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coco____
Sun Park
Sun (like 🌞)
Seonjoo Park (SUN-ju pAHk)
🪸studying & traveling & resting w/ @afsar_asianfeministstudio & @carefuffle
🎪 working @luxmovingimage
Home in your pocket - a divination and zine making workshop
Join me at @etsdts_ for an afternoon of tarot, oracles and small handmade things, with tea and chats.
Date: Saturday 30 May 2026
Time: 2-4pm
Location: @etsdts_
We are halfway through 2026, the year of the red horse, with all its intense fire energy. It feels like the right moment to pause and gently review our intentions for the year.
Over two hours, a small group will work together and on our own to imagine an environment: soil, air, temperature, texture, smell, real or imagined, where you feel grounded and able to grow. We will use tarot, oracle cards and chart reading as guides.
We will move through improvised drawing, free writing and collage. Everyone leaves with a small handmade zine.
I want to invite you to think about what it means to make rituals when you are living between worlds. Can creativity and divination help us build environments where we actually feel at home? How do we recalibrate when the forces around and inside us keep shifting?
This workshop is a loose continuation of a session I offered last year on fire, grief and cosmotechnical storytelling connecting tree gods (수목신:樹木神), Han Kang’s poetry on grief and handmade books.
HOW TO JOIN:
This is a very small group, so please do sign up via the link in bio!
The workshop is free, but I’d love for us to practise a little exchange economy together. If you’d like to offer something in return (your time, skill, piece of knowledge, something you’ve made) I will gratefully receive it. Bring whatever feels right or nothing at all.
“We can define rituals as symbolic techniques of making oneself at home in the world.” – from ‘The Disappearance of Rituals’ by Byungchul Han
Home in your pocket - a divination and zine making workshop
Join me at @etsdts_ for an afternoon of tarot, oracles and small handmade things, with tea and chats.
Date: Saturday 30 May 2026
Time: 2-4pm
Location: @etsdts_
We are halfway through 2026, the year of the red horse, with all its intense fire energy. It feels like the right moment to pause and gently review our intentions for the year.
Over two hours, a small group will work together and on our own to imagine an environment: soil, air, temperature, texture, smell, real or imagined, where you feel grounded and able to grow. We will use tarot, oracle cards and chart reading as guides.
We will move through improvised drawing, free writing and collage. Everyone leaves with a small handmade zine.
I want to invite you to think about what it means to make rituals when you are living between worlds. Can creativity and divination help us build environments where we actually feel at home? How do we recalibrate when the forces around and inside us keep shifting?
This workshop is a loose continuation of a session I offered last year on fire, grief and cosmotechnical storytelling connecting tree gods (수목신:樹木神), Han Kang’s poetry on grief and handmade books.
HOW TO JOIN:
This is a very small group, so please do sign up via the link in bio!
The workshop is free, but I’d love for us to practise a little exchange economy together. If you’d like to offer something in return (your time, skill, piece of knowledge, something you’ve made) I will gratefully receive it. Bring whatever feels right or nothing at all.
“We can define rituals as symbolic techniques of making oneself at home in the world.” – from ‘The Disappearance of Rituals’ by Byungchul Han
𓇽discord study𓇽
𝐓𝐡𝐞 𝐌𝐮𝐫𝐦𝐮𝐫𝐢𝐧𝐠: in the key of Cha
The Murmuring is returning for its second iteration!
How do we listen to the murmuring? What murmurs do we miss or what murmurs we hear but don’t have language to describe?
We became friends through our connection and love for Cha whose work orientated us to our relationship with homeland and mother tongue in the Korean peninsula. Cha’s work was two-folds in that it transformed us and equally confused us.
Our conversations traced her work, leading us to go beyond the text and into the murmuring—in which last session, we heard these utterances in the documentary “The Murmuring,” directed Byun Young Joo that told the stories of Comfort Women, who were exploited and martyred by Japanese imperialism and till this day are still fighting for reparations.
Cha’s work has so much power to connect the struggles of women who faced colonial and state violence through portraits that are so personal and political and has created waves of intergenerational and transhistorical community.
We want to invite you to join us in creating a Cha’s memory community. We hope that we can collectively read her work, along with other writers and artists who are in conversation with hers.
★𝐟𝐨𝐫𝐦𝐚𝐭: - Monthly / 2h per session - 7 sessions - During this study, we will ask participants to host a session if they would like! Each session we will read, watch or listen together followed by a writing, drawing or creative exercises.
★how to join: Express your interest in “The Murmuring” channel on Discord (Discord link in bio)
★𝐰𝐡𝐞𝐫𝐞 𝐭𝐨 𝐦𝐞𝐞𝐭: AFSAR discord “The Murmuring“ voice channel (link in bio)
★𝐜𝐥𝐮𝐛 𝐨𝐩𝐞𝐫𝐚𝐭𝐨𝐫:
Sun Park works with moving image and language. Her process involves improvisation and unending conversations. Currently, she is interested in gossip, friendship and risk.
@coco____
j. eunsun is an educator and poet. she integrates mediums of text, paper, and still/moving image. her work listens towards memory keeping and familial histories.
