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Illustrations for @mohammedelkurd ’s ‘Perfect Victims’ excerpt in the essay section of the latest Palastina issue of @jacobinmag_de 🍉🇵🇸✊🏾

Created under the watchful art direction and eye of @gold_hanna - thank you for having me! 

“Wir sterben viele Tode. Wir sterben in flüchtigen Schlagzeilen, zwischen einem Atemzug und dem nächsten. Unser Tod ist so alltäglich, dass Journalisten darüber berichten wie über das Wetter: Bewölkter Himmel, leichte Regenschauer und 3.000 tote Palästinenser in den letzten zehn Tagen. Und genau wie beim Wetter ist nur Gott dafür verantwortlich – nicht bewaffnete Siedler, nicht gezielte Drohnenangriffe.

Wir schenken den Leichen auf unseren Feldern keine Beachtung. Ihre Existenz ist eintönig, vorhersehbar. Das Gemetzel ist so unablässig, dass es von den bald Getöteten fast erwartet – antizipiert – wird. Ihre Handgelenke, groß und klein, sind mit Kabelbindern auf dem Rücksitz von Polizeiautos gefesselt. Der Tod ist überall. Selbst Metaphern sind Opfer des Krieges. Das Bildliche ist erschreckend real geworden: blutige Bärte, in Bäumen hängende Möbel, ein Körperteil, das von einem Deckenventilator baumelt, Frauen, die auf Betonboden gebären. Et cetera. Haben wir uns zu sehr an das Schreckliche gewöhnt? Was einst schrecklich war, was einst ein Vorbote des Untergangs war, verschmilzt nun mit der Umgebung; der Tod ist nun eine langweilige Vogelscheuche. Selbst wenn die Raben lauter werden, stößt ihr Krächzen auf desinteressierte Ohren. Dieser Tod hat nichts Heiliges mehr an sich. Keine Gottheiten kommen zur Rettung. Wir sterben einsam. In der Verlassenheit sterben wir viele Tode.”

📚Den ganzen Essay von @mohammedelkurd mit Illustrationen von mir gibt es in der neuen Ausgabe des Jacobin-Magazins.

📮Jetzt bestellen unter jacobin.de/palaestina.

Illustrations for @mohammedelkurd ’s ‘Perfect Victims’ excerpt in the essay section of the latest Palastina issue of @jacobinmag_de 🍉🇵🇸✊🏾

Created under the watchful art direction and eye of @gold_hanna - thank you for having me! 

“Wir sterben viele Tode. Wir sterben in flüchtigen Schlagzeilen, zwischen einem Atemzug und dem nächsten. Unser Tod ist so alltäglich, dass Journalisten darüber berichten wie über das Wetter: Bewölkter Himmel, leichte Regenschauer und 3.000 tote Palästinenser in den letzten zehn Tagen. Und genau wie beim Wetter ist nur Gott dafür verantwortlich – nicht bewaffnete Siedler, nicht gezielte Drohnenangriffe.

Wir schenken den Leichen auf unseren Feldern keine Beachtung. Ihre Existenz ist eintönig, vorhersehbar. Das Gemetzel ist so unablässig, dass es von den bald Getöteten fast erwartet – antizipiert – wird. Ihre Handgelenke, groß und klein, sind mit Kabelbindern auf dem Rücksitz von Polizeiautos gefesselt. Der Tod ist überall. Selbst Metaphern sind Opfer des Krieges. Das Bildliche ist erschreckend real geworden: blutige Bärte, in Bäumen hängende Möbel, ein Körperteil, das von einem Deckenventilator baumelt, Frauen, die auf Betonboden gebären. Et cetera. Haben wir uns zu sehr an das Schreckliche gewöhnt? Was einst schrecklich war, was einst ein Vorbote des Untergangs war, verschmilzt nun mit der Umgebung; der Tod ist nun eine langweilige Vogelscheuche. Selbst wenn die Raben lauter werden, stößt ihr Krächzen auf desinteressierte Ohren. Dieser Tod hat nichts Heiliges mehr an sich. Keine Gottheiten kommen zur Rettung. Wir sterben einsam. In der Verlassenheit sterben wir viele Tode.”

📚Den ganzen Essay von @mohammedelkurd mit Illustrationen von mir gibt es in der neuen Ausgabe des Jacobin-Magazins.

📮Jetzt bestellen unter jacobin.de/palaestina.

