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Watching Angelo grow has been the sweetest reminder of how quickly time moves. One minute he’s tiny in our arms, the next he’s off exploring the world around him, more curious, more confident, more himself. We love that his Petit Pli clothes grow with him through every little stage 🤍

Photographed by @armand.dasilva

The mess, the movement, the growing overnight kind of days.

A limited edition Dungaree shaped from Memphis joy, Petit Pli ingenuity, and the world of time & space 🪐 🔷🔺🔸◻️🟢

Photographed by @armand.dasilva

The mess, the movement, the growing overnight kind of days.

A limited edition Dungaree shaped from Memphis joy, Petit Pli ingenuity, and the world of time & space 🪐 🔷🔺🔸◻️🟢

Photographed by @armand.dasilva

The mess, the movement, the growing overnight kind of days.

A limited edition Dungaree shaped from Memphis joy, Petit Pli ingenuity, and the world of time & space 🪐 🔷🔺🔸◻️🟢

Photographed by @armand.dasilva

Milk Magazine Japon - “FRUITION” Issue No. 51 [ @milk_japon ]

Available Now - in space + online 🛒🛍️

Milk Magazine Japon - “FRUITION” Issue No. 51 [ @milk_japon ]

Available Now - in space + online 🛒🛍️

Milk Magazine Japon - “FRUITION” Issue No. 51 [ @milk_japon ]

Available Now - in space + online 🛒🛍️

MilK Magazine Japon [ @milk_japon ] “FRUITION” 🧩 Issue No. 51 - AVAILABLE NOW 🛒🛍️

A celebration of growth, progress, and the quiet beauty found in life’s in-between moments. At its core is a 32-page fashion story that follows children as they explore the city, piecing together small discoveries and everyday experiences along the way.

The issue also features intimate family portraits, capturing subtle emotional shifts between fathers and their children, alongside personal reflections that add depth to each image. Creative voices further shape the narrative - from playful interpretations of “Fruition” to thoughtful perspectives on childhood, imagination, and learning.

Layered and poetic, this issue is a gentle reflection on creativity, connection, and the ever-evolving nature of growing up.

Milk Magazine Japon - “FRUITION” Issue No. 51 [ @milk_japon ]

Available Now - in space + online 🛒🛍️

Milk Magazine Japon - “FRUITION” Issue No. 51 [ @milk_japon ]

Available Now - in space + online 🛒🛍️

Milk Magazine Japon - “FRUITION” Issue No. 51 [ @milk_japon ]

Available Now - in space + online 🛒🛍️

𝗞𝗻𝗼𝗹𝗹 [ @knoll ] 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝗯𝗹𝗲 𝗧𝗼𝘆 𝗧𝗿𝘂𝗰𝗸 𝗯𝘆 𝗪𝗶𝗻𝗿𝗼𝘀𝘀

Manufactured by Winross, a name synonymous with quality die-cast collectibles. Pieces like this weren’t just toys - they were promotional icons, often distributed in limited runs and now highly sought after by collectors who appreciate both trucking heritage and design culture.

Permanently at 𝘁𝗶𝗺𝗲 & 𝘀𝗽𝗮𝗰𝗲 Ⓐ 🚛

𝗞𝗻𝗼𝗹𝗹 [ @knoll ] 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝗯𝗹𝗲 𝗧𝗼𝘆 𝗧𝗿𝘂𝗰𝗸 𝗯𝘆 𝗪𝗶𝗻𝗿𝗼𝘀𝘀

Manufactured by Winross, a name synonymous with quality die-cast collectibles. Pieces like this weren’t just toys - they were promotional icons, often distributed in limited runs and now highly sought after by collectors who appreciate both trucking heritage and design culture.

