Visionneur d’histoires Instagram

Another U&S is out! Thank you @helen.pombo for your trust and for letting me rock alongside you all these years ♥️

For this editorial @alaeber and I brought some ✨ to the postproduction—Pairing AI and Creative Coding to the beautiful shoot by @studiovegete and @studio_siebrecht

Creative direction @helen.pombo

Another U&S is out! Thank you @helen.pombo for your trust and for letting me rock alongside you all these years ♥️

For this editorial @alaeber and I brought some ✨ to the postproduction—Pairing AI and Creative Coding to the beautiful shoot by @studiovegete and @studio_siebrecht

Creative direction @helen.pombo

Another U&S is out! Thank you @helen.pombo for your trust and for letting me rock alongside you all these years ♥️

For this editorial @alaeber and I brought some ✨ to the postproduction—Pairing AI and Creative Coding to the beautiful shoot by @studiovegete and @studio_siebrecht

Creative direction @helen.pombo

Another U&S is out! Thank you @helen.pombo for your trust and for letting me rock alongside you all these years ♥️

For this editorial @alaeber and I brought some ✨ to the postproduction—Pairing AI and Creative Coding to the beautiful shoot by @studiovegete and @studio_siebrecht

Creative direction @helen.pombo

Another U&S is out! Thank you @helen.pombo for your trust and for letting me rock alongside you all these years ♥️

For this editorial @alaeber and I brought some ✨ to the postproduction—Pairing AI and Creative Coding to the beautiful shoot by @studiovegete and @studio_siebrecht

Creative direction @helen.pombo

🐠 𝐌𝐞𝐝𝐢𝐚 𝐛𝐮𝐭 𝐦𝐚𝐤𝐞 𝐢𝐭 𝐆𝐞𝐧 𝐙
80% of children and young people engage with global news through social media. YouMedia seeks to foster media literacy, shares peer-to-peer knowledge and critically evaluates media consumption.

🎀 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐃𝐢𝐫𝐞𝐜𝐭𝐢𝐨𝐧
The typographic visual language is built on generative fonts, while the cinematic world immerses hosts and peers in a decontextualized space—a stark contrast to the ever-contextualized nature of social media.

🍧𝐃𝐢𝐬𝐜𝐨𝐯𝐞𝐫 youmedia.ch @youmedia_ch

Founders @franzfischlin Norbert Bernhard

Creative Direction and implementation @role.std
Concept and Design @role.std @silvanpossa

Cast @silvanpossa
Code @alaeber
Camera @serafingerber
Postproduction @matthias_kappeler

Faces Ana-Luisa Morganti, Emil Amstutz, Jada Angst, @jennykitzka @manuhdl Matia Bär @s_shianne @the_kaboom, y4mina

Team YouMedia Bettina Bertschinger @evagaudenz
@franzfischlin @jennykitzka @manuhdl @myidestany Norbert Bernhard @priskaamstutz @s_shianne

🐠 𝐌𝐞𝐝𝐢𝐚 𝐛𝐮𝐭 𝐦𝐚𝐤𝐞 𝐢𝐭 𝐆𝐞𝐧 𝐙
80% of children and young people engage with global news through social media. YouMedia seeks to foster media literacy, shares peer-to-peer knowledge and critically evaluates media consumption.

🎀 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐃𝐢𝐫𝐞𝐜𝐭𝐢𝐨𝐧
The typographic visual language is built on generative fonts, while the cinematic world immerses hosts and peers in a decontextualized space—a stark contrast to the ever-contextualized nature of social media.

