryan O’Sullivan lives with his husband and their toddler son is not without irony. A glowering brutalist tower in the Barbican, it is the antithesis of the glamorous and irreverent style for which his interior design studio has become known. Colour, curves and comfort are very much O’Sullivan’s signature, evident from his long list of prestigious projects, including the recent redesign of Claridge’s Restaurant and the stylish Berkeley Bar & Terrace, with its splashes of coral. Those and more are the focus of O’Sullivan’s first book, A New Glamour, which is published this week and charts the past ten years of his studio’s impressive achievements.

Rather like his work, O’Sullivan is full of surprises. His love for the Barbican estate and its jagged-edged silhouette is one he has held since his architecture-student days. “I have always been obsessed with it,” the Irishman says. “So when the opportunity came up to buy an apartment here I jumped at the chance. Although James took a little more convincing.”

Hugest of thanks to @theststyle @phoebejmcd @busolaevans for this wonderful feature ahead of our book launch next week!

📸 James McDonald

“The building in which Bryan O’Sullivan lives with his husband and their toddler son is not without irony. A glowering brutalist tower in the Barbican, it is the antithesis of the glamorous and irreverent style for which his interior design studio has become known. Colour, curves and comfort are very much O’Sullivan’s signature, evident from his long list of prestigious projects, including the recent redesign of Claridge’s Restaurant and the stylish Berkeley Bar & Terrace, with its splashes of coral. Those and more are the focus of O’Sullivan’s first book, A New Glamour, which is published this week and charts the past ten years of his studio’s impressive achievements.

Rather like his work, O’Sullivan is full of surprises. His love for the Barbican estate and its jagged-edged silhouette is one he has held since his architecture-student days. “I have always been obsessed with it,” the Irishman says. “So when the opportunity came up to buy an apartment here I jumped at the chance. Although James took a little more convincing.”

Hugest of thanks to @theststyle @phoebejmcd @busolaevans for this wonderful feature ahead of our book launch next week!

📸 James McDonald

“The building in which Bryan O’Sullivan lives with his husband and their toddler son is not without irony. A glowering brutalist tower in the Barbican, it is the antithesis of the glamorous and irreverent style for which his interior design studio has become known. Colour, curves and comfort are very much O’Sullivan’s signature, evident from his long list of prestigious projects, including the recent redesign of Claridge’s Restaurant and the stylish Berkeley Bar & Terrace, with its splashes of coral. Those and more are the focus of O’Sullivan’s first book, A New Glamour, which is published this week and charts the past ten years of his studio’s impressive achievements.

Rather like his work, O’Sullivan is full of surprises. His love for the Barbican estate and its jagged-edged silhouette is one he has held since his architecture-student days. “I have always been obsessed with it,” the Irishman says. “So when the opportunity came up to buy an apartment here I jumped at the chance. Although James took a little more convincing.”

Hugest of thanks to @theststyle @phoebejmcd @busolaevans for this wonderful feature ahead of our book launch next week!

📸 James McDonald

I can’t quite believe I am writing this, but I am absolutely brimming with joy to reveal our debut book, ‘A New Glamour’, will be released on 2nd April, published by @rizzolibooks

Marking ten years of our studio, the book features fifteen of our projects across the globe - including four new and exclusive houses from Bel Air to the Greek Riviera.

Many years ago I was lucky enough to work with a hero of mine, Annabelle Selldorf, and I am so honored that she agreed to write the foreword for the book. @annabelleselldorf

Although it feels like we’re only just getting started, it’s been a real trip to look back on how much the team and I have accomplished so far.

Thank you to everyone who has made this possible, especially @samuelcochran for the hours of therapy, my super talented brother Eamonn @anchor.studio for the beautiful graphic work, @james_mcdonald_photography for the incredible camera work and Charles & Giulia at Rizzoli for their belief in our work and unending patience.

Thanks also to@thisischimeramusic and especially @samritamudher for all their work in house helping to make it all happen.

Pre-order is now available via our website (link in bio) and all major bookstores.

I can’t quite believe I am writing this, but I am absolutely brimming with joy to reveal our debut book, ‘A New Glamour’, will be released on 2nd April, published by @rizzolibooks

Marking ten years of our studio, the book features fifteen of our projects across the globe - including four new and exclusive houses from Bel Air to the Greek Riviera.

Many years ago I was lucky enough to work with a hero of mine, Annabelle Selldorf, and I am so honored that she agreed to write the foreword for the book. @annabelleselldorf

Although it feels like we’re only just getting started, it’s been a real trip to look back on how much the team and I have accomplished so far.

