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Keep WA Litter Free! As they prepare to hit the road, Kevin shows Travis how to secure their load for safer travel. Scroll for Spanish!

Agency: @wearedh
Art Director: @hannahbottino
Art Director: @jahathewayjr
Sr Account Executive: Denys Lopez
Associate VP: @markfoxtrot

Kevin the Marmot: @mrpedroz (Puppeteer), @lael.j.rog (voice)
Travis: Kaelon Christopher (English)
Tomas: @imgiovannyvazquez (Spanish)

Directors: @lael.j.rog & @peter_edlund
EP: @tackely
Producer: @kelsijayne
1st AD: Nick Hernandez
DP: @dannychastain.dp
1st AC: @adam.lapine
Production Designer: @pastarules
Art PA: @saarahhelen
Puppet Design & Build: @flyfolk.goods
Gaffer: @xander_bruce
Key Grip: @_mlindberg
Location Sound: Chuck Kraft
HMU: @lindseyjwatkins
Wardrobe: @janieackels
Set Medic: Gretchen Simpson
Location Manager: @_davedrummond
CDL Driver: wham25
Truck PA: @maximilianwmonson
PA: @adam.kubota
BTS Photographer: @austinlmcd
Picture Car: @buzzlightfocus

Editor: @dannychastain.dp
Sound Design & Mix: @slossaudio
Colorist: @jennymontgomery
VFX: @nickj.joyce

Talent Agency: @bigfishnwtalent
Camera Equipment: @koerner_camera
Grip/Electric: XB Lighting @xander_bruce
Production Support: @go4nuge

Filmed on location in Washington in Ellensburg, Vantage, Seattle, and Everett.

Keep WA Litter Free! As they prepare to hit the road, Kevin shows Travis how to secure their load for safer travel. Scroll for Spanish!

Agency: @wearedh
Art Director: @hannahbottino
Art Director: @jahathewayjr
Sr Account Executive: Denys Lopez
Associate VP: @markfoxtrot

Kevin the Marmot: @mrpedroz (Puppeteer), @lael.j.rog (voice)
Travis: Kaelon Christopher (English)
Tomas: @imgiovannyvazquez (Spanish)

Directors: @lael.j.rog & @peter_edlund
EP: @tackely
Producer: @kelsijayne
1st AD: Nick Hernandez
DP: @dannychastain.dp
1st AC: @adam.lapine
Production Designer: @pastarules
Art PA: @saarahhelen
Puppet Design & Build: @flyfolk.goods
Gaffer: @xander_bruce
Key Grip: @_mlindberg
Location Sound: Chuck Kraft
HMU: @lindseyjwatkins
Wardrobe: @janieackels
Set Medic: Gretchen Simpson
Location Manager: @_davedrummond
CDL Driver: wham25
Truck PA: @maximilianwmonson
PA: @adam.kubota
BTS Photographer: @austinlmcd
Picture Car: @buzzlightfocus

Editor: @dannychastain.dp
Sound Design & Mix: @slossaudio
Colorist: @jennymontgomery
VFX: @nickj.joyce

Talent Agency: @bigfishnwtalent
Camera Equipment: @koerner_camera
Grip/Electric: XB Lighting @xander_bruce
Production Support: @go4nuge

Filmed on location in Washington in Ellensburg, Vantage, Seattle, and Everett.

✨NEW REEL!✨

We’re so grateful to everyone who has helped us get where we are, and who helps us dream up a bigger, bolder future for Seattle filmmaking. The best part of this work is working with you. Look at all the things we’ve made together!

“Limitless” for @leicacamerausa

Photographer @terrylarue uses the M11 Monochrom and an arduous printing process to channel extreme pain into art. This cinematic love letter to craft, purpose, and the human spirit reminds us that our greatest strengths often come disguised as limitations.

