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JACKIE & SAM: A love story told in whispers.

One thing that stayed with me while making #TheSilentNoise was how carefully Direk Onat @onatdiaz held Sam & Jackie’s love story. It was approached with quiet intention—never loud, never forced. Just sincere, honest, and deeply human.

Every choice was made in service of the story, never a trend. Because their love feels true. Real. Not just something written for a film, but something that exists, softly and quietly, in the lives of people out in the world.

So the cinematography followed the same rhythm.

They sit in that space between memory and observation—images that feel remembered rather than staged.

A warm, late-afternoon quality that wraps instead of cuts. Highlights bloom slightly, almost halating, giving the skin a softness without losing texture. Contrast is gentle, with shadows allowed to fall off naturally rather than being filled. There’s a lived-in imperfection to the light, subtle haze, practicals, color in the walls, so the frame feels inhabited, not designed.

Compositionally, it stays intimate but unintrusive. Medium-wides that let bodies exist in space, then close-ups that don’t feel like coverage but like proximity. The camera doesn’t chase emotion, it waits for it. Depth of field is shallow enough to isolate, but not so thin that it detaches the subject from their environment.

The close-up is where it really lands.
Soft falloff, warm skin tones, and a kind of quiet stillness. Nothing sharpened for effect, nothing exaggerated. Just faces existing in light.

Then the exterior shifts the language slightly.
Cooler, more muted, with the sky and water flattening the palette. The frame opens up, but the feeling stays contained. Even in a wider space, the subjects feel held, composition guiding the eye back to them without forcing it.

Overall, the images feel patient.
Just like how love is most times — PATIENT.
They don’t announce themselves.
They let you arrive.

JACKIE & SAM: A love story told in whispers.

One thing that stayed with me while making #TheSilentNoise was how carefully Direk Onat @onatdiaz held Sam & Jackie’s love story. It was approached with quiet intention—never loud, never forced. Just sincere, honest, and deeply human.

Every choice was made in service of the story, never a trend. Because their love feels true. Real. Not just something written for a film, but something that exists, softly and quietly, in the lives of people out in the world.

So the cinematography followed the same rhythm.

They sit in that space between memory and observation—images that feel remembered rather than staged.

A warm, late-afternoon quality that wraps instead of cuts. Highlights bloom slightly, almost halating, giving the skin a softness without losing texture. Contrast is gentle, with shadows allowed to fall off naturally rather than being filled. There’s a lived-in imperfection to the light, subtle haze, practicals, color in the walls, so the frame feels inhabited, not designed.

Compositionally, it stays intimate but unintrusive. Medium-wides that let bodies exist in space, then close-ups that don’t feel like coverage but like proximity. The camera doesn’t chase emotion, it waits for it. Depth of field is shallow enough to isolate, but not so thin that it detaches the subject from their environment.

The close-up is where it really lands.
Soft falloff, warm skin tones, and a kind of quiet stillness. Nothing sharpened for effect, nothing exaggerated. Just faces existing in light.

Then the exterior shifts the language slightly.
Cooler, more muted, with the sky and water flattening the palette. The frame opens up, but the feeling stays contained. Even in a wider space, the subjects feel held, composition guiding the eye back to them without forcing it.

Overall, the images feel patient.
Just like how love is most times — PATIENT.
They don’t announce themselves.
They let you arrive.

JACKIE & SAM: A love story told in whispers.

One thing that stayed with me while making #TheSilentNoise was how carefully Direk Onat @onatdiaz held Sam & Jackie’s love story. It was approached with quiet intention—never loud, never forced. Just sincere, honest, and deeply human.

Every choice was made in service of the story, never a trend. Because their love feels true. Real. Not just something written for a film, but something that exists, softly and quietly, in the lives of people out in the world.

So the cinematography followed the same rhythm.

They sit in that space between memory and observation—images that feel remembered rather than staged.

A warm, late-afternoon quality that wraps instead of cuts. Highlights bloom slightly, almost halating, giving the skin a softness without losing texture. Contrast is gentle, with shadows allowed to fall off naturally rather than being filled. There’s a lived-in imperfection to the light, subtle haze, practicals, color in the walls, so the frame feels inhabited, not designed.