🍧𝐃𝐢𝐬𝐜𝐨𝐯𝐞𝐫 youmedia.ch @youmedia_ch

Founders @franzfischlin Norbert Bernhard

Creative Direction and implementation @role.std
Concept and Design @role.std @silvanpossa

Cast @silvanpossa
Code @alaeber
Camera @serafingerber
Postproduction @matthias_kappeler

Faces Ana-Luisa Morganti, Emil Amstutz, Jada Angst, @jennykitzka @manuhdl Matia Bär @s_shianne @the_kaboom, y4mina

Team YouMedia Bettina Bertschinger @evagaudenz
@franzfischlin @jennykitzka @manuhdl @myidestany Norbert Bernhard @priskaamstutz @s_shianne

🐠 𝐌𝐞𝐝𝐢𝐚 𝐛𝐮𝐭 𝐦𝐚𝐤𝐞 𝐢𝐭 𝐆𝐞𝐧 𝐙
80% of children and young people engage with global news through social media. YouMedia seeks to foster media literacy, shares peer-to-peer knowledge and critically evaluates media consumption.

🎀 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐃𝐢𝐫𝐞𝐜𝐭𝐢𝐨𝐧
The typographic visual language is built on generative fonts, while the cinematic world immerses hosts and peers in a decontextualized space—a stark contrast to the ever-contextualized nature of social media.

🍧𝐃𝐢𝐬𝐜𝐨𝐯𝐞𝐫 youmedia.ch @youmedia_ch

Founders @franzfischlin Norbert Bernhard

Creative Direction and implementation @role.std
Concept and Design @role.std @silvanpossa

Cast @silvanpossa
Code @alaeber
Camera @serafingerber
Postproduction @matthias_kappeler

Faces Ana-Luisa Morganti, Emil Amstutz, Jada Angst, @jennykitzka @manuhdl Matia Bär @s_shianne @the_kaboom, y4mina

Team YouMedia Bettina Bertschinger @evagaudenz
@franzfischlin @jennykitzka @manuhdl @myidestany Norbert Bernhard @priskaamstutz @s_shianne

🐠 𝐌𝐞𝐝𝐢𝐚 𝐛𝐮𝐭 𝐦𝐚𝐤𝐞 𝐢𝐭 𝐆𝐞𝐧 𝐙
80% of children and young people engage with global news through social media. YouMedia seeks to foster media literacy, shares peer-to-peer knowledge and critically evaluates media consumption.

🎀 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐃𝐢𝐫𝐞𝐜𝐭𝐢𝐨𝐧
The typographic visual language is built on generative fonts, while the cinematic world immerses hosts and peers in a decontextualized space—a stark contrast to the ever-contextualized nature of social media.

🍧𝐃𝐢𝐬𝐜𝐨𝐯𝐞𝐫 youmedia.ch @youmedia_ch

Founders @franzfischlin Norbert Bernhard

Creative Direction and implementation @role.std
Concept and Design @role.std @silvanpossa

Cast @silvanpossa
Code @alaeber
Camera @serafingerber
Postproduction @matthias_kappeler

Faces Ana-Luisa Morganti, Emil Amstutz, Jada Angst, @jennykitzka @manuhdl Matia Bär @s_shianne @the_kaboom, y4mina

Team YouMedia Bettina Bertschinger @evagaudenz
@franzfischlin @jennykitzka @manuhdl @myidestany Norbert Bernhard @priskaamstutz @s_shianne

🐠 𝐌𝐞𝐝𝐢𝐚 𝐛𝐮𝐭 𝐦𝐚𝐤𝐞 𝐢𝐭 𝐆𝐞𝐧 𝐙
80% of children and young people engage with global news through social media. YouMedia seeks to foster media literacy, shares peer-to-peer knowledge and critically evaluates media consumption.

🎀 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐃𝐢𝐫𝐞𝐜𝐭𝐢𝐨𝐧
The typographic visual language is built on generative fonts, while the cinematic world immerses hosts and peers in a decontextualized space—a stark contrast to the ever-contextualized nature of social media.