Permanently at 𝘁𝗶𝗺𝗲 & 𝘀𝗽𝗮𝗰𝗲 Ⓐ 🚛

𝗞𝗻𝗼𝗹𝗹 [ @knoll ] 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝗯𝗹𝗲 𝗧𝗼𝘆 𝗧𝗿𝘂𝗰𝗸 𝗯𝘆 𝗪𝗶𝗻𝗿𝗼𝘀𝘀

Manufactured by Winross, a name synonymous with quality die-cast collectibles. Pieces like this weren’t just toys - they were promotional icons, often distributed in limited runs and now highly sought after by collectors who appreciate both trucking heritage and design culture.

Permanently at 𝘁𝗶𝗺𝗲 & 𝘀𝗽𝗮𝗰𝗲 Ⓐ 🚛

𝗞𝗻𝗼𝗹𝗹 [ @knoll ] 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝗯𝗹𝗲 𝗧𝗼𝘆 𝗧𝗿𝘂𝗰𝗸 𝗯𝘆 𝗪𝗶𝗻𝗿𝗼𝘀𝘀

Manufactured by Winross, a name synonymous with quality die-cast collectibles. Pieces like this weren’t just toys - they were promotional icons, often distributed in limited runs and now highly sought after by collectors who appreciate both trucking heritage and design culture.

Permanently at 𝘁𝗶𝗺𝗲 & 𝘀𝗽𝗮𝗰𝗲 Ⓐ 🚛

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗠𝗮𝘀𝗮𝗺𝗶𝗰𝗵𝗶 𝗞𝗮𝘁𝗮𝘆𝗮𝗺𝗮 [ @masamichi_katayama ], 𝗙𝗼𝘂𝗻𝗱𝗲𝗿 & 𝗣𝗿𝗶𝗻𝗰𝗶𝗽𝗮𝗹 𝗼𝗳 𝗪𝗼𝗻𝗱𝗲𝗿𝘄𝗮𝗹𝗹 𝗜𝗻𝗰. [ @wonderwall_tokyo ] - 𝗕𝗕𝗖 𝗙𝗢𝗨𝗥: 𝗖𝗼𝘂𝗻𝘁𝗲𝗿 𝗖𝘂𝗹𝘁𝘂𝗿𝗲 𝗜𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄𝗲𝗱 𝗯𝘆 𝗠𝗮𝘁 𝗦𝗻𝗼𝘄.

In the early 2000s, BBC Four quietly documented a new kind of spatial practice emerging from Tokyo. Part of a rare BBC Four episode exploring Japan’s design counterculture, documenting the rise of Wonderwall and the spatialisation of brand culture. 

Inside Wonderwall Inc., Masamichi Katayama speaks not about interiors — but about identity.

Retail becomes narrative. Objects become language. Space becomes brand.

Tokyo, at the time, operates ahead of definition. Not reacting — but setting terms.

𝗔𝗿𝗰𝗵𝗶𝘃𝗲: BBC Four: Counter Culture ~ Circa. 2002-2004

Toy Town 🧸🚛🦕🪀🚂🧩🪁🏎️

Toy Town 🧸🚛🦕🪀🚂🧩🪁🏎️

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗔𝗪𝗔𝗭𝗨 𝗛𝗼𝘂𝘀𝗲 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗛𝗶𝗿𝗼𝘀𝗵𝗶 𝗛𝗮𝗿𝗮, 𝟭𝟵𝟳𝟮.

Photographed by @armand.dasilva

Tucked within Tokyo, Awazu House [ @awazuhouse ] is an intimate exploration of light, structure, and everyday living. Designed in 1972 by Hiroshi Hara for graphic designer Kiyoshi Awazu, the home was conceived as both a residence and creative studio - where architecture becomes a framework for artistic life.

Defined by its layered composition and shifting volumes, the house unfolds through unexpected levels, openings, and moments of connection. Light filters through its structure in a way that feels both deliberate and organic, creating a dynamic relationship between interior and exterior, function and expression. It stands as an early and experimental reflection of Hara’s architectural language - playful yet deeply considered.

With special thanks to Awazu-san [ @ken_soul_ken ] for preserving and continuing the legacy of this remarkable home.

