Visionneur d’histoires Instagram

We are honoured to announce that Glacier’s Requiem will premiere at #SXSW 2026 !

Amid Iceland’s melting glaciers, modular synthesis artist Colloboh records the dying rhythms of ice and sea, uncovering a living language within nature itself - a requiem for the planet and for us.

There are many things we learnt making this film, but one of them is certainly anything worthwhile takes time. After 2 years comprising many hours of development, production and post work, it is so rewarding to be able to share this special film with the international audience in Austin. What started as a conversation between @___saddiq___ and @colloboh has grown into such a remarkable experience and collaboration with a talented team spanning Europe.

It’s unclear if discussing these sorts of issues or even raising awareness will result in meaningful change, but reflecting on our world, especially in times of consequential change, is an essential part of what makes us human. It is this very human response to overwhelming yet silent catastrophe that we wanted to capture.

Thanks to each and every person who contributed to this film and made it possible. Can’t wait to see it on the big screen with you.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

Aria Shahrokhshahi @ariamark presents SKETCHBOOK VOLUME 3. A new collaboration with children living on the front line in eastern Ukraine. Created with NGO BASE UA, the project continues his exploration of how images hold and reshape memory under pressure.

Working from old Ukrainian postcards that once projected visions of progress and belonging, Shahrokhshahi invited the children to draw directly onto them. Instead of destruction, they drew grandmothers, favourite foods, suns, palm trees, fragments of joy and imagined futures.

Shown alongside Shahrokhshahi’s photography, the works form a conversation between documentation and imagination, between inherited histories and the fragile possibilities ahead.

All proceeds from the accompanying magazine support @base_ua_ngo ongoing work with children living on the front lines.

Join us for the private view tonight 6pm - 9pm @1014.gallery

Aria Shahrokhshahi @ariamark presents SKETCHBOOK VOLUME 3. A new collaboration with children living on the front line in eastern Ukraine. Created with NGO BASE UA, the project continues his exploration of how images hold and reshape memory under pressure.

Working from old Ukrainian postcards that once projected visions of progress and belonging, Shahrokhshahi invited the children to draw directly onto them. Instead of destruction, they drew grandmothers, favourite foods, suns, palm trees, fragments of joy and imagined futures.

Shown alongside Shahrokhshahi’s photography, the works form a conversation between documentation and imagination, between inherited histories and the fragile possibilities ahead.

All proceeds from the accompanying magazine support @base_ua_ngo ongoing work with children living on the front lines.

Join us for the private view tonight 6pm - 9pm @1014.gallery

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

Sienna Spiro for the @thepopmag

Photographer @charlottestouvenot
Stylist @helgaburrill
Makeup @mariaduhart
Hair @pawel_solis
Nails @saffrongoddard

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

GLACIER’S REQUIEM | 50D, 250D, 200T, 500T & Ektachrome 35mm

“A meditation on what remains.”

For three weeks, modular synthesis composer Colloboh makes music from field recordings in Iceland’s remote Snæfellsnes Peninsula. What begins as an exploration of sound evolves into a meditation on ecological collapse and the dilemma it poses for humanity.

While shooting Glacier’s Requiem, we utilised almost every available colour stock: colour daylight to tungsten, fast to slow, negative to reversal. Everything was captured in natural light. Iceland is such a mercurial place – the climate, light and weather are always changing. Having such a wide variety of stock gave us the flexibility to adapt to the eclectic landscapes and conditions.

Glacier’s Requiem premieres today at #SXSW.

Director @___saddiq___
Featuring @colloboh
Producers @indialee___ @tarquinramsay
Production Company @racket.studio
In association with @ol64.tv
Executive Producers @indialee___ Kaspar Kamu, Jaume Masdevall @___saddiq___ @colloboh
Associate Producer @oli.falcon
Director of Photography @britishocean
1st AC / 2nd Unit DOP @neilshuk
Editor @tobyheard @pundersongardens
Music by @colloboh
Sound Design @tom_rouse_ @junglestudiosuk
Colourist @timotheous @rascalstudio_
VFX @artistbuilding @ericaofanderson
Iceland Producer @jonbi_dibs @truenorth_nordic
Film Development @kodak
Film Scan @digital_orchard
Poster Design/Titles Design @joshgeoghegandeo

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

@peachyden ✨ @f5ve_official

Photographer @gwentrannoy
Creative Director @nellie.eden
Production @racket.studio

I choose you: Peachy Spring ‘26 starring @f5ve_official ✈︎ જ⁀➴ᥫ᭡ From Tokyo to London.