Illustrations for @mohammedelkurd ’s ‘Perfect Victims’ excerpt in the essay section of the latest Palastina issue of @jacobinmag_de 🍉🇵🇸✊🏾

Created under the watchful art direction and eye of @gold_hanna - thank you for having me! 

“Wir sterben viele Tode. Wir sterben in flüchtigen Schlagzeilen, zwischen einem Atemzug und dem nächsten. Unser Tod ist so alltäglich, dass Journalisten darüber berichten wie über das Wetter: Bewölkter Himmel, leichte Regenschauer und 3.000 tote Palästinenser in den letzten zehn Tagen. Und genau wie beim Wetter ist nur Gott dafür verantwortlich – nicht bewaffnete Siedler, nicht gezielte Drohnenangriffe.

Wir schenken den Leichen auf unseren Feldern keine Beachtung. Ihre Existenz ist eintönig, vorhersehbar. Das Gemetzel ist so unablässig, dass es von den bald Getöteten fast erwartet – antizipiert – wird. Ihre Handgelenke, groß und klein, sind mit Kabelbindern auf dem Rücksitz von Polizeiautos gefesselt. Der Tod ist überall. Selbst Metaphern sind Opfer des Krieges. Das Bildliche ist erschreckend real geworden: blutige Bärte, in Bäumen hängende Möbel, ein Körperteil, das von einem Deckenventilator baumelt, Frauen, die auf Betonboden gebären. Et cetera. Haben wir uns zu sehr an das Schreckliche gewöhnt? Was einst schrecklich war, was einst ein Vorbote des Untergangs war, verschmilzt nun mit der Umgebung; der Tod ist nun eine langweilige Vogelscheuche. Selbst wenn die Raben lauter werden, stößt ihr Krächzen auf desinteressierte Ohren. Dieser Tod hat nichts Heiliges mehr an sich. Keine Gottheiten kommen zur Rettung. Wir sterben einsam. In der Verlassenheit sterben wir viele Tode.”

📚Den ganzen Essay von @mohammedelkurd mit Illustrationen von mir gibt es in der neuen Ausgabe des Jacobin-Magazins.

📮Jetzt bestellen unter jacobin.de/palaestina.

Illustrations for @mohammedelkurd ’s ‘Perfect Victims’ excerpt in the essay section of the latest Palastina issue of @jacobinmag_de 🍉🇵🇸✊🏾

Created under the watchful art direction and eye of @gold_hanna - thank you for having me! 

“Wir sterben viele Tode. Wir sterben in flüchtigen Schlagzeilen, zwischen einem Atemzug und dem nächsten. Unser Tod ist so alltäglich, dass Journalisten darüber berichten wie über das Wetter: Bewölkter Himmel, leichte Regenschauer und 3.000 tote Palästinenser in den letzten zehn Tagen. Und genau wie beim Wetter ist nur Gott dafür verantwortlich – nicht bewaffnete Siedler, nicht gezielte Drohnenangriffe.

Wir schenken den Leichen auf unseren Feldern keine Beachtung. Ihre Existenz ist eintönig, vorhersehbar. Das Gemetzel ist so unablässig, dass es von den bald Getöteten fast erwartet – antizipiert – wird. Ihre Handgelenke, groß und klein, sind mit Kabelbindern auf dem Rücksitz von Polizeiautos gefesselt. Der Tod ist überall. Selbst Metaphern sind Opfer des Krieges. Das Bildliche ist erschreckend real geworden: blutige Bärte, in Bäumen hängende Möbel, ein Körperteil, das von einem Deckenventilator baumelt, Frauen, die auf Betonboden gebären. Et cetera. Haben wir uns zu sehr an das Schreckliche gewöhnt? Was einst schrecklich war, was einst ein Vorbote des Untergangs war, verschmilzt nun mit der Umgebung; der Tod ist nun eine langweilige Vogelscheuche. Selbst wenn die Raben lauter werden, stößt ihr Krächzen auf desinteressierte Ohren. Dieser Tod hat nichts Heiliges mehr an sich. Keine Gottheiten kommen zur Rettung. Wir sterben einsam. In der Verlassenheit sterben wir viele Tode.”

📚Den ganzen Essay von @mohammedelkurd mit Illustrationen von mir gibt es in der neuen Ausgabe des Jacobin-Magazins.

📮Jetzt bestellen unter jacobin.de/palaestina.