Thank you to everyone who has made this possible, especially @samuelcochran for the hours of therapy, my super talented brother Eamonn @anchor.studio for the beautiful graphic work, @james_mcdonald_photography for the incredible camera work and Charles & Giulia at Rizzoli for their belief in our work and unending patience.

Thanks also to@thisischimeramusic and especially @samritamudher for all their work in house helping to make it all happen.

Pre-order is now available via our website (link in bio) and all major bookstores.

I can’t quite believe I am writing this, but I am absolutely brimming with joy to reveal our debut book, ‘A New Glamour’, will be released on 2nd April, published by @rizzolibooks

Marking ten years of our studio, the book features fifteen of our projects across the globe - including four new and exclusive houses from Bel Air to the Greek Riviera.

Many years ago I was lucky enough to work with a hero of mine, Annabelle Selldorf, and I am so honored that she agreed to write the foreword for the book. @annabelleselldorf

Although it feels like we’re only just getting started, it’s been a real trip to look back on how much the team and I have accomplished so far.

Thank you to everyone who has made this possible, especially @samuelcochran for the hours of therapy, my super talented brother Eamonn @anchor.studio for the beautiful graphic work, @james_mcdonald_photography for the incredible camera work and Charles & Giulia at Rizzoli for their belief in our work and unending patience.

Thanks also to@thisischimeramusic and especially @samritamudher for all their work in house helping to make it all happen.

Pre-order is now available via our website (link in bio) and all major bookstores.

I can’t quite believe I am writing this, but I am absolutely brimming with joy to reveal our debut book, ‘A New Glamour’, will be released on 2nd April, published by @rizzolibooks

Marking ten years of our studio, the book features fifteen of our projects across the globe - including four new and exclusive houses from Bel Air to the Greek Riviera.

Many years ago I was lucky enough to work with a hero of mine, Annabelle Selldorf, and I am so honored that she agreed to write the foreword for the book. @annabelleselldorf

Although it feels like we’re only just getting started, it’s been a real trip to look back on how much the team and I have accomplished so far.

Thank you to everyone who has made this possible, especially @samuelcochran for the hours of therapy, my super talented brother Eamonn @anchor.studio for the beautiful graphic work, @james_mcdonald_photography for the incredible camera work and Charles & Giulia at Rizzoli for their belief in our work and unending patience.

Thanks also to@thisischimeramusic and especially @samritamudher for all their work in house helping to make it all happen.

Pre-order is now available via our website (link in bio) and all major bookstores.

One of our favourite moments from this Hamptons house, a jewel-box bar conceived as an immersive world of colour, texture and atmosphere.

Wrapped in a richly patterned crimson brocatelle and anchored by a dramatic marble whose veining feels almost painterly, the room was designed to evoke the glamour and intimacy of a private cocktail lounge. Every surface contributes to the experience, from the warmth of the lacquered cabinetry to the sculptural stone and softly burnished metal details.

Small in scale but rich in character, it is a space intended to draw people in, encourage conversation, and linger long into the evening.

Featured in Architectural Digest.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @erin.siobhan.curry @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @wrightand.co

One of our favourite moments from this Hamptons house, a jewel-box bar conceived as an immersive world of colour, texture and atmosphere.

Wrapped in a richly patterned crimson brocatelle and anchored by a dramatic marble whose veining feels almost painterly, the room was designed to evoke the glamour and intimacy of a private cocktail lounge. Every surface contributes to the experience, from the warmth of the lacquered cabinetry to the sculptural stone and softly burnished metal details.

Small in scale but rich in character, it is a space intended to draw people in, encourage conversation, and linger long into the evening.

Featured in Architectural Digest.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @erin.siobhan.curry @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @wrightand.co

One of our favourite moments from this Hamptons house, a jewel-box bar conceived as an immersive world of colour, texture and atmosphere.

Wrapped in a richly patterned crimson brocatelle and anchored by a dramatic marble whose veining feels almost painterly, the room was designed to evoke the glamour and intimacy of a private cocktail lounge. Every surface contributes to the experience, from the warmth of the lacquered cabinetry to the sculptural stone and softly burnished metal details.

Small in scale but rich in character, it is a space intended to draw people in, encourage conversation, and linger long into the evening.

Featured in Architectural Digest.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @erin.siobhan.curry @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @wrightand.co

The primary bedroom from our recently featured Hamptons project in Architectural Digest.

We wanted the room to feel deeply calming and restorative, almost monastic in its simplicity, while still carrying a quiet sense of romance and craftsmanship. Layers of warm plaster, soft natural textures, and custom wrought iron detailing create a space that feels intimate, cocooning, and timeless.

