Footage from our performance for @artifice.nyc at @onassis.onx 🐐
As a late addition to the program, @zoroze_ and I had one week to reimagine “Waltz of the Ibex” as a shorter piece that could work in the @onassis.onx space.
The piece takes its name from the Alpine ibex, a mountain goat native to the French Alps. Their hooves have a hard outer rim and a soft inner suction cup that allow them to climb vertical cliffs.
The climax of the piece was inspired by their mating season ritual - the males rear up on their hind legs and then slam their horns together, creating a thunderous crack that echoes across the mountain slopes.
@mynameisdaixa as The Referee
Videography + edit @effyinyadr3am

Thanks @artifice.nyc for having us @onassis.onx 🌬️
Photos @andrewdengddd
As a late addition to the program, @zoroze_ and I had one week to reimagine “Waltz of the Ibex” as a shorter piece that could work in the @onassis.onx space.
Big thanks to the production crew and congrats to all the other artists on the bill.
Thank you @mynameisdaixa for lending us your talents again to play The Referee

Thanks @artifice.nyc for having us @onassis.onx 🌬️
Photos @andrewdengddd
As a late addition to the program, @zoroze_ and I had one week to reimagine “Waltz of the Ibex” as a shorter piece that could work in the @onassis.onx space.
Big thanks to the production crew and congrats to all the other artists on the bill.
Thank you @mynameisdaixa for lending us your talents again to play The Referee

Thanks @artifice.nyc for having us @onassis.onx 🌬️
Photos @andrewdengddd
As a late addition to the program, @zoroze_ and I had one week to reimagine “Waltz of the Ibex” as a shorter piece that could work in the @onassis.onx space.
Big thanks to the production crew and congrats to all the other artists on the bill.
Thank you @mynameisdaixa for lending us your talents again to play The Referee

Last month, @zoroze_ and I premiered “Waltz of the Ibex,” a 30-minute movement duet, at @heat_index_
The piece takes its name from the Alpine ibex, a type of goat found in the European Alps. Because of its special hoof design (soft inner + hard rim), it can climb vertical cliffs and leap across wide gaps. During mating season, the males engage in displays of dominance by rearing up on their hind legs and then slamming their horns together, creating a thunderous crack that echoes across the mountain slopes.
Zo and I collaborated very closely on the choreography, and used the ibex, among other characters, to explore the space between competition and symbiosis.
Photos: @toddmidler
Costumes: @zoroze.art
Referee: @mynameisdaixa
Last-minute spotlight install: @cleo__perez
Lighting design: Shape Language
Lighting operator: @sayokoosada

Last month, @zoroze_ and I premiered “Waltz of the Ibex,” a 30-minute movement duet, at @heat_index_
The piece takes its name from the Alpine ibex, a type of goat found in the European Alps. Because of its special hoof design (soft inner + hard rim), it can climb vertical cliffs and leap across wide gaps. During mating season, the males engage in displays of dominance by rearing up on their hind legs and then slamming their horns together, creating a thunderous crack that echoes across the mountain slopes.
Zo and I collaborated very closely on the choreography, and used the ibex, among other characters, to explore the space between competition and symbiosis.
Photos: @toddmidler
Costumes: @zoroze.art
Referee: @mynameisdaixa
Last-minute spotlight install: @cleo__perez
Lighting design: Shape Language
Lighting operator: @sayokoosada

Last month, @zoroze_ and I premiered “Waltz of the Ibex,” a 30-minute movement duet, at @heat_index_
The piece takes its name from the Alpine ibex, a type of goat found in the European Alps. Because of its special hoof design (soft inner + hard rim), it can climb vertical cliffs and leap across wide gaps. During mating season, the males engage in displays of dominance by rearing up on their hind legs and then slamming their horns together, creating a thunderous crack that echoes across the mountain slopes.
Zo and I collaborated very closely on the choreography, and used the ibex, among other characters, to explore the space between competition and symbiosis.
Photos: @toddmidler
Costumes: @zoroze.art
Referee: @mynameisdaixa
Last-minute spotlight install: @cleo__perez
Lighting design: Shape Language
Lighting operator: @sayokoosada