@username_none_tryagainlater
Image 1-2: Collage works by j. Eunsun
𓇽discord study𓇽
𝐓𝐡𝐞 𝐌𝐮𝐫𝐦𝐮𝐫𝐢𝐧𝐠: in the key of Cha
The Murmuring is returning for its second iteration!
How do we listen to the murmuring? What murmurs do we miss or what murmurs we hear but don’t have language to describe?
We became friends through our connection and love for Cha whose work orientated us to our relationship with homeland and mother tongue in the Korean peninsula. Cha’s work was two-folds in that it transformed us and equally confused us.
Our conversations traced her work, leading us to go beyond the text and into the murmuring—in which last session, we heard these utterances in the documentary “The Murmuring,” directed Byun Young Joo that told the stories of Comfort Women, who were exploited and martyred by Japanese imperialism and till this day are still fighting for reparations.
Cha’s work has so much power to connect the struggles of women who faced colonial and state violence through portraits that are so personal and political and has created waves of intergenerational and transhistorical community.
We want to invite you to join us in creating a Cha’s memory community. We hope that we can collectively read her work, along with other writers and artists who are in conversation with hers.
★𝐟𝐨𝐫𝐦𝐚𝐭: - Monthly / 2h per session - 7 sessions - During this study, we will ask participants to host a session if they would like! Each session we will read, watch or listen together followed by a writing, drawing or creative exercises.
★how to join: Express your interest in “The Murmuring” channel on Discord (Discord link in bio)
★𝐰𝐡𝐞𝐫𝐞 𝐭𝐨 𝐦𝐞𝐞𝐭: AFSAR discord “The Murmuring“ voice channel (link in bio)
★𝐜𝐥𝐮𝐛 𝐨𝐩𝐞𝐫𝐚𝐭𝐨𝐫:
Sun Park works with moving image and language. Her process involves improvisation and unending conversations. Currently, she is interested in gossip, friendship and risk.
@coco____
j. eunsun is an educator and poet. she integrates mediums of text, paper, and still/moving image. her work listens towards memory keeping and familial histories.
@username_none_tryagainlater
Image 1-2: Collage works by j. Eunsun
꧁✮..🌳 Collective Divination and Filmmaking Workshop 🎥 ..✮꧂
Date: Saturday 16 May, 2026
Time: 2:30 - 5:30 pm (3 hours)
Location: ICA
Booking: Link in bio.
A hands-on workshop led by Sun Park and Chiemi Shimada, combining oracle card reading with Super 8 filmmaking.
We will read cards together and grow a map for an improvised collective filmmaking. Cameras and film stock provided.
This workshop is for anyone interested in card reading as a tool for unlocking intuition, and in learning to film on Super 8 cameras.
This workshop takes place at the ICA as part of DAYTRIP, a special takeover featuring an all-day programme of film, performance, and practice-based workshops, culminating in a club night.
More info on @queereast website or link in bio!
Many thanks to @antibart & @on8mil 🎞️
Image credit: Stills from unborn super 8 films by Chiemi Shimada, graphics by Sun Park
꧁✮..🌳 Collective Divination and Filmmaking Workshop 🎥 ..✮꧂
Date: Saturday 16 May, 2026
Time: 2:30 - 5:30 pm (3 hours)
Location: ICA
Booking: Link in bio.
A hands-on workshop led by Sun Park and Chiemi Shimada, combining oracle card reading with Super 8 filmmaking.
We will read cards together and grow a map for an improvised collective filmmaking. Cameras and film stock provided.
This workshop is for anyone interested in card reading as a tool for unlocking intuition, and in learning to film on Super 8 cameras.
This workshop takes place at the ICA as part of DAYTRIP, a special takeover featuring an all-day programme of film, performance, and practice-based workshops, culminating in a club night.
More info on @queereast website or link in bio!
Many thanks to @antibart & @on8mil 🎞️
Image credit: Stills from unborn super 8 films by Chiemi Shimada, graphics by Sun Park
꧁✮..🌳 Collective Divination and Filmmaking Workshop 🎥 ..✮꧂
Date: Saturday 16 May, 2026
Time: 2:30 - 5:30 pm (3 hours)
Location: ICA
Booking: Link in bio.
A hands-on workshop led by Sun Park and Chiemi Shimada, combining oracle card reading with Super 8 filmmaking.
We will read cards together and grow a map for an improvised collective filmmaking. Cameras and film stock provided.
This workshop is for anyone interested in card reading as a tool for unlocking intuition, and in learning to film on Super 8 cameras.
This workshop takes place at the ICA as part of DAYTRIP, a special takeover featuring an all-day programme of film, performance, and practice-based workshops, culminating in a club night.
More info on @queereast website or link in bio!
Many thanks to @antibart & @on8mil 🎞️
Image credit: Stills from unborn super 8 films by Chiemi Shimada, graphics by Sun Park
꧁✮..🌳 Collective Divination and Filmmaking Workshop 🎥 ..✮꧂
Date: Saturday 16 May, 2026
Time: 2:30 - 5:30 pm (3 hours)
Location: ICA
Booking: Link in bio.
A hands-on workshop led by Sun Park and Chiemi Shimada, combining oracle card reading with Super 8 filmmaking.
We will read cards together and grow a map for an improvised collective filmmaking. Cameras and film stock provided.
