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Moritz Hofstetter
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Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
Playing London (2022)
The project is inspired and dedicated to Jacques Tati‘s Playtime. However, the playground is not a fictive district in Paris but rather different parts of London. Therefore, the film is also a critique of London‘s urban planning, housing regulation and architecture. Yeah, the german accent may reminds of Werner Herzog’s Voiceover.
Regie: Anna Simmen
Sound Design: Mak Planincic
Original Music: Mon Oncle - Franck Barcellini
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
La Vie d‘Artiste (2021)
Veli Iž is a village on the island of Iž in the country of Zadar in Croatia. Veli Iž is a village in the Kornaten.
Untold stories lurk between olive groves & dry stone walls.
In September 2021, I tried to shoot a documentary film about the lives of artists. It was shot on Super 16.
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
well well well, the years have gone by really fast. i once applied for a film school and was rejected. i think there were good reasons for this, but it plunged me into a deep hole and i struggled a lot with my work.
now, like the dear successful people on social media always say, i have faced my fears and want to show this episode of my work.
Me, Myself and (e)i (2020)
with Yevgenia Korolov & Rachel Braunschweig
Kamera, Regie, Produktion & Schnitt:Moritz Hofstetter
Schauspielführung:
Micha Muhl
Ausstattung & Kostüm:
Isabelle Vogel,
Jill Rappaport
Produktionsleitung: Mario von Ow
1.AC: Cyrill Gsell
2.AC: Jan Schär
Color: Noah Frey
Grip: Nino Burkart
Licht: Elias Burkhalter, Roy Sobotkiewicz
Maske: Patrick Kaestli
Ton: Gabriel Bader
Catering: Christian Hofstetter
Kapitäninnen: Valeria Falletta, Lea Losinger
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
“Erkenntnis” (2020)
Ferdi Özten & Konrad Wipp
Director Tim Brandenburger
Dp Moritz Hofstetter
Production Design & Costume Design
Irene Buckmaier, Jana Lückert
Editor Anjuna Hartmann
Sound Design, Foley & Mixing Onur Bilmen
Foley Artist Gabriel Klisic
Music Luca Gilles
Production Aria Samad
1AC Tim Weisgerber
2AC/Loader Gianluca Martino
Grip Justus Riechers
Gaffer Torben Schäfer
Best Boy Julian Mölich
Electricians Timo Schlenstedt
Laurin Schilling
Anna-Maria Haufe
Set Runner Bastian Rossbach
Continuity & Photographer Anthony Joel
Illustrator Kristina Ryzhii
Visual Effects Feo.Rocks
Visual Effects Head of Art M. Fernanda Gómez V.
Visual Effects Artist Ernesto F. Céspedes L.
Colorist Jonas Damm
Motion Design Esther Miron
shot on Kodak Film
Warten mit Blumen / wait and See, triangles and water
my first encounter with Super 16
(2019)
Warten mit Blumen / wait and See, triangles and water
my first encounter with Super 16
(2019)
Warten mit Blumen / wait and See, triangles and water
my first encounter with Super 16
(2019)
Warten mit Blumen / wait and See, triangles and water
my first encounter with Super 16
(2019)
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
2 young filmmaker try to shoot a documentary about local jewish orthodox but fail tremendously. While the director keeps being a smartass the cameramen gets bored and leaves him alone. (2018)
And yes, I have finally found the courage to show off my works. I’ll first have to work through what I’ve shot in recent years…
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.