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The Metropolitan Museum of Art
Explore 5,000 years of history from across the globe. Share your #MetMoment ✨
Current location: beachside (in our minds) ☀️🌊⛵️
This might not be sunny beach weather, but you can still head to The Met for a little getaway.
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🎨 Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), "Figures on the Beach," 1890. Oil on canvas. In The Robert Lehman Collection.
Strike a pose!
Born in Okayama, Japan, in 1889, Yasuo Kuniyoshi was a prominent member of interwar American modernist circles, earning acclaim for his moody landscapes and quirky figurative subjects.
He painted "Self-Portrait as a Photographer" in 1924 as his career began to flourish. Here, Kuniyoshi is caught in the act of taking a photograph, an activity he first took up in 1919 to supplement his income.
Celebrate #AAPI Heritage Month with The Met all May long. Tap the link in bio to explore the remarkable achievements of Asian Americans and Pacific Islanders through exhibitions, events, digital content, and more.
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🎨 Yasuo Kuniyoshi (American (born Japan), Okayama 1889–1953 New York)), “Self-Portrait as a Photographer,” 1924. Oil on canvas. On view in "The Face of Life: Modern Portraits."
Meet Jeffrey Gibson (@jeffrune), the artist behind The Genesis Facade Commission!
These four sculptures are the very first large-scale bronze sculptures Gibson has ever made for the outdoors. This commission invites reflection on the interconnected relationships between all living beings and the environment.
See “The Animal That Therefore I Am” on view through June 9, 2026. #MetJeffreyGibson
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The exhibition is presented by Genesis (@genesis_worldwide).
Weekend forecast: Rain with a chance of seeing new exhibitions and wandering through galleries at The Met! 🎨
From works by Italian Renaissance painter Raphael to traveling back in time to Ancient Egypt, there's something for the whole family!
🎟️ Stay dry and plan your visit at the link in bio.
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🖼️ Frank Waller (American, New York 1842–1923 Morristown, New Jersey), "Interior View of the Metropolitan Museum of Art when in Fourteenth Street," 1881. Oil on canvas. In our @metamericanwing collection on view in Gallery 730.
This man wrote the book on how to be cool... literally! 😎
A close friend of Raphael's and the famous author of "The Book of the Courtier," Baldassare Castiglione championed sprezzatura: the art of effortless elegance.
Raphael captures that ideal perfectly through understated black velvet, luxurious fur, immaculate white linen, and even a strategically placed hat concealing Castiglione’s baldness. More than a portrait, it’s a masterclass in image-making, status, and psychological insight.
🎧 Hear more about Raphael’s extraordinary life and career through actress (and your audio tour guide) Isabella Rossellini, link in bio!
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🎨 Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), "Portrait of Baldassarre Castiglione," 1514-16. Oil on canvas. Musée du Louvre (@museelouvre), Département des peintures, Paris.
Happy 555th Birthday, Albrecht Dürer!
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range and provided the imagery with a new conceptual foundation.
Our Dürer Apocalypse Unisex Oblong Scarf pays homage to one of his most famous woodcut series. Shop this scarf now, as well as other Dürer-inspired designs, at The Met Store, online and at The Met Fifth Avenue.
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First slide:
🖼️ Albrecht Dürer (German, 1471–1528), “The Four Avenging Angels, from ‘The Apocalypse’,” 1498. Woodcut. In our @metdrawingsandprints collection.
Second slide:
🎨 Albrecht Dürer (German, 1471–1528), “Virgin and Child with Saint Anne,” probably 1519. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
🎨 Albrecht Dürer (German, 1471–1528), “Salvator Mundi,” ca. 1505. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
Happy 555th Birthday, Albrecht Dürer!
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range and provided the imagery with a new conceptual foundation.
Our Dürer Apocalypse Unisex Oblong Scarf pays homage to one of his most famous woodcut series. Shop this scarf now, as well as other Dürer-inspired designs, at The Met Store, online and at The Met Fifth Avenue.
———
First slide:
🖼️ Albrecht Dürer (German, 1471–1528), “The Four Avenging Angels, from ‘The Apocalypse’,” 1498. Woodcut. In our @metdrawingsandprints collection.
Second slide:
🎨 Albrecht Dürer (German, 1471–1528), “Virgin and Child with Saint Anne,” probably 1519. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
🎨 Albrecht Dürer (German, 1471–1528), “Salvator Mundi,” ca. 1505. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
Happy 555th Birthday, Albrecht Dürer!
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range and provided the imagery with a new conceptual foundation.
Our Dürer Apocalypse Unisex Oblong Scarf pays homage to one of his most famous woodcut series. Shop this scarf now, as well as other Dürer-inspired designs, at The Met Store, online and at The Met Fifth Avenue.
