Visionneur d’histoires Instagram
Voir les histoires Instagram de manière anonyme
solangesmith
Madhatter
Uk & EU fashion editor @brownstonecowboys
akira @proximars
@nextparis
london+paris
🇫🇷 🇳🇱 🇲🇾 🇨🇳 🇪🇸
🃏-Smile and paint us red-🃏
This art installation in Washington Square Park was more than an exhibition to me; it was an invitation to reflect on our roles in the collective masterpiece that is society. It’s a celebration of the dynamic interplay between government and individual agency, set against the backdrop of an open space where art is not a privilege but a shared journey for all to experience and explore.
Thank you again to everyone who stopped by, it was an honour to share this experience and meet you all 🖤
—-
Smile and paint us red
Cover our eyes with a thread
Pick us up and put us down
Standing here alone as your clowns
To manoeuvre and twist
To abuse as you wish
A shadow we’re becoming
Due to all your stomping
Stick to your lane they say
Stick to your lane and let us pave your way
Cracks created in our foundation
Whilst you sit at your station
Broken cement on the floor
As you rally up your own score
A choice we have you say
A choice
Whilst keeping us in the grey
Because you would rather us stay and cry
Cry until all the lakes and rivers are filled
Then stay in misery until killed
Smile and paint us red
In heaps of love and depth of despair
Here we go disappear into thin air
It’s sad
How we love to haunt one another
How we love to hide behind our masks and judge
It’s sad
How we love to open the gates of hell for one another
How we love to hate
And blame it on fate
But as we sit you and point fingers at everyone else
Why not take the time to reflect on ourselves
Let’s stop complimenting others whilst looking at them with a frown
Let’s stop judging because of insecurities
Then putting people down for absurdities
It’s sad
How you smile and paint us red
Whilst letters are left unread
Shadows holding our threads
Whilst you cover our eyes in dread
We cannot thrive with darkness growing throughout our veins
So stop using our pain
For you to use and abuse for your own gain
🃏-Smile and paint us red-🃏
This art installation in Washington Square Park was more than an exhibition to me; it was an invitation to reflect on our roles in the collective masterpiece that is society. It’s a celebration of the dynamic interplay between government and individual agency, set against the backdrop of an open space where art is not a privilege but a shared journey for all to experience and explore.
Thank you again to everyone who stopped by, it was an honour to share this experience and meet you all 🖤
—-
Smile and paint us red
Cover our eyes with a thread
Pick us up and put us down
Standing here alone as your clowns
To manoeuvre and twist
To abuse as you wish
A shadow we’re becoming
Due to all your stomping
Stick to your lane they say
Stick to your lane and let us pave your way
Cracks created in our foundation
Whilst you sit at your station
Broken cement on the floor
As you rally up your own score
A choice we have you say
A choice
Whilst keeping us in the grey
Because you would rather us stay and cry
Cry until all the lakes and rivers are filled
Then stay in misery until killed
Smile and paint us red
In heaps of love and depth of despair
Here we go disappear into thin air
It’s sad
How we love to haunt one another
How we love to hide behind our masks and judge
It’s sad
How we love to open the gates of hell for one another
How we love to hate
And blame it on fate
But as we sit you and point fingers at everyone else
Why not take the time to reflect on ourselves
Let’s stop complimenting others whilst looking at them with a frown
Let’s stop judging because of insecurities
Then putting people down for absurdities
It’s sad
How you smile and paint us red
Whilst letters are left unread
Shadows holding our threads
Whilst you cover our eyes in dread
We cannot thrive with darkness growing throughout our veins
So stop using our pain
For you to use and abuse for your own gain
🃏Coming Back Soon 🃏
Le Sage marked the beginning of my exploration between traditional art and artificial intelligence. At its center stands a painting I created by hand, drawn from ancestral wisdom. While AKIRA, trained in my artistic style replicates it live, translating my process through its own digital logic. Together we examine how technology can mirror, extend, and even challenge the artist’s hand. This installation reflects my ongoing dialogue between heritage and innovation, human emotion and algorithmic creation.
‘L’enfant’
-I am the bad that made me- series
Year 2022
Acrylic on canvas
183.5 x 146
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
@heathermary.jackson and I have been carrying this issue in our heads for longer than we’ve admitted to most people.
What you’re holding is one year of a small team refusing to make something ordinary. Ten covers, because ten stories deserved the front. Three hundred and twelve pages, because the work asked for the room. No advertising, because we wanted the pages to belong to the work.
It’s a small argument for making things slowly. With people you trust. In a moment that rewards the opposite.
It’s real. Issue One is yours. Thank you for being part of it.
To our incredible team. You’re beyond imagining, we adore you. Thank you!
Editor in Chief @bennjae
Creative Director @heathermary.jackson
Head of Brand @gizelle_regan
Style Director @jamesbrownstyle
Art Directors @federico_paviani @joshuaalthaus
Senior Editor US @thisisauthentic
Senior Editor UK @kerryshawstuff
And we warmly welcome new team members
Fashion Editor US @freddiefredericks
Fashion Editor UK @solangesmith
Junior Editor @veniceqin
X
Benn Jae
Editor in Chief
‘why try to change me now’ @spookytooof 🖤
~saying this journey has been an immense honour doesn’t even begin to cover it
Ibeen working on this project for a while-/soon, 1st of September 2026 🤍
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
Avantages d’Anonstories
Explorer les histoires IG discrètement
Suivez les mises à jour Instagram en toute discrétion tout en protégeant votre vie privée et en restant anonyme.
Visionneur privé Instagram
Consultez les profils et photos anonymement avec aisance grâce au visionneur de profil privé.
Visionneur d’histoires gratuit
Ce service gratuit vous permet de voir les histoires Instagram anonymement, garantissant que votre activité reste cachée de l’uploader.
Questions fréquemment posées
Anonymat
Anonstories permet aux utilisateurs de voir les histoires Instagram sans alerter le créateur.
Compatibilité des appareils
Fonctionne parfaitement sur iOS, Android, Windows, macOS et les navigateurs modernes comme Chrome et Safari.
Sécurité et confidentialité
Privilégie la navigation sécurisée et anonyme sans nécessiter de coordonnées de connexion.
Pas d’inscription
Les utilisateurs peuvent voir des histoires publiques en entrant simplement un nom d’utilisateur — sans compte requis.
Formats pris en charge
Télécharge les photos (JPEG) et les vidéos (MP4) facilement.
Coût
Le service est gratuit.
Comptes privés
Le contenu des comptes privés n’est accessible qu’aux abonnés.
Utilisation des fichiers
Les fichiers sont destinés à un usage personnel ou éducatif uniquement et doivent respecter les règles de droit d’auteur.
Comment ça marche
Entrez un nom d’utilisateur public pour voir ou télécharger des histoires. Le service génère des liens directs pour sauvegarder le contenu localement.