Last month, @zoroze_ and I premiered “Waltz of the Ibex,” a 30-minute movement duet, at @heat_index_
The piece takes its name from the Alpine ibex, a type of goat found in the European Alps. Because of its special hoof design (soft inner + hard rim), it can climb vertical cliffs and leap across wide gaps. During mating season, the males engage in displays of dominance by rearing up on their hind legs and then slamming their horns together, creating a thunderous crack that echoes across the mountain slopes.
Zo and I collaborated very closely on the choreography, and used the ibex, among other characters, to explore the space between competition and symbiosis.
Photos: @toddmidler
Costumes: @zoroze.art
Referee: @mynameisdaixa
Last-minute spotlight install: @cleo__perez
Lighting design: Shape Language
Lighting operator: @sayokoosada

Last month, @zoroze_ and I premiered “Waltz of the Ibex,” a 30-minute movement duet, at @heat_index_
The piece takes its name from the Alpine ibex, a type of goat found in the European Alps. Because of its special hoof design (soft inner + hard rim), it can climb vertical cliffs and leap across wide gaps. During mating season, the males engage in displays of dominance by rearing up on their hind legs and then slamming their horns together, creating a thunderous crack that echoes across the mountain slopes.
Zo and I collaborated very closely on the choreography, and used the ibex, among other characters, to explore the space between competition and symbiosis.
Photos: @toddmidler
Costumes: @zoroze.art
Referee: @mynameisdaixa
Last-minute spotlight install: @cleo__perez
Lighting design: Shape Language
Lighting operator: @sayokoosada
Heat Index, Volume III. March 28th, 2026.
“Waltz of the Ibex,” opening ceremony for the dancefloor
Event Credits
Directors: @san_huan_ @shape_language___
Installation @zoroze.art
Movement: @zoroze_ @shape_language___ @mynameisdaixa
Sounds: Marble Rye @drewknowitz Gbar @_gbar_Matük @ma.tuk Jan Loup @janloup999 Ayesha @ayescold
Food Installation: @rottenmother.nyc
Snacks: @snacc.fairy
Videographer: @_nightshiftnurse_
Photos: @toddmidler
Heat Index, Volume III. March 28th, 2026.
“Waltz of the Ibex,” opening ceremony for the dancefloor
Event Credits
Directors: @san_huan_ @shape_language___
Installation @zoroze.art
Movement: @zoroze_ @shape_language___ @mynameisdaixa
Sounds: Marble Rye @drewknowitz Gbar @_gbar_Matük @ma.tuk Jan Loup @janloup999 Ayesha @ayescold
Food Installation: @rottenmother.nyc
Snacks: @snacc.fairy
Videographer: @_nightshiftnurse_
Photos: @toddmidler
Heat Index, Volume III. March 28th, 2026.
“Waltz of the Ibex,” opening ceremony for the dancefloor
Event Credits
Directors: @san_huan_ @shape_language___
Installation @zoroze.art
Movement: @zoroze_ @shape_language___ @mynameisdaixa
Sounds: Marble Rye @drewknowitz Gbar @_gbar_Matük @ma.tuk Jan Loup @janloup999 Ayesha @ayescold
Food Installation: @rottenmother.nyc
Snacks: @snacc.fairy
Videographer: @_nightshiftnurse_
Photos: @toddmidler
Heat Index, Volume III. March 28th, 2026.
“Waltz of the Ibex,” opening ceremony for the dancefloor
Event Credits
Directors: @san_huan_ @shape_language___
Installation @zoroze.art
Movement: @zoroze_ @shape_language___ @mynameisdaixa
Sounds: Marble Rye @drewknowitz Gbar @_gbar_Matük @ma.tuk Jan Loup @janloup999 Ayesha @ayescold
Food Installation: @rottenmother.nyc
Snacks: @snacc.fairy
Videographer: @_nightshiftnurse_
Photos: @toddmidler
Heat Index, Volume III. March 28th, 2026.
“Waltz of the Ibex,” opening ceremony for the dancefloor
Event Credits
Directors: @san_huan_ @shape_language___
Installation @zoroze.art
Movement: @zoroze_ @shape_language___ @mynameisdaixa
Sounds: Marble Rye @drewknowitz Gbar @_gbar_Matük @ma.tuk Jan Loup @janloup999 Ayesha @ayescold
Food Installation: @rottenmother.nyc
Snacks: @snacc.fairy
Videographer: @_nightshiftnurse_
Photos: @toddmidler
Heat Index, Volume III. March 28th, 2026.
“Waltz of the Ibex,” opening ceremony for the dancefloor
Event Credits
Directors: @san_huan_ @shape_language___
Installation @zoroze.art
Movement: @zoroze_ @shape_language___ @mynameisdaixa
Sounds: Marble Rye @drewknowitz Gbar @_gbar_Matük @ma.tuk Jan Loup @janloup999 Ayesha @ayescold
Food Installation: @rottenmother.nyc
Snacks: @snacc.fairy
Videographer: @_nightshiftnurse_
Photos: @toddmidler
I’ll be performing at STAGE DIVE @triskelionarts on Monday 3/3 8 PM. Balloons, padded football pants, snakes, mime, echoes of Krump, folding laundry, inflation, deflation, and generally bending the laws of physics. You will be moved on a molecular level.
I’ll be sharing a work-in-progress section of a bigger duet (“Ibex”) that @zoroze_ and I will be presenting @heat_index_ on 3/28.
Footage from @hallowdreamz wednesday krump class @moversbodega . Thank you Brian for your continued support of my practice.
I’ll be performing at STAGE DIVE @triskelionarts on Monday 3/3 8 PM. Balloons, padded football pants, snakes, mime, echoes of Krump, folding laundry, inflation, deflation, and generally bending the laws of physics. You will be moved on a molecular level.
I’ll be sharing a work-in-progress section of a bigger duet (“Ibex”) that @zoroze_ and I will be presenting @heat_index_ on 3/28.
Footage from @hallowdreamz wednesday krump class @moversbodega . Thank you Brian for your continued support of my practice.
More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”
More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”
More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”

