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weareshift4
SHIFT 4
Independent rental house for Film & TV camera dept; Est. 1989
.
🎥 Cameras
👀 Lenses
💡 Lights
🦾 Grips
🎧 Audio
.
💂♂️ London & Manchester 🐝
The ALEXA 35
It took over a decade to engineer this extraordinary camera… and it was worth the wait.
With its 4.6K S35 sensor, 17 stops of dynamic range, choice of filming texture, in-built REVEAL Colour Science and extraordinary sensitivity making it the ideal tool for shooting in the dark, this camera marks a truly exciting step for digital cinematography.
Featured here with:
KOWA Prominar 50mm
COOKE Panchro Classic 27mm
ANGENIEUX Optimo Prime 50mm
Shot by Harry Barden @barden.ocular
@arri
@cookeoptics
@truelensservices
@angenieuxlenses
#alexa35 #arrialexa #digitalcinematography #arri #ukcinematographer #directorofphotography #weareshift4 #cameraoperator #angenieux #kowaprominar #cookeoptics
The Cooke S8/i FF Primes
@cookeoptics
With these new S8s Cooke has created a modern lens using old-school techniques, as every glass element has a spherical design, allowing for imperfections at the edge of frame gifting an organic, vintage look. And for full-frame lenses, have an incredibly fast aperture of T1.4 across the set.
25mm, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm
Senior technician, Harry Barden, tests the 75mm in our London kitroom.
#cookelens #Cinelens #cookes8i #primelens #cinematography #directorofphotography #cameradepartment #focuspuller #fullframelens
The Cooke S8/i FF Primes
@cookeoptics
With these new S8s Cooke has created a modern lens using old-school techniques, as every glass element has a spherical design, allowing for imperfections at the edge of frame gifting an organic, vintage look. And for full-frame lenses, have an incredibly fast aperture of T1.4 across the set.
25mm, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm
Senior technician, Harry Barden, tests the 75mm in our London kitroom.
#cookelens #Cinelens #cookes8i #primelens #cinematography #directorofphotography #cameradepartment #focuspuller #fullframelens
The Cooke S8/i FF Primes
@cookeoptics
With these new S8s Cooke has created a modern lens using old-school techniques, as every glass element has a spherical design, allowing for imperfections at the edge of frame gifting an organic, vintage look. And for full-frame lenses, have an incredibly fast aperture of T1.4 across the set.
25mm, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm
Senior technician, Harry Barden, tests the 75mm in our London kitroom.
#cookelens #Cinelens #cookes8i #primelens #cinematography #directorofphotography #cameradepartment #focuspuller #fullframelens
The Cooke S8/i FF Primes
@cookeoptics
With these new S8s Cooke has created a modern lens using old-school techniques, as every glass element has a spherical design, allowing for imperfections at the edge of frame gifting an organic, vintage look. And for full-frame lenses, have an incredibly fast aperture of T1.4 across the set.
25mm, 32mm, 40mm, 50mm, 75mm, 100mm, 135mm
Senior technician, Harry Barden, tests the 75mm in our London kitroom.
#cookelens #Cinelens #cookes8i #primelens #cinematography #directorofphotography #cameradepartment #focuspuller #fullframelens
The Shift 4 Training Programme is something all our kitroom crew get from the moment they start working with us.
From lens testing to gimbals, camera operating to advanced cine training, we want to make sure our team know how best to help our clients in pre-production and on-set.
#cine #cameratrainee #lens #cameradepartment #weareshift4
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
We held a Ronin 2 “what it is and isn’t!” workshop on the 9th of April, led by our incredible members@chrisplevin2017 and @richcornelius sharing there extensive experience of working with the Ronin 2 and otherwise. The workshop was coordinated by @chrisdumont_ who also shared his incredible experience as a Ronin tech and now an operator. We were very lucky to be supported in this workshop by @weareshift4 in their wonderful new space and they were very helpful throughout. Thanks to all involved including our assistants for the day @andrewbradley.tv and @niivama for making it another great workshop for our members!
