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masteringthemix

Mastering The Mix

Mixing and Mastering Plugins

2.2K
posts
510
followers
214.4K
following

Producers, trust me on this… louder doesn’t always mean better 🎚️✨
That’s why we made sure FASTER MASTER automatically matches loudness, so you can really hear the difference and get the best master for your music 🔥🔥🔥


14.9K
337
8 months ago


Introducing: FASTER MASTER. The plugin of our dreams, a tool we created with @masteringthemix so you can master your track in minutes - without losing any quality. From us, to every producer out there: we made this for you. Get it now through www.masteringthemix.com


18.7K
469
9 months ago

Introducing EQ Academy⁠

Get it FREE here: https://www.masteringthemix.com/products/eq-academy⁠
----------⁠
#AudioEngineer #Producer #MakingMusic #Mixing #Mastering #MusicProduction #Songwriting


326
7
10 months ago

It's been played over 500,000 times! Train your ears for free with EQ Academy.


5
1
2 hours ago

Transparent Mode shares one band layout across all tabs for the cleanest, most phase-stable processing, ideal for mastering.⁠

Flexible Mode lets each tab have its own independent band layout, giving you more freedom for mixing and sound design.


17
1
2 days ago

The creative modes in STEREOVAULT give you bold, characterful width using spatial effects. Stretch creates shimmery width through comb filtering. Flux produces a slow, evolving drift perfect for pads. Chorus adds rich modulated movement. Haas gives a vivid sense of direction. Space wraps sounds in a tight diffused reverb for physical depth.


30
1
3 days ago

Didn‘t know that THAT was possible 🤯

#ableton #abletonlive #musicproducer #musicproduction #mixing@masteringthemix


162
18
4 days ago

When you have different versions of the same mix or master, there can be slightly different lengths of silence at the beginning of the tracks. It can be annoying and time-consuming when you have to line them up to jump between them seamlessly during referencing. The Track Align button does this job for you.


16
5 days ago


The more I use Stereovault by @masteringthemix the more I'm getting impressed by it.

Can't wait to hear your thoughts around it too !

🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣

#mixing #mastering #plugin


184
42
6 days ago

The more I use Stereovault by @masteringthemix the more I'm getting impressed by it.

Can't wait to hear your thoughts around it too !

🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣

#mixing #mastering #plugin


184
42
6 days ago

The more I use Stereovault by @masteringthemix the more I'm getting impressed by it.

Can't wait to hear your thoughts around it too !

🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣

#mixing #mastering #plugin


184
42
6 days ago

The more I use Stereovault by @masteringthemix the more I'm getting impressed by it.

Can't wait to hear your thoughts around it too !

🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣

#mixing #mastering #plugin


184
42
6 days ago

The more I use Stereovault by @masteringthemix the more I'm getting impressed by it.

Can't wait to hear your thoughts around it too !

🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣

#mixing #mastering #plugin


184
42
6 days ago

The more I use Stereovault by @masteringthemix the more I'm getting impressed by it.

Can't wait to hear your thoughts around it too !

🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣
🟣 Follow @audiohax 🟣

#mixing #mastering #plugin


184
42
6 days ago

You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago


You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago

You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago

You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago

You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago

You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago

You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago


You already know loudness bias wins. You probably teach it. And you probably still get caught by it on a long session.⁠

A reference comes in 8 LUFS hotter than your mix. Bass feels missing. Air feels missing. So you reach for the EQ.⁠

Here's what's actually happening: the bias isn't flat. At 8 dB louder, you're hearing roughly +4 dB more at 60 Hz, +3 dB more at 10 kHz, while mids stay close. Bass and air feel "wrong" when nothing is.⁠

The fix has nothing to do with platform LUFS targets. Match your mix and your reference to each other — then judge.⁠

REFERENCE 3 does it on by default. Auto level-match, one click. Once your mix and reference are at the same perceived loudness, every comparison becomes real — EQ shape, stereo width, dynamics. You stop chasing ghosts and start making decisions.⁠

Save this for the long sessions.⁠


139
1 weeks ago

The Stereo Visualizer sits behind the Band Editor and shows the stereo width of your audio in real time across the full frequency spectrum. Vertically, it shows frequency, with lows at the bottom and highs at the top. Horizontally, it shows stereo width, from centred to very wide. 3D mode shows a more detailed picture of Mid and Side energy across the spectrum. In this view, sounds with more Mid energy appear closer and more forward, while sounds with more Side energy appear further away and more spread out. That makes it much easier to understand not just how wide something is, but how depth and stereo placement are being represented visually across the mix.


27
1
1 weeks ago

Add Width To Mono Sounds using STEREOVAULT


17
1
1 weeks ago


Ver Historias de Instagram en Secreto

El Instagram Story Viewer es una herramienta sencilla que te permite ver y guardar en secreto historias, videos, fotos o IGTV de Instagram. Con este servicio, puedes descargar contenido y disfrutarlo sin conexión cuando lo desees. Si encuentras algo interesante en Instagram que quieras revisar más tarde o si prefieres ver historias de forma anónima, nuestro visor es perfecto para ti. Anonstories ofrece una excelente solución para mantener tu identidad oculta. Instagram lanzó la función de Historias en agosto de 2023, adoptada rápidamente por otras plataformas debido a su formato dinámico y temporal. Las Historias permiten a los usuarios compartir actualizaciones rápidas, como fotos, videos o selfies, mejoradas con texto, emojis o filtros, y son visibles por solo 24 horas. Este marco de tiempo limitado genera un alto compromiso en comparación con las publicaciones regulares. En el mundo actual, las Historias son una de las formas más populares de conectar y comunicarse en redes sociales. Sin embargo, al ver una Historia, el creador puede ver tu nombre en su lista de visualizaciones, lo cual puede ser una preocupación de privacidad. ¿Qué hacer si deseas explorar Historias sin ser detectado? Aquí es donde Anonstories resulta útil. Te permite ver contenido público de Instagram sin revelar tu identidad. Simplemente ingresa el nombre de usuario del perfil que te interesa, y la herramienta mostrará sus Historias más recientes. Funciones de Anonstories Viewer: - Navegación anónima: Mira Historias sin aparecer en la lista de visualizaciones. - Sin cuenta requerida: Ve contenido público sin necesidad de registrarte en Instagram. - Descarga de contenido: Guarda cualquier Historia directamente en tu dispositivo para usarla sin conexión. - Ver Destacados: Accede a Destacados de Instagram, incluso fuera del período de 24 horas. - Monitoreo de reposts: Rastrea reposts o niveles de compromiso en Historias de perfiles personales. Limitaciones: - Esta herramienta solo funciona con cuentas públicas; las cuentas privadas permanecen inaccesibles. Beneficios: - Amigable con la privacidad: Mira cualquier contenido de Instagram sin ser detectado. - Fácil y sencillo: Sin instalación de aplicaciones ni registro necesario. - Herramientas exclusivas: Descarga y gestiona contenido de formas que Instagram no ofrece.