Illustrations for @mohammedelkurd ’s ‘Perfect Victims’ excerpt in the essay section of the latest Palastina issue of @jacobinmag_de 🍉🇵🇸✊🏾

Created under the watchful art direction and eye of @gold_hanna - thank you for having me! 

“Wir sterben viele Tode. Wir sterben in flüchtigen Schlagzeilen, zwischen einem Atemzug und dem nächsten. Unser Tod ist so alltäglich, dass Journalisten darüber berichten wie über das Wetter: Bewölkter Himmel, leichte Regenschauer und 3.000 tote Palästinenser in den letzten zehn Tagen. Und genau wie beim Wetter ist nur Gott dafür verantwortlich – nicht bewaffnete Siedler, nicht gezielte Drohnenangriffe.

Wir schenken den Leichen auf unseren Feldern keine Beachtung. Ihre Existenz ist eintönig, vorhersehbar. Das Gemetzel ist so unablässig, dass es von den bald Getöteten fast erwartet – antizipiert – wird. Ihre Handgelenke, groß und klein, sind mit Kabelbindern auf dem Rücksitz von Polizeiautos gefesselt. Der Tod ist überall. Selbst Metaphern sind Opfer des Krieges. Das Bildliche ist erschreckend real geworden: blutige Bärte, in Bäumen hängende Möbel, ein Körperteil, das von einem Deckenventilator baumelt, Frauen, die auf Betonboden gebären. Et cetera. Haben wir uns zu sehr an das Schreckliche gewöhnt? Was einst schrecklich war, was einst ein Vorbote des Untergangs war, verschmilzt nun mit der Umgebung; der Tod ist nun eine langweilige Vogelscheuche. Selbst wenn die Raben lauter werden, stößt ihr Krächzen auf desinteressierte Ohren. Dieser Tod hat nichts Heiliges mehr an sich. Keine Gottheiten kommen zur Rettung. Wir sterben einsam. In der Verlassenheit sterben wir viele Tode.”

📚Den ganzen Essay von @mohammedelkurd mit Illustrationen von mir gibt es in der neuen Ausgabe des Jacobin-Magazins.

📮Jetzt bestellen unter jacobin.de/palaestina.

Illustrations for @mohammedelkurd ’s ‘Perfect Victims’ excerpt in the essay section of the latest Palastina issue of @jacobinmag_de 🍉🇵🇸✊🏾

Created under the watchful art direction and eye of @gold_hanna - thank you for having me! 

“Wir sterben viele Tode. Wir sterben in flüchtigen Schlagzeilen, zwischen einem Atemzug und dem nächsten. Unser Tod ist so alltäglich, dass Journalisten darüber berichten wie über das Wetter: Bewölkter Himmel, leichte Regenschauer und 3.000 tote Palästinenser in den letzten zehn Tagen. Und genau wie beim Wetter ist nur Gott dafür verantwortlich – nicht bewaffnete Siedler, nicht gezielte Drohnenangriffe.

Wir schenken den Leichen auf unseren Feldern keine Beachtung. Ihre Existenz ist eintönig, vorhersehbar. Das Gemetzel ist so unablässig, dass es von den bald Getöteten fast erwartet – antizipiert – wird. Ihre Handgelenke, groß und klein, sind mit Kabelbindern auf dem Rücksitz von Polizeiautos gefesselt. Der Tod ist überall. Selbst Metaphern sind Opfer des Krieges. Das Bildliche ist erschreckend real geworden: blutige Bärte, in Bäumen hängende Möbel, ein Körperteil, das von einem Deckenventilator baumelt, Frauen, die auf Betonboden gebären. Et cetera. Haben wir uns zu sehr an das Schreckliche gewöhnt? Was einst schrecklich war, was einst ein Vorbote des Untergangs war, verschmilzt nun mit der Umgebung; der Tod ist nun eine langweilige Vogelscheuche. Selbst wenn die Raben lauter werden, stößt ihr Krächzen auf desinteressierte Ohren. Dieser Tod hat nichts Heiliges mehr an sich. Keine Gottheiten kommen zur Rettung. Wir sterben einsam. In der Verlassenheit sterben wir viele Tode.”

📚Den ganzen Essay von @mohammedelkurd mit Illustrationen von mir gibt es in der neuen Ausgabe des Jacobin-Magazins.

📮Jetzt bestellen unter jacobin.de/palaestina.