———
First slide:
🖼️ Albrecht Dürer (German, 1471–1528), “The Four Avenging Angels, from ‘The Apocalypse’,” 1498. Woodcut. In our @metdrawingsandprints collection.
Second slide:
🎨 Albrecht Dürer (German, 1471–1528), “Virgin and Child with Saint Anne,” probably 1519. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
🎨 Albrecht Dürer (German, 1471–1528), “Salvator Mundi,” ca. 1505. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
Happy 555th Birthday, Albrecht Dürer!
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range and provided the imagery with a new conceptual foundation.
Our Dürer Apocalypse Unisex Oblong Scarf pays homage to one of his most famous woodcut series. Shop this scarf now, as well as other Dürer-inspired designs, at The Met Store, online and at The Met Fifth Avenue.
———
First slide:
🖼️ Albrecht Dürer (German, 1471–1528), “The Four Avenging Angels, from ‘The Apocalypse’,” 1498. Woodcut. In our @metdrawingsandprints collection.
Second slide:
🎨 Albrecht Dürer (German, 1471–1528), “Virgin and Child with Saint Anne,” probably 1519. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
🎨 Albrecht Dürer (German, 1471–1528), “Salvator Mundi,” ca. 1505. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
Happy 555th Birthday, Albrecht Dürer!
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range and provided the imagery with a new conceptual foundation.
Our Dürer Apocalypse Unisex Oblong Scarf pays homage to one of his most famous woodcut series. Shop this scarf now, as well as other Dürer-inspired designs, at The Met Store, online and at The Met Fifth Avenue.
———
First slide:
🖼️ Albrecht Dürer (German, 1471–1528), “The Four Avenging Angels, from ‘The Apocalypse’,” 1498. Woodcut. In our @metdrawingsandprints collection.
Second slide:
🎨 Albrecht Dürer (German, 1471–1528), “Virgin and Child with Saint Anne,” probably 1519. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
🎨 Albrecht Dürer (German, 1471–1528), “Salvator Mundi,” ca. 1505. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
Happy 555th Birthday, Albrecht Dürer!
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range and provided the imagery with a new conceptual foundation.
Our Dürer Apocalypse Unisex Oblong Scarf pays homage to one of his most famous woodcut series. Shop this scarf now, as well as other Dürer-inspired designs, at The Met Store, online and at The Met Fifth Avenue.
———
First slide:
🖼️ Albrecht Dürer (German, 1471–1528), “The Four Avenging Angels, from ‘The Apocalypse’,” 1498. Woodcut. In our @metdrawingsandprints collection.
Second slide:
🎨 Albrecht Dürer (German, 1471–1528), “Virgin and Child with Saint Anne,” probably 1519. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
🎨 Albrecht Dürer (German, 1471–1528), “Salvator Mundi,” ca. 1505. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
Happy 555th Birthday, Albrecht Dürer!
Dürer revolutionized printmaking, elevating it to the level of an independent art form. He expanded its tonal and dramatic range and provided the imagery with a new conceptual foundation.
Our Dürer Apocalypse Unisex Oblong Scarf pays homage to one of his most famous woodcut series. Shop this scarf now, as well as other Dürer-inspired designs, at The Met Store, online and at The Met Fifth Avenue.
———
First slide:
🖼️ Albrecht Dürer (German, 1471–1528), “The Four Avenging Angels, from ‘The Apocalypse’,” 1498. Woodcut. In our @metdrawingsandprints collection.
Second slide:
🎨 Albrecht Dürer (German, 1471–1528), “Virgin and Child with Saint Anne,” probably 1519. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
🎨 Albrecht Dürer (German, 1471–1528), “Salvator Mundi,” ca. 1505. Oil on linden. In our @meteuropeanpaintings collection on view in gallery 607.
Sun's out, paws out! 🐾
Whether you're out enjoying the sun on the steps or wandering through new exhibitions on view, it's always a paws-itively good day at The Met!
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📸 @oliverwienerdog
Now on view!🐉🦄
Long before fantasy films and epic novels, artists were imagining worlds filled with fantastical beings and imaginary creatures.
For centuries, cultures across the world have imagined creatures that blur the boundaries between human, animal, and supernatural realms. These extraordinary beings—both fearsome and beloved—reflected a global impulse to make sense of both known and unknown worlds.
A collaboration between @metcloisters and The Michael C. Rockefeller Wing at @metmuseum, “Creatures of Myth and Imagination” features over 50 works exploring mythical hybrid creatures across Europe and the Americas between 500 and 1500 CE—and what they reveal about human connection and imagination.
📣 Now open! See “Creatures of Myth and Imagination: Europe and the Americas” on view at The Met Cloisters through October 18. Link in bio to learn more and plan your visit.
#MetCloisters
Now on view!🐉🦄
Long before fantasy films and epic novels, artists were imagining worlds filled with fantastical beings and imaginary creatures.