More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”

More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”

More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”

More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”

More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”

More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”

More of my flute, deftly distorted and warped by @priori_tize and @b._mcqueen on the excellent “Get Weavin”, released on Naff @anaffisanaff .
I play my father’s 40-year-old Yamaha, which has acquired a distinct patina, both materially and spiritually. It started its life in Paris, spent a holiday in Corsica (pictured above), and crossed the Atlantic. Over the past year, as part of this hypnotic 7 minute slow burner, it has continued its journey, its frequencies fluttering across all kinds of dance floors in DJ and live sets.
In B’s own words -
“Get Weavin’” took shape in the haze following a heavy night celebrating fabric’s 25th anniversary, an evening where Ben Klock b2b Marcel Dettmann indirectly sparked the creation of B. McQueen herself. Fueled by that post-club momentum, the track later found its signature psychedelic tinge through flute samples contributed by Shape Language”
Concept for an interactive installation. Two participants combine their body vertices to create constellations. Loosely based on the Greek myth, they become the Gemini twins and complete challenges to find the Golden Fleece. Touchdesigner + mediapipe.

Concept for an interactive installation. Two participants combine their body vertices to create constellations. Loosely based on the Greek myth, they become the Gemini twins and complete challenges to find the Golden Fleece. Touchdesigner + mediapipe.

Concept for an interactive installation. Two participants combine their body vertices to create constellations. Loosely based on the Greek myth, they become the Gemini twins and complete challenges to find the Golden Fleece. Touchdesigner + mediapipe.

Concept for an interactive installation. Two participants combine their body vertices to create constellations. Loosely based on the Greek myth, they become the Gemini twins and complete challenges to find the Golden Fleece. Touchdesigner + mediapipe.

Concept for an interactive installation. Two participants combine their body vertices to create constellations. Loosely based on the Greek myth, they become the Gemini twins and complete challenges to find the Golden Fleece. Touchdesigner + mediapipe.

Concept for an interactive installation. Two participants combine their body vertices to create constellations. Loosely based on the Greek myth, they become the Gemini twins and complete challenges to find the Golden Fleece. Touchdesigner + mediapipe.

Concept for an interactive installation. Two participants combine their body vertices to create constellations. Loosely based on the Greek myth, they become the Gemini twins and complete challenges to find the Golden Fleece. Touchdesigner + mediapipe.
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
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