Illustrations for @mohammedelkurd ’s ‘Perfect Victims’ excerpt in the essay section of the latest Palastina issue of @jacobinmag_de 🍉🇵🇸✊🏾

Created under the watchful art direction and eye of @gold_hanna - thank you for having me! 

“Wir sterben viele Tode. Wir sterben in flüchtigen Schlagzeilen, zwischen einem Atemzug und dem nächsten. Unser Tod ist so alltäglich, dass Journalisten darüber berichten wie über das Wetter: Bewölkter Himmel, leichte Regenschauer und 3.000 tote Palästinenser in den letzten zehn Tagen. Und genau wie beim Wetter ist nur Gott dafür verantwortlich – nicht bewaffnete Siedler, nicht gezielte Drohnenangriffe.

Wir schenken den Leichen auf unseren Feldern keine Beachtung. Ihre Existenz ist eintönig, vorhersehbar. Das Gemetzel ist so unablässig, dass es von den bald Getöteten fast erwartet – antizipiert – wird. Ihre Handgelenke, groß und klein, sind mit Kabelbindern auf dem Rücksitz von Polizeiautos gefesselt. Der Tod ist überall. Selbst Metaphern sind Opfer des Krieges. Das Bildliche ist erschreckend real geworden: blutige Bärte, in Bäumen hängende Möbel, ein Körperteil, das von einem Deckenventilator baumelt, Frauen, die auf Betonboden gebären. Et cetera. Haben wir uns zu sehr an das Schreckliche gewöhnt? Was einst schrecklich war, was einst ein Vorbote des Untergangs war, verschmilzt nun mit der Umgebung; der Tod ist nun eine langweilige Vogelscheuche. Selbst wenn die Raben lauter werden, stößt ihr Krächzen auf desinteressierte Ohren. Dieser Tod hat nichts Heiliges mehr an sich. Keine Gottheiten kommen zur Rettung. Wir sterben einsam. In der Verlassenheit sterben wir viele Tode.”

📚Den ganzen Essay von @mohammedelkurd mit Illustrationen von mir gibt es in der neuen Ausgabe des Jacobin-Magazins.

📮Jetzt bestellen unter jacobin.de/palaestina.

The airbrush gods answered my call with a dream brief from @miloeastwood & @thenightcat_fitzroy to make the shiniest shiny of them all ✨

Swipe for separate parts and process 2 final ✏️

The airbrush gods answered my call with a dream brief from @miloeastwood & @thenightcat_fitzroy to make the shiniest shiny of them all ✨

Swipe for separate parts and process 2 final ✏️

The airbrush gods answered my call with a dream brief from @miloeastwood & @thenightcat_fitzroy to make the shiniest shiny of them all ✨

Swipe for separate parts and process 2 final ✏️

The airbrush gods answered my call with a dream brief from @miloeastwood & @thenightcat_fitzroy to make the shiniest shiny of them all ✨

Swipe for separate parts and process 2 final ✏️

Dancing frogs for @crazypmusic ‘s DJ Tour Down Under, presented by @watartists 💫🐸

Been out here making euphoric blob mascots for @betterdaysbristol legends’ @anil_c & @manamii.b ‘sconsistently fantastic, all star line-ups 💫

Been out here making euphoric blob mascots for @betterdaysbristol legends’ @anil_c & @manamii.b ‘sconsistently fantastic, all star line-ups 💫

Been out here making euphoric blob mascots for @betterdaysbristol legends’ @anil_c & @manamii.b ‘sconsistently fantastic, all star line-ups 💫

Gay Pegasus is back for @girlthing_au x Heaps Gay Fair Day edition taking place this Sunday in the lead up to gay Christmas down under - blessed be, queers rejoice amen 💋

Gay Pegasus is back for @girlthing_au x Heaps Gay Fair Day edition taking place this Sunday in the lead up to gay Christmas down under - blessed be, queers rejoice amen 💋

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

Someone (c’est moi 🤪) had a ball making the identity and party flyers for angel-face @eoin_dj ⭐️WOW⭐️ (World of Worlds) label, VOL 1. Party of which is happening THIS Sunday 3PM 01.02.2026 @fitzroyclub Berlin with your local sweethearts and heavyweights:

@eoin_dj b2b @maruwa.dj
@vollzeitbae
@jessicanightlife b2b ????
@msg_ldn

So get on down and shake your cute booties and say happy birthday to the boss 😘

p.s I’m obsessed with my Big Sib and Smol Sib main characters - ty that is all xoxo

♨️ POSTER SALE ALERT ♨️

Very proud to have worked with (and hopefully continue working with) the amazing @worldwideweb3000 and @afghanpunkzine to create aseries of posters and illustration for ‘Afghan Punk City,.’