For centuries, cultures across the world have imagined creatures that blur the boundaries between human, animal, and supernatural realms. These extraordinary beings—both fearsome and beloved—reflected a global impulse to make sense of both known and unknown worlds.
A collaboration between @metcloisters and The Michael C. Rockefeller Wing at @metmuseum, “Creatures of Myth and Imagination” features over 50 works exploring mythical hybrid creatures across Europe and the Americas between 500 and 1500 CE—and what they reveal about human connection and imagination.
📣 Now open! See “Creatures of Myth and Imagination: Europe and the Americas” on view at The Met Cloisters through October 18. Link in bio to learn more and plan your visit.
#MetCloisters
Now on view!🐉🦄
Long before fantasy films and epic novels, artists were imagining worlds filled with fantastical beings and imaginary creatures.
For centuries, cultures across the world have imagined creatures that blur the boundaries between human, animal, and supernatural realms. These extraordinary beings—both fearsome and beloved—reflected a global impulse to make sense of both known and unknown worlds.
A collaboration between @metcloisters and The Michael C. Rockefeller Wing at @metmuseum, “Creatures of Myth and Imagination” features over 50 works exploring mythical hybrid creatures across Europe and the Americas between 500 and 1500 CE—and what they reveal about human connection and imagination.
📣 Now open! See “Creatures of Myth and Imagination: Europe and the Americas” on view at The Met Cloisters through October 18. Link in bio to learn more and plan your visit.
#MetCloisters
Now on view!🐉🦄
Long before fantasy films and epic novels, artists were imagining worlds filled with fantastical beings and imaginary creatures.
For centuries, cultures across the world have imagined creatures that blur the boundaries between human, animal, and supernatural realms. These extraordinary beings—both fearsome and beloved—reflected a global impulse to make sense of both known and unknown worlds.
A collaboration between @metcloisters and The Michael C. Rockefeller Wing at @metmuseum, “Creatures of Myth and Imagination” features over 50 works exploring mythical hybrid creatures across Europe and the Americas between 500 and 1500 CE—and what they reveal about human connection and imagination.
📣 Now open! See “Creatures of Myth and Imagination: Europe and the Americas” on view at The Met Cloisters through October 18. Link in bio to learn more and plan your visit.
#MetCloisters
Now on view!🐉🦄
Long before fantasy films and epic novels, artists were imagining worlds filled with fantastical beings and imaginary creatures.
For centuries, cultures across the world have imagined creatures that blur the boundaries between human, animal, and supernatural realms. These extraordinary beings—both fearsome and beloved—reflected a global impulse to make sense of both known and unknown worlds.
A collaboration between @metcloisters and The Michael C. Rockefeller Wing at @metmuseum, “Creatures of Myth and Imagination” features over 50 works exploring mythical hybrid creatures across Europe and the Americas between 500 and 1500 CE—and what they reveal about human connection and imagination.
📣 Now open! See “Creatures of Myth and Imagination: Europe and the Americas” on view at The Met Cloisters through October 18. Link in bio to learn more and plan your visit.
#MetCloisters
A portrait is a representation of a person, but what exactly does it represent?
Traditionally, sitters have used such images to project their power and place in society, but portraiture has evolved with time, alongside the growing concept of identity. In the 20th century, their works often reflected avant-garde styles and ideas, the rise and popularization of photography, the impact of such new scientific fields as psychology, and the increased pace of industrialization.
The exhibition "The Face of Life: Modern Portraits" at The Met explores the human desire to capture and communicate the lived experience. As the world changed politically, socially, economically, and technologically during the last century, artists expanded the idea of portraiture in response.
📣 Now open! See nearly 80 works from The Met collection by artists including Leonora Carrington, Elizabeth Catlett, René Magritte, Henri Matisse, Joan Miró, Pablo Picasso, and more!
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⛵️ Henri Matisse (French, Le Cateau-Cambrésis 1869–1954 Nice), "Young Sailor II," 1906. Oil on canvas. In our @metmodern collection.
Can you guess what this object was used for? Hint: you needed it whenever you wanted to write something...
It's an inkstand in the shape of a butterfly! Inkstands were commonly used in the West when quills and dip pens were popular writing accessories.
This butterfly has four compartments under its wings: two small inkwells with lids, a sand shaker for drying ink, and a candlestick—probably to melt wafers for sealing letters. This enamel work demonstrates a joyful fusion of Chinese design and Western function. The humorous face of the butterfly adds an extra layer of charm to the colorful design.
📣 Discover the aesthetic, technical, and cultural achievements of Chinese enamel wares in "Embracing Color: Enamel in Chinese Decorative Arts, 1300–1900" on view at The Met through June 28.
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🦋 "Inkstand in the shape of a butterfly," Qing dynasty (1644–1911), 19th century. Painted enamel on copper alloy. In our Asian Art department.