This workshop is for anyone interested in card reading as a tool for unlocking intuition, and in learning to film on Super 8 cameras.
This workshop takes place at the ICA as part of DAYTRIP, a special takeover featuring an all-day programme of film, performance, and practice-based workshops, culminating in a club night.
More info on @queereast website or link in bio!
Many thanks to @antibart & @on8mil 🎞️
Image credit: Stills from unborn super 8 films by Chiemi Shimada, graphics by Sun Park
We are running a collective divination and filmmaking workshop at @queereast and we’d love you to join us 📹🌻🌳
Collective Divination and Filmmaking Workshop
Date: Saturday 16 May 2026
Time: 2:30-5:30 pm (3 hours)
Location: ICA
How to join: Link in bio to sign up
This hands-on workshop explores cosmotechnical storytelling through collective tarot reading and intuitive filmmaking and is led by Sun Park and Chiemi Shimada.
Cosmotechnics is philosopher Yuk Hui’s idea that every culture develops its own technologies through its unique relationship to cosmos and ways of knowing. We will use tarot and oracle cards to engage with deep intuition and the alchemical processes by which individual creativities become a forest of their own.
We will listen and read together to create our own cosmology, then re-read images, assign them new meanings, and grow a visual language for a film made on Super 8 cameras. The film that emerges will be authored by all of us and owned by none of us.
@queereast @antibart @smdcem @coco____
We are running a collective divination and filmmaking workshop at @queereast and we’d love you to join us 📹🌻🌳
Collective Divination and Filmmaking Workshop
Date: Saturday 16 May 2026
Time: 2:30-5:30 pm (3 hours)
Location: ICA
How to join: Link in bio to sign up
This hands-on workshop explores cosmotechnical storytelling through collective tarot reading and intuitive filmmaking and is led by Sun Park and Chiemi Shimada.
Cosmotechnics is philosopher Yuk Hui’s idea that every culture develops its own technologies through its unique relationship to cosmos and ways of knowing. We will use tarot and oracle cards to engage with deep intuition and the alchemical processes by which individual creativities become a forest of their own.
We will listen and read together to create our own cosmology, then re-read images, assign them new meanings, and grow a visual language for a film made on Super 8 cameras. The film that emerges will be authored by all of us and owned by none of us.
@queereast @antibart @smdcem @coco____
What do you want to leave behind at the end of the world? “𝓓𝓸𝓸𝓶𝓼𝓭𝓪𝔂: 𝓐 𝓣𝓲𝓶𝓮 𝓒𝓪𝓹𝓼𝓾𝓵𝓮 𝓯𝓻𝓸𝓶 𝓢𝓽𝓻𝓪𝓷𝓭𝓮𝓭 𝓣𝓲𝓶𝓮 𝓣𝓻𝓪𝓿𝓮𝓵𝓮𝓻𝓼 (종말의 날:낙오된시간 여행자들의 타임캡슐)” co-written by Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park is a reflection on the possibilities of death in reincarnation, in time returning written for future AFSAR members.
This essay considers the delay inherent to collectivity and what is generated when the boundary of “I” no longer applies to time. Imagining making a science-fiction film together, we discuss the figures of the sick, ghosts, and crone who reflect our future selves and past lives as our main protagonists. We leave this time capsule for all those living in delayed time, who have always known that the end has already been here.
Link to the English version of the text in bio!
Thank you to Sooyoung Leam & Tiffany Yeon Chae and the team at MMCA and Stedelijk Museum Amsterdam for making this possible.
Commissioned for MMCA STUDIES×Stedelijk Studies: Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia, joint publication with Stedelijk Museum Amsterdam
What do you want to leave behind at the end of the world? “𝓓𝓸𝓸𝓶𝓼𝓭𝓪𝔂: 𝓐 𝓣𝓲𝓶𝓮 𝓒𝓪𝓹𝓼𝓾𝓵𝓮 𝓯𝓻𝓸𝓶 𝓢𝓽𝓻𝓪𝓷𝓭𝓮𝓭 𝓣𝓲𝓶𝓮 𝓣𝓻𝓪𝓿𝓮𝓵𝓮𝓻𝓼 (종말의 날:낙오된시간 여행자들의 타임캡슐)” co-written by Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park is a reflection on the possibilities of death in reincarnation, in time returning written for future AFSAR members.
This essay considers the delay inherent to collectivity and what is generated when the boundary of “I” no longer applies to time. Imagining making a science-fiction film together, we discuss the figures of the sick, ghosts, and crone who reflect our future selves and past lives as our main protagonists. We leave this time capsule for all those living in delayed time, who have always known that the end has already been here.
Link to the English version of the text in bio!
Thank you to Sooyoung Leam & Tiffany Yeon Chae and the team at MMCA and Stedelijk Museum Amsterdam for making this possible.
Commissioned for MMCA STUDIES×Stedelijk Studies: Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia, joint publication with Stedelijk Museum Amsterdam
What do you want to leave behind at the end of the world? “𝓓𝓸𝓸𝓶𝓼𝓭𝓪𝔂: 𝓐 𝓣𝓲𝓶𝓮 𝓒𝓪𝓹𝓼𝓾𝓵𝓮 𝓯𝓻𝓸𝓶 𝓢𝓽𝓻𝓪𝓷𝓭𝓮𝓭 𝓣𝓲𝓶𝓮 𝓣𝓻𝓪𝓿𝓮𝓵𝓮𝓻𝓼 (종말의 날:낙오된시간 여행자들의 타임캡슐)” co-written by Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park is a reflection on the possibilities of death in reincarnation, in time returning written for future AFSAR members.