The hand-forged canopy bed became the emotional centre of the room, designed almost as a sculptural piece within the architecture itself, while the adjoining bathroom was conceived as a continuation of the same mood - serene, softly luminous, and wrapped in beautifully figured stone.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

The primary bedroom from our recently featured Hamptons project in Architectural Digest.

We wanted the room to feel deeply calming and restorative, almost monastic in its simplicity, while still carrying a quiet sense of romance and craftsmanship. Layers of warm plaster, soft natural textures, and custom wrought iron detailing create a space that feels intimate, cocooning, and timeless.

The hand-forged canopy bed became the emotional centre of the room, designed almost as a sculptural piece within the architecture itself, while the adjoining bathroom was conceived as a continuation of the same mood - serene, softly luminous, and wrapped in beautifully figured stone.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

The primary bedroom from our recently featured Hamptons project in Architectural Digest.

We wanted the room to feel deeply calming and restorative, almost monastic in its simplicity, while still carrying a quiet sense of romance and craftsmanship. Layers of warm plaster, soft natural textures, and custom wrought iron detailing create a space that feels intimate, cocooning, and timeless.

The hand-forged canopy bed became the emotional centre of the room, designed almost as a sculptural piece within the architecture itself, while the adjoining bathroom was conceived as a continuation of the same mood - serene, softly luminous, and wrapped in beautifully figured stone.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

The primary bedroom from our recently featured Hamptons project in Architectural Digest.

We wanted the room to feel deeply calming and restorative, almost monastic in its simplicity, while still carrying a quiet sense of romance and craftsmanship. Layers of warm plaster, soft natural textures, and custom wrought iron detailing create a space that feels intimate, cocooning, and timeless.

The hand-forged canopy bed became the emotional centre of the room, designed almost as a sculptural piece within the architecture itself, while the adjoining bathroom was conceived as a continuation of the same mood - serene, softly luminous, and wrapped in beautifully figured stone.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

The primary bedroom from our recently featured Hamptons project in Architectural Digest.

We wanted the room to feel deeply calming and restorative, almost monastic in its simplicity, while still carrying a quiet sense of romance and craftsmanship. Layers of warm plaster, soft natural textures, and custom wrought iron detailing create a space that feels intimate, cocooning, and timeless.

The hand-forged canopy bed became the emotional centre of the room, designed almost as a sculptural piece within the architecture itself, while the adjoining bathroom was conceived as a continuation of the same mood - serene, softly luminous, and wrapped in beautifully figured stone.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

The primary bedroom from our recently featured Hamptons project in Architectural Digest.

We wanted the room to feel deeply calming and restorative, almost monastic in its simplicity, while still carrying a quiet sense of romance and craftsmanship. Layers of warm plaster, soft natural textures, and custom wrought iron detailing create a space that feels intimate, cocooning, and timeless.

The hand-forged canopy bed became the emotional centre of the room, designed almost as a sculptural piece within the architecture itself, while the adjoining bathroom was conceived as a continuation of the same mood - serene, softly luminous, and wrapped in beautifully figured stone.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

In the basement of our Bel Air residence project, we leaned into a more atmospheric approach to entertaining. At the entrance to the cinema’s concession stand, a pair of Pierre Chareau sconces frame the threshold, setting a cinematic tone before the film even begins.

The bar draws on ideas we explored in the Red Room at the Connaught Hotel, with lacquered panels wrapping the walls, barstools designed in-house, and a bespoke ceiling light casting a warm, diffuse glow.

Beyond, the lounge becomes more immersive. We introduced our own bespoke seating and lined the room with hand-painted panels by Brian Robles, creating a richly textured backdrop for a work by Stickymonger.

In the basement of our Bel Air residence project, we leaned into a more atmospheric approach to entertaining. At the entrance to the cinema’s concession stand, a pair of Pierre Chareau sconces frame the threshold, setting a cinematic tone before the film even begins.

The bar draws on ideas we explored in the Red Room at the Connaught Hotel, with lacquered panels wrapping the walls, barstools designed in-house, and a bespoke ceiling light casting a warm, diffuse glow.

Beyond, the lounge becomes more immersive. We introduced our own bespoke seating and lined the room with hand-painted panels by Brian Robles, creating a richly textured backdrop for a work by Stickymonger.

In the basement of our Bel Air residence project, we leaned into a more atmospheric approach to entertaining. At the entrance to the cinema’s concession stand, a pair of Pierre Chareau sconces frame the threshold, setting a cinematic tone before the film even begins.