Directed by @nateltownsend
Written by @nateltownsend and @terrylarue
Production Company: @townsendhurst, @offbeatseattle
President/EP: @michaeljhurst

Featuring: @terrylarue
Line Producer: @tackely
Director of Photography: @kylekrupinski
Steadicam Operator: @dannychastain.dp
Gaffer: @salt_van
Key Grip: @_mjoseph
1st AC: @coburnerskine
Sound Operator: Taylor Pedroza
Production Assistant: @brendan.Barlow , @austinlmcd
Camera and Lenses provided by @lensworksrentals

Post Production: Townsend Hurst
Editor: Nate Townsend, @lexihiland
Sound Design: @danedickmann
Composer: @roberto_murguia_barrios
Color: @briansingler

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

From behind-the-scenes moments to the big screen 🎬✨

I loved shooting BTS and promotional stills for Scout’s Honor (@scoutshonorfilm), and now seeing this beautiful short selected for the Florida Film Festival 2026 (@floridafilmfest) feels truly special.

There’s something powerful about watching a film go from on-set magic—quiet focus around the monitor, clapperboards in motion, cast deep in character, crew building every frame—to its world premiere on April 12 & 16.

These images are a glimpse into the passion that built this film.In these I see the energy on the set: the collaboration, the precision, the creativity, and the joy that filled every day of filming.

The Florida Film Festival is a highly respected Oscar-qualifying festival now in its 35th year, and Scout’s Honor could not have found a more exciting stage.

So proud to have documented the moments behind the movie magic. 📸🎥

————————————

Huge congratulations to the entire creative team for this well-deserved milestone. The team included:Isabel Pask, @ipask, Director; Jason McRuer, @jasonmcruer, Producer; Brenna Power, @brennapower, Producer/Actor; Sam Paley, @samipaley, Producer/Writer/Actor; Melanie Sudyn, @ann_melanie, 1st AD; Madison Wechsler Sanchez, @madisonjeanwechsler, 2nd AD; Sofia Poe, @ilypo, Script Supervisor/HMU; Danny Chastain, @dannychastain.dp, Director of Photography; Ilana Rahaman, @ilanarahaman, 1st AC/DIT.
————————————
#BTS#BTSPhotographer #BTSIndieFilmPhotographer #seattlephotographer

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Last fall, our friends at @wearedh came to us with a campaign concept centered around a road trip with two best friends. One just happens to be a marmot…named Kevin.

The @ecologywa campaign includes six spots, three in English and three in Spanish, that aim to Keep WA Litter Free.

We had an amazing time bringing Kevin’s world to life in collaboration with so many talented people, wrapping on Halloween as the leaves turned.

Full PSA campaign coming soon, directed by @lael.j.rog & @peter_edlund—with Kevin the puppet created by @flyfolk.goods. 

BTS Photos: @dannychastain.dp @austinlmcd 🍂

Presenting our new Offbeat Original…

SCREEN TIME

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

Thanks to everyone who helped bring this film to life—a story that, in the words of writer & director Bryan Campbell, is “a satirical exploration of our obsession with smartphones and the irony of how easily we fall into the habits we criticize.” But make it a dinner party!

Seattle has an abundance of talented filmmakers, both established and up-and-coming, and we believe it’s important to get together and practice our skills, meet new collaborators, and have fun.

Emma: @adaratoop
Lisa: @kelsiumeko
Drew: @mrpedroz
James: @theraymondpower
Tanya: @geerose21

Written, Directed, & Edited by: @directorbryanc
Produced & Story by: @dannychastain.dp
Director of Photography: @cmosson
Production Designer: @kelly.june.mitchell
HMU/Wardrobe & 1st AD: @lindseyjwatkins
Visual Effects Supervisor: @the_scherp
Re-Recording Mixer & Sound Design: @davesound
Colorist: @bentcowan
Sound Mixer: @brianpppp
Gaffer: @_mlindberg
B-Cam Operator: @ilanarahaman
Grip: @finntbaker
Grip: @adam.kubota
PA: @soleilbeares

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

A dinner conversation about phone addiction collapses as each guest literally disappears into their device.

COMING SOON—a new Offbeat Original film! Written & directed by @directorbryanc.

Screen Time was shot back in June 2025 at @geerose21’s soundstage/house, bringing together an eager group of seasoned and up-and-coming filmmakers to learn more about using green screens and incorporating VFX into the production and post-production workflow. Special thanks to all of those who came out to set. Enjoy some of our favorite BTS and watch out for the film!

