Visionneur d’histoires Instagram

In Conversation with Dokho Shin (@shindokho)

For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.

The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.

“Conditions for Being a Book”
led by Dokho Shin

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

Applications close:
Sunday, 17 May 2026

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
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#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

In Conversation with Dokho Shin (@shindokho)

For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.

The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.

“Conditions for Being a Book”
led by Dokho Shin

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

Applications close:
Sunday, 17 May 2026

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
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.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

In Conversation with Dokho Shin (@shindokho)

For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.

The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.

“Conditions for Being a Book”
led by Dokho Shin

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

Applications close:
Sunday, 17 May 2026

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

In Conversation with Dokho Shin (@shindokho)

For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.

The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.

“Conditions for Being a Book”
led by Dokho Shin

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

Applications close:
Sunday, 17 May 2026

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

In Conversation with Dokho Shin (@shindokho)

For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.

The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.

“Conditions for Being a Book”
led by Dokho Shin

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

Applications close:
Sunday, 17 May 2026

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

In Conversation with Dokho Shin (@shindokho)

For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.

The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.

“Conditions for Being a Book”
led by Dokho Shin

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

Applications close:
Sunday, 17 May 2026

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

In Conversation with Dokho Shin (@shindokho)

For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.

The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.

“Conditions for Being a Book”
led by Dokho Shin

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

Applications close:
Sunday, 17 May 2026

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie

Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie

Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie

Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie

Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie

Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie

Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!

AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.

1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet

“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.

Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.

This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.

What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

I’m sharing a few photos from my visit to London.

On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.

Asymmetry Library
www.asymmetryart.org/library

Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.

We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.

This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign

Workshop Details:

Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.

This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign

Workshop Details:

Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.

This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign

Workshop Details:

Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.

This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign

Workshop Details:

Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)

This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.

This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign

Workshop Details:

Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)

– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed

Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.

Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8

Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 3 &4 at @bergenartbookfair 🙌

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

DAY 2 at @bergenartbookfair 🧡

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book

Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚

1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book