The bar draws on ideas we explored in the Red Room at the Connaught Hotel, with lacquered panels wrapping the walls, barstools designed in-house, and a bespoke ceiling light casting a warm, diffuse glow.

Beyond, the lounge becomes more immersive. We introduced our own bespoke seating and lined the room with hand-painted panels by Brian Robles, creating a richly textured backdrop for a work by Stickymonger.

In the basement of our Bel Air residence project, we leaned into a more atmospheric approach to entertaining. At the entrance to the cinema’s concession stand, a pair of Pierre Chareau sconces frame the threshold, setting a cinematic tone before the film even begins.

The bar draws on ideas we explored in the Red Room at the Connaught Hotel, with lacquered panels wrapping the walls, barstools designed in-house, and a bespoke ceiling light casting a warm, diffuse glow.

Beyond, the lounge becomes more immersive. We introduced our own bespoke seating and lined the room with hand-painted panels by Brian Robles, creating a richly textured backdrop for a work by Stickymonger.

And then there was Goldie 💛

And then there was Goldie 💛

A quiet moment from our recently completed Hamptons project, featured in Architectural Digest.

For this powder room, we wanted the materiality to feel almost immersive — richly figured marble wrapping the floor and sink, deep stained oak, and a vintage illuminated Max Ingrand mirror casting a soft atmospheric glow.

The marble itself was discovered on a journey through Italy with our client, spending days visiting quarries together in search of something with real depth, movement, and emotion. Those shared experiences always become part of the story of a house.

Photography by William Jess Laird

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

We are thrilled to share our latest project in the Hamptons, now featured in Architectural Digest.

Inspired by the enduring architecture of Sir Edwin Lutyens and the warmth, texture, and craftsmanship of the Arts & Crafts movement, the house was designed to feel rooted in history while remaining calm, contemporary, and highly livable for modern family life.

It was a true pleasure collaborating with the extraordinarily talented Tom Kligerman and the Kligerman Architecture & Design team, Deborah Nevins, Wright & Co, and above all, a truly exceptional client whose vision, passion, instinct, and unwavering commitment to detail shaped every aspect of the home.

Thank you to Paola Singer for the beautiful words, William Jess Laird for capturing the house so brilliantly through his lens, and Amy Astley and the entire AD team for your continued support, encouragement, and belief in our studio. We are deeply grateful.

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

We are thrilled to share our latest project in the Hamptons, now featured in Architectural Digest.

Inspired by the enduring architecture of Sir Edwin Lutyens and the warmth, texture, and craftsmanship of the Arts & Crafts movement, the house was designed to feel rooted in history while remaining calm, contemporary, and highly livable for modern family life.

It was a true pleasure collaborating with the extraordinarily talented Tom Kligerman and the Kligerman Architecture & Design team, Deborah Nevins, Wright & Co, and above all, a truly exceptional client whose vision, passion, instinct, and unwavering commitment to detail shaped every aspect of the home.

Thank you to Paola Singer for the beautiful words, William Jess Laird for capturing the house so brilliantly through his lens, and Amy Astley and the entire AD team for your continued support, encouragement, and belief in our studio. We are deeply grateful.

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

We are thrilled to share our latest project in the Hamptons, now featured in Architectural Digest.

Inspired by the enduring architecture of Sir Edwin Lutyens and the warmth, texture, and craftsmanship of the Arts & Crafts movement, the house was designed to feel rooted in history while remaining calm, contemporary, and highly livable for modern family life.

It was a true pleasure collaborating with the extraordinarily talented Tom Kligerman and the Kligerman Architecture & Design team, Deborah Nevins, Wright & Co, and above all, a truly exceptional client whose vision, passion, instinct, and unwavering commitment to detail shaped every aspect of the home.

Thank you to Paola Singer for the beautiful words, William Jess Laird for capturing the house so brilliantly through his lens, and Amy Astley and the entire AD team for your continued support, encouragement, and belief in our studio. We are deeply grateful.

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

We are thrilled to share our latest project in the Hamptons, now featured in Architectural Digest.

Inspired by the enduring architecture of Sir Edwin Lutyens and the warmth, texture, and craftsmanship of the Arts & Crafts movement, the house was designed to feel rooted in history while remaining calm, contemporary, and highly livable for modern family life.

It was a true pleasure collaborating with the extraordinarily talented Tom Kligerman and the Kligerman Architecture & Design team, Deborah Nevins, Wright & Co, and above all, a truly exceptional client whose vision, passion, instinct, and unwavering commitment to detail shaped every aspect of the home.