Can you guess what this object was used for? Hint: you needed it whenever you wanted to write something...
It's an inkstand in the shape of a butterfly! Inkstands were commonly used in the West when quills and dip pens were popular writing accessories.
This butterfly has four compartments under its wings: two small inkwells with lids, a sand shaker for drying ink, and a candlestick—probably to melt wafers for sealing letters. This enamel work demonstrates a joyful fusion of Chinese design and Western function. The humorous face of the butterfly adds an extra layer of charm to the colorful design.
📣 Discover the aesthetic, technical, and cultural achievements of Chinese enamel wares in "Embracing Color: Enamel in Chinese Decorative Arts, 1300–1900" on view at The Met through June 28.
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🦋 "Inkstand in the shape of a butterfly," Qing dynasty (1644–1911), 19th century. Painted enamel on copper alloy. In our Asian Art department.
Can you guess what this object was used for? Hint: you needed it whenever you wanted to write something...
It's an inkstand in the shape of a butterfly! Inkstands were commonly used in the West when quills and dip pens were popular writing accessories.
This butterfly has four compartments under its wings: two small inkwells with lids, a sand shaker for drying ink, and a candlestick—probably to melt wafers for sealing letters. This enamel work demonstrates a joyful fusion of Chinese design and Western function. The humorous face of the butterfly adds an extra layer of charm to the colorful design.
📣 Discover the aesthetic, technical, and cultural achievements of Chinese enamel wares in "Embracing Color: Enamel in Chinese Decorative Arts, 1300–1900" on view at The Met through June 28.
———
🦋 "Inkstand in the shape of a butterfly," Qing dynasty (1644–1911), 19th century. Painted enamel on copper alloy. In our Asian Art department.
Can you guess what this object was used for? Hint: you needed it whenever you wanted to write something...
It's an inkstand in the shape of a butterfly! Inkstands were commonly used in the West when quills and dip pens were popular writing accessories.
This butterfly has four compartments under its wings: two small inkwells with lids, a sand shaker for drying ink, and a candlestick—probably to melt wafers for sealing letters. This enamel work demonstrates a joyful fusion of Chinese design and Western function. The humorous face of the butterfly adds an extra layer of charm to the colorful design.
📣 Discover the aesthetic, technical, and cultural achievements of Chinese enamel wares in "Embracing Color: Enamel in Chinese Decorative Arts, 1300–1900" on view at The Met through June 28.
———
🦋 "Inkstand in the shape of a butterfly," Qing dynasty (1644–1911), 19th century. Painted enamel on copper alloy. In our Asian Art department.
Can you guess what this object was used for? Hint: you needed it whenever you wanted to write something...
It's an inkstand in the shape of a butterfly! Inkstands were commonly used in the West when quills and dip pens were popular writing accessories.
This butterfly has four compartments under its wings: two small inkwells with lids, a sand shaker for drying ink, and a candlestick—probably to melt wafers for sealing letters. This enamel work demonstrates a joyful fusion of Chinese design and Western function. The humorous face of the butterfly adds an extra layer of charm to the colorful design.
📣 Discover the aesthetic, technical, and cultural achievements of Chinese enamel wares in "Embracing Color: Enamel in Chinese Decorative Arts, 1300–1900" on view at The Met through June 28.
———
🦋 "Inkstand in the shape of a butterfly," Qing dynasty (1644–1911), 19th century. Painted enamel on copper alloy. In our Asian Art department.
The Met came alive with teen creativity! ✨ Relive moments from the 12th annual #TeensTakeTheMet.
The night was filled with live performances, art making activities, workshops, and gallery experiences created for and by teens from across all five boroughs.
Shoutout to the 60+ community partners who helped make this celebration possible!
Made memories with us? Follow @metteens to stay in the loop about upcoming teen events, internships, programs, and opportunities at The Met.
Do you recognize these Saints?
This detailed drawing shows studies of the heads and hands of Saints John and Peter.
Raphael captured the figures as if they are about to speak, with slightly open mouths and focused expressions as they look toward the scene unfolding nearby. Peter appears somewhat questioning, with raised hands, while John seems calm and accepting, his hands folded at his chest.
Although Raphael carefully finished the faces and hands, he left much of the clothing and bodies only lightly sketched, yet these unfinished areas still create a strong visual effect.
📣 See "Raphael: Sublime Poetry" on view through June 28 at The Met and discover the artistic process of one of history’s most beloved and influential artists.
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✏️ Raphael (Raffaello di Giovanni Santi) (Italian, 1483–1520), "Heads and Hands of Two Apostles (“Auxiliary Cartoon” for the Transfiguration)," ca. 1519–20. Black chalk drawn freehand over pounce marks (spolvero underdrawing), traces of white gouache highlights, on paper. The Ashmolean Museum, Oxford, Presented by a Body of Subscribers in 1846.
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