Compositionally, it stays intimate but unintrusive. Medium-wides that let bodies exist in space, then close-ups that don’t feel like coverage but like proximity. The camera doesn’t chase emotion, it waits for it. Depth of field is shallow enough to isolate, but not so thin that it detaches the subject from their environment.

The close-up is where it really lands.
Soft falloff, warm skin tones, and a kind of quiet stillness. Nothing sharpened for effect, nothing exaggerated. Just faces existing in light.

Then the exterior shifts the language slightly.
Cooler, more muted, with the sky and water flattening the palette. The frame opens up, but the feeling stays contained. Even in a wider space, the subjects feel held, composition guiding the eye back to them without forcing it.

Overall, the images feel patient.
Just like how love is most times — PATIENT.
They don’t announce themselves.
They let you arrive.

JACKIE & SAM: A love story told in whispers.

One thing that stayed with me while making #TheSilentNoise was how carefully Direk Onat @onatdiaz held Sam & Jackie’s love story. It was approached with quiet intention—never loud, never forced. Just sincere, honest, and deeply human.

Every choice was made in service of the story, never a trend. Because their love feels true. Real. Not just something written for a film, but something that exists, softly and quietly, in the lives of people out in the world.

So the cinematography followed the same rhythm.

They sit in that space between memory and observation—images that feel remembered rather than staged.

A warm, late-afternoon quality that wraps instead of cuts. Highlights bloom slightly, almost halating, giving the skin a softness without losing texture. Contrast is gentle, with shadows allowed to fall off naturally rather than being filled. There’s a lived-in imperfection to the light, subtle haze, practicals, color in the walls, so the frame feels inhabited, not designed.

Compositionally, it stays intimate but unintrusive. Medium-wides that let bodies exist in space, then close-ups that don’t feel like coverage but like proximity. The camera doesn’t chase emotion, it waits for it. Depth of field is shallow enough to isolate, but not so thin that it detaches the subject from their environment.

The close-up is where it really lands.
Soft falloff, warm skin tones, and a kind of quiet stillness. Nothing sharpened for effect, nothing exaggerated. Just faces existing in light.

Then the exterior shifts the language slightly.
Cooler, more muted, with the sky and water flattening the palette. The frame opens up, but the feeling stays contained. Even in a wider space, the subjects feel held, composition guiding the eye back to them without forcing it.

Overall, the images feel patient.
Just like how love is most times — PATIENT.
They don’t announce themselves.
They let you arrive.

JACKIE & SAM: A love story told in whispers.

One thing that stayed with me while making #TheSilentNoise was how carefully Direk Onat @onatdiaz held Sam & Jackie’s love story. It was approached with quiet intention—never loud, never forced. Just sincere, honest, and deeply human.

Every choice was made in service of the story, never a trend. Because their love feels true. Real. Not just something written for a film, but something that exists, softly and quietly, in the lives of people out in the world.

So the cinematography followed the same rhythm.

They sit in that space between memory and observation—images that feel remembered rather than staged.

A warm, late-afternoon quality that wraps instead of cuts. Highlights bloom slightly, almost halating, giving the skin a softness without losing texture. Contrast is gentle, with shadows allowed to fall off naturally rather than being filled. There’s a lived-in imperfection to the light, subtle haze, practicals, color in the walls, so the frame feels inhabited, not designed.

Compositionally, it stays intimate but unintrusive. Medium-wides that let bodies exist in space, then close-ups that don’t feel like coverage but like proximity. The camera doesn’t chase emotion, it waits for it. Depth of field is shallow enough to isolate, but not so thin that it detaches the subject from their environment.

The close-up is where it really lands.
Soft falloff, warm skin tones, and a kind of quiet stillness. Nothing sharpened for effect, nothing exaggerated. Just faces existing in light.

Then the exterior shifts the language slightly.
Cooler, more muted, with the sky and water flattening the palette. The frame opens up, but the feeling stays contained. Even in a wider space, the subjects feel held, composition guiding the eye back to them without forcing it.

Overall, the images feel patient.
Just like how love is most times — PATIENT.
They don’t announce themselves.
They let you arrive.