This essay considers the delay inherent to collectivity and what is generated when the boundary of “I” no longer applies to time. Imagining making a science-fiction film together, we discuss the figures of the sick, ghosts, and crone who reflect our future selves and past lives as our main protagonists. We leave this time capsule for all those living in delayed time, who have always known that the end has already been here.
Link to the English version of the text in bio!
Thank you to Sooyoung Leam & Tiffany Yeon Chae and the team at MMCA and Stedelijk Museum Amsterdam for making this possible.
Commissioned for MMCA STUDIES×Stedelijk Studies: Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia, joint publication with Stedelijk Museum Amsterdam
What do you want to leave behind at the end of the world? “𝓓𝓸𝓸𝓶𝓼𝓭𝓪𝔂: 𝓐 𝓣𝓲𝓶𝓮 𝓒𝓪𝓹𝓼𝓾𝓵𝓮 𝓯𝓻𝓸𝓶 𝓢𝓽𝓻𝓪𝓷𝓭𝓮𝓭 𝓣𝓲𝓶𝓮 𝓣𝓻𝓪𝓿𝓮𝓵𝓮𝓻𝓼 (종말의 날:낙오된시간 여행자들의 타임캡슐)” co-written by Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park is a reflection on the possibilities of death in reincarnation, in time returning written for future AFSAR members.
This essay considers the delay inherent to collectivity and what is generated when the boundary of “I” no longer applies to time. Imagining making a science-fiction film together, we discuss the figures of the sick, ghosts, and crone who reflect our future selves and past lives as our main protagonists. We leave this time capsule for all those living in delayed time, who have always known that the end has already been here.
Link to the English version of the text in bio!
Thank you to Sooyoung Leam & Tiffany Yeon Chae and the team at MMCA and Stedelijk Museum Amsterdam for making this possible.
Commissioned for MMCA STUDIES×Stedelijk Studies: Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia, joint publication with Stedelijk Museum Amsterdam
What do you want to leave behind at the end of the world? “𝓓𝓸𝓸𝓶𝓼𝓭𝓪𝔂: 𝓐 𝓣𝓲𝓶𝓮 𝓒𝓪𝓹𝓼𝓾𝓵𝓮 𝓯𝓻𝓸𝓶 𝓢𝓽𝓻𝓪𝓷𝓭𝓮𝓭 𝓣𝓲𝓶𝓮 𝓣𝓻𝓪𝓿𝓮𝓵𝓮𝓻𝓼 (종말의 날:낙오된시간 여행자들의 타임캡슐)” co-written by Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park is a reflection on the possibilities of death in reincarnation, in time returning written for future AFSAR members.
This essay considers the delay inherent to collectivity and what is generated when the boundary of “I” no longer applies to time. Imagining making a science-fiction film together, we discuss the figures of the sick, ghosts, and crone who reflect our future selves and past lives as our main protagonists. We leave this time capsule for all those living in delayed time, who have always known that the end has already been here.
Link to the English version of the text in bio!
Thank you to Sooyoung Leam & Tiffany Yeon Chae and the team at MMCA and Stedelijk Museum Amsterdam for making this possible.
Commissioned for MMCA STUDIES×Stedelijk Studies: Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia, joint publication with Stedelijk Museum Amsterdam
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
𓇽event𓇽
On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive, as part of the exhibition In Our Own Backyard.
We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes.
Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui.
We read your texts and poems during the session.
And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks.
The next episode of Moving Hums will be coming out soon, too.
Deep gratitude to Asia Art Archive for hosting us so warmly ✨
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue.
스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다.
■ 편집의 글
임수영·채연, 생산성 생성하기
■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조
호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서
이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드
나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트
언메이크랩, 기계의 우화들
고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성
전유진, 잃어가는 것들
캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션
박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이
이수연, 인간스러운 작동 방식에 관하여
신진영·임수영, 대담: 만드는 삶
아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐
미유, 대련
샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산
MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices.
■ Editorial Note
Sooyoung Leam·Tiffany Yeon Chae, Generating Production
■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia
Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders
Yi Moon-seok, A Travel Guide: From “One Region” to “That Region”
Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water
Unmake Lab, Machine Fables
Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality
Jeon Youjin, What We Are Losing
Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art
Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70
Lee Sooyon, On the Human Mode of Operation
Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making
AFSAR, A Time Capsule from Stranded Time Travelers
Mi You, A Couplet
Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐
Date: Saturday 27 September, 2:30pm
Location: @metrolandcultures Social Space
Tickets: link in bio
About the event
Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come.
This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination.
We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing.
This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
Materials to bring:
- Tarot cards (if you have a deck, please bring them)
- An object you use for spiritual or creative associations
🔥 Day 2 of FIRE Ritual – the third edition of Brent Biennial 2025 – continues Saturday 27 September at Metroland Cultures and across Kilburn.
