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bendigans
Ryan Putnam
art + design in motion
You like my meat man intro? Check out my latest animation / motion graphic design reel 👀 I’m stoked to have worked with some amazing creative folks, many of them local Philly friends. Most of these shots were animated on an iMac that was way too old. Here’s to more exciting projects in 2024 and beyond ☀️🕶️
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#animation #motiongraphics #motiongraphicdesign #design #creativedirection #art #characteranimation #buckyouback #film #advertising #advertisingdesign #graphicdesign #ryanputnam #bendigans
A void is a blank canvas.
Analog video paintings of October.
Music: T++ Voices No Bodies
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
Minimalism and abstract expressionism in video art. Same compositions from the last post, except this time they’re affected differently.
10,000/10 recommend having your brother-in-law (and if you can, your husband’s fraternal twin) MARRY YOU! 🍍08.30.2025 🌹
Abstract motion composition #A. In this piece, I started by capturing visuals through my analog video effects rig, then mixed them together live through the computer, having audio parameters from the record playing affect the evolution and blending of the visuals. The record is “Journey in Satchidananda” by Alice Coltrane.
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
Business face for the New Year 💫
BIG thanks to @tomatossieur for capturing me so serious.
Business face for the New Year 💫
BIG thanks to @tomatossieur for capturing me so serious.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Ver Historias de Instagram en Secreto
El Instagram Story Viewer es una herramienta sencilla que te permite ver y guardar en secreto historias, videos, fotos o IGTV de Instagram. Con este servicio, puedes descargar contenido y disfrutarlo sin conexión cuando lo desees. Si encuentras algo interesante en Instagram que quieras revisar más tarde o si prefieres ver historias de forma anónima, nuestro visor es perfecto para ti. Anonstories ofrece una excelente solución para mantener tu identidad oculta. Instagram lanzó la función de Historias en agosto de 2023, adoptada rápidamente por otras plataformas debido a su formato dinámico y temporal. Las Historias permiten a los usuarios compartir actualizaciones rápidas, como fotos, videos o selfies, mejoradas con texto, emojis o filtros, y son visibles por solo 24 horas. Este marco de tiempo limitado genera un alto compromiso en comparación con las publicaciones regulares. En el mundo actual, las Historias son una de las formas más populares de conectar y comunicarse en redes sociales. Sin embargo, al ver una Historia, el creador puede ver tu nombre en su lista de visualizaciones, lo cual puede ser una preocupación de privacidad. ¿Qué hacer si deseas explorar Historias sin ser detectado? Aquí es donde Anonstories resulta útil. Te permite ver contenido público de Instagram sin revelar tu identidad. Simplemente ingresa el nombre de usuario del perfil que te interesa, y la herramienta mostrará sus Historias más recientes. Funciones de Anonstories Viewer: - Navegación anónima: Mira Historias sin aparecer en la lista de visualizaciones. - Sin cuenta requerida: Ve contenido público sin necesidad de registrarte en Instagram. - Descarga de contenido: Guarda cualquier Historia directamente en tu dispositivo para usarla sin conexión. - Ver Destacados: Accede a Destacados de Instagram, incluso fuera del período de 24 horas. - Monitoreo de reposts: Rastrea reposts o niveles de compromiso en Historias de perfiles personales. Limitaciones: - Esta herramienta solo funciona con cuentas públicas; las cuentas privadas permanecen inaccesibles. Beneficios: - Amigable con la privacidad: Mira cualquier contenido de Instagram sin ser detectado. - Fácil y sencillo: Sin instalación de aplicaciones ni registro necesario. - Herramientas exclusivas: Descarga y gestiona contenido de formas que Instagram no ofrece.