Visionneur d’histoires Instagram

If there’s one thing @haileybieber is good at, it’s getting what she wants. When the beauty mogul, mother, and wife to one of the biggest pop stars on the planet, slinked up to our editor-in-chief @melzy917 at a Hollywood party and asked for a cover story, the answer was a pinky swear yes. For our Spring cover story, Hailey B. hopped on with Mel Ottenberg to discuss peptides, paparazzi, and proving people wrong. Link in bio.

Photography by @theo___liu
Styled by @dara._
Entertainment Director: @laurentabach
Hair: @mattbenns
Makeup: @kalikennedy
Nails: @nailsbyzola
Set Design: @avavillafane
Choreography: @ericvonchristison
Tailor: @carol_ai_studio
Digital Technician: @tara__raine
Production Direction: @thealexandraweiss
Executive Production: @productionbygeorgiaford
Photo Production: @serienotsiri @perfectprojects_ Production: @jacobeppy @debtam
Post Production: L’oumuamua Studio
Director of Photography: @tylerkohlhoff
Sound Operator: Taylor Roy
Location: @peace.labyrinth
Special Thanks: @alidyer2 @rabbitprooflocations @petitermitagehotel
#haileybieber

@oliviajade knows what your thinking: another celebrity beauty brand? But the influencer has been sharing her beauty routines on YouTube since she was 14, long before GRWM was even a genre. Twelve years and every era of the internet later, she might even be overqualified to throw her hat into the ring. Last week, @emilywenthome got on the phone with her to talk about botox, peptides and her new self-funded beauty line, @opiccola. Link in bio.

@oliviajade knows what your thinking: another celebrity beauty brand? But the influencer has been sharing her beauty routines on YouTube since she was 14, long before GRWM was even a genre. Twelve years and every era of the internet later, she might even be overqualified to throw her hat into the ring. Last week, @emilywenthome got on the phone with her to talk about botox, peptides and her new self-funded beauty line, @opiccola. Link in bio.

@oliviajade knows what your thinking: another celebrity beauty brand? But the influencer has been sharing her beauty routines on YouTube since she was 14, long before GRWM was even a genre. Twelve years and every era of the internet later, she might even be overqualified to throw her hat into the ring. Last week, @emilywenthome got on the phone with her to talk about botox, peptides and her new self-funded beauty line, @opiccola. Link in bio.

@oliviajade knows what your thinking: another celebrity beauty brand? But the influencer has been sharing her beauty routines on YouTube since she was 14, long before GRWM was even a genre. Twelve years and every era of the internet later, she might even be overqualified to throw her hat into the ring. Last week, @emilywenthome got on the phone with her to talk about botox, peptides and her new self-funded beauty line, @opiccola. Link in bio.

@oliviajade knows what your thinking: another celebrity beauty brand? But the influencer has been sharing her beauty routines on YouTube since she was 14, long before GRWM was even a genre. Twelve years and every era of the internet later, she might even be overqualified to throw her hat into the ring. Last week, @emilywenthome got on the phone with her to talk about botox, peptides and her new self-funded beauty line, @opiccola. Link in bio.

@oliviajade knows what your thinking: another celebrity beauty brand? But the influencer has been sharing her beauty routines on YouTube since she was 14, long before GRWM was even a genre. Twelve years and every era of the internet later, she might even be overqualified to throw her hat into the ring. Last week, @emilywenthome got on the phone with her to talk about botox, peptides and her new self-funded beauty line, @opiccola. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

Growing up, @amiraxevans height and lithe frame were a huge source of insecurity; a punchline that led to a lot of taunting from her classmates. But as an adult, she’s completely turned that dynamic on its head, easily making five figures a month just standing in doorways, walking around, and generally making men feel itsy-bitsy. Evans specializes in the female domination kink, playing up all of the physical traits that once made her feel othered to major financial reward. To learn more, @yungkirk666 hopped on a Zoom call with the six-foot-seven model to find out more about her clients’ dark, twisted fantasies and becoming a millionaire bullying the men who once bullied her. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

For its 79th year, the @festivaldecannes delivered on all fronts: @cristian_mungiu’s @fjordthefilm took the Palme d’Or, La Bola Negra earned one of the longest standing ovations in the festival’s history, and the French Riviera looked as obscenely beautiful as ever. We sent photographer @francescplanes back to the Croisette to capture what the world’s most prestigious film festival actually looks like beyond the red carpet. Link in bio.