🍧𝐃𝐢𝐬𝐜𝐨𝐯𝐞𝐫 youmedia.ch @youmedia_ch

Founders @franzfischlin Norbert Bernhard

Creative Direction and implementation @role.std
Concept and Design @role.std @silvanpossa

Cast @silvanpossa
Code @alaeber
Camera @serafingerber
Postproduction @matthias_kappeler

Faces Ana-Luisa Morganti, Emil Amstutz, Jada Angst, @jennykitzka @manuhdl Matia Bär @s_shianne @the_kaboom, y4mina

Team YouMedia Bettina Bertschinger @evagaudenz
@franzfischlin @jennykitzka @manuhdl @myidestany Norbert Bernhard @priskaamstutz @s_shianne

🐠 𝐌𝐞𝐝𝐢𝐚 𝐛𝐮𝐭 𝐦𝐚𝐤𝐞 𝐢𝐭 𝐆𝐞𝐧 𝐙
80% of children and young people engage with global news through social media. YouMedia seeks to foster media literacy, shares peer-to-peer knowledge and critically evaluates media consumption.

🎀 𝐂𝐫𝐞𝐚𝐭𝐢𝐯𝐞 𝐃𝐢𝐫𝐞𝐜𝐭𝐢𝐨𝐧
The typographic visual language is built on generative fonts, while the cinematic world immerses hosts and peers in a decontextualized space—a stark contrast to the ever-contextualized nature of social media.

🍧𝐃𝐢𝐬𝐜𝐨𝐯𝐞𝐫 youmedia.ch @youmedia_ch

Founders @franzfischlin Norbert Bernhard

Creative Direction and implementation @role.std
Concept and Design @role.std @silvanpossa

Cast @silvanpossa
Code @alaeber
Camera @serafingerber
Postproduction @matthias_kappeler

Faces Ana-Luisa Morganti, Emil Amstutz, Jada Angst, @jennykitzka @manuhdl Matia Bär @s_shianne @the_kaboom, y4mina

Team YouMedia Bettina Bertschinger @evagaudenz
@franzfischlin @jennykitzka @manuhdl @myidestany Norbert Bernhard @priskaamstutz @s_shianne

Losing pitches is tough—especially this one. In October 2024 and on invitation by @kunsthauszuerich we presented three design approaches for its soft redesign, aiming to create a cohesive visual identity, enhance recognition, and reflect the institution’s self-image.

In close collaboration with @silvanpossa we proposed three concepts:

📌 ARCHITECTURE AS KEY – Celebrating the New Building
Inspired by the link between the Chipperfield extension and the historic Pfister building, we developed a structured, line-based design that organizes content and creates playful visual spaces.

📌 TRANSITION AS KEY – Embracing the Interim Phase
A restrained, more neutral design ensures a seamless transition toward the 2027/28 redesign, maintaining clarity while reflecting the museum’s evolving identity.

📌 LOGO AS KEY – Strengthening Visual Heritage
By reintegrating its original typeface, the Kunsthaus Zürich logo reinforces its visual heritage, while a refined identity as “Kunsthaus”highlights its status as Switzerland’s most comprehensive museum.

Thank you @kunsthauszuerich for the opportunity!

Please note: All images are mock-ups. The displayed content refers to past or future exhibitions and is based on the information available to us at the time.

Losing pitches is tough—especially this one. In October 2024 and on invitation by @kunsthauszuerich we presented three design approaches for its soft redesign, aiming to create a cohesive visual identity, enhance recognition, and reflect the institution’s self-image.

In close collaboration with @silvanpossa we proposed three concepts:

📌 ARCHITECTURE AS KEY – Celebrating the New Building
Inspired by the link between the Chipperfield extension and the historic Pfister building, we developed a structured, line-based design that organizes content and creates playful visual spaces.

📌 TRANSITION AS KEY – Embracing the Interim Phase
A restrained, more neutral design ensures a seamless transition toward the 2027/28 redesign, maintaining clarity while reflecting the museum’s evolving identity.

📌 LOGO AS KEY – Strengthening Visual Heritage
By reintegrating its original typeface, the Kunsthaus Zürich logo reinforces its visual heritage, while a refined identity as “Kunsthaus”highlights its status as Switzerland’s most comprehensive museum.