KAYA WORLD PREMIERE at TRIBECA FESTIVAL

We are over the moon. We are honored, grateful and completely in awe. Thank you @tribeca festival and Ben Thompson for believing in our vision and sharing it with the world ❤️

Congratulations to an amazing cast and crew for the hard work, and to our @kickstarter supporters!! You all made this happen.

Director-writer-producer: @isabel.lamers
Cinematographer: @cescalee.dp
Exec Producers: @mari_birns @birnsandsawyer and @r.laperal @rsvpfilmstudios
Contributing Producers: @omardarling and @sibylsantiago
Stunt Choreography: @laurenmarykim
Stunt Coordinator: @n1co.ramirez
Cast:
Nia: @isabel.lamers
Malic: @earljustinlipana
Angel: @kayleycarrigan
Maria: @piccionary

And beloved crew:
Line Producer: @belpaquiz
Editor: @danieltongeditor
Production Design: @juanpabloypineda
Score Produced by: @denthantoth
Music composer: @carmichaelcastanos
Sound: @rodney.pablo
1AD: @piavelonza
script con: isaiah
costume: @kcontrevida
HMUA: @poozinboots
and many, many more!

Special Thanks to @aaalexqin for all the inspiration and support, @thejoannabacalso, for always cheering for us, @goetheinstitut_philippinen for making this possible by assisting our director and @pvillaluna for helping in a crisis.

Show dates
Thursday, June 4th | 8:30pm | Shorts Theater
Thursday, June 11th | 5:30pm | Shorts Theater
Saturday, June 13th | 2:30pm | AMC 02

#philippines #filipino #filipinomartialarts #independentcinema #stuntfight #filmfestival #worldpremiere

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

March dump - faces and setups, that’s it!
#cinematography

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

Women’s Month may be ending, but the ladies of LPS will continue to represent and inspire. 🎬🎥✨

Here’s what they’d like to share with Filipinas who dream of becoming cinematographers.

#FilipinaCinematographers
#LuponngPilipinongSinematograpo

KAYA (aka @filipinokaratekid) trailer drop
🥷🥋🇵🇭
For the past year this project has meant the world to me, and now that we’re submitting to festivals the anxiety is at an all time high. What if no one finds interest? What if no one relates? It’s a story so personal that putting it out there makes rejection hit so much harder than if it were just “a story” I wrote.
I hope that this authentic, grounded and unique tale can unite us in empathy, laughter and passion for the activities that we enjoy, the experiences and hurts that we share, and the mothers we all have who frustrate us but whom we love dearly. ❤️
.
.
.
All our #kickstartercampaign backers in the corresponding tier will receive the full copy of the film for online viewing once we’ve completed the last tweaks. All others please cross your fingers for our reception in film festivals and like and share to spread the word - maybe to your buddy festival programmer who needs to fill the sports / family / asian / mixed race immigrant section of their festival 🤭
#filmmaking #filipinx #filgerman #filipinomartialarts

The Silent Noise - TONIGHT 6PM 🙌🏼

@primevideoph x @abscbninternationalprod
BUH: @fecatherine
Exec Prod: @ej_mallari
Assoc Prod: @princess.gavino @janeequinto @parippa

Dir: @onatdiaz
AD: @joibayan
DP: @cescalee.dp
PD: @nancyarcega07
SriptCon Sup: @jojo.imdb

Camops: @xanderdayrit @boodingcharlon Pabs Marin
ACs: @mengmeng3116 Jhay Medina
Gaffer: Arnel Despa
Key Grips: Ray Dingcong, Daniel Ligayo
Colorist: @tagakulay

#TheSilentNoise #filipinocinematographers

The Silent Noise - TONIGHT 6PM 🙌🏼

@primevideoph x @abscbninternationalprod
BUH: @fecatherine
Exec Prod: @ej_mallari
Assoc Prod: @princess.gavino @janeequinto @parippa

Dir: @onatdiaz
AD: @joibayan
DP: @cescalee.dp
PD: @nancyarcega07
SriptCon Sup: @jojo.imdb

Camops: @xanderdayrit @boodingcharlon Pabs Marin
ACs: @mengmeng3116 Jhay Medina
Gaffer: Arnel Despa
Key Grips: Ray Dingcong, Daniel Ligayo
Colorist: @tagakulay

