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Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Diane von Furstenberg’s longest love affair is with Venice.

In the Spring 2026 issue of 72, Juergen Teller photographs the designer in her Venetian palazzo, as Scarlett Conlon speaks with her about glamour, memory and the city that changed her life.

“I first visited Venice on a day trip with my father and brother when I was 17,” reminisces Diane von Furstenberg. “The night before, I had a secret, passionate love affair on the beach with some Italian boy. The next morning, I was just a little girl with her family visiting Venice, but it was the first time I really felt like a woman.”

Chief Creative Officer Edward Enninful @edward_enninful
Photography Juergen Teller @juergentellerstudio
Creative Partner Dovile Drizyte @doviledrizyte
Hair and makeup Massimo Serini @massimoserini.official
1st Photo Assistant Felipe Chaves @chaaaves
Postproduction Louwre Erasmus at Quickfix

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

Introducing the Spring 2026 issue of #72.

Kate Moss, photographed by Nick Knight.

“Kate is stitched into the tapestry of my work and into the culture that surrounds us all. Watching her work is like watching a film play out before your eyes. Pure magic. There is no one like her.” — Edward Enninful,
Co-Founder and Chief Creative Officer, EE72

Available at the link in bio now.

Kate wears a sequined chiffon dress, @maisonvalentino. Watch and ring, worn throughout, both Kate’s own.

Chief Creative Officer Edward Enninful @edward_enninful
Photographer Nick Knight @nick_knight
Hair Stylist Sam McKnight at Premier @sammcknight1
Makeup Artist Val Garland at Streeters @thevalgarland
Fashion Editor Eniola Dare @enied
Manicurist Adam Slee at Streeters @adamslee_
Set Designer Andrew Tomlinson at Streeters @tomotattle
Creative Consultant Calum Knight @calumkingsleyknight
1st Photo Assistant Lara Hughes @larasugarhughes
Photo Assistant Gil Warner @gilwarneruk
Photo Intern Oldnightkid Wang @oldnightkidwang
Digi Op Joe Colley @josephcolley
Styling Assistants Justine Domejean @lafilledudj
Ella McKierman @ellamckiernan
Hair Assistant Valerie Benevides @valeriebenavides
Makeup Assistant Paula Maxwell @p.j.maxwell
Production: Liberte Productions @liberteproductions
Executive Producer Kat Davey @bendybackpanda
Production Team Alice Carlet @alice.carlet
Sidonie Barton @sidoniebarton
Retouching Epilogue Imaging @epilogueinc

Chief Creative Officer Edward Enninful @edward_enninful
Editorial Director Sarah Harris @sarahharris
Chief Visual Officer Alec Maxwell @kloss_films
Creative Directors Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director Stefan Abrahams @stefan_abrahams
Creative Producer Fernanda Dugdale @fernandadugdale

2/2

“The world needs unique perspectives. Keep pushing boundaries and keep pursuing your passion because when you do, your dreams move within reach.” Ajus Samuel is the star of 72 magazine’s second issue.

Issue 2 arrives with a special dual cover: a 50/50 split between a striking beauty portrait of South Sudanese model Ajus Samuel, captured by Dan Jackson with styling by Julia Sarr-Jamois and beauty by Lynsey Alexander and an exquisite punk rose by Nick Knight, complete with a black safety pin.

Pre-order your issue at the link in bio now. Shipping from 11th December.

Chief Creative Officer: Edward Enninful @edward_enninful
Photography: Dan Jackson @studio_jackson
Styling: Julia Sarr-Jamois @sarrjamois
Model: Ajus Samuel / Models1 @ajussamuel
Editorial Director: Sarah Harris @sarahharris
Chief Visuals Officer: Alec Maxwell @kloss_films
Creative Directors: Lee Swillingham & Stuart Spalding @suburbia_agency
Art Director: Stefan Abrahams @stefan_abrahams
Casting: Piergiorgio Del Moro For DM Casting @piergiorgio
Casting assistant: Juliun Williams for DM Casting
Hair: Shon Hyungsun Ju @shonju
Makeup: Lynsey Alexander @lynseyalexander
Nails: Sabrina Gayle @sabrinagayle__
Tailor: Audra Budvytiene
Executive Creative Producer: Tomasina Lebus-Price @tomalebus
Production: Town Productions / Noot Coates @townprod
Production Assistant: Amelia Heritage
Photography Assistants: Jonathan Johnson, Sebastian McCluskey
Makeup Assistants: Sarah Edenborough
Digitech: Matthew Aland
Styling Assistants: Maya Gunavardhana, Clemmie Harris Stuart
Studio / Location: The Tank Factory @thetankfactory
Retouching: Gloss Studio @glossnewyork
With thanks to Sue Fujimoto

We want to see the world through your lens.

We’re inviting all photographers and videographers to introduce us to their creative world.

Send submissions to info@ee72.com and head to the link in bio for further details. Please note, all successful candidates will receive a fee for their featured work.

“Nothing’s off limits.”

Born in Malaysia, @chloeqisha moved to the UK at 17, finished a psychology degree, and quietly spent years writing songs until one of them hit 8 million streams. She still wasn’t convinced it was a great song.

@michaelcragg goes inside her perfect pop world at the link in bio.

“Nothing’s off limits.”

Born in Malaysia, @chloeqisha moved to the UK at 17, finished a psychology degree, and quietly spent years writing songs until one of them hit 8 million streams. She still wasn’t convinced it was a great song.

@michaelcragg goes inside her perfect pop world at the link in bio.

London boy.

We joined @aaron_pierre1 for a 72 second tour of The Old Vic Theatre in South East London, where he is starring in One Flew Over The Cuckoo’s Nest.

Videographer: Chanel Moye @chanel.jm
Editor: Alec Maxwell @kloss_films
Grade: Edward Webb @edwardwebbcolour Freefolk Studios
Producer: Tom Hardern @tomhrdn

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

From intimate dramas to daring genre experiments, this year’s Cannes lineup signals a decisive shift toward bold storytelling, global perspectives, and films that challenge how we see identity.

Read more about the must-see films from #Cannes2026 at the link in bio.

Billie Eilish is bringing the concert film into 2026.

An immersive 3D project, co-directed by legendary director James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D is a window into the pop star’s wildly successful Hit Me Hard and Soft: The Tour. In light of film’s release today, we’ve broken down how Eilish and Cameron have redefined the concert film with their collaborative effort.

To read more, head to the link in bio.

Billie Eilish is bringing the concert film into 2026.

An immersive 3D project, co-directed by legendary director James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D is a window into the pop star’s wildly successful Hit Me Hard and Soft: The Tour. In light of film’s release today, we’ve broken down how Eilish and Cameron have redefined the concert film with their collaborative effort.

To read more, head to the link in bio.

We joined @ezracollective in the studio for 72 seconds ahead of their 10-year anniversary show, celebrating a decade of their debut EP, Chapter 7.

Videographer Chanel Moye @chanel.jm

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

“I always knew it, because I had my eye on it for a very long time.”

Lubaina Himid has spent decades platforming work that institutions wouldn’t show, teaching in places London overlooked, and making art that fills rooms with color and community. Now she’s filling the British Pavilion at the Venice Biennale. 

Read the full interview at the link in bio.

Photography Trisha Ward @trishaward

The menu, the performances and the after parties. @edward_enninful gave us a full debrief of the 2026 #MetGala.

Who do you think was best dressed?

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__

While the #MetGala unfolded inside, we spoke to those outside. We asked them why they came and who they most wanted to see.

Photographer Simão Nogueira @simaonogueira__