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It’s Friday ! Talk Talk, 1986 The Colour of Spring recorded at Battery Studios London. Mark Hollis walks away from synth-pop and writes the blueprint that thirty years of music will quietly copy. Tim Friese-Greene co-produces, co-writes, becomes the silent fifth member. Steve Winwood on Hammond, Danny Thompson on double bass, Robbie McIntosh on dobro, a children’s choir on “Happiness Is Easy”. EMI expects It’s My Life part two and gets a pastoral mass instead 😉 before Radiohead’s Kid A, before Sigur Rós, before The National, before every band that learned silence is an instrument and dynamics are a religion. the whole post-rock canon traces back to this room. 🇬🇧🌱🎹 enjoy !

It’s Friday ! Talk Talk, 1986 The Colour of Spring recorded at Battery Studios London. Mark Hollis walks away from synth-pop and writes the blueprint that thirty years of music will quietly copy. Tim Friese-Greene co-produces, co-writes, becomes the silent fifth member. Steve Winwood on Hammond, Danny Thompson on double bass, Robbie McIntosh on dobro, a children’s choir on “Happiness Is Easy”. EMI expects It’s My Life part two and gets a pastoral mass instead 😉 before Radiohead’s Kid A, before Sigur Rós, before The National, before every band that learned silence is an instrument and dynamics are a religion. the whole post-rock canon traces back to this room. 🇬🇧🌱🎹 enjoy !

It’s Friday ! Talk Talk, 1986 The Colour of Spring recorded at Battery Studios London. Mark Hollis walks away from synth-pop and writes the blueprint that thirty years of music will quietly copy. Tim Friese-Greene co-produces, co-writes, becomes the silent fifth member. Steve Winwood on Hammond, Danny Thompson on double bass, Robbie McIntosh on dobro, a children’s choir on “Happiness Is Easy”. EMI expects It’s My Life part two and gets a pastoral mass instead 😉 before Radiohead’s Kid A, before Sigur Rós, before The National, before every band that learned silence is an instrument and dynamics are a religion. the whole post-rock canon traces back to this room. 🇬🇧🌱🎹 enjoy !

It’s Friday ! Talk Talk, 1986 The Colour of Spring recorded at Battery Studios London. Mark Hollis walks away from synth-pop and writes the blueprint that thirty years of music will quietly copy. Tim Friese-Greene co-produces, co-writes, becomes the silent fifth member. Steve Winwood on Hammond, Danny Thompson on double bass, Robbie McIntosh on dobro, a children’s choir on “Happiness Is Easy”. EMI expects It’s My Life part two and gets a pastoral mass instead 😉 before Radiohead’s Kid A, before Sigur Rós, before The National, before every band that learned silence is an instrument and dynamics are a religion. the whole post-rock canon traces back to this room. 🇬🇧🌱🎹 enjoy !

It’s Friday ! Stephen Sondheim, 1971 Follies original Broadway cast recording at Capitol Studios NYC. Sondheim buries the golden age of the American musical while writing its most beautiful eulogy. The first ‘Meta’ musical, Ghosts of showgirls drifting through a condemned theater, pastiches of Berlin, Kern, Gershwin turned inside out until nostalgia curdles into something colder. Dorothy Collins broken on « Losing My Mind », Yvonne De Carlo defiant on « I’m Still Here », Alexis Smith cutting glass on « Could I Leave You? ». Sondheim started with West side story lyrics, composed the score of Alain Resnais ‘Stavisky’. Before Lloyd Webber, before A Chorus Line, before every concept album masquerading as a musical. 🇺🇸🎭🥀 enjoy !

It’s Friday ! Stephen Sondheim, 1971 Follies original Broadway cast recording at Capitol Studios NYC. Sondheim buries the golden age of the American musical while writing its most beautiful eulogy. The first ‘Meta’ musical, Ghosts of showgirls drifting through a condemned theater, pastiches of Berlin, Kern, Gershwin turned inside out until nostalgia curdles into something colder. Dorothy Collins broken on « Losing My Mind », Yvonne De Carlo defiant on « I’m Still Here », Alexis Smith cutting glass on « Could I Leave You? ». Sondheim started with West side story lyrics, composed the score of Alain Resnais ‘Stavisky’. Before Lloyd Webber, before A Chorus Line, before every concept album masquerading as a musical. 🇺🇸🎭🥀 enjoy !

It’s Friday ! Stephen Sondheim, 1971 Follies original Broadway cast recording at Capitol Studios NYC. Sondheim buries the golden age of the American musical while writing its most beautiful eulogy. The first ‘Meta’ musical, Ghosts of showgirls drifting through a condemned theater, pastiches of Berlin, Kern, Gershwin turned inside out until nostalgia curdles into something colder. Dorothy Collins broken on « Losing My Mind », Yvonne De Carlo defiant on « I’m Still Here », Alexis Smith cutting glass on « Could I Leave You? ». Sondheim started with West side story lyrics, composed the score of Alain Resnais ‘Stavisky’. Before Lloyd Webber, before A Chorus Line, before every concept album masquerading as a musical. 🇺🇸🎭🥀 enjoy !