Founder & Creative Director: Isabella Weatherby @weatherbabe
Art Director: Nellie Eden @nellie.eden
Cinematographer: Jake Hunter @jakehunterrrrrrrrrr
Executive Producer: India Lee @indialee___
F5ve: @kaede_ @ruri_kawamoto_official @im_sayaka_official @rui__official_ @immiyuu_official
F5ve’s Manager: Maho Kuzuoka @mahokuzuoka
F5ve’s Creative Director: Crystalline @crystallinestructures
Internal Producer: Jessica Lochan-Jenkinson @yourmumjess
Producer: Annie Maguire @anniemaguir.e
Production Company: Racket Studio @racket.studio
Stylist: Flo Arnold @flofloarnold
Styling Assistant 1: Ellie Kimberly @elliekimberley
Styling Assistant 2: Amena Couki @amenazara_
Styling Intern/Runner: Sofie Robinson @sophxrobinson
Makeup Artist: Natasha Sultz @sultz
Makeup Assistant 1: Joe Brooks @joebrooksmakeup
Makeup Assistant 2: Viviane Melo
Hair Stylist: Sarah Jo Palmer @sarahjopalmer
Hair Assistant 1: Peter Cheng @peter_cheng_hair
Hair Assistant 2: Saiko Hayashi @saikoohayashi
Choreographer: Ed Munro @edmunro
Production Designer: Phoebe Shakespeare @phoebe_shakespeare
Set Designer 1: Emily Avery @emii.mp3_
Set Designer 2: Ella Bas Backer @ella_b_b
Set Assistant: Freya Purkhardt @@freyapurk
Photographer: Gwen Trannoy @gwentrannoy
Stills 1st Assistant: Izzy Martin @izzy.martin
Digi Op: Kimin Lee @snimikk
Content Lead: Tze Shin Low @tzefits
Focus Puller: Mark Gee @markacgee
2nd AC: Luke Gurney @luke_gurneyy
DIT: Kirsten Davis @davisdaviskristin
Gaffer: Connor Adam @tallguyconnor
Camera Trainee: Anna Patterson @annaniamhpatterson
Spark: Simona Pranulytė @simonapranulyte
Spark: Leyt Said @saidleyt
Grip: Steve Morgan
Production Manager: Caroline Gough @carolinegough
1st AD: Gwyn Ellis Mann @gwynellismann
Editor: Joey Henshaw @josephhenshaw @trimediting
Grade: Megan Lee @colourbymegwan @harborpictureco
Titles: Ella Bas Backer @ella_b_b

@josephquinn for Versace Greca 2025

dario___vitale

Photographer @blommersschumm
Art Director @ch_picdigger
Stylist @leopolda.duchemin
Set Design @spencervroomanstudio
DOP @jakehunterrrrrrrr
Versace Producer @marionyc
Producer @anastasiade
US Production Company @paradise.w0rk
UK Production Company @racket.studio

@josephquinn for Versace Greca 2025

dario___vitale

Photographer @blommersschumm
Art Director @ch_picdigger
Stylist @leopolda.duchemin
Set Design @spencervroomanstudio
DOP @jakehunterrrrrrrr
Versace Producer @marionyc
Producer @anastasiade
US Production Company @paradise.w0rk
UK Production Company @racket.studio

@aimeelouwood for @versace

dario___vitale

Photographer @blommersschumm
Art Director @ch_picdigger
Stylist @leopolda.duchemin
Set Design @spencervroomanstudio
DOP @jakehunterrrrrrrr
Versace Producer @marionyc
Producer @anastasiade
US Production Company @paradise.w0rk
UK Production Company @racket.studio

@aimeelouwood for @versace

dario___vitale

Photographer @blommersschumm
Art Director @ch_picdigger
Stylist @leopolda.duchemin
Set Design @spencervroomanstudio
DOP @jakehunterrrrrrrr
Versace Producer @marionyc
Producer @anastasiade
US Production Company @paradise.w0rk
UK Production Company @racket.studio

@aimeelouwood & @josephquinn for @versace

dario___vitale

Photographer @blommersschumm
Art Director @ch_picdigger
Stylist @leopolda.duchemin
Set Design @spencervroomanstudio
DOP @jakehunterrrrrrrr
Versace Producer @marionyc
Producer @anastasiade
US Production Company @paradise.w0rk
UK Production Company @racket.studio

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Skepta busy being the best for @manfantastic

By @oliverhadleepearch

@gerryroryokane
@tstyles___
@shanicemua_
@tomotattle

@partner.films
@indialee___
@oli.falcon
@asiaahmed

@aly.studio

Big love @studiojopvanbennekom
@gertjonkers

Axel Arigato ‘The Infinite Dream’ glimpses into an ephemeral room occupied by 8 transient visitors 👤⏳🛌🐇⏰💭 8 curious stories featuring @debahekmat @siennawho @nastybrian @linmick @anaasaber @coreytstokes @ohlydiagraham @jobymitchell @kitwharton @tom.prior @mxragan

Written & Directed by @lanashama ✨
CD @jenswerner_
DP @jakehunterrrrrrrrrr
Set @zachapotsang
Commissioned pieces by @charlottekingsnorth @illyagoldmangubin @bucktron.studio
Styling @hannakelifa
Makeup @angelmxq
US Production @paradise.w0rk @jill_earth @miajarrett 💛
UK Production @racket.studio
Casting @georgiatopley_casting
Post Production @okaystudio
Edit @jo_is_editing
Grade @katiedymmock
Score/Mix @daniellidchi

TY to team @axelarigato @jenswerner_ 💫@n_i_c_o_l_e_l_e_s_u_r_f @haleyduholke @e_1502 @stellahyerin @samholden___ @tom.prior