Before the money and the fame found him, @fakemink was just a young boy from Essex, making music in his bedroom with the curtains drawn. Now, with his new album Terrified positioning him as rap’s next great hope, the 21-year-old, born Vincenzo Camille, is trying his best to hold onto an old life he’s rapidly being pulled away from. For our upcoming Summer issue, he answers some of our burning questions about peace, anxiety, and why you can never really leave home behind. Link in bio.

Photography by @voyeur1
Styled by @_lucygaston @fakemink
Grooming: @mirnajose
Production Direction: @thealexandraweiss
Photography Production: @productionbygeorgiaford
Location: @nycfilmlocations
#fakemink

Before the money and the fame found him, @fakemink was just a young boy from Essex, making music in his bedroom with the curtains drawn. Now, with his new album Terrified positioning him as rap’s next great hope, the 21-year-old, born Vincenzo Camille, is trying his best to hold onto an old life he’s rapidly being pulled away from. For our upcoming Summer issue, he answers some of our burning questions about peace, anxiety, and why you can never really leave home behind. Link in bio.

Photography by @voyeur1
Styled by @_lucygaston @fakemink
Grooming: @mirnajose
Production Direction: @thealexandraweiss
Photography Production: @productionbygeorgiaford
Location: @nycfilmlocations
#fakemink

Before the money and the fame found him, @fakemink was just a young boy from Essex, making music in his bedroom with the curtains drawn. Now, with his new album Terrified positioning him as rap’s next great hope, the 21-year-old, born Vincenzo Camille, is trying his best to hold onto an old life he’s rapidly being pulled away from. For our upcoming Summer issue, he answers some of our burning questions about peace, anxiety, and why you can never really leave home behind. Link in bio.

Photography by @voyeur1
Styled by @_lucygaston @fakemink
Grooming: @mirnajose
Production Direction: @thealexandraweiss
Photography Production: @productionbygeorgiaford
Location: @nycfilmlocations
#fakemink

Before the money and the fame found him, @fakemink was just a young boy from Essex, making music in his bedroom with the curtains drawn. Now, with his new album Terrified positioning him as rap’s next great hope, the 21-year-old, born Vincenzo Camille, is trying his best to hold onto an old life he’s rapidly being pulled away from. For our upcoming Summer issue, he answers some of our burning questions about peace, anxiety, and why you can never really leave home behind. Link in bio.

Photography by @voyeur1
Styled by @_lucygaston @fakemink
Grooming: @mirnajose
Production Direction: @thealexandraweiss
Photography Production: @productionbygeorgiaford
Location: @nycfilmlocations
#fakemink

Before the money and the fame found him, @fakemink was just a young boy from Essex, making music in his bedroom with the curtains drawn. Now, with his new album Terrified positioning him as rap’s next great hope, the 21-year-old, born Vincenzo Camille, is trying his best to hold onto an old life he’s rapidly being pulled away from. For our upcoming Summer issue, he answers some of our burning questions about peace, anxiety, and why you can never really leave home behind. Link in bio.

Photography by @voyeur1
Styled by @_lucygaston @fakemink
Grooming: @mirnajose
Production Direction: @thealexandraweiss
Photography Production: @productionbygeorgiaford
Location: @nycfilmlocations
#fakemink

Before the money and the fame found him, @fakemink was just a young boy from Essex, making music in his bedroom with the curtains drawn. Now, with his new album Terrified positioning him as rap’s next great hope, the 21-year-old, born Vincenzo Camille, is trying his best to hold onto an old life he’s rapidly being pulled away from. For our upcoming Summer issue, he answers some of our burning questions about peace, anxiety, and why you can never really leave home behind. Link in bio.

Photography by @voyeur1
Styled by @_lucygaston @fakemink
Grooming: @mirnajose
Production Direction: @thealexandraweiss
Photography Production: @productionbygeorgiaford
Location: @nycfilmlocations
#fakemink

For the latest installment of our advice column SEEK HELP, we turned to writer and actor @ryanoconn, the mind behind the hit @netflix series Special. His upcoming book, Inspiration Porn, is a collection of essays on sex, disability, and the peculiar experience of living the high life in L.A. At the link in bio, O’Connell prepares us for it’s impending release by sharing some wisdom about L.A. trade, looksmaxxing, and chasing older guys.

For the latest installment of our advice column SEEK HELP, we turned to writer and actor @ryanoconn, the mind behind the hit @netflix series Special. His upcoming book, Inspiration Porn, is a collection of essays on sex, disability, and the peculiar experience of living the high life in L.A. At the link in bio, O’Connell prepares us for it’s impending release by sharing some wisdom about L.A. trade, looksmaxxing, and chasing older guys.