These posters are now available for purchase in A1 format via DM at @afghanpunkzine to fund the next issue of the magazine!!! Cop one while you can 💸💸💸

Afghan Punk City saw Afghan Punk Zine making the jump from being a symbolic online presence to taking up space in the real world in a physical and social environment 🌐🌏

It was a Berlin-based project including formats for young Afghan adults, offering pathways toward organizing and building stronger alliances based on embodied, relational ways of transmitting knowledge, being, remembrance, and mutual survival.
These interconnected participatory workshops were meant to slowly build on each other to establish trust, and to explore what strengthens our existence in the city through bodily experience, art, and community-driven knowledge.

Read more over @afghanpunkzine !!!!
@worldwideweb u da best! Ty for trusting me with ur vision and bb!!! 💐🥺
🫶🏾🫶🏾🫶🏾

♨️ POSTER SALE ALERT ♨️

Very proud to have worked with (and hopefully continue working with) the amazing @worldwideweb3000 and @afghanpunkzine to create aseries of posters and illustration for ‘Afghan Punk City,.’

These posters are now available for purchase in A1 format via DM at @afghanpunkzine to fund the next issue of the magazine!!! Cop one while you can 💸💸💸

Afghan Punk City saw Afghan Punk Zine making the jump from being a symbolic online presence to taking up space in the real world in a physical and social environment 🌐🌏

It was a Berlin-based project including formats for young Afghan adults, offering pathways toward organizing and building stronger alliances based on embodied, relational ways of transmitting knowledge, being, remembrance, and mutual survival.
These interconnected participatory workshops were meant to slowly build on each other to establish trust, and to explore what strengthens our existence in the city through bodily experience, art, and community-driven knowledge.

Read more over @afghanpunkzine !!!!
@worldwideweb u da best! Ty for trusting me with ur vision and bb!!! 💐🥺
🫶🏾🫶🏾🫶🏾

♨️ POSTER SALE ALERT ♨️

Very proud to have worked with (and hopefully continue working with) the amazing @worldwideweb3000 and @afghanpunkzine to create aseries of posters and illustration for ‘Afghan Punk City,.’

These posters are now available for purchase in A1 format via DM at @afghanpunkzine to fund the next issue of the magazine!!! Cop one while you can 💸💸💸

Afghan Punk City saw Afghan Punk Zine making the jump from being a symbolic online presence to taking up space in the real world in a physical and social environment 🌐🌏

It was a Berlin-based project including formats for young Afghan adults, offering pathways toward organizing and building stronger alliances based on embodied, relational ways of transmitting knowledge, being, remembrance, and mutual survival.
These interconnected participatory workshops were meant to slowly build on each other to establish trust, and to explore what strengthens our existence in the city through bodily experience, art, and community-driven knowledge.

Read more over @afghanpunkzine !!!!
@worldwideweb u da best! Ty for trusting me with ur vision and bb!!! 💐🥺
🫶🏾🫶🏾🫶🏾

♨️ POSTER SALE ALERT ♨️

Very proud to have worked with (and hopefully continue working with) the amazing @worldwideweb3000 and @afghanpunkzine to create aseries of posters and illustration for ‘Afghan Punk City,.’

These posters are now available for purchase in A1 format via DM at @afghanpunkzine to fund the next issue of the magazine!!! Cop one while you can 💸💸💸

Afghan Punk City saw Afghan Punk Zine making the jump from being a symbolic online presence to taking up space in the real world in a physical and social environment 🌐🌏

It was a Berlin-based project including formats for young Afghan adults, offering pathways toward organizing and building stronger alliances based on embodied, relational ways of transmitting knowledge, being, remembrance, and mutual survival.
These interconnected participatory workshops were meant to slowly build on each other to establish trust, and to explore what strengthens our existence in the city through bodily experience, art, and community-driven knowledge.

Read more over @afghanpunkzine !!!!
@worldwideweb u da best! Ty for trusting me with ur vision and bb!!! 💐🥺
🫶🏾🫶🏾🫶🏾

♨️ POSTER SALE ALERT ♨️

Very proud to have worked with (and hopefully continue working with) the amazing @worldwideweb3000 and @afghanpunkzine to create aseries of posters and illustration for ‘Afghan Punk City,.’