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗮 𝗕𝗿𝘂𝘁𝘂𝘀 𝗩𝗼𝗹. 𝟯𝟬𝟵 - 𝗨𝘁𝘀𝘂𝘄𝗮 𝗕𝘆 𝗡𝗜𝗚𝗢® 𝗜𝘀𝘀𝘂𝗲 🏺📚

Exploring the beauty of Japanese tableware through design, craft and everyday rituals.

Limited stock - Now available via our online store 🛍️🛒

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗖𝗮𝘀𝗲 𝗦𝘁𝘂𝗱𝘆: 𝗕𝗮𝗿 𝗖𝗼𝗠𝗯𝗟é - 𝗦𝗵𝗶𝗿𝗼 𝗞𝘂𝗿𝗮𝗺𝗮𝘁𝗮, 𝟭𝟵𝟴𝟴. [ @comble.bar ]

Hidden in Shizuoka, Japan, Bar CoMbLé is one of the rare interiors by Japanese designer Shiro Kuramata that still survives today.

Designed in 1988, during the final years of Kuramata’s career and at the height of Japan’s late bubble era, the bar reflects his signature approach to space - bold colour contrasts, translucent materials, and a sense of visual lightness that makes the interior feel almost immaterial.

Curved transparent ceiling elements hover above vivid red walls, while bright accents and acrylic details create a dreamlike environment that feels both futuristic and playful. Like many of Kuramata’s interiors, the space was conceived as a complete composition, where furniture, colour, light, and material work together as one unified design.

More than three decades later, the bar continues to operate under owner + bartender Masahiko Nakayama, who has focused on preserving the interior almost exactly as it was designed - one reason the bar remains one of the very few surviving Kuramata interiors still accessible to the public.

A preserved fragment of Kuramata’s radical vision of space.

Photography @armand.dasilva

𝗛𝗲𝗮𝗿𝘁 𝗖𝗼𝗻𝗲 𝗖𝗵𝗮𝗶𝗿 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗩𝗲𝗿𝗻𝗲𝗿 𝗣𝗮𝗻𝘁𝗼𝗻, 𝟭𝟵𝟱𝟴.

Playful, confident, a little romantic. All curves and colour, like it was sketched with feeling instead of rules.

On Valentine’s Day, it’s a reminder that the best spaces, like the best relationships - have heart at the centre. 🧡

𝗛𝗲𝗮𝗿𝘁 𝗖𝗼𝗻𝗲 𝗖𝗵𝗮𝗶𝗿 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗩𝗲𝗿𝗻𝗲𝗿 𝗣𝗮𝗻𝘁𝗼𝗻, 𝟭𝟵𝟱𝟴.

Playful, confident, a little romantic. All curves and colour, like it was sketched with feeling instead of rules.

On Valentine’s Day, it’s a reminder that the best spaces, like the best relationships - have heart at the centre. 🧡

𝗛𝗲𝗮𝗿𝘁 𝗖𝗼𝗻𝗲 𝗖𝗵𝗮𝗶𝗿 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗩𝗲𝗿𝗻𝗲𝗿 𝗣𝗮𝗻𝘁𝗼𝗻, 𝟭𝟵𝟱𝟴.

Playful, confident, a little romantic. All curves and colour, like it was sketched with feeling instead of rules.

On Valentine’s Day, it’s a reminder that the best spaces, like the best relationships - have heart at the centre. 🧡

𝗛𝗲𝗮𝗿𝘁 𝗖𝗼𝗻𝗲 𝗖𝗵𝗮𝗶𝗿 - 𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗱 𝗯𝘆 𝗩𝗲𝗿𝗻𝗲𝗿 𝗣𝗮𝗻𝘁𝗼𝗻, 𝟭𝟵𝟱𝟴.

Playful, confident, a little romantic. All curves and colour, like it was sketched with feeling instead of rules.

On Valentine’s Day, it’s a reminder that the best spaces, like the best relationships - have heart at the centre. 🧡