Instagram Story Viewer
Instagram Stories anonym ansehen
plusmagazines
Plus Magazine
A biannual magazine redefining art, design & culture.
ISSUE 10 - Edges of Becoming / Cover 3 of 3
Ronan Bouroullec, photographed by @lee__whittaker.
For @ronanbouroullec, an object’s life begins when it leaves the studio — designed to enter other lives, to modify the atmosphere of a room, to become someone’s everyday life. From his Paris studio, he sits with @alisalarsen on decades of work and the thread that connects one direction to the next.
Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!
ISSUE 10 - Edges of Becoming / Cover 2 of 3
Erwin Wurm, photographed by @byjuhi.
From his studio in Limberg, @erwinwurm returns to the question of what sculpture is — in conversation with @mona.heinlein, Wurrm speaks on duration, deformation, how a body in motion becomes sculpture in a moment.
Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!
ISSUE 10 - Edges of Becoming / Cover 1 of 3
Maurizio Cattelan, photographed by @robertrieger.
In this issue, @mauriziocattelan takes us through Milan, its open squares, narrow alleys, and the spaces in between. He reflects with Travis Diehl on staying unpredictable and why ambivalence drives an artist’s life.
Pre-order Issue 10 via the link in bio. Available in stores worldwide May 14!
”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan
Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”
Read the full conversation in Issue 10.
📷: @robertrieger, a day spent with Cattelan in Milan.
”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan
Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”
Read the full conversation in Issue 10.
📷: @robertrieger, a day spent with Cattelan in Milan.
”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan
Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”
Read the full conversation in Issue 10.
📷: @robertrieger, a day spent with Cattelan in Milan.
”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan
Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”
Read the full conversation in Issue 10.
📷: @robertrieger, a day spent with Cattelan in Milan.
”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan
Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”
Read the full conversation in Issue 10.
📷: @robertrieger, a day spent with Cattelan in Milan.
”Sometimes the most radical move is to be quieter, or harder to read.“ - Maurizio Cattelan
Featured in conversation with writer Travis Diehl (@prismofreality), @mauriziocattelan shares on moving through life with wit and ambivalence, speaking on discomfort, contradiction, and the fear of becoming predictable. He describes ambivalence not as a flaw, but as “the engine.”
Read the full conversation in Issue 10.
📷: @robertrieger, a day spent with Cattelan in Milan.
Plus Magazine ISSUE 10 OUT NOW!
Our tenth anniversary issue explores the theme of Edges of Becoming.
From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.
Available now on via the link in bio and at selected stockists worldwide.
@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm
📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich
Plus Magazine ISSUE 10 OUT NOW!
Our tenth anniversary issue explores the theme of Edges of Becoming.
From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.
Available now on via the link in bio and at selected stockists worldwide.
@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm
📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich
Plus Magazine ISSUE 10 OUT NOW!
Our tenth anniversary issue explores the theme of Edges of Becoming.
From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.
Available now on via the link in bio and at selected stockists worldwide.
@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm
📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich
Plus Magazine ISSUE 10 OUT NOW!
Our tenth anniversary issue explores the theme of Edges of Becoming.
From studio visits to conversations with contributors across cities and around the world, this issue looks at how ideas develop, how uncertainty becomes part of the process, and how a creative practice evolves through the decisions, challenges, and defining moments that shape it.
Available now on via the link in bio and at selected stockists worldwide.
@larrybellstudio
Oliver Bell
@ronanbouroullec
@mauriziocattelan
@oxinyio
Elizabeth Dee
Adrienne Edwards
@pamevelyn
Annie Gawlak
Arne Glimcher
@antonygormley420
Ruba Katrib
@sangwo0
@tinakimgallery
@alicjakwade
@daikei_mills
@nengiomuku
Deborah Royer
@lelabofragrances
@katieryankatieryan
@charlotte_sitb
@balboste_paris
@erwinwurm
📷: @alejandro_ramoroz
Special thanks: @federico.stefanovich
Issue 10, Edges of Becoming — out soon!
From studio visits to conversations, across cities and around the world, this issue brings ideas into focus, what it means to work through uncertainty, and how a practice continues to develop.
We are excited to share the contributors of Issue 10 and the voices shaping its pages.