Thank you @kunsthauszuerich for the opportunity!

Please note: All images are mock-ups. The displayed content refers to past or future exhibitions and is based on the information available to us at the time.

Losing pitches is tough—especially this one. In October 2024 and on invitation by @kunsthauszuerich we presented three design approaches for its soft redesign, aiming to create a cohesive visual identity, enhance recognition, and reflect the institution’s self-image.

In close collaboration with @silvanpossa we proposed three concepts:

📌 ARCHITECTURE AS KEY – Celebrating the New Building
Inspired by the link between the Chipperfield extension and the historic Pfister building, we developed a structured, line-based design that organizes content and creates playful visual spaces.

📌 TRANSITION AS KEY – Embracing the Interim Phase
A restrained, more neutral design ensures a seamless transition toward the 2027/28 redesign, maintaining clarity while reflecting the museum’s evolving identity.

📌 LOGO AS KEY – Strengthening Visual Heritage
By reintegrating its original typeface, the Kunsthaus Zürich logo reinforces its visual heritage, while a refined identity as “Kunsthaus”highlights its status as Switzerland’s most comprehensive museum.

Thank you @kunsthauszuerich for the opportunity!

Please note: All images are mock-ups. The displayed content refers to past or future exhibitions and is based on the information available to us at the time.

Losing pitches is tough—especially this one. In October 2024 and on invitation by @kunsthauszuerich we presented three design approaches for its soft redesign, aiming to create a cohesive visual identity, enhance recognition, and reflect the institution’s self-image.

In close collaboration with @silvanpossa we proposed three concepts:

📌 ARCHITECTURE AS KEY – Celebrating the New Building
Inspired by the link between the Chipperfield extension and the historic Pfister building, we developed a structured, line-based design that organizes content and creates playful visual spaces.

📌 TRANSITION AS KEY – Embracing the Interim Phase
A restrained, more neutral design ensures a seamless transition toward the 2027/28 redesign, maintaining clarity while reflecting the museum’s evolving identity.

📌 LOGO AS KEY – Strengthening Visual Heritage
By reintegrating its original typeface, the Kunsthaus Zürich logo reinforces its visual heritage, while a refined identity as “Kunsthaus”highlights its status as Switzerland’s most comprehensive museum.

Thank you @kunsthauszuerich for the opportunity!

Please note: All images are mock-ups. The displayed content refers to past or future exhibitions and is based on the information available to us at the time.

Losing pitches is tough—especially this one. In October 2024 and on invitation by @kunsthauszuerich we presented three design approaches for its soft redesign, aiming to create a cohesive visual identity, enhance recognition, and reflect the institution’s self-image.

In close collaboration with @silvanpossa we proposed three concepts:

📌 ARCHITECTURE AS KEY – Celebrating the New Building
Inspired by the link between the Chipperfield extension and the historic Pfister building, we developed a structured, line-based design that organizes content and creates playful visual spaces.

📌 TRANSITION AS KEY – Embracing the Interim Phase
A restrained, more neutral design ensures a seamless transition toward the 2027/28 redesign, maintaining clarity while reflecting the museum’s evolving identity.

📌 LOGO AS KEY – Strengthening Visual Heritage
By reintegrating its original typeface, the Kunsthaus Zürich logo reinforces its visual heritage, while a refined identity as “Kunsthaus”highlights its status as Switzerland’s most comprehensive museum.

Thank you @kunsthauszuerich for the opportunity!

Please note: All images are mock-ups. The displayed content refers to past or future exhibitions and is based on the information available to us at the time.

Losing pitches is tough—especially this one. In October 2024 and on invitation by @kunsthauszuerich we presented three design approaches for its soft redesign, aiming to create a cohesive visual identity, enhance recognition, and reflect the institution’s self-image.

