
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep

Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents

Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
El Instagram Story Viewer es una herramienta sencilla que te permite ver y guardar en secreto historias, videos, fotos o IGTV de Instagram. Con este servicio, puedes descargar contenido y disfrutarlo sin conexión cuando lo desees. Si encuentras algo interesante en Instagram que quieras revisar más tarde o si prefieres ver historias de forma anónima, nuestro visor es perfecto para ti. Anonstories ofrece una excelente solución para mantener tu identidad oculta. Instagram lanzó la función de Historias en agosto de 2023, adoptada rápidamente por otras plataformas debido a su formato dinámico y temporal. Las Historias permiten a los usuarios compartir actualizaciones rápidas, como fotos, videos o selfies, mejoradas con texto, emojis o filtros, y son visibles por solo 24 horas. Este marco de tiempo limitado genera un alto compromiso en comparación con las publicaciones regulares. En el mundo actual, las Historias son una de las formas más populares de conectar y comunicarse en redes sociales. Sin embargo, al ver una Historia, el creador puede ver tu nombre en su lista de visualizaciones, lo cual puede ser una preocupación de privacidad. ¿Qué hacer si deseas explorar Historias sin ser detectado? Aquí es donde Anonstories resulta útil. Te permite ver contenido público de Instagram sin revelar tu identidad. Simplemente ingresa el nombre de usuario del perfil que te interesa, y la herramienta mostrará sus Historias más recientes. Funciones de Anonstories Viewer: - Navegación anónima: Mira Historias sin aparecer en la lista de visualizaciones. - Sin cuenta requerida: Ve contenido público sin necesidad de registrarte en Instagram. - Descarga de contenido: Guarda cualquier Historia directamente en tu dispositivo para usarla sin conexión. - Ver Destacados: Accede a Destacados de Instagram, incluso fuera del período de 24 horas. - Monitoreo de reposts: Rastrea reposts o niveles de compromiso en Historias de perfiles personales. Limitaciones: - Esta herramienta solo funciona con cuentas públicas; las cuentas privadas permanecen inaccesibles. Beneficios: - Amigable con la privacidad: Mira cualquier contenido de Instagram sin ser detectado. - Fácil y sencillo: Sin instalación de aplicaciones ni registro necesario. - Herramientas exclusivas: Descarga y gestiona contenido de formas que Instagram no ofrece.