The day begins with a fiery, diasporic procession through the streets, led by Growler - the alter-ego of artist Dee Mulrooney. Later, we move inward, gathering for an intimate tarot workshop at Metroland Cultures, guided by Annie Jael Kwan and Sun Park.
🗓️ Saturday 27 September
📍 Metroland Studios + Kilburn streets
🔝 Free tickets + details via link in bio
🧨 27 SEPT PROGRAMME 🧨
🔥 1:00–2:00pm | Growler’s Kilburn Stroll – Dee Mulrooney
Growler is Dee Mulrooney’s alter-ego and performance piece. She is an 85-year-old drum-banging shamanic vulva living in exile. Through storytelling, song, spoken word and comedy Growler takes audiences on a ritualistic, theatrical journey through grief, loss, exile and displacement. Growler will be coming to Kilburn to connect with the Holywell and remember the thousands of Irish ancestors who settled in the area. Beneath the concrete and cement the memory is held.
🔥 2:30–5:00pm | Tarot & Transformation – Annie Jael Kwan & Sun Park
This gathering calls on participants who feel the fires within and around us. We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing. This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
🔥 Yarli Allison’s installation ‘In Petri Dishes We Sing’ is on view at Metroland Cultures from 26 Sept – 12 Oct, 11:00am - 6.00pm daily
🔥 Alfredo Jaar’s project ‘I Can’t Go On. I’ll Go On’ is on display from 22 Sept – 5 Oct on billboards at Kensal Green Station + Kilburn High Road.
🔝 Booking & info at link in bio!
#acesupported #brentbiennial
📸
1 Growler (photo: Kyle Ferguson)
2 Tarot deck by Jia Sung (photo: Sun Park)
3 Still from Yarli Allison, In Petri Dishes We Sing, 2025
🔥 Day 2 of FIRE Ritual – the third edition of Brent Biennial 2025 – continues Saturday 27 September at Metroland Cultures and across Kilburn.
The day begins with a fiery, diasporic procession through the streets, led by Growler - the alter-ego of artist Dee Mulrooney. Later, we move inward, gathering for an intimate tarot workshop at Metroland Cultures, guided by Annie Jael Kwan and Sun Park.
🗓️ Saturday 27 September
📍 Metroland Studios + Kilburn streets
🔝 Free tickets + details via link in bio
🧨 27 SEPT PROGRAMME 🧨
🔥 1:00–2:00pm | Growler’s Kilburn Stroll – Dee Mulrooney
Growler is Dee Mulrooney’s alter-ego and performance piece. She is an 85-year-old drum-banging shamanic vulva living in exile. Through storytelling, song, spoken word and comedy Growler takes audiences on a ritualistic, theatrical journey through grief, loss, exile and displacement. Growler will be coming to Kilburn to connect with the Holywell and remember the thousands of Irish ancestors who settled in the area. Beneath the concrete and cement the memory is held.
🔥 2:30–5:00pm | Tarot & Transformation – Annie Jael Kwan & Sun Park
This gathering calls on participants who feel the fires within and around us. We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing. This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
🔥 Yarli Allison’s installation ‘In Petri Dishes We Sing’ is on view at Metroland Cultures from 26 Sept – 12 Oct, 11:00am - 6.00pm daily
🔥 Alfredo Jaar’s project ‘I Can’t Go On. I’ll Go On’ is on display from 22 Sept – 5 Oct on billboards at Kensal Green Station + Kilburn High Road.
🔝 Booking & info at link in bio!
#acesupported #brentbiennial
📸
1 Growler (photo: Kyle Ferguson)
2 Tarot deck by Jia Sung (photo: Sun Park)
3 Still from Yarli Allison, In Petri Dishes We Sing, 2025
🔥 Day 2 of FIRE Ritual – the third edition of Brent Biennial 2025 – continues Saturday 27 September at Metroland Cultures and across Kilburn.
The day begins with a fiery, diasporic procession through the streets, led by Growler - the alter-ego of artist Dee Mulrooney. Later, we move inward, gathering for an intimate tarot workshop at Metroland Cultures, guided by Annie Jael Kwan and Sun Park.
🗓️ Saturday 27 September
📍 Metroland Studios + Kilburn streets
🔝 Free tickets + details via link in bio
🧨 27 SEPT PROGRAMME 🧨
🔥 1:00–2:00pm | Growler’s Kilburn Stroll – Dee Mulrooney
Growler is Dee Mulrooney’s alter-ego and performance piece. She is an 85-year-old drum-banging shamanic vulva living in exile. Through storytelling, song, spoken word and comedy Growler takes audiences on a ritualistic, theatrical journey through grief, loss, exile and displacement. Growler will be coming to Kilburn to connect with the Holywell and remember the thousands of Irish ancestors who settled in the area. Beneath the concrete and cement the memory is held.
🔥 2:30–5:00pm | Tarot & Transformation – Annie Jael Kwan & Sun Park
This gathering calls on participants who feel the fires within and around us. We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing. This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead.
🔥 Yarli Allison’s installation ‘In Petri Dishes We Sing’ is on view at Metroland Cultures from 26 Sept – 12 Oct, 11:00am - 6.00pm daily
🔥 Alfredo Jaar’s project ‘I Can’t Go On. I’ll Go On’ is on display from 22 Sept – 5 Oct on billboards at Kensal Green Station + Kilburn High Road.