It’s Friday ! Stephen Sondheim, 1971 Follies original Broadway cast recording at Capitol Studios NYC. Sondheim buries the golden age of the American musical while writing its most beautiful eulogy. The first ‘Meta’ musical, Ghosts of showgirls drifting through a condemned theater, pastiches of Berlin, Kern, Gershwin turned inside out until nostalgia curdles into something colder. Dorothy Collins broken on « Losing My Mind », Yvonne De Carlo defiant on « I’m Still Here », Alexis Smith cutting glass on « Could I Leave You? ». Sondheim started with West side story lyrics, composed the score of Alain Resnais ‘Stavisky’. Before Lloyd Webber, before A Chorus Line, before every concept album masquerading as a musical. 🇺🇸🎭🥀 enjoy !

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

Matt is a multi-disciplinary visual artist whose works spans films, live-performances, music videos, experimental documentary, creative direction and curation. He began his practice in the 2010s, creating transgressive short films, publishing projects and ongoing collaborations with idiosyncratic and visionary icons. 

Central to his practice is storytelling & emotion, which he employs as a framework for investigating contemporary notions of intimacy. 
His sixth book revisits a decade of work, transforming an archive of experimental films into an intimate exploration of desire. He is actually working on a feature film.

Welcome @dielamb ! 🔥

We’re excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

LA\PAC has long been recognized for discovering and nurturing emerging talent of the highest calibre. We’re happy to celebrate a new generation of bold creative voices and cheer them on as their unique visions continue to grow and evolve.

We’re excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

LA\PAC has long been recognized for discovering and nurturing emerging talent of the highest calibre. We’re happy to celebrate a new generation of bold creative voices and cheer them on as their unique visions continue to grow and evolve.

We’re excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

LA\PAC has long been recognized for discovering and nurturing emerging talent of the highest calibre. We’re happy to celebrate a new generation of bold creative voices and cheer them on as their unique visions continue to grow and evolve.

We’re excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

LA\PAC has long been recognized for discovering and nurturing emerging talent of the highest calibre. We’re happy to celebrate a new generation of bold creative voices and cheer them on as their unique visions continue to grow and evolve.

We’re excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

LA\PAC has long been recognized for discovering and nurturing emerging talent of the highest calibre. We’re happy to celebrate a new generation of bold creative voices and cheer them on as their unique visions continue to grow and evolve.

We’re honored and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

Support like this is what allows YDA to continue growing as a platform dedicated to talent discovery, authorship, authentic creativity, and community.

We’re deeply grateful to LA\PAC for standing alongside YDA and helping ensure that the award continues to thrive nearly three decades after its creation, while providing the industry with a space devoted exclusively to emerging voices.

We’re honored and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

Support like this is what allows YDA to continue growing as a platform dedicated to talent discovery, authorship, authentic creativity, and community.

We’re deeply grateful to LA\PAC for standing alongside YDA and helping ensure that the award continues to thrive nearly three decades after its creation, while providing the industry with a space devoted exclusively to emerging voices.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

We’re happy and excited to welcome back LA\PAC as a YDA 2026 Prime Sponsor ✨

As part of the YDA 2026 Prime Sponsors series, Jérôme Denis shares a few thoughts on work, the evolving industry, and creative inspiration.

A chance to hear directly from one of the leading voices in global production and gain insight into the mindset and values behind LA\PAC.

It’s Friday 💿 1989 Jungle Brothers ‘done by the forces of nature’. There’s De La Soul, A tribe called quest and the JB’s. Direct descendants to Earth wind and fire, mixing vegetarianism and playfulness, bad mouthing drugs and funky cosmic perfs. 2nd album, afrika bambaataa, dj red alert, mike G nor Tohwa from Dee-Lite. And an incredible list of samples fromBlack Sabbath to Roy Ayers. Tribe vibes from great hip hop times ! Enjoy 🌍

It’s Friday 💿 1989 Jungle Brothers ‘done by the forces of nature’. There’s De La Soul, A tribe called quest and the JB’s. Direct descendants to Earth wind and fire, mixing vegetarianism and playfulness, bad mouthing drugs and funky cosmic perfs. 2nd album, afrika bambaataa, dj red alert, mike G nor Tohwa from Dee-Lite. And an incredible list of samples fromBlack Sabbath to Roy Ayers. Tribe vibes from great hip hop times ! Enjoy 🌍

It’s Friday 💿 1989 Jungle Brothers ‘done by the forces of nature’. There’s De La Soul, A tribe called quest and the JB’s. Direct descendants to Earth wind and fire, mixing vegetarianism and playfulness, bad mouthing drugs and funky cosmic perfs. 2nd album, afrika bambaataa, dj red alert, mike G nor Tohwa from Dee-Lite. And an incredible list of samples fromBlack Sabbath to Roy Ayers. Tribe vibes from great hip hop times ! Enjoy 🌍

It’s not Friday but Sunday ! While in NY let’s celebrate Mark Murphy 1961 ‘Rah’. Vocalese narrator, baritone, slightly rough and intimate delivery. Real influence of the acid jazz scene 80s and 90s. Cover the jazz classics like no other. Playing here with jimmy Cobb, bill Evans, Clark terry to name a few 🏙️🇺🇸 enjoy.

