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Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
Earlier this year I got to travel to La Clusaz in the French Alps and spend a couple days with @manon_loschi for a cover story for @hardpackmagazine - Spent some time with Manon’s crew digging around in the back country and exploring the small alpine village.
Editor: @zachseely
Creative Directors: @bdunne_ @_ktokunaga
Designer: @_chrissant
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
A few more of Kyle MacLachlan for @cultured_mag
Editor-in-Chief: @sarahgharrelson
Fashion Editor-at-Large: @alipew
Styling: @rebeccarams
Grooming: @livio19
Executive Production: @nicoleprokes
On-Set Production: @blairez
Production Company: @blondprodn
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
The North Face Red Box FW25
Creative Direction: @studio.saunders
Art Direction: @hugochristianslane
Producer: @ellieeloise
Director: @jeroendankers
Director of Photography: @louislustermann
Styling: @zoeyradfordscott
Production Company: Open Range
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
Images and spreads to visually illustrate the moving image: the place of sounds in cinema for @presentspacemag - words by Eve Rogers.
“Sound in cinema carries a distinct narrative charge, capable of expressing nuance, memory, and emotional
undercurrents that image and dialogue may only gesture toward. Composers and sound designers create an aural language that shapes experience from within the frame. In this liminal space between hearing and feeling, sound becomes narrative in its own right.”
Thank you @duque.j and @nimahabibzadeh
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
I recently had the chance to travel to Mexico City to spend a day with Graciela Iturbide at her home for @apartamentomagazine - thank you as always @robbiewhitehead and @laurafradep
Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Last couple images of Preston and Devon for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Edgar for @another_man Pre Prom
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: Luke Frohoff, Edgar Menendez, Michael Bernard, @devonknopp @prestonnmann @shanegoldsmithh and @ulius__
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Pre Prom @another_man Volume ll, Issue lV
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Bodie and Luke for @another_man Volume II, Issue IV.
I snapped my ankle in half when I jumped down some stairs on my bike and landed funny. A few days before prom I had surgery - they opened up my ankle and drilled in a few screws to keep everything in place. I had a big cast up to my knee, I was on crutches and had a bad haircut. I wore a suit - the pants grabbed my ass in a way that made me self conscious. I asked my friend Star to be my date. She had red hair and was taller than me - she was still getting used to having grown a couple feet the year before. Mac Dre was big then - he preached about the nation of Thizzlam and the like - the kids from Marin city wore XXL pro club tall tees and Girbuad jeans with the MF + G straps along the legs. Some of the white kids did the same. I had my moment. Everyone I knew took ecstasy - it was so big that Carlos the security guard checked everyone’s pupils before school dances. Our prom was on a boat that floated in the bay. On the way to the dock we all got on a party bus - I had taken a few extra percocet that I had been prescribed after the surgery. People were drinking Carlo Rossi wine straight from big glass jugs - we all thought it was cool because E-40 rapped about it. For a moment on the party bus I forgot about my ankle with the pins and the plates and the big scar - I forgot about the crutches and the cast. I had some orange mickey mouse pills stuffed down my cast. I got through security no problem and split the pills with my buddy Will. When they hit us we were sitting on the bow of the boat, under the bay bridge.
Styling: @bellakavanagh
Hair: @hikaruhirano
Make-up: @zaheersyn
Set design: @codycr
Casting: @erikaangel_ and @jadesworldonline
Production: @cheynacarr and @konrad_mirko at @servicio.represents
Editor-in-chief: @elliegracecumming
Art director: @linakutsovskaya
Editor: @jackstuartmills
Group editorial director: @jeffersonhack
Models: @maximusrogerss @prestonnmann @shanegoldsmithh @ulius__ @devonknopp , Edgar Menendez, Michael Bernard and Luke Frohoff
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Paul McCarthy contact prints for the cover of @flashartmagazine
Thank you @avventuroso
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Luka Doncic for the cover of @wsjmag photographed in Turtle Bay Midtwon, Manhattan.
Styling: @theemarcusallen
Grooming: @mickamakeup.56
Hair: @edwardlampley
Set Design: @megankiantos
Production: @kitten_production
Videographer: @o.smithclark
WSJ Magazine Editor in Chief: @sarahballsy and thank you alwasy @rhiannarule and @nlen15
And many thanks to Deborah at @cletile for graciously allowing us to shoot at her new space.
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Levi McConaughey for @interviewmag photographed in Pacoima.
Styled by: @richieleedavis
Grooming: @nathanieldezan
Producer: @konrad_mirko @servicio.represents
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
Avantages d’Anonstories
Explorer les histoires IG discrètement
Suivez les mises à jour Instagram en toute discrétion tout en protégeant votre vie privée et en restant anonyme.
Visionneur privé Instagram
Consultez les profils et photos anonymement avec aisance grâce au visionneur de profil privé.
Visionneur d’histoires gratuit
Ce service gratuit vous permet de voir les histoires Instagram anonymement, garantissant que votre activité reste cachée de l’uploader.
Questions fréquemment posées
Anonymat
Anonstories permet aux utilisateurs de voir les histoires Instagram sans alerter le créateur.
Compatibilité des appareils
Fonctionne parfaitement sur iOS, Android, Windows, macOS et les navigateurs modernes comme Chrome et Safari.
Sécurité et confidentialité
Privilégie la navigation sécurisée et anonyme sans nécessiter de coordonnées de connexion.
Pas d’inscription
Les utilisateurs peuvent voir des histoires publiques en entrant simplement un nom d’utilisateur — sans compte requis.
Formats pris en charge
Télécharge les photos (JPEG) et les vidéos (MP4) facilement.
Coût
Le service est gratuit.
Comptes privés
Le contenu des comptes privés n’est accessible qu’aux abonnés.
Utilisation des fichiers
Les fichiers sont destinés à un usage personnel ou éducatif uniquement et doivent respecter les règles de droit d’auteur.
Comment ça marche
Entrez un nom d’utilisateur public pour voir ou télécharger des histoires. Le service génère des liens directs pour sauvegarder le contenu localement.