These posters are now available for purchase in A1 format via DM at @afghanpunkzine to fund the next issue of the magazine!!! Cop one while you can 💸💸💸

Afghan Punk City saw Afghan Punk Zine making the jump from being a symbolic online presence to taking up space in the real world in a physical and social environment 🌐🌏

It was a Berlin-based project including formats for young Afghan adults, offering pathways toward organizing and building stronger alliances based on embodied, relational ways of transmitting knowledge, being, remembrance, and mutual survival.
These interconnected participatory workshops were meant to slowly build on each other to establish trust, and to explore what strengthens our existence in the city through bodily experience, art, and community-driven knowledge.

Read more over @afghanpunkzine !!!!
@worldwideweb u da best! Ty for trusting me with ur vision and bb!!! 💐🥺
🫶🏾🫶🏾🫶🏾

♨️ POSTER SALE ALERT ♨️

Very proud to have worked with (and hopefully continue working with) the amazing @worldwideweb3000 and @afghanpunkzine to create aseries of posters and illustration for ‘Afghan Punk City,.’

These posters are now available for purchase in A1 format via DM at @afghanpunkzine to fund the next issue of the magazine!!! Cop one while you can 💸💸💸

Afghan Punk City saw Afghan Punk Zine making the jump from being a symbolic online presence to taking up space in the real world in a physical and social environment 🌐🌏

It was a Berlin-based project including formats for young Afghan adults, offering pathways toward organizing and building stronger alliances based on embodied, relational ways of transmitting knowledge, being, remembrance, and mutual survival.
These interconnected participatory workshops were meant to slowly build on each other to establish trust, and to explore what strengthens our existence in the city through bodily experience, art, and community-driven knowledge.

Read more over @afghanpunkzine !!!!
@worldwideweb u da best! Ty for trusting me with ur vision and bb!!! 💐🥺
🫶🏾🫶🏾🫶🏾

♨️ POSTER SALE ALERT ♨️

Very proud to have worked with (and hopefully continue working with) the amazing @worldwideweb3000 and @afghanpunkzine to create aseries of posters and illustration for ‘Afghan Punk City,.’

These posters are now available for purchase in A1 format via DM at @afghanpunkzine to fund the next issue of the magazine!!! Cop one while you can 💸💸💸

Afghan Punk City saw Afghan Punk Zine making the jump from being a symbolic online presence to taking up space in the real world in a physical and social environment 🌐🌏

It was a Berlin-based project including formats for young Afghan adults, offering pathways toward organizing and building stronger alliances based on embodied, relational ways of transmitting knowledge, being, remembrance, and mutual survival.
These interconnected participatory workshops were meant to slowly build on each other to establish trust, and to explore what strengthens our existence in the city through bodily experience, art, and community-driven knowledge.

Read more over @afghanpunkzine !!!!
@worldwideweb u da best! Ty for trusting me with ur vision and bb!!! 💐🥺
🫶🏾🫶🏾🫶🏾

I was so happy to draw @mamakanberlin ‘s sumptuous, decadently delicious, rich and creamy Nyonya style laksa for their ♨️🍤 Laksa Winter ♨️🍤 happening right now. Made painstakingly from scratch with love using the very best of ingredients, it’s history in a bowl that will warm your heart and soul (and fill your belly!)

Running from January 8th to March 1st, Thurs, Fri & Sat: 12-22h, Sun: 12-16h. Don’t miss it! 🍜♨️🥵

I was so happy to draw @mamakanberlin ‘s sumptuous, decadently delicious, rich and creamy Nyonya style laksa for their ♨️🍤 Laksa Winter ♨️🍤 happening right now. Made painstakingly from scratch with love using the very best of ingredients, it’s history in a bowl that will warm your heart and soul (and fill your belly!)

Running from January 8th to March 1st, Thurs, Fri & Sat: 12-22h, Sun: 12-16h. Don’t miss it! 🍜♨️🥵

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Visual identity, illustration and design for on-going curational project for Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen’, currently showing at @kunstraumbethanien. Concept Development and type treatment in collaboration with Rosalie Wood / @studiokitschen. 

“Inspired in an intuitive and visceral way by weeds, Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen is a curatorial project composed of events that we call sprouts and exhibitions that unfold with different, perhaps irregular, rhythms.