🔝 Booking & info at link in bio!
#acesupported #brentbiennial
📸
1 Growler (photo: Kyle Ferguson)
2 Tarot deck by Jia Sung (photo: Sun Park)
3 Still from Yarli Allison, In Petri Dishes We Sing, 2025
𓇽moving hums𓇽
💜The third episode of Moving Hums <Staying horizontal (edited by lowbatterymode)> edited by Sun Park is out! You can listen it from AFSAR spotify channel: https://open.spotify.com/episode/6lCtehn51jTr7vN4pjDS8G?si=W7StSCWoRkSbftPlQUcbjw(link in bio)
💜About AFSAR Radio Moving Hums:
Resonating with Sheba Chhachhi and Lala
Rukh whose creative expressions were shaped by their political engagement and grassroots activism, AFSAR Radio or Moving Hums presents a series of audio episodes and on site performances. This project will bring together a playlist of protest songs, voice memos, field recordings, interviews, and readings of stories/letters/poetry.
💜About the exhibition:
Asia Art Archive’s exhibition, In Our Own Backyard, explores the creative impulses and forms of gathering within the women’s movements in South Asia from the 1980s onward. Engaging with the personal archives of artists Sheba Chhachhi and Lala Rukh—who played vital roles as organisers and documenters—the exhibition showcases their archival materials and artworks alongside contributions from a diverse community of feminist practitioners and organisations in the region.
@asiaartarchive @asiaartarchiveinindia
💜Sun Park writes, makes art, and works as a cultural worker in London. She moves between moving images and language, thinking out loud through improvisation and open-ended conversations. She is currently interested in gossip, friendship, and risk while researching topics like Cosmotechnics, Asian Futurism, and feminist remembering of war, with positive obsession.
@coco____
💜Graphic by @christina_yuna_ko @tsjeejong
💜Sound mixed by @coco____
𓇽moving hums𓇽
💜The third episode of Moving Hums <Staying horizontal (edited by lowbatterymode)> edited by Sun Park is out! You can listen it from AFSAR spotify channel: https://open.spotify.com/episode/6lCtehn51jTr7vN4pjDS8G?si=W7StSCWoRkSbftPlQUcbjw(link in bio)
💜About AFSAR Radio Moving Hums:
Resonating with Sheba Chhachhi and Lala
Rukh whose creative expressions were shaped by their political engagement and grassroots activism, AFSAR Radio or Moving Hums presents a series of audio episodes and on site performances. This project will bring together a playlist of protest songs, voice memos, field recordings, interviews, and readings of stories/letters/poetry.
💜About the exhibition:
Asia Art Archive’s exhibition, In Our Own Backyard, explores the creative impulses and forms of gathering within the women’s movements in South Asia from the 1980s onward. Engaging with the personal archives of artists Sheba Chhachhi and Lala Rukh—who played vital roles as organisers and documenters—the exhibition showcases their archival materials and artworks alongside contributions from a diverse community of feminist practitioners and organisations in the region.
@asiaartarchive @asiaartarchiveinindia
💜Sun Park writes, makes art, and works as a cultural worker in London. She moves between moving images and language, thinking out loud through improvisation and open-ended conversations. She is currently interested in gossip, friendship, and risk while researching topics like Cosmotechnics, Asian Futurism, and feminist remembering of war, with positive obsession.
@coco____
💜Graphic by @christina_yuna_ko @tsjeejong
💜Sound mixed by @coco____
𓇽moving hums𓇽
💜The third episode of Moving Hums <Staying horizontal (edited by lowbatterymode)> edited by Sun Park is out! You can listen it from AFSAR spotify channel: https://open.spotify.com/episode/6lCtehn51jTr7vN4pjDS8G?si=W7StSCWoRkSbftPlQUcbjw(link in bio)
💜About AFSAR Radio Moving Hums:
Resonating with Sheba Chhachhi and Lala
Rukh whose creative expressions were shaped by their political engagement and grassroots activism, AFSAR Radio or Moving Hums presents a series of audio episodes and on site performances. This project will bring together a playlist of protest songs, voice memos, field recordings, interviews, and readings of stories/letters/poetry.
💜About the exhibition:
Asia Art Archive’s exhibition, In Our Own Backyard, explores the creative impulses and forms of gathering within the women’s movements in South Asia from the 1980s onward. Engaging with the personal archives of artists Sheba Chhachhi and Lala Rukh—who played vital roles as organisers and documenters—the exhibition showcases their archival materials and artworks alongside contributions from a diverse community of feminist practitioners and organisations in the region.
@asiaartarchive @asiaartarchiveinindia
💜Sun Park writes, makes art, and works as a cultural worker in London. She moves between moving images and language, thinking out loud through improvisation and open-ended conversations. She is currently interested in gossip, friendship, and risk while researching topics like Cosmotechnics, Asian Futurism, and feminist remembering of war, with positive obsession.