For the latest installment of our advice column SEEK HELP, we turned to writer and actor @ryanoconn, the mind behind the hit @netflix series Special. His upcoming book, Inspiration Porn, is a collection of essays on sex, disability, and the peculiar experience of living the high life in L.A. At the link in bio, O’Connell prepares us for it’s impending release by sharing some wisdom about L.A. trade, looksmaxxing, and chasing older guys.

For the latest installment of our advice column SEEK HELP, we turned to writer and actor @ryanoconn, the mind behind the hit @netflix series Special. His upcoming book, Inspiration Porn, is a collection of essays on sex, disability, and the peculiar experience of living the high life in L.A. At the link in bio, O’Connell prepares us for it’s impending release by sharing some wisdom about L.A. trade, looksmaxxing, and chasing older guys.

For the latest installment of our advice column SEEK HELP, we turned to writer and actor @ryanoconn, the mind behind the hit @netflix series Special. His upcoming book, Inspiration Porn, is a collection of essays on sex, disability, and the peculiar experience of living the high life in L.A. At the link in bio, O’Connell prepares us for it’s impending release by sharing some wisdom about L.A. trade, looksmaxxing, and chasing older guys.

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

For the last 19 years, Dutch fashion designer @irisvanherpen’s work has consistently pushed up against the boundaries of what fashion can be and what is even materially possible. Merging the natural with the technological, the automated with the artisanal, her design perspective is undeniably her own. To mark a new retrospective of her work now on view at @brooklynmuseum, we called Herpen to discuss her process, the future, and why the coolest people in the world can’t stop wearing her clothes. Link in bio.

Photography courtesy of @brooklynmuseum @yungkirk666

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

Peter Hujar kept every contact sheet he ever made, which suggests he never stopped believing someone would eventually come looking for them. Over the course of his lifetime, he shot Patti Smith, Candy Darling, David Wojnarowicz, and Susan Sontag, becoming a central figure in the cultural life of downtown New York without ever quite becoming famous. This spring, @themorganlibrary will host Hujar: Contact, an exhibition which draws from the archive of over 5,783 contact sheets Hujar preserved until his death in 1987. At the link in bio, visit a few of our selections from the more than 110 works included in the exhibit.

Photography courtesy of @themorganlibrary
#peterhujar

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

In an oversaturated sea of influencer beauty brands, @claudiasulewski stumbled upon an untapped market: soap. Her bodycare brand @cyklarofficial, which offers an array of body washes, sprays, oils, and lotions, has caused quite a racket on social media. But is this really the “it” skincare brand or just TikTok hype? Last week, @aryrussell_ hopped on a call with Sulewski to get the 411 on booty calls, bachelorette trips, and why she welcomes her messy store endcaps with open arms. Link in bio.

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

The icon @naomi in conversation with @themarcjacobs for Interview, Spring 2021. HBD!

Slide 1,4,9: Photography by @ellenvonunwerth for Interview, June 1991.
Slide 3,7: Photography by #herbritts for Interview, December 1991.
Slide 6,10: Photography by @hugocomte for Interview, Spring 2021.
#naomicampbell

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

Sukeban, which is the Japanese word for “delinquent girl,” first became a major subculture in the early 70s as a direct response to the exclusion of women in the Yakuza. But in recent years, the word has been adopted to something far more mainstream. From the Cherry Bomb Girls to the Tokyo Toys, @sukeban_world is an all-female wrestling league that welcomes teams of wrestlers to get down and dirty in the ring on a global stage. On Tuesday, hundreds of New Yorkers gathered at the Hammerstein Ballroom to watch these various wrestling cohorts compete for the world championship. At the link in bio, @voyeur1 captured these warrior-esses in all their glory.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.

82-year-old actor and writer Wallace Shawn is spending a lot of time in Dimes Square. He loves it. On a recent Friday afternoon, he wanders through @metrograph in a state of seeming bewilderment and wonder. It’s the second week of the series Wallace Shawn: The Master Builder, curated by @bejohnce and Lukas Kane who are both involved in Shawn’s acclaimed off-Broadway play What We Did Before Our Moth Days. As a group of 20-somethings watch Vanya on 42nd Street down the hall, we sat down with Shawn to discuss mortality, Young Sheldon, and his iconic filmography. Link in bio.