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Nathalie Wiberg
Swedish-Viet dance artist | Based in Norway and Sweden
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Always ayy joy❤️🔥 @angel_dom_x_x_
BTS from August and April in Anette Gellein’s new work!
Exhibition opening 17th of September!
At Kunsthall Stavanger✨✨
Dresses and all by Gellein
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
Work-in-progress
a sneak peak into the beginning of a new project.
After my solo Pockets Filled with Time I started making my own ceramic wind chimes/bells in Vietnam for a new upcoming performance!
I had my first week trying to figure out and get to know them 🎐in Hanoi at @a.experimental.art warm thanks to Tuan Mami✨and for Caspar Day for passing by and documenting.
Also grateful for studio @motcucdat in Saigon for letting me use there studio space to make the bells and to An Nguyen for introducing different techniques of working with clay!
To be continued!
Photo
2-3 @motcucdat
7-10 @caspar_day
🛑Why we create this workshop for you guys🛑
Interviewing our fourth collaborator, Nathalie Wiberg, on how dancing can be different.
Bringing her inspirations and framework to Synergy Station on Feb 28 and March 1, HCM city.
Come move with us. Registration via DM
#synergystation #synergyworkshop #contemporary #bridgingthegap #saigon
A dance class! Yay!
‘I Know I Like To Feel The Sun In My Palm’
This contemporary class plays with imagination, waking up and tuning in to different ways of sensing and responding through the body and the space.
The class moves between improvisation, and some set exercises, traveling across the floor both individually and collectively, with and without music. Ending with an improv jam!
A little taste test of things! We will move, brush, listen, pretend to be a snail, do some pliées, pass through set positions, wonder and listen to some Abba. Come!
🐣Class time: 3pm-5pm, Sunday, 25 Jan 2026
🏁Location: Life Dance studio, level 1, 18 Tran Thien Chanh, Hoa Hung ward, Ho Chi Minh city
💥Ticket: 150,000 vnd/ ppl
🦾Open Level: to dancers and movement practitioners of all levels ✨
Register link on bio or DM us for more info
-
About Nathalie
Nathalie Wiberg is a contemporary dance artist, she was adopted from Vietnam and grew up in Scandinavia. She did her training at Copenhagen Contemporary Dance School(DK), Institut Del Theatre (ES) and holds a bachelor degree in dance from The University of Stavanger (NO) Nathalie has worked with mentors including Ellen Söderhult, Katarina Skår Lisa, Hanna Filomen Mjåvatn, and Shanti Brahmachari. As a freelance dancer, she moves between her own creations alongside collaborations and performances with other artists.
Video by
Lars Kjemphol
Captured during a creative lab supported by Tekstlab, Norway.
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
I know I Don’t Like Coriander by Nathalie Wiberg
Writing and creative process workshop
Time: 3pm-5pm, Saturday, 24 Jan 2026
At: Reading Cabin
Drawing from her own experience as a Vietnamese adoptee, raised in Scandinavia, Nathalie explores how the dynamic between fiction and reality can influence our identity. Starting from text, movement and voice, she is working on finding artistic strategies and methods from what we “know, heard, wonder and imagine” about ourselves, in order to create a space where identity can be explored as something moving and alive.
[In the workshop]
We will begin with a creative writing session, followed by a composition phase using the material from the text. Later, there will be time to explore the work in a performative setting. Nathalie will also present and demonstrate how she has applied these methods in her own artistic practice.
The session will conclude with an aftertalk, reflecting on the work and sharing further nuances and perspectives on adoption from the artist.
[About the praxis and artist]
Nathalie Wiberg is a contemporary dance artist, having dance as her foundation she works across disciplines, engaging with voice, text, and photography. The praxis; I know I Don’t Like Coriander stems from Nathalie’s artistic praxis of working with text as a base for exploring and providing more layers into her creative processes. Nathalie has shared her creative works in Scandinavia and this will be her first time introducing it in Vietnam.
Supported by
Reading Cabin
Stavanger Kommune, Norway
*Workshop ticket: 100,000vnd/ppl include 1 drink, to ensure you’d come ^^
Please register in the link in bio
Please also stay tune for a contemporary dance workshop with Nathalie at a real dance studio. More info on this soonnn
-
*Photos credit by
-Simen Diserud Thornquist
-Darja Olsevskaja
-Danielle Angela Cruzado Obiacoro
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
Collective Rites performances in November
At Gamle Munch, Oslo (NO)
Tekstlab
Idé & concept: Shanti Brahmachari
Peformers & co-creating artists:
Nathalie Wiberg, Elias Elvegaard, Frid Ding, Julie Vigeland, Anne Christina Olausson, Amelia Gòmez Snerte, Cesilie Lindeman Steen & Christine Bratvold
Photos by @darjaolsevskaja
A sunset conversation in Jungle dance 2023✨
@kalakeli_arts
#coversation #movement #explore #dance
North of Italy, last year
Concept & photography @elenagarbo
Styling @holy.angela
North of Italy, last year
Concept & photography @elenagarbo
Styling @holy.angela
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
Clips from our research period in Oslo🌳 Purnendra came to Norway! Last time we danced together was in India.
In August we explored how our practises, lived experiences and common interests could meet through movement in a residency facilitated by amazing @tekstlab
It ended with a work in progress showing,
To be continued
@itspurnendra
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
A little bit more than 1 yr since I started researching for my solo. Maybe one will become more
What started as something I thought I knew, became something different and now it’s a bit chaotic but I will organize it! The process continues
I have been researching
How one’s self-perception is affected by growing up and living in a society that doesn’t mirror one’s own self-understanding? What kind of dynamics emerges? Drawing from my own background as an adoptee from Vietnam raised in Scandinavia, I explore how the balance between fiction and reality can shape our identity.
Thank you for the tech collaboration Leif Ole Stampa Johannsen
and for following the whole process lovely Katarina Skår Lisa
Supported by
The Norwegian Art Council
Stavanger Kommune
@regionalarenaforsamtidsdans
@tekstlab
@tou__official
Work in progress showings at
RAS, Tou Scene, Stavanger Kunsenter, Stavanger
By Tekstlab- Sentralen & Gamle Munch, Oslo
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
”Seductiv Dance Monsters in the horror-erotic BLESSIKA”
A review by Dagens Nyheter
BLESSIKA by Ellen Söderhult ❤️🔥 is coming to Denmark 27th of Oct!
A little over a year ago we started the production of BLESSIKA in the forest of south of Sweden!
I always love and cherish dancing & singing in Ellen’s universes!
After the premiere at Weld in February we toured around Stockholm and now we are ready for Copenhagen!
and Norway in 2026! See you!
Choreography by @ellensoderhult 🔥🔥
Dancing with Ellen @cajsagodee @catzarazua
Composer @kablam
Costume & Scenography @enpandy
Light Design @forsberg_michael
2nd photo by Fredrika Eriksson
Video material by @karl.oskar.gustafsson
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.