@coco____
💜Graphic by @christina_yuna_ko @tsjeejong
💜Sound mixed by @coco____
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡
𓇽discord study𓇽
𝐦𝐚𝐜𝐡𝐢𝐧𝐞 𝐚𝐧𝐝 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐭𝐲 𝐟𝐨𝐫 𝐚 𝐩𝐥𝐚𝐧𝐞𝐭𝐚𝐫𝐲 𝐭𝐡𝐢𝐧𝐤𝐢𝐧𝐠
(book description)
What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts.
Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity.
Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.
📚𝐌𝐚𝐢𝐧 𝐒𝐭𝐮𝐝𝐲 𝐌𝐚𝐭𝐞𝐫𝐢𝐚𝐥: machine and sovereignty for a planetary thinking, Yuk Hui
★𝐖𝐡𝐞𝐫𝐞 𝐭𝐨 𝐌𝐞𝐞𝐭: AFSAR discord “machine and sovereignty“ voice channel (AFSAR discord link in bio)
★𝐇𝐨𝐰 𝐨𝐟𝐭𝐞𝐧, 𝐖𝐡𝐞𝐧: Once every week, Start from 16th April, 10am CET/ 9am London/ 4pm Taipei
★𝐂𝐥𝐮𝐛 𝐎𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Musquiqui Chihying, Jooyoung Hwang, Yen Yi Lee, Sun Park, Mooni Perry
🧚𝐏𝐨𝐬𝐭𝐞𝐫 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐛𝐲 𝐉𝐮𝐧𝐡𝐲𝐞𝐨𝐤 𝐒𝐡𝐢𝐧 @gongchoon
𓇽discord study𓇽
𝐦𝐚𝐜𝐡𝐢𝐧𝐞 𝐚𝐧𝐝 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐭𝐲 𝐟𝐨𝐫 𝐚 𝐩𝐥𝐚𝐧𝐞𝐭𝐚𝐫𝐲 𝐭𝐡𝐢𝐧𝐤𝐢𝐧𝐠
(book description)
What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts.
Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity.
Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.
📚𝐌𝐚𝐢𝐧 𝐒𝐭𝐮𝐝𝐲 𝐌𝐚𝐭𝐞𝐫𝐢𝐚𝐥: machine and sovereignty for a planetary thinking, Yuk Hui
★𝐖𝐡𝐞𝐫𝐞 𝐭𝐨 𝐌𝐞𝐞𝐭: AFSAR discord “machine and sovereignty“ voice channel (AFSAR discord link in bio)
★𝐇𝐨𝐰 𝐨𝐟𝐭𝐞𝐧, 𝐖𝐡𝐞𝐧: Once every week, Start from 16th April, 10am CET/ 9am London/ 4pm Taipei
★𝐂𝐥𝐮𝐛 𝐎𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Musquiqui Chihying, Jooyoung Hwang, Yen Yi Lee, Sun Park, Mooni Perry
🧚𝐏𝐨𝐬𝐭𝐞𝐫 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐛𝐲 𝐉𝐮𝐧𝐡𝐲𝐞𝐨𝐤 𝐒𝐡𝐢𝐧 @gongchoon
𓇽discord study𓇽
𝐦𝐚𝐜𝐡𝐢𝐧𝐞 𝐚𝐧𝐝 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐭𝐲 𝐟𝐨𝐫 𝐚 𝐩𝐥𝐚𝐧𝐞𝐭𝐚𝐫𝐲 𝐭𝐡𝐢𝐧𝐤𝐢𝐧𝐠
(book description)
What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts.
Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity.
Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.
📚𝐌𝐚𝐢𝐧 𝐒𝐭𝐮𝐝𝐲 𝐌𝐚𝐭𝐞𝐫𝐢𝐚𝐥: machine and sovereignty for a planetary thinking, Yuk Hui
★𝐖𝐡𝐞𝐫𝐞 𝐭𝐨 𝐌𝐞𝐞𝐭: AFSAR discord “machine and sovereignty“ voice channel (AFSAR discord link in bio)
★𝐇𝐨𝐰 𝐨𝐟𝐭𝐞𝐧, 𝐖𝐡𝐞𝐧: Once every week, Start from 16th April, 10am CET/ 9am London/ 4pm Taipei
★𝐂𝐥𝐮𝐛 𝐎𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Musquiqui Chihying, Jooyoung Hwang, Yen Yi Lee, Sun Park, Mooni Perry
🧚𝐏𝐨𝐬𝐭𝐞𝐫 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐛𝐲 𝐉𝐮𝐧𝐡𝐲𝐞𝐨𝐤 𝐒𝐡𝐢𝐧 @gongchoon
𓇽discord study𓇽
𝐦𝐚𝐜𝐡𝐢𝐧𝐞 𝐚𝐧𝐝 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐭𝐲 𝐟𝐨𝐫 𝐚 𝐩𝐥𝐚𝐧𝐞𝐭𝐚𝐫𝐲 𝐭𝐡𝐢𝐧𝐤𝐢𝐧𝐠
(book description)
What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts.
Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity.
Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.
