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bendigans
Ryan Putnam
art + design in motion
You like my meat man intro? Check out my latest animation / motion graphic design reel 👀 I’m stoked to have worked with some amazing creative folks, many of them local Philly friends. Most of these shots were animated on an iMac that was way too old. Here’s to more exciting projects in 2024 and beyond ☀️🕶️
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#animation #motiongraphics #motiongraphicdesign #design #creativedirection #art #characteranimation #buckyouback #film #advertising #advertisingdesign #graphicdesign #ryanputnam #bendigans
A void is a blank canvas.
Analog video paintings of October.
Music: T++ Voices No Bodies
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
The “spinning disc” concept of the 2025 Making Time logo really stood out to me—the symbolism of time, infinity and transcendence all correlate to consistent motion. We are moving to a rhythm, in a cycle, and like the counter-clockwise movement in the turning back of the clock, we are making time for the infinite present moment. ♾️
Motion design and creative exploration for the @makingtimeisrad festival this year ♾️ with logos and original designs by @llannddau ♾️
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
I’m STILL transcending from the @makingtimeisrad festival at Fort Mifflin last weekend after looking at these videos of @luke_mele !! I’ve been a big fan of his show on NTS Live for a while, so when I found out we were performing together in the cave, I was floored! Also stoked to VJ for Philly local @calla_discs with the ambient set I needed in my life✌️
Thank you @davep_makingtime @klipcollective and @great_circles_grcr for having me in the cave AND for putting on an INSANE festival this year ♾️
And thank you to to my studio mate @jkubiznefor support through this whole thing, from building a visual deck together to capturing footage and setup/breakdown.
Minimalism and abstract expressionism in video art. Same compositions from the last post, except this time they’re affected differently.
10,000/10 recommend having your brother-in-law (and if you can, your husband’s fraternal twin) MARRY YOU! 🍍08.30.2025 🌹
Abstract motion composition #A. In this piece, I started by capturing visuals through my analog video effects rig, then mixed them together live through the computer, having audio parameters from the record playing affect the evolution and blending of the visuals. The record is “Journey in Satchidananda” by Alice Coltrane.
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
I had the pleasure of directing this playful production card for @byvoxcreative - @voxdotcom ’s in-house branded content studio. Featuring incredible cel animation and motion design by @arthurgwg and @bendigans ! 🎨 The design style was inspired by Vox’s iconic mixed-media animations. Animation-wise we used digital compositing as a base and brought in traditional hand-drawn animation to illustrate the waves of inspiration that flow between the teams⚡️As the camera pulls back, we reveal the many layers of what Vox does best: writing, filming, editing, animating, podcasting—you name it. 🎬🍿
Design/Direction: Yuval Haker
Motion Design: Ryan Putnam
Cel animation: Arthur Guttilla
Vox Creative In house team:
Concept+Story: @bee.falussy , Melissa Peralta
Creative Director: Brittany Falussy
Lead Motion Designer: Melissa Peralta
Sound Design: Amanda Smith
Operations: @nahinkle + @cptnbarbosa
VP of Content Production and Stories: @wantmoorekiana
SVP, Head of Vox Creative: @yosefj
Business face for the New Year 💫
BIG thanks to @tomatossieur for capturing me so serious.
Business face for the New Year 💫
BIG thanks to @tomatossieur for capturing me so serious.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Wanted to make space for this; I faced an immense loss in my life two years ago, and with the profound sadness inside of me, I took my sketchbooks to cafes and drew the faces of strangers obsessively. Watching them with careful eyes, the act of capturing emotion and expression on paper was catharsis. These faces were not just the faces of unfamiliar people, they were the people in me. I realized how universal humanity is; people are all thriving, suffering and longing in subtle ways. Through time, persistence and support, I crawled out of my own darkness, and after a year and a half and thousands of faces later, my obsession inevitably slowed down. I have never had such a prolific period of drawing like this in my life, and looking back, it’s amazing how the turbulence of life can galvanize the creation of art out of you.
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
Avantages d’Anonstories
Explorer les histoires IG discrètement
Suivez les mises à jour Instagram en toute discrétion tout en protégeant votre vie privée et en restant anonyme.
Visionneur privé Instagram
Consultez les profils et photos anonymement avec aisance grâce au visionneur de profil privé.
Visionneur d’histoires gratuit
Ce service gratuit vous permet de voir les histoires Instagram anonymement, garantissant que votre activité reste cachée de l’uploader.
Questions fréquemment posées
Anonymat
Anonstories permet aux utilisateurs de voir les histoires Instagram sans alerter le créateur.
Compatibilité des appareils
Fonctionne parfaitement sur iOS, Android, Windows, macOS et les navigateurs modernes comme Chrome et Safari.
Sécurité et confidentialité
Privilégie la navigation sécurisée et anonyme sans nécessiter de coordonnées de connexion.
Pas d’inscription
Les utilisateurs peuvent voir des histoires publiques en entrant simplement un nom d’utilisateur — sans compte requis.
Formats pris en charge
Télécharge les photos (JPEG) et les vidéos (MP4) facilement.
Coût
Le service est gratuit.
Comptes privés
Le contenu des comptes privés n’est accessible qu’aux abonnés.
Utilisation des fichiers
Les fichiers sont destinés à un usage personnel ou éducatif uniquement et doivent respecter les règles de droit d’auteur.
Comment ça marche
Entrez un nom d’utilisateur public pour voir ou télécharger des histoires. Le service génère des liens directs pour sauvegarder le contenu localement.