In close collaboration with @silvanpossa we proposed three concepts:

📌 ARCHITECTURE AS KEY – Celebrating the New Building
Inspired by the link between the Chipperfield extension and the historic Pfister building, we developed a structured, line-based design that organizes content and creates playful visual spaces.

📌 TRANSITION AS KEY – Embracing the Interim Phase
A restrained, more neutral design ensures a seamless transition toward the 2027/28 redesign, maintaining clarity while reflecting the museum’s evolving identity.

📌 LOGO AS KEY – Strengthening Visual Heritage
By reintegrating its original typeface, the Kunsthaus Zürich logo reinforces its visual heritage, while a refined identity as “Kunsthaus”highlights its status as Switzerland’s most comprehensive museum.

Thank you @kunsthauszuerich for the opportunity!

Please note: All images are mock-ups. The displayed content refers to past or future exhibitions and is based on the information available to us at the time.

Losing pitches is tough—especially this one. In October 2024 and on invitation by @kunsthauszuerich we presented three design approaches for its soft redesign, aiming to create a cohesive visual identity, enhance recognition, and reflect the institution’s self-image.

In close collaboration with @silvanpossa we proposed three concepts:

📌 ARCHITECTURE AS KEY – Celebrating the New Building
Inspired by the link between the Chipperfield extension and the historic Pfister building, we developed a structured, line-based design that organizes content and creates playful visual spaces.

📌 TRANSITION AS KEY – Embracing the Interim Phase
A restrained, more neutral design ensures a seamless transition toward the 2027/28 redesign, maintaining clarity while reflecting the museum’s evolving identity.

📌 LOGO AS KEY – Strengthening Visual Heritage
By reintegrating its original typeface, the Kunsthaus Zürich logo reinforces its visual heritage, while a refined identity as “Kunsthaus”highlights its status as Switzerland’s most comprehensive museum.

Thank you @kunsthauszuerich for the opportunity!

Please note: All images are mock-ups. The displayed content refers to past or future exhibitions and is based on the information available to us at the time.

🌀🌀🌀 for @rehmannmuseum_laufenburg

Designed and printed with the best @ycoco___ @fiona_sgntr (graphic design) and @mati_ravano @maanopress (silkscreen)

🌀🌀🌀 for @rehmannmuseum_laufenburg

Designed and printed with the best @ycoco___ @fiona_sgntr (graphic design) and @mati_ravano @maanopress (silkscreen)

🌀🌀🌀 for @rehmannmuseum_laufenburg

Designed and printed with the best @ycoco___ @fiona_sgntr (graphic design) and @mati_ravano @maanopress (silkscreen)

🌀🌀🌀 for @rehmannmuseum_laufenburg

Designed and printed with the best @ycoco___ @fiona_sgntr (graphic design) and @mati_ravano @maanopress (silkscreen)

From structural questions and technical feasibility to coordination, design and project management — website for Reseda.

The site gives an overview of the furniture range, explains each piece, links to preconfigured examples and at its core: a configurator that allows every variation to be visualized and calculated.

This project was only possible through close collaboration with @aceed_wizarrd @alaeber Andreas Niederer, @eneatoldo Nicola Haggenmacher, Olivia Niederer and Tobias Gemperli.

Thank you for joining forces. Website still in the making.

Client: @reseda_furniture 
Creative Direction: @role.std @eneatoldo 
Web Design: @role.std (@lea.romana @ycoco___ )
Development: @alaeber 
Configurator: @milkinteractive

All set in Reseda Gothic.

From structural questions and technical feasibility to coordination, design and project management — website for Reseda.

The site gives an overview of the furniture range, explains each piece, links to preconfigured examples and at its core: a configurator that allows every variation to be visualized and calculated.

This project was only possible through close collaboration with @aceed_wizarrd @alaeber Andreas Niederer, @eneatoldo Nicola Haggenmacher, Olivia Niederer and Tobias Gemperli.

Thank you for joining forces. Website still in the making.