#steadicam #steadicamoperator #cameraoperator #filmmaking #filmfeed #filmmakers #filmproduction #director #directorofphotographer #dop #cinematography #guildofbritishcameratechnicians #aco_uk #britishsocietyofcinematography #behindthescenes #makingof #filmmakersworld #filmcrewmagazine
A huge thanks to all our cast and crew members who were integral in delivering this short film 🎥 👏
#behindthescenes #wiredthefilm
LSAXBSC Masterclass - Introduction to Camera Operating and Grip.
It was a pleasure to once again, help our friends at BSC and LSA with another amazing workshop.
@bscine • @londonscreenacademy • @ilanagarrard
LSAXBSC Masterclass - Introduction to Camera Operating and Grip.
It was a pleasure to once again, help our friends at BSC and LSA with another amazing workshop.
@bscine • @londonscreenacademy • @ilanagarrard
LSAXBSC Masterclass - Introduction to Camera Operating and Grip.
It was a pleasure to once again, help our friends at BSC and LSA with another amazing workshop.
@bscine • @londonscreenacademy • @ilanagarrard
LSAXBSC Masterclass - Introduction to Camera Operating and Grip.
It was a pleasure to once again, help our friends at BSC and LSA with another amazing workshop.
@bscine • @londonscreenacademy • @ilanagarrard
LSAXBSC Masterclass - Introduction to Camera Operating and Grip.
It was a pleasure to once again, help our friends at BSC and LSA with another amazing workshop.
@bscine • @londonscreenacademy • @ilanagarrard
LSAXBSC Masterclass - Introduction to Camera Operating and Grip.
It was a pleasure to once again, help our friends at BSC and LSA with another amazing workshop.
@bscine • @londonscreenacademy • @ilanagarrard
Here we go again, BSC Expo 2024.
Why not pop over to our stand for a drink (yes we have a bar 😎) and have a look at some very interesting optical
projects that we’ve been working on.
Plus, the highlights of Shift 4 Cine (our newly opened cutting edge facilities), and why it’s becoming a talking point in the industry amongst DPs, ACs, Directors and Producers.
Image 1: OMG 37mm lens - an in-house project for those wanting a unique ‘out-of-this-world’ look.
Actor: @missluciasaavedra
Image 2: A comparison of 2 different looks from our Look Customisation System. Which empowers DPs to fine tune certain visual elements of a lens.
Actor: @missluciasaavedra
Image 3: Our modular Look Development Studio, specifically designed for lens and camera tests.
Image 4: Out prep bays and a 30ft projection room (all with MYT Opti-Glide systems)
We’ll be at stand 252, which is located towards the back of the hall, right in front of the Seminar Theatre.
See you then
@bsc_expo - @bscine - @britishcinematographer
Here we go again, BSC Expo 2024.
Why not pop over to our stand for a drink (yes we have a bar 😎) and have a look at some very interesting optical
projects that we’ve been working on.
Plus, the highlights of Shift 4 Cine (our newly opened cutting edge facilities), and why it’s becoming a talking point in the industry amongst DPs, ACs, Directors and Producers.
Image 1: OMG 37mm lens - an in-house project for those wanting a unique ‘out-of-this-world’ look.
Actor: @missluciasaavedra
Image 2: A comparison of 2 different looks from our Look Customisation System. Which empowers DPs to fine tune certain visual elements of a lens.
Actor: @missluciasaavedra
Image 3: Our modular Look Development Studio, specifically designed for lens and camera tests.
Image 4: Out prep bays and a 30ft projection room (all with MYT Opti-Glide systems)
We’ll be at stand 252, which is located towards the back of the hall, right in front of the Seminar Theatre.
See you then
@bsc_expo - @bscine - @britishcinematographer
Here we go again, BSC Expo 2024.
Why not pop over to our stand for a drink (yes we have a bar 😎) and have a look at some very interesting optical
projects that we’ve been working on.
Plus, the highlights of Shift 4 Cine (our newly opened cutting edge facilities), and why it’s becoming a talking point in the industry amongst DPs, ACs, Directors and Producers.
Image 1: OMG 37mm lens - an in-house project for those wanting a unique ‘out-of-this-world’ look.
Actor: @missluciasaavedra
Image 2: A comparison of 2 different looks