It’s not Friday but Sunday ! While in NY let’s celebrate Mark Murphy 1961 ‘Rah’. Vocalese narrator, baritone, slightly rough and intimate delivery. Real influence of the acid jazz scene 80s and 90s. Cover the jazz classics like no other. Playing here with jimmy Cobb, bill Evans, Clark terry to name a few 🏙️🇺🇸 enjoy.

It’s not Friday (but I’m travelling tomorrow) ! Alain Goraguer, la Planète Sauvage 1973. À last minute score that became a cult object. Blending jazz, psych, electro and funk into something alien. From Paris studio to An imaginary planet. Sampled by Madlib and J Dilla. As exciting as Topor drawings. Enjoy and 🙏 @phathoudini

It’s not Friday (but I’m travelling tomorrow) ! Alain Goraguer, la Planète Sauvage 1973. À last minute score that became a cult object. Blending jazz, psych, electro and funk into something alien. From Paris studio to An imaginary planet. Sampled by Madlib and J Dilla. As exciting as Topor drawings. Enjoy and 🙏 @phathoudini

It’s not Friday (but I’m travelling tomorrow) ! Alain Goraguer, la Planète Sauvage 1973. À last minute score that became a cult object. Blending jazz, psych, electro and funk into something alien. From Paris studio to An imaginary planet. Sampled by Madlib and J Dilla. As exciting as Topor drawings. Enjoy and 🙏 @phathoudini

It’s Friday ! Laura Nyro. NYC songwriting and free composing from 70’s. Folk, rock, jazz, darker than Carole King more sophisticated than Janis. Sampled by Kanye, sung by Barbara Streisand. Et oui ! 🇺🇸🗽 enjoy.

It’s Friday ! Laura Nyro. NYC songwriting and free composing from 70’s. Folk, rock, jazz, darker than Carole King more sophisticated than Janis. Sampled by Kanye, sung by Barbara Streisand. Et oui ! 🇺🇸🗽 enjoy.

It’s Friday ! Laura Nyro. NYC songwriting and free composing from 70’s. Folk, rock, jazz, darker than Carole King more sophisticated than Janis. Sampled by Kanye, sung by Barbara Streisand. Et oui ! 🇺🇸🗽 enjoy.

It’s Friday ! Lizzy Mercier Descloux, 1982 Mambo Nassau recorded at Compass point Studio. Lizzy lays the groundwork for world music. Photographer for Patti Smith, poetess, journalist for Rock news, friend of Basquiat, Richard Hell. From Paris les Halles to NYC lower east side. Before Lio, Yelle or Theodora. With the magic touch of the synth wizard @wally_badarou_official. 🇧🇸🇺🇸🇫🇷 enjoy !

It’s Friday ! Lizzy Mercier Descloux, 1982 Mambo Nassau recorded at Compass point Studio. Lizzy lays the groundwork for world music. Photographer for Patti Smith, poetess, journalist for Rock news, friend of Basquiat, Richard Hell. From Paris les Halles to NYC lower east side. Before Lio, Yelle or Theodora. With the magic touch of the synth wizard @wally_badarou_official. 🇧🇸🇺🇸🇫🇷 enjoy !

It’s Friday ! Lizzy Mercier Descloux, 1982 Mambo Nassau recorded at Compass point Studio. Lizzy lays the groundwork for world music. Photographer for Patti Smith, poetess, journalist for Rock news, friend of Basquiat, Richard Hell. From Paris les Halles to NYC lower east side. Before Lio, Yelle or Theodora. With the magic touch of the synth wizard @wally_badarou_official. 🇧🇸🇺🇸🇫🇷 enjoy !

It’s Friday ! Paulinho da Viola 1973 Nervos de Aço. Sentimental samba and choro. Appears in Pierre Barouh’s Saravah documentary. And an amazing cover and artwork by the legendary Elifas Andreato 🇧🇷❤️ aproveita !

It’s Friday ! Paulinho da Viola 1973 Nervos de Aço. Sentimental samba and choro. Appears in Pierre Barouh’s Saravah documentary. And an amazing cover and artwork by the legendary Elifas Andreato 🇧🇷❤️ aproveita !

It’s Friday ! Paulinho da Viola 1973 Nervos de Aço. Sentimental samba and choro. Appears in Pierre Barouh’s Saravah documentary. And an amazing cover and artwork by the legendary Elifas Andreato 🇧🇷❤️ aproveita !