Client: @reseda_furniture 
Creative Direction: @role.std @eneatoldo 
Web Design: @role.std (@lea.romana @ycoco___ )
Development: @alaeber 
Configurator: @milkinteractive

All set in Reseda Gothic.

From structural questions and technical feasibility to coordination, design and project management — website for Reseda.

The site gives an overview of the furniture range, explains each piece, links to preconfigured examples and at its core: a configurator that allows every variation to be visualized and calculated.

This project was only possible through close collaboration with @aceed_wizarrd @alaeber Andreas Niederer, @eneatoldo Nicola Haggenmacher, Olivia Niederer and Tobias Gemperli.

Thank you for joining forces. Website still in the making.

Client: @reseda_furniture 
Creative Direction: @role.std @eneatoldo 
Web Design: @role.std (@lea.romana @ycoco___ )
Development: @alaeber 
Configurator: @milkinteractive

All set in Reseda Gothic.

From structural questions and technical feasibility to coordination, design and project management — website for Reseda.

The site gives an overview of the furniture range, explains each piece, links to preconfigured examples and at its core: a configurator that allows every variation to be visualized and calculated.

This project was only possible through close collaboration with @aceed_wizarrd @alaeber Andreas Niederer, @eneatoldo Nicola Haggenmacher, Olivia Niederer and Tobias Gemperli.

Thank you for joining forces. Website still in the making.

Client: @reseda_furniture 
Creative Direction: @role.std @eneatoldo 
Web Design: @role.std (@lea.romana @ycoco___ )
Development: @alaeber 
Configurator: @milkinteractive

All set in Reseda Gothic.

From structural questions and technical feasibility to coordination, design and project management — website for Reseda.

The site gives an overview of the furniture range, explains each piece, links to preconfigured examples and at its core: a configurator that allows every variation to be visualized and calculated.

This project was only possible through close collaboration with @aceed_wizarrd @alaeber Andreas Niederer, @eneatoldo Nicola Haggenmacher, Olivia Niederer and Tobias Gemperli.

Thank you for joining forces. Website still in the making.

Client: @reseda_furniture 
Creative Direction: @role.std @eneatoldo 
Web Design: @role.std (@lea.romana @ycoco___ )
Development: @alaeber 
Configurator: @milkinteractive

All set in Reseda Gothic.

From structural questions and technical feasibility to coordination, design and project management — website for Reseda.

The site gives an overview of the furniture range, explains each piece, links to preconfigured examples and at its core: a configurator that allows every variation to be visualized and calculated.

This project was only possible through close collaboration with @aceed_wizarrd @alaeber Andreas Niederer, @eneatoldo Nicola Haggenmacher, Olivia Niederer and Tobias Gemperli.

Thank you for joining forces. Website still in the making.

Client: @reseda_furniture 
Creative Direction: @role.std @eneatoldo 
Web Design: @role.std (@lea.romana @ycoco___ )
Development: @alaeber 
Configurator: @milkinteractive

All set in Reseda Gothic.

From structural questions and technical feasibility to coordination, design and project management — website for Reseda.

The site gives an overview of the furniture range, explains each piece, links to preconfigured examples and at its core: a configurator that allows every variation to be visualized and calculated.

This project was only possible through close collaboration with @aceed_wizarrd @alaeber Andreas Niederer, @eneatoldo Nicola Haggenmacher, Olivia Niederer and Tobias Gemperli.

Thank you for joining forces. Website still in the making.

Client: @reseda_furniture 
Creative Direction: @role.std @eneatoldo 
Web Design: @role.std (@lea.romana @ycoco___ )
Development: @alaeber 
Configurator: @milkinteractive

All set in Reseda Gothic.

