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meetlayer
Layer
Modern Art
Some artworks aren't meant for the first look. They ask you to stay longer, to move closer, return, and notice what the surface reveals in time.
"Material Certainty" by JERES.
A room has a rhythm.
Layer Canvas was designed for art that lives with it: quiet, colorful, atmospheric, alive to the hour.
What kind of art does your room ask for?
A room has a rhythm.
Layer Canvas was designed for art that lives with it: quiet, colorful, atmospheric, alive to the hour.
What kind of art does your room ask for?
A room has a rhythm.
Layer Canvas was designed for art that lives with it: quiet, colorful, atmospheric, alive to the hour.
What kind of art does your room ask for?
A room has a rhythm.
Layer Canvas was designed for art that lives with it: quiet, colorful, atmospheric, alive to the hour.
What kind of art does your room ask for?
A room has a rhythm.
Layer Canvas was designed for art that lives with it: quiet, colorful, atmospheric, alive to the hour.
What kind of art does your room ask for?
A room has a rhythm.
Layer Canvas was designed for art that lives with it: quiet, colorful, atmospheric, alive to the hour.
What kind of art does your room ask for?
A room has a rhythm.
Layer Canvas was designed for art that lives with it: quiet, colorful, atmospheric, alive to the hour.
What kind of art does your room ask for?
A new art world, imagined for your space.
Layer transforms static interiors into living environments, where art shifts with the room, the moment, and the people moving through it.
Seen from the street: installation at @cornflake.london.
A new art world, imagined for your space.
Layer transforms static interiors into living environments, where art shifts with the room, the moment, and the people moving through it.
Seen from the street: installation at @cornflake.london.
A new art world, imagined for your space.
Layer transforms static interiors into living environments, where art shifts with the room, the moment, and the people moving through it.
Seen from the street: installation at @cornflake.london.
Thank you to the Disegno team for the in-depth feature on Layer in issue #41. Available now.
Thank you to the Disegno team for the in-depth feature on Layer in issue #41. Available now.
Thank you to the Disegno team for the in-depth feature on Layer in issue #41. Available now.
Thank you to the Disegno team for the in-depth feature on Layer in issue #41. Available now.
Thank you to the Disegno team for the in-depth feature on Layer in issue #41. Available now.
Thank you to the Disegno team for the in-depth feature on Layer in issue #41. Available now.
Thank you to the Disegno team for the in-depth feature on Layer in issue #41. Available now.
At home with Layer Founder Edition collector, Daniel English.
Featuring:
▸ "Into The Light" by Jason Ting
▸ "Richter" by Leander Herzog x Richard Nadler
▸ "Cone Gradients" by Zach Lieberman
At home with Layer Founder Edition collector, Daniel English.
Featuring:
▸ "Into The Light" by Jason Ting
▸ "Richter" by Leander Herzog x Richard Nadler
▸ "Cone Gradients" by Zach Lieberman
At home with Layer Founder Edition collector, Daniel English.
Featuring:
▸ "Into The Light" by Jason Ting
▸ "Richter" by Leander Herzog x Richard Nadler
▸ "Cone Gradients" by Zach Lieberman
"So much of art making is a deliberate set of decisions. At every point, when it comes time to decide one thing or another, you’re left wondering: is this decision important to the story I’m trying to tell, or is it not important?
In cases where it’s important, I don’t feel it’s right to leave it up to chance, because I want to craft the narrative in a certain way.
But in other cases, where something isn’t strictly core to the system or story being told, I think it’s wonderful that with computers we can introduce what’s almost like true randomness."
—Lars Wander
"So much of art making is a deliberate set of decisions. At every point, when it comes time to decide one thing or another, you’re left wondering: is this decision important to the story I’m trying to tell, or is it not important?
In cases where it’s important, I don’t feel it’s right to leave it up to chance, because I want to craft the narrative in a certain way.
But in other cases, where something isn’t strictly core to the system or story being told, I think it’s wonderful that with computers we can introduce what’s almost like true randomness."
—Lars Wander
"So much of art making is a deliberate set of decisions. At every point, when it comes time to decide one thing or another, you’re left wondering: is this decision important to the story I’m trying to tell, or is it not important?
In cases where it’s important, I don’t feel it’s right to leave it up to chance, because I want to craft the narrative in a certain way.
But in other cases, where something isn’t strictly core to the system or story being told, I think it’s wonderful that with computers we can introduce what’s almost like true randomness."
—Lars Wander
"Chemistry of Hope" by Dmitrii Shestakov.
Inspired by light moving through darkness, and the quiet beauty of change in motion.
Available in the Layer Curation.
Every room has a center of gravity.
Sometimes it's a chair.
Sometimes it's light.
Sometimes it's a field of color.
Where does your eye go first?
Craft shaping the display. Photo by Angelo Sotira, CEO, during team visit in Shezhen.
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