📚𝐌𝐚𝐢𝐧 𝐒𝐭𝐮𝐝𝐲 𝐌𝐚𝐭𝐞𝐫𝐢𝐚𝐥: machine and sovereignty for a planetary thinking, Yuk Hui
★𝐖𝐡𝐞𝐫𝐞 𝐭𝐨 𝐌𝐞𝐞𝐭: AFSAR discord “machine and sovereignty“ voice channel (AFSAR discord link in bio)
★𝐇𝐨𝐰 𝐨𝐟𝐭𝐞𝐧, 𝐖𝐡𝐞𝐧: Once every week, Start from 16th April, 10am CET/ 9am London/ 4pm Taipei
★𝐂𝐥𝐮𝐛 𝐎𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Musquiqui Chihying, Jooyoung Hwang, Yen Yi Lee, Sun Park, Mooni Perry
🧚𝐏𝐨𝐬𝐭𝐞𝐫 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐛𝐲 𝐉𝐮𝐧𝐡𝐲𝐞𝐨𝐤 𝐒𝐡𝐢𝐧 @gongchoon
𓇽discord study𓇽
𝐦𝐚𝐜𝐡𝐢𝐧𝐞 𝐚𝐧𝐝 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐭𝐲 𝐟𝐨𝐫 𝐚 𝐩𝐥𝐚𝐧𝐞𝐭𝐚𝐫𝐲 𝐭𝐡𝐢𝐧𝐤𝐢𝐧𝐠
(book description)
What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts.
Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity.
Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.
📚𝐌𝐚𝐢𝐧 𝐒𝐭𝐮𝐝𝐲 𝐌𝐚𝐭𝐞𝐫𝐢𝐚𝐥: machine and sovereignty for a planetary thinking, Yuk Hui
★𝐖𝐡𝐞𝐫𝐞 𝐭𝐨 𝐌𝐞𝐞𝐭: AFSAR discord “machine and sovereignty“ voice channel (AFSAR discord link in bio)
★𝐇𝐨𝐰 𝐨𝐟𝐭𝐞𝐧, 𝐖𝐡𝐞𝐧: Once every week, Start from 16th April, 10am CET/ 9am London/ 4pm Taipei
★𝐂𝐥𝐮𝐛 𝐎𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Musquiqui Chihying, Jooyoung Hwang, Yen Yi Lee, Sun Park, Mooni Perry
🧚𝐏𝐨𝐬𝐭𝐞𝐫 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐛𝐲 𝐉𝐮𝐧𝐡𝐲𝐞𝐨𝐤 𝐒𝐡𝐢𝐧 @gongchoon
𓇽discord study𓇽
𝐦𝐚𝐜𝐡𝐢𝐧𝐞 𝐚𝐧𝐝 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐭𝐲 𝐟𝐨𝐫 𝐚 𝐩𝐥𝐚𝐧𝐞𝐭𝐚𝐫𝐲 𝐭𝐡𝐢𝐧𝐤𝐢𝐧𝐠
(book description)
What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts.
Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity.
Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future.
📚𝐌𝐚𝐢𝐧 𝐒𝐭𝐮𝐝𝐲 𝐌𝐚𝐭𝐞𝐫𝐢𝐚𝐥: machine and sovereignty for a planetary thinking, Yuk Hui
★𝐖𝐡𝐞𝐫𝐞 𝐭𝐨 𝐌𝐞𝐞𝐭: AFSAR discord “machine and sovereignty“ voice channel (AFSAR discord link in bio)
★𝐇𝐨𝐰 𝐨𝐟𝐭𝐞𝐧, 𝐖𝐡𝐞𝐧: Once every week, Start from 16th April, 10am CET/ 9am London/ 4pm Taipei
★𝐂𝐥𝐮𝐛 𝐎𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Musquiqui Chihying, Jooyoung Hwang, Yen Yi Lee, Sun Park, Mooni Perry
🧚𝐏𝐨𝐬𝐭𝐞𝐫 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐛𝐲 𝐉𝐮𝐧𝐡𝐲𝐞𝐨𝐤 𝐒𝐡𝐢𝐧 @gongchoon
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
Avantages d’Anonstories
Explorer les histoires IG discrètement
Suivez les mises à jour Instagram en toute discrétion tout en protégeant votre vie privée et en restant anonyme.
Visionneur privé Instagram
Consultez les profils et photos anonymement avec aisance grâce au visionneur de profil privé.
Visionneur d’histoires gratuit
Ce service gratuit vous permet de voir les histoires Instagram anonymement, garantissant que votre activité reste cachée de l’uploader.
Questions fréquemment posées
Anonymat
Anonstories permet aux utilisateurs de voir les histoires Instagram sans alerter le créateur.
Compatibilité des appareils
Fonctionne parfaitement sur iOS, Android, Windows, macOS et les navigateurs modernes comme Chrome et Safari.
Sécurité et confidentialité
Privilégie la navigation sécurisée et anonyme sans nécessiter de coordonnées de connexion.
Pas d’inscription
Les utilisateurs peuvent voir des histoires publiques en entrant simplement un nom d’utilisateur — sans compte requis.
Formats pris en charge
Télécharge les photos (JPEG) et les vidéos (MP4) facilement.
Coût
Le service est gratuit.
Comptes privés
Le contenu des comptes privés n’est accessible qu’aux abonnés.
Utilisation des fichiers
Les fichiers sont destinés à un usage personnel ou éducatif uniquement et doivent respecter les règles de droit d’auteur.
Comment ça marche
Entrez un nom d’utilisateur public pour voir ou télécharger des histoires. Le service génère des liens directs pour sauvegarder le contenu localement.