Instagram Story Viewer
Instagram Stories anonym ansehen
thirdborn.mx
THIRD BORN
By appointment
Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.
Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.
“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine
Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.
Our love to the @newartdealers team & community 🖤
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
Imagery courtesy of THIRD BORN
.
.
.
.
.
#THIRDBORN #nadanyc
Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.
Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.
“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine
Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.
Our love to the @newartdealers team & community 🖤
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
Imagery courtesy of THIRD BORN
.
.
.
.
.
#THIRDBORN #nadanyc
Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.
Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.
“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine
Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.
Our love to the @newartdealers team & community 🖤
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
Imagery courtesy of THIRD BORN
.
.
.
.
.
#THIRDBORN #nadanyc
Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.
Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.
“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine
Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.
Our love to the @newartdealers team & community 🖤
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
Imagery courtesy of THIRD BORN
.
.
.
.
.
#THIRDBORN #nadanyc
Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.
Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.
“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine
Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.
Our love to the @newartdealers team & community 🖤
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
Imagery courtesy of THIRD BORN
.
.
.
.
.
#THIRDBORN #nadanyc
Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.
Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.
“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine
Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.
Our love to the @newartdealers team & community 🖤
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
Imagery courtesy of THIRD BORN
.
.
.
.
.
#THIRDBORN #nadanyc
Today is the final day to see THIRD BORN’s presentation of Loucia Carlier in the PROJECTS section of NADA NYC (A10). The fair, located at the Starrett-Lehigh Building will be open from 11:00 AM–5:00 PM.
Works on view explore the ambivalence between imagination and conditioning, shifting away from strictly domestic interiors toward transitional environments, including waiting rooms, storefront displays, deserted commercial spaces, and sites of passage.
“Carlier molds restraint into its own register of intensity with her creations, offering a space where close looking reveals the quiet volatility embedded in the smallest gestures.” - Sam Falb, Cultured Magazine
Thank you to the amazing writers and contributors: Sam Falb (@samfalb), Paul Laster (@plasternyc), Victoria Pokovba , Heather Hubbs (@heathermhubbs), Elisa Carollo(@elisartgal), Jenny Wang (@x_jenny_wang) & Andreia Santana (@andreiaapsantana), who took the time to review this presentation.
Our love to the @newartdealers team & community 🖤
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
Imagery courtesy of THIRD BORN
.
.
.
.
.
#THIRDBORN #nadanyc
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
.
.
.
.
.
#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
.
.
.
.
.
#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
.
.
.
.
.
#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
.
.
.
.
.
#THIRDBORN #NADANYC
Next Week find Loucia Carlier at NADA NYC booth A10
THIRD BORN presents a solo booth by Loucia Carlier (@louciacarlier) in NADA’s Projects Section. An expansion of the artist’s series “Cheap Dreams,” developed at La Becque, Switzerland, Carlier uses the miniature as both reverie and critique, revealing how domestic objects transmit power, habit, and norms. Combining carpentry, upholstery, collage, and metalwork, Carlier builds disorienting interiors where the ordinary becomes suspect — she stages the self as both agent and captive, testing how identity is shaped within domestic space.
For receive a preview or for sales inquires, please DM us or contact info@third-born.com
NADA NYC Fair Hours
VIP Wednesday, May 13, 10am – 7pm
Thursday, May 14, 11am — 7pm
Friday, May 15, 11am — 7pm
Saturday, May 16, 11am — 7pm
Sunday, May 17, 11am — 5pm
Imagery courtesy of the Artist & THIRD BORN
A presentation supported by @fondationdesartistes
.
.
.
.
.
#THIRDBORN #NADANYC
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
FRENCH PLACE, @french__place
Text By: Caterina Avataneo @cateavataneo
Artist: Anna de Castro Barbosa @annbarbosanna
With the support of @thirdborn.mx
Ph: Francesco Paleari
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
Behind the scenes of Anna de Castro Barbosa’s research for her residency at @french__place, concluding in the solo presentation Il Quiproquo, on view through June 28, 2026.
The exhibition emerges from Barbosa’s investigation of perception, fragmentation, and the unstable form. Evoking the folding screen and the fan, it stages concealment and revelation—images, bodies, and narratives that appear partially, slipping between recognition and ambiguity.
During the residency Barbosa advanced her work in bronze, working closely with a foundry in Verona to produce a series of fan works titled Il Quiproquo—a misunderstanding in which one thing is mistaken for another. The presentation further interrogates body, desire, and otherness, concentrating on the moment before contact where attraction and unease converge. Made from materials that both invite and resist touch and incorporating repurposed medical instruments, the threshold‑like works on view balance seduction and repulsion, framing intimacy and distance as fragile, unresolved encounters.