Photos by @dannychastain.dp

1. Staged or candid? We don’t even remember at this point

2. @ilanarahaman gives the ultimate side-eye

3. This is called pre-production

4. How does this guy look good in every single photo?! It’s not fair!

5. Fitting a lot of gear into a small space

6. Production designer @kelly.june.mitchell doing a fantastic job making dinner look like it was actually “yum”

7. Gaffer @_mlindberg attaches a light to…a door hinge? 

8. VFX supervisor @the_scherp, director @directorbryanc, and DP @cmosson discuss the next setup

9. Rehearsal time before shooting

10. PA @soleilbeares gets photobombed by @ilanarahaman

11. An incomparable director/1st AD duo

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

What a year! Thanks for being part of it. 🤍

Holiday party photos by @austinlmcd

Can you guess who won the raffle?

Sometimes what feels like a burden turns out to be a gift.

Presenting BEAVERS ALL DAY, our newest Offbeat Original!

Starring:
@mrpedroz
@troy__lund

Written & Directed by: @celiabeasley_film
Producer/DP: @dannychastain.dp
Editor/1st AD: @moondrool
1st AC: @mallory.gillin
2nd AC (mentor): @ilanarahaman
Steadicam Operator: @steadiscott
Sound Mixer: @adam.kubota
Gaffer (mentor): @_mlindberg
Key Grip: @stillsbypat
Set Dresser: @kelsijayne
Colorist: @bentcowan
PA: Caoimhe Phillips
PA: Jordan Ryder
PA: Eloise Taylor
PA: Loic Taylor

“Bright and Blue”
Written and performed by Tomo Nakayama
Ricebelly Music, BMI Copyright 2017

Special Thanks:
SJ Chiro
Leslie Daniels
Abby Hook
Megan Griffiths
Meghan Mowery
Kathy Ramos
@akayaday
@antoniocdsmith
Adam Taylor
Jannessa West
Seattle Office of Economic Development

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

Four days in Seattle, building a cinematic library of imagery for PACCAR — the parent company of Kenworth, Peterbilt, and TRP. We captured service bays, retail counters, staged truck exteriors, and studio product shots with a full cast and multiple units working in sync. While motion was captured on the ARRI Alexa, stills were driven entirely by the Leica SL3 with APO-Summicron primes, with generous support from @leicacamerausa. Our goal was to match the richness and grounded tone of our motion work — and the SL3 delivered beautifully. Clean, true, and full of soul, straight out of camera. Grateful to Leica for the support, and PACCAR, FCB, and NHS for backing the vision.

New work! 🌊

So much fun to collaborate with our old friend @thekcro and the talented team at @thinksockeye on this spot for Coastal Community Bank! Saving pennies for a company seaplane…

Check it out! #nevercoastingalwayscoastal

Director / DP - @trev_fife
Agency Partner - @thinksockeye
AD - @dannychastain.dp
LP - @tackely
Producer - @kelsijayne
1st AC - @adam.lapine
2nd AC - @mallory.gillin
Drone Op - @ilya_fpv
Gaffer - @_mlindberg
Key Grip - @steadiscott
Production Designer - @pastarules
Art Assistant - @luisperez3.0
HMU - @lindseyjwatkins
Wardrobe - @gretchenbellstyle
Set Medic - Jeremiah Neumann
PAs - @abstract_media_nw @adam.kubota @stillsbypat
BTS - @stillsbypat
Camera Support - @koerner_camera
Locations - @mukilteocoffee @terryarchitects Nichols Bros

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie

We recently trekked up to Whidbey Island to shoot a commercial featuring some local, coastal industries—including active work sites, heavy equipment, big boats, tall cranes, & a seaplane named Maggie. Proud to report that our set medic was bored.

Big thanks to agency partner @thinksockeye, the businesses that opened their doors to us, and our stellar crew. BTS by @dannychastain.dp & @stillsbypat.

Commercial coming soon! Directed by @trev_fife.

1. and we’re rolling
2. notes of cacao and tobacco
3. who run the world?
4. strike a pose
5. producers contemplate a major purchase
6. cut to: stick figure family
7. handle with care
8. hard hats soft hearts
9. sparks fly
10. wanna hit the bars?
11. running through vehicles like Richard Scarry
12. preparing for takeoff
13. stole our hearts, Maggie