Thomas Wheller
Objects

A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.

A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.

A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.

A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.

A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!

Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽

Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽

Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽

Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽

RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.

RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.

RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.

RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.

RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan

SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
El Instagram Story Viewer es una herramienta sencilla que te permite ver y guardar en secreto historias, videos, fotos o IGTV de Instagram. Con este servicio, puedes descargar contenido y disfrutarlo sin conexión cuando lo desees. Si encuentras algo interesante en Instagram que quieras revisar más tarde o si prefieres ver historias de forma anónima, nuestro visor es perfecto para ti. Anonstories ofrece una excelente solución para mantener tu identidad oculta. Instagram lanzó la función de Historias en agosto de 2023, adoptada rápidamente por otras plataformas debido a su formato dinámico y temporal. Las Historias permiten a los usuarios compartir actualizaciones rápidas, como fotos, videos o selfies, mejoradas con texto, emojis o filtros, y son visibles por solo 24 horas. Este marco de tiempo limitado genera un alto compromiso en comparación con las publicaciones regulares. En el mundo actual, las Historias son una de las formas más populares de conectar y comunicarse en redes sociales. Sin embargo, al ver una Historia, el creador puede ver tu nombre en su lista de visualizaciones, lo cual puede ser una preocupación de privacidad. ¿Qué hacer si deseas explorar Historias sin ser detectado? Aquí es donde Anonstories resulta útil. Te permite ver contenido público de Instagram sin revelar tu identidad. Simplemente ingresa el nombre de usuario del perfil que te interesa, y la herramienta mostrará sus Historias más recientes. Funciones de Anonstories Viewer: - Navegación anónima: Mira Historias sin aparecer en la lista de visualizaciones. - Sin cuenta requerida: Ve contenido público sin necesidad de registrarte en Instagram. - Descarga de contenido: Guarda cualquier Historia directamente en tu dispositivo para usarla sin conexión. - Ver Destacados: Accede a Destacados de Instagram, incluso fuera del período de 24 horas. - Monitoreo de reposts: Rastrea reposts o niveles de compromiso en Historias de perfiles personales. Limitaciones: - Esta herramienta solo funciona con cuentas públicas; las cuentas privadas permanecen inaccesibles. Beneficios: - Amigable con la privacidad: Mira cualquier contenido de Instagram sin ser detectado. - Fácil y sencillo: Sin instalación de aplicaciones ni registro necesario. - Herramientas exclusivas: Descarga y gestiona contenido de formas que Instagram no ofrece.