We are deeply grateful to Marta (@marta_orsola_sironi) and Mauro (@mauro__mattei), the entire French Place team, and Caterina Avataneo (@cateavataneo) for supporting and facilitating this residency and presentation.
For inquiries on available works please DM us or email info@third-born.com
Lead image by @titi_m.cerina BTS imagery courtesy of @annbarbosanna
.
.
.
.
.
#THIRDBORN #FRENCHPLACE #ANNADECASTROBARBOSA
When Things Begin to Act continues with Mariana Ledesma & Vytautas Kumža.
A CONDO collaboration between Copperfield, London & THIRD BORN
DM us to schedule an appointment
@condo_complex
@_mariana_ledesma_
@vytautaskumza
@copperfield_london
Image courtesy of THIRD BORN photo by @asistenciaartistica
.
.
.
.
.
#THIRDBORN #CONDO
CONDO CDMX STARTS THIS THURSDAY✨
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO at THIRD BORN
Saturday, April 25
4 - 7 PM
Mariana Ledesma
Matriz no proyectada, 2026
Discarded cables
Variable dimensions
120 x 96cm
47.24 x 37.80 in.
Image courtesy of the Artist.
.
.
.
.
.
#THIRDBORN #CONDO #Copperfield
CONDO CDMX STARTS THIS THURSDAY✨
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO at THIRD BORN
Saturday, April 25
4 - 7 PM
Mariana Ledesma
Matriz no proyectada, 2026
Discarded cables
Variable dimensions
120 x 96cm
47.24 x 37.80 in.
Image courtesy of the Artist.
.
.
.
.
.
#THIRDBORN #CONDO #Copperfield
OPENING NEXT WEEK!
When Things Begin to Act
Mariana Ledesma & Vytautas Kumža
A collaboration between Copperfield, London & THIRD BORN
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO
Saturday, April 25
4 - 7 PM
In a moment of material excess and technological turnover, When Things Begin to Act, asks us to rethink objects as agents—active, affective, and generative. Ledesma’s repurposed circuits and sound‑electronic systems make debris and circuitry resonate, foregrounding contingency, failure, and embodied listening. Kumža’s carefully staged everyday things—fractured glass, gloves, metal frameworks—strip function to produce uncanny, emotionally charged tableaux. Together the works activate objects as sites of tension, relation, and perceptual transformation, inviting a renewed attention to the material conditions of daily life.
Vytautas Kumža
Dizziness, 2022
Archival inkjet print, opaque glass, hinge, aluminium frame
50 x 40 cm
19 3/4 x 15 3/4 in
Image courtesy of Copperfield
.
.
.
.
.
#THIRDBORN #CONDO #CONDOMEXICOCITY
OPENING NEXT WEEK!
When Things Begin to Act
Mariana Ledesma & Vytautas Kumža
A collaboration between Copperfield, London & THIRD BORN
CONDO OPENING
Thursday, April 23
12 - 8 PM
COLLECTORS PANEL & APERITIVO
Saturday, April 25
4 - 7 PM
In a moment of material excess and technological turnover, When Things Begin to Act, asks us to rethink objects as agents—active, affective, and generative. Ledesma’s repurposed circuits and sound‑electronic systems make debris and circuitry resonate, foregrounding contingency, failure, and embodied listening. Kumža’s carefully staged everyday things—fractured glass, gloves, metal frameworks—strip function to produce uncanny, emotionally charged tableaux. Together the works activate objects as sites of tension, relation, and perceptual transformation, inviting a renewed attention to the material conditions of daily life.
Vytautas Kumža
Dizziness, 2022
Archival inkjet print, opaque glass, hinge, aluminium frame
50 x 40 cm
19 3/4 x 15 3/4 in
Image courtesy of Copperfield
.
.
.
.
.
#THIRDBORN #CONDO #CONDOMEXICOCITY
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
“I share with THIRD BORN a love for Chicago—its architecture, its artists, its political and social histories, music, design—there’s an unmistakable materiality and way of communicating in form that I adore. I’m hyped to be there.” —Sidony O’Neal
EXPO CHICAGO curator Essence Harden (@essenceh) speaks to Sidony O’Neal (@sidony_oneal) on showing up experimental, unusual, and specific.
Forgot to pick up your copy of the limited EXPO ART WEEK? You’re in luck—read the feature at the link in bio.
Today marks the last day of Expo Chicago! Come visit us with Sidony O’Neal at B313 till 6:00 PM.