Lettering explorations for the upcoming exhibition “Énergies fossiles” @rehmannmuseum_laufenburg

Lettering explorations for the upcoming exhibition “Énergies fossiles” @rehmannmuseum_laufenburg

Lettering explorations for the upcoming exhibition “Énergies fossiles” @rehmannmuseum_laufenburg

Lettering explorations for the upcoming exhibition “Énergies fossiles” @rehmannmuseum_laufenburg

Lettering explorations for the upcoming exhibition “Énergies fossiles” @rehmannmuseum_laufenburg

Books developed and designed over recent years.

“Technologie der Zukunft. Vanessa Billy, Brodie Ellis, Paul Schatz” @rehmannmuseum_laufenburg @vanessabbbilly
“Zeitreise auf dem Kopf” @ruedibechtler @kunsthauslangenthal
“Sandra Vàsquez de la Horra. Twin Souls” @sandravasquezdelahorra @galeriehaaszurich
“Quido Sen. Regelmässigkeit des Zufalls” @kunsthalle_luzern
“Joan Snyder. Silk & Song” @joan_snyder_art @galeriehaaszurich

Thank you @anja_wille_schori for the nice 📸

Books developed and designed over recent years.

“Technologie der Zukunft. Vanessa Billy, Brodie Ellis, Paul Schatz” @rehmannmuseum_laufenburg @vanessabbbilly
“Zeitreise auf dem Kopf” @ruedibechtler @kunsthauslangenthal
“Sandra Vàsquez de la Horra. Twin Souls” @sandravasquezdelahorra @galeriehaaszurich
“Quido Sen. Regelmässigkeit des Zufalls” @kunsthalle_luzern
“Joan Snyder. Silk & Song” @joan_snyder_art @galeriehaaszurich

Thank you @anja_wille_schori for the nice 📸

Graphic Design Intern (60%)
March–August 2026 (with possibility of extension)

ROLE is looking for a Graphic Design Intern to join our small, independent studio working at the intersection of concept and visual form. The practice navigates between print and digital contexts, with a strong focus on clarity, authorship, and typographic precision.

You are:
— in your 2nd or 3rd year of a BA in Visual Communication or a comparable programme
— interested in research-led design and the development of strong, coherent visual concepts
— curious, reflective, and attentive to detail
— based in Zurich or willing to work from Zurich
— confident in German
— familiar with print design processes, prototyping, and basic motion design

The internship offers close involvement in ongoing projects and insight into the daily practice of a concept-driven graphic design studio.

Please send your portfolio and CV to:
🫟 lea@role-studio.com

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

Customized Reseda Gothic — a glimpse into the making of the type specimen, developed by @role.std @ycoco___ @lea.romana and @free_bernie

Rooted in Bell Gothic — a typeface originally designed for telephone directories and small point sizes — Reseda Gothic serves as the typographic foundation of Reseda’s soft redesign.

The specimen not only celebrates the typeface itself, but also reflects on ten years of Reseda: its campaigns and visual language, while placing the type in dialogue with the formal qualities of the furniture.

More to come soon!

Creative Direction Reseda: @role.std @eneatoldo 
Reseda Gothic: @free_bernie @lea.romana @outofthedark.xyz 
Graphic Design Specimen: @ycoco___ @lea.romana @free_bernie

These beauties on display in Zurich. Campaign for @reseda_furniture

Creative direction: @role.std @eneatoldo
Graphic Design: @lea.romana @ycoco___
Photography: @shot_by_peter
Client: @reseda_furniture
Typeface: @free_bernie @outofthedark.xyz @role.std

These beauties on display in Zurich. Campaign for @reseda_furniture

Creative direction: @role.std @eneatoldo
Graphic Design: @lea.romana @ycoco___
Photography: @shot_by_peter
Client: @reseda_furniture
Typeface: @free_bernie @outofthedark.xyz @role.std

These beauties on display in Zurich. Campaign for @reseda_furniture

Creative direction: @role.std @eneatoldo
Graphic Design: @lea.romana @ycoco___
Photography: @shot_by_peter
Client: @reseda_furniture
Typeface: @free_bernie @outofthedark.xyz @role.std