Thank you to Paola Singer for the beautiful words, William Jess Laird for capturing the house so brilliantly through his lens, and Amy Astley and the entire AD team for your continued support, encouragement, and belief in our studio. We are deeply grateful.

@tomkligerman @kligerman.ad @archdigest @william.jess.laird @amyastley @paola.singer @alevasseur1 @samuelcochran @deborah_nevins @joecarline @erin.siobhan.curry @wrightand.co

In the owners’ cabin of our Feadship yacht project, we layered a mix of vintage and contemporary pieces; Max Ingrand sconces mirrored above a Timothy Schreiber console. The lighting throughout the boat was something we paid particular attention to, and these vintage pieces bring a warmth that works seamlessly with the materials in the room.

We also designed a bespoke shagreen dressing table for the cabin, finished with tasselled Art Deco-style pulls. It’s a subtle nod to the Art Deco influence the clients loved, particularly from our work at Claridge’s.

In the owners’ cabin of our Feadship yacht project, we layered a mix of vintage and contemporary pieces; Max Ingrand sconces mirrored above a Timothy Schreiber console. The lighting throughout the boat was something we paid particular attention to, and these vintage pieces bring a warmth that works seamlessly with the materials in the room.

We also designed a bespoke shagreen dressing table for the cabin, finished with tasselled Art Deco-style pulls. It’s a subtle nod to the Art Deco influence the clients loved, particularly from our work at Claridge’s.

In the owners’ cabin of our Feadship yacht project, we layered a mix of vintage and contemporary pieces; Max Ingrand sconces mirrored above a Timothy Schreiber console. The lighting throughout the boat was something we paid particular attention to, and these vintage pieces bring a warmth that works seamlessly with the materials in the room.

We also designed a bespoke shagreen dressing table for the cabin, finished with tasselled Art Deco-style pulls. It’s a subtle nod to the Art Deco influence the clients loved, particularly from our work at Claridge’s.

It’s a great honour to be named amongst @1stdibs 50 honorees! First and foremost I have to thank my incredible team, who tirelessly show up every day brimming with creativity and passion. Secondly, a big thank you to our clients for their faith and belief in our work. The picture featured is a little taster from an apartment we had the pleasure of working on in Park Avenue. We can’t wait to share more of it over the summer! 🍾

In the study of our Nottinghill Townhouse project, we worked with a more restrained palette, leaning into the warmth of the oak panelling. A coffee table by Pierre Yovanovitch sits with a Annabelle Selldorf sofa and Bernt Petersen stools, while a vintage chandelier by Hans-Agne Jakobsson introduces a softer, ambient feeling.

The breakfast room takes on a different tone - lighter, but still grounded in materiality. A Matthew Cox table is surrounded by Svenskt Tenn chairs, with pendants by Alvar Aalto overhead and a painting by Wolf Kahn bringing colour to the walls.

In the formal living room, we layered a broader mix of pieces. A nineteenth-century French giltwood mirror hangs above a Jamb fireplace, while seating includes a Spring chair from the Bryan O’Sullivan Collection and a Vladimir Kagan sofa.

In the study of our Nottinghill Townhouse project, we worked with a more restrained palette, leaning into the warmth of the oak panelling. A coffee table by Pierre Yovanovitch sits with a Annabelle Selldorf sofa and Bernt Petersen stools, while a vintage chandelier by Hans-Agne Jakobsson introduces a softer, ambient feeling.

The breakfast room takes on a different tone - lighter, but still grounded in materiality. A Matthew Cox table is surrounded by Svenskt Tenn chairs, with pendants by Alvar Aalto overhead and a painting by Wolf Kahn bringing colour to the walls.

In the formal living room, we layered a broader mix of pieces. A nineteenth-century French giltwood mirror hangs above a Jamb fireplace, while seating includes a Spring chair from the Bryan O’Sullivan Collection and a Vladimir Kagan sofa.

In the study of our Nottinghill Townhouse project, we worked with a more restrained palette, leaning into the warmth of the oak panelling. A coffee table by Pierre Yovanovitch sits with a Annabelle Selldorf sofa and Bernt Petersen stools, while a vintage chandelier by Hans-Agne Jakobsson introduces a softer, ambient feeling.

The breakfast room takes on a different tone - lighter, but still grounded in materiality. A Matthew Cox table is surrounded by Svenskt Tenn chairs, with pendants by Alvar Aalto overhead and a painting by Wolf Kahn bringing colour to the walls.

In the formal living room, we layered a broader mix of pieces. A nineteenth-century French giltwood mirror hangs above a Jamb fireplace, while seating includes a Spring chair from the Bryan O’Sullivan Collection and a Vladimir Kagan sofa.