Spanning nearly a year, the project begins at Xanadu in Neukölln, before opening its first exhibition at Kunstraum Kreuzberg/Bethanien in autumn 2025. From this initial moment, many more sprouts will appear across the city, along with three more exhibitions at Galerie im Turm in Friedrichshain, Bärenzwinger in Mitte and Galerie im Körnerpark in Neukölln.

We start with a direction to follow and the curiosity to discover what grows next: how and where will the weeds that give life to this project take root? Sometimes they remain close to the plant world, at other times they extend far beyond it—turning weeds into a shared spirit that resists taming.”

Curated by and big thank you to @anais_senli @lopecado @sf__pan @sylv_inski and @kunstraumkreuzberg for your patience and trust in letting us bring your weedy baby visually to life.

The concept surrounding the visual identity for this project was inspired by three main ideas: Pushing the  borders/boundaries and margins with the unusual and not necessarily beautiful being prominent, taking up spaces where one or something is not meant to be or no longer welcome but thriving despite it all, and finally mapping - tracing origins and holding histories, unfolding narratives and structures - seeds as vessels and sprouting as forms of survival and resilience 🌿🌱🌼

Very excited to be part of this huge journey and on-going series - stay tuned for more Weeds popping up all over the city in 2026!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

Artwork (and unseen runner up ideas that didn’t make the cut) for experimental pop’s IT sweethearts of the moment, @smerz_ and @___pet___ ✨as they share the bill for a rare one-night only at City Recital Hall, Sydney/Eora next March with support by the amazing @blisssster 💘

A big thank you to @watartists for making this happen, I’m still pinching myself🌀🎀💫

Excited to share a bunch of projects I’ve had the honour of working on this year soon, so stay tuned!

We commissioned our dear friend @lotsofbroth to create a sticker pack inspired by the sweet stuff we grew up loving (and still crave). And what we got was exactly that. Stick them anywhere you want a hit of nostalgia 🍬.

📍Available now at Bürknerstr + Oranienstr

#stickerpack #asiancandy #whiterabbitcandy

Very excited to have a bunch of past work splashed across the Literature section of this week’s @freitag out today! Thank you so much for having me @neisbob & @lisa__kolbe 💐☺️

📸: @henry____brown 💐
Life support gratitude @ellaray.design 💐

(Yes, this is a stock standard photo of chaos me doing le grand opening on the street 🥲)

Very excited to have a bunch of past work splashed across the Literature section of this week’s @freitag out today! Thank you so much for having me @neisbob & @lisa__kolbe 💐☺️

📸: @henry____brown 💐
Life support gratitude @ellaray.design 💐

(Yes, this is a stock standard photo of chaos me doing le grand opening on the street 🥲)

Very excited to have a bunch of past work splashed across the Literature section of this week’s @freitag out today! Thank you so much for having me @neisbob & @lisa__kolbe 💐☺️

📸: @henry____brown 💐
Life support gratitude @ellaray.design 💐

(Yes, this is a stock standard photo of chaos me doing le grand opening on the street 🥲)

Very excited to have a bunch of past work splashed across the Literature section of this week’s @freitag out today! Thank you so much for having me @neisbob & @lisa__kolbe 💐☺️

📸: @henry____brown 💐
Life support gratitude @ellaray.design 💐

(Yes, this is a stock standard photo of chaos me doing le grand opening on the street 🥲)

Very excited to have a bunch of past work splashed across the Literature section of this week’s @freitag out today! Thank you so much for having me @neisbob & @lisa__kolbe 💐☺️

📸: @henry____brown 💐
Life support gratitude @ellaray.design 💐

(Yes, this is a stock standard photo of chaos me doing le grand opening on the street 🥲)

Very excited to have a bunch of past work splashed across the Literature section of this week’s @freitag out today! Thank you so much for having me @neisbob & @lisa__kolbe 💐☺️

📸: @henry____brown 💐
Life support gratitude @ellaray.design 💐

(Yes, this is a stock standard photo of chaos me doing le grand opening on the street 🥲)

Very excited to have a bunch of past work splashed across the Literature section of this week’s @freitag out today! Thank you so much for having me @neisbob & @lisa__kolbe 💐☺️

📸: @henry____brown 💐
Life support gratitude @ellaray.design 💐

(Yes, this is a stock standard photo of chaos me doing le grand opening on the street 🥲)