𝗘𝗱𝗶𝘁𝗼𝗿-𝗶𝗻-𝗖𝗵𝗶𝗲𝗳: Subin Anderson (@_soobs_)
𝗖𝗿𝗲𝗮𝘁𝗶𝘃𝗲 𝗗𝗶𝗿𝗲𝗰𝘁𝗼𝗿: Jae Kim (@kimmmmjae)
𝗚𝗿𝗮𝗽𝗵𝗶𝗰 𝗗𝗲𝘀𝗶𝗴𝗻: Kiyeol Kim (@kimgiyeol) & Workbüro Studio (@workburo)
𝗖𝗼𝗽𝘆 𝗘𝗱𝗶𝘁𝗼𝗿: Diana Isabel Colón (@diaisaco)
𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗼𝗿𝘀:
Larry Bell (@larrybellstudio)
Oliver Bell
Ronan Bouroullec (@ronanbouroullec)
Maurizio Cattelan (@mauriziocattelan)
Xinyi Cheng (@oxinyio)
Elizabeth Dee (e.dee.art)
Adrienne Edwards (@whitneymuseum)
Pam Evelyn (@pamevelyn)
Annie Gawlak
Arne Glimcher (@pacegallery)
Antony Gormley (@antonygormley420)
Ruba Katrib (@momaps1)
Sang Woo Kim (@sangwo0)
Tina Kim (@tinakimgallery)
Alicja Kwade (@alicjakwade)
Keisuke Nakamura (@daikei_mills)
Nengi Omuku (@nengiomuku)
Deborah Royer (@lelabofragrances)
Kathleen Ryan (@katieryankatieryan)
Charlotte Sitbon (@balboste_paris)
Erwin Wurm (@erwinwurm )
𝗪𝗿𝗶𝘁𝗲𝗿𝘀 & 𝗣𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝗲𝗿𝘀 :
Bryony Dawson (@bryony_jean)
Travis Diehl
Dominic Eichler (@dominicveichler)
Salomé Gómez-Upegui (@salomegomezu)
Ramona Heinlein (@mona.heinlein)
Phin Jennings (@phinphinphinphi)
Alisa Larsen (@alisalarsen)
Elodie Saint-Louis (@aselodie)
Ludovic Balay (@ludovicbalay)
Edvinas Bruzas (@edvinasbruzas)
Franz Grünewald (@franzgruenewald)
Julius Hirtzberger (@byjuhi)
Jack Johnstone (@jackrjohnstone)
Youn Kim (@_younjungkim_)
Jacob Lillis (@jacoblillis)
Robert Rieger (@robertrieger)
Tea Sirbiladze (@tea.sirbiladze)
Joshua J. Sneade (@joshuajsneade)
Shana Trajanoska (@shanajade)
Lee Whittaker (@lee__whittaker)
Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae
Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae
Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae
Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae
Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae
Marina Adams (@marinaadams)’s latest exhibition at @peterblumgallery brings together works on paper made over several decades, many of them shown publicly for the first time. The exhibition focuses on paper as a continuous part of Adams’s practice and offers a closer view of how these works have informed the paintings alongside them.
Read the full conversation via link in bio.
📷 @kimmmmjae
Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae
Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae
Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae
Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae
Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae
Sarah Morris (@sarahmorris) has long examined the systems that shape contemporary life, translating the language of corporations, government bodies, and financial institutions into paintings of sharp geometry and charged color.
Her current exhibition at @whitecube, brings these strands together through a new group of paintings and two films made nearly three decades apart. Across them, New York runs through as a recurring presence, a city shaped by ambition, performance, and power, and one that has long informed Morris’s way of seeing.
Read the full conversation via link in bio.
📷 @kimmmmjae
Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨
Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨
Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨
Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨
Bi-Weekly Picks: Takeover
This month, Courtney Blair Willis, US Senior Director at White Cube (@whitecube) shares her favorite spots in New York to see, eat, and explore!
Join our newsletter via link in bio for the full guide 📧✨
A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger
A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger
A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger
A peek inside artist Danh Vo’s home for Issue 9. 🌿 It’s a mix of raw plywood, vintage details, and overgrown gardens that’s completely taken over. A radical rejection of the purely decorative.
📷 @robertrieger
A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_
A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_
A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_
A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_
A specific tension runs through Tamo Jugeli (@tamo__j)’s newest canvases, where churning, dense clusters of paint meet quiet color fields. On view simultaneously at Karma (@karmakarma9) and Polina Berlin Gallery (@polinaberlingallery), the paintings function as a single exhibition mapped across two distinct physical realities. As Jugeli describes it: “two presences, two durations, unfolding at the same time within the same stretch.”
Read the full conversation via link in bio.
📷 @_younjungkim_
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.