Sidony O’Neal
Program for fireback with sacrificial anode, 2023
Pallet, aluminium, steel, printed inconel, vapor-smoothed
86.4 x 76.2 x 22.9 cm
34 x 30 x 9 in
Program for fireback with sacrificial anode (2023) functions as a provisional system where materials, symbols, and structural fragments interact through mathematical, architectural, and poetic logics. Drawing on computation, translation, and symbolic reasoning, O’Neal creates environments where objects act as interfaces for circulating meaning. Industrial and ornamental vocabularies collide in an unstable configuration: a pallet-like platform supports repeated linear elements and decorative aluminum forms like baroque or algorithmic fragments, while resin-like pieces punctuate the grid as irregular markers. The piece reads as platform, diagram, and stage, suggesting infrastructure and code and inviting viewers to see sculpture as an interface where patterns emerge, fracture, and recombine.
Image courtesy of the Artist
.
.
.
.
.
#THIRDBORN #expochicago
Today marks the last day of Expo Chicago! Come visit us with Sidony O’Neal at B313 till 6:00 PM.
Sidony O’Neal
Program for fireback with sacrificial anode, 2023
Pallet, aluminium, steel, printed inconel, vapor-smoothed
86.4 x 76.2 x 22.9 cm
34 x 30 x 9 in
Program for fireback with sacrificial anode (2023) functions as a provisional system where materials, symbols, and structural fragments interact through mathematical, architectural, and poetic logics. Drawing on computation, translation, and symbolic reasoning, O’Neal creates environments where objects act as interfaces for circulating meaning. Industrial and ornamental vocabularies collide in an unstable configuration: a pallet-like platform supports repeated linear elements and decorative aluminum forms like baroque or algorithmic fragments, while resin-like pieces punctuate the grid as irregular markers. The piece reads as platform, diagram, and stage, suggesting infrastructure and code and inviting viewers to see sculpture as an interface where patterns emerge, fracture, and recombine.
Image courtesy of the Artist
.
.
.
.
.
#THIRDBORN #expochicago
Sidony O’Neal
BF_MOTION, 2026
Inkjet, heat sink, gampi, pigment, artist mat, artist frame
60.96 x 78.74 x 3.81 cm
24 x 31 x 1.5 in.
On view now at EXPO Chicago
B131
Lead Image first published in Expo Art Week (April 2026) by Frieze Publishing Ltd. Photo by Pat Martin (@patmartin__)
Artwork image courtesy of the Artist
.
.
.
.
.
#THIRDBORN #expochicago
Sidony O’Neal
BF_MOTION, 2026
Inkjet, heat sink, gampi, pigment, artist mat, artist frame
60.96 x 78.74 x 3.81 cm
24 x 31 x 1.5 in.
On view now at EXPO Chicago
B131
Lead Image first published in Expo Art Week (April 2026) by Frieze Publishing Ltd. Photo by Pat Martin (@patmartin__)
Artwork image courtesy of the Artist
.
.
.
.
.
#THIRDBORN #expochicago
Our presentation of Sidony O’Neal at EXPO Chicago opens today within Essence Harden’s PROFILE Section.
@sidony_oneal
@expochicago
@essenceh
📍B313
To receive a preview please DM us or email info@third-born.com
.
.
.
.
#THIRDBORN #expochicago
Our presentation of Sidony O’Neal at EXPO Chicago opens today within Essence Harden’s PROFILE Section.
@sidony_oneal
@expochicago
@essenceh
📍B313
To receive a preview please DM us or email info@third-born.com
.
.
.
.
#THIRDBORN #expochicago
Our presentation of Sidony O’Neal at EXPO Chicago opens today within Essence Harden’s PROFILE Section.
@sidony_oneal
@expochicago
@essenceh
📍B313
To receive a preview please DM us or email info@third-born.com
.
.
.
.
#THIRDBORN #expochicago
Anna de Castro Barbosa
The lie lies, 2026
Variables Dimensions
Textile, PVC, plaster, glass, plexiglass (acrylic), silicones, talc.
🥚🥚🥚🥚
Exhibited at @salondemontrouge_, 2026
Image courtesy of the Artist & @victorunwin & Aurélien Mole
.
.
.
.
.
#THIRDBORN
Anna de Castro Barbosa
The lie lies, 2026
Variables Dimensions
Textile, PVC, plaster, glass, plexiglass (acrylic), silicones, talc.
🥚🥚🥚🥚
Exhibited at @salondemontrouge_, 2026
Image courtesy of the Artist & @victorunwin & Aurélien Mole
.
.
.
.
.
#THIRDBORN
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.