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Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.