These beauties on display in Zurich. Campaign for @reseda_furniture

Creative direction: @role.std @eneatoldo
Graphic Design: @lea.romana @ycoco___
Photography: @shot_by_peter
Client: @reseda_furniture
Typeface: @free_bernie @outofthedark.xyz @role.std

These beauties on display in Zurich. Campaign for @reseda_furniture

Creative direction: @role.std @eneatoldo
Graphic Design: @lea.romana @ycoco___
Photography: @shot_by_peter
Client: @reseda_furniture
Typeface: @free_bernie @outofthedark.xyz @role.std

These beauties on display in Zurich. Campaign for @reseda_furniture

Creative direction: @role.std @eneatoldo
Graphic Design: @lea.romana @ycoco___
Photography: @shot_by_peter
Client: @reseda_furniture
Typeface: @free_bernie @outofthedark.xyz @role.std

Santa Claus approved, briefing ignored. Based on ‘Disobedient Santa Claus‘ @martin_groch develeoped a drawing for @rehmannmuseum_laufenburg

What emerged was not a Christmas card but a large-format poster intended for reuse as unbranded gift wrap.

Idea, concept & art direction @role.std

Santa Claus approved, briefing ignored. Based on ‘Disobedient Santa Claus‘ @martin_groch develeoped a drawing for @rehmannmuseum_laufenburg

What emerged was not a Christmas card but a large-format poster intended for reuse as unbranded gift wrap.

Idea, concept & art direction @role.std

Santa Claus approved, briefing ignored. Based on ‘Disobedient Santa Claus‘ @martin_groch develeoped a drawing for @rehmannmuseum_laufenburg

What emerged was not a Christmas card but a large-format poster intended for reuse as unbranded gift wrap.

Idea, concept & art direction @role.std

Santa Claus approved, briefing ignored. Based on ‘Disobedient Santa Claus‘ @martin_groch develeoped a drawing for @rehmannmuseum_laufenburg

What emerged was not a Christmas card but a large-format poster intended for reuse as unbranded gift wrap.

Idea, concept & art direction @role.std

Santa Claus approved, briefing ignored. Based on ‘Disobedient Santa Claus‘ @martin_groch develeoped a drawing for @rehmannmuseum_laufenburg

What emerged was not a Christmas card but a large-format poster intended for reuse as unbranded gift wrap.

Idea, concept & art direction @role.std

Santa Claus approved, briefing ignored. Based on ‘Disobedient Santa Claus‘ @martin_groch develeoped a drawing for @rehmannmuseum_laufenburg

What emerged was not a Christmas card but a large-format poster intended for reuse as unbranded gift wrap.

Idea, concept & art direction @role.std

Santa Claus approved, briefing ignored. Based on ‘Disobedient Santa Claus‘ @martin_groch develeoped a drawing for @rehmannmuseum_laufenburg

What emerged was not a Christmas card but a large-format poster intended for reuse as unbranded gift wrap.

Idea, concept & art direction @role.std

Girl boss vibes.

Founded seven years ago by @lea.romana, @role.std set out to foster the visibility of women in graphic design. Looking back at this past year, we feel one step closer.

Two powerhouse women, @ycoco___ and @mati_ravano, significantly shaped @role.std’s projects during this time. @mati_ravano was part of the team until spring 2025 and continues to collaborate with ROLE on a project basis, while @ycoco___ will complete her internship in February 2026.

Many thanks to @simonhabegger for this fire photo of us.

Girl boss vibes.

Founded seven years ago by @lea.romana, @role.std set out to foster the visibility of women in graphic design. Looking back at this past year, we feel one step closer.

Two powerhouse women, @ycoco___ and @mati_ravano, significantly shaped @role.std’s projects during this time. @mati_ravano was part of the team until spring 2025 and continues to collaborate with ROLE on a project basis, while @ycoco___ will complete her internship in February 2026.

Many thanks to @simonhabegger for this fire photo of us.