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One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Very proud to have helped a hand to create Lauren’s debut solo record “Tairen” and have been given the opportunity to release it on @elations_recordings
This was honestly a breeze to make, the core of which was mostly recorded over a two day period with a few additional overdub-arrangement sessions over the year that followed. Goes to show you can make beautiful recordings on a shoestring budget and making music is not always hard.
I think this largely comes down to Lauren’s beautiful spirit and mutually nurturing nature. How she helps us feel important within the process of releasing her music, not centring herself at the middle of the process as the “artist” and us as just facilitators to hop from.
It was a pleasure co-producing this with my right-hand man Danny (who did all the engineering. Except, piano on “Sky” recorded by Jono Trawn) and play piano and percussion across some tracks.
Special thanks to Cam, Anna and Jack for helping realise the vision and building the world that is “Tairen”.
📸 Anna Denton
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
Peak Euro’ contemporary jazz - piano trio format.
Mario Piacentini/Roberto Bonati/Anthony Moreno - ‘Frozen Pool’ [1989 Splasc(h) Records] 🇮🇹.
Peak Euro’ contemporary jazz - piano trio format.
Mario Piacentini/Roberto Bonati/Anthony Moreno - ‘Frozen Pool’ [1989 Splasc(h) Records] 🇮🇹.
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.