#TheSilentNoise #filipinocinematographers

The Silent Noise - TONIGHT 6PM 🙌🏼

@primevideoph x @abscbninternationalprod
BUH: @fecatherine
Exec Prod: @ej_mallari
Assoc Prod: @princess.gavino @janeequinto @parippa

Dir: @onatdiaz
AD: @joibayan
DP: @cescalee.dp
PD: @nancyarcega07
SriptCon Sup: @jojo.imdb

Camops: @xanderdayrit @boodingcharlon Pabs Marin
ACs: @mengmeng3116 Jhay Medina
Gaffer: Arnel Despa
Key Grips: Ray Dingcong, Daniel Ligayo
Colorist: @tagakulay

#TheSilentNoise #filipinocinematographers

The Silent Noise - TONIGHT 6PM 🙌🏼

@primevideoph x @abscbninternationalprod
BUH: @fecatherine
Exec Prod: @ej_mallari
Assoc Prod: @princess.gavino @janeequinto @parippa

Dir: @onatdiaz
AD: @joibayan
DP: @cescalee.dp
PD: @nancyarcega07
SriptCon Sup: @jojo.imdb

Camops: @xanderdayrit @boodingcharlon Pabs Marin
ACs: @mengmeng3116 Jhay Medina
Gaffer: Arnel Despa
Key Grips: Ray Dingcong, Daniel Ligayo
Colorist: @tagakulay

#TheSilentNoise #filipinocinematographers

The Silent Noise - TONIGHT 6PM 🙌🏼

@primevideoph x @abscbninternationalprod
BUH: @fecatherine
Exec Prod: @ej_mallari
Assoc Prod: @princess.gavino @janeequinto @parippa

Dir: @onatdiaz
AD: @joibayan
DP: @cescalee.dp
PD: @nancyarcega07
SriptCon Sup: @jojo.imdb

Camops: @xanderdayrit @boodingcharlon Pabs Marin
ACs: @mengmeng3116 Jhay Medina
Gaffer: Arnel Despa
Key Grips: Ray Dingcong, Daniel Ligayo
Colorist: @tagakulay

#TheSilentNoise #filipinocinematographers

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Sunlight, shadows, and a team that makes it happen.
Some of the people behind #TheSilentNoise on set and in action!

#behindthescenes #cinematography

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

Here’s February, framed with intention.
More stories in the making!
News is out! #TheSilentNoise soon on PrimeVideo!

#cinematography #behindthescenes

A or B?
What is your preference for our official movie poster?
@filipinokaratekid's working title is now replaced with official title "KAYA"!
🎉
The finish line is near! We are now officially submitting to festivals, we're wrapping up our trailer and working the poster.
Cross your fingers with us for our festival journey 🏆
.
.
.
#proofofconcept #shortshorts #shortfilm #coproduction #shotinthephilippines #bicultural #belonging #identity #filipinomartialarts #arnis #independentfilm #indiefilm #filipinofilmmaker #filmmaker #stuntfighter

A or B?
What is your preference for our official movie poster?
@filipinokaratekid's working title is now replaced with official title "KAYA"!
🎉
The finish line is near! We are now officially submitting to festivals, we're wrapping up our trailer and working the poster.
Cross your fingers with us for our festival journey 🏆
.
.
.
#proofofconcept #shortshorts #shortfilm #coproduction #shotinthephilippines #bicultural #belonging #identity #filipinomartialarts #arnis #independentfilm #indiefilm #filipinofilmmaker #filmmaker #stuntfighter

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

Stories don’t make themselves… people do 🎬
#behindthescenes #cinematography

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

January has been kidnapped by a mysterious project — 👀🤭
A new nickname unlocked: CEZCA 🥹
But what remains the same are the silks, gobos, and 216 frames for filming in a tropical country! 🌞

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography

Friday is now #TheAlibi Day!
2 new episodes dropped tonight! Make sure to catch it! 🔥
Only on @primevideoph

Here’s some behind the scenes from inside of “The Basement”

The Alibi
@dreamscapeph & @primevideoph
Dir: @jojosaguin unit
Camops: @daveepayo @jrmcrnd
Gaffer: Arnel Despa
Colorist: @tagakulay

Shot on @sonycine FX6 with @dzofilm_global Arles lenses plus @dji_ronin 4D.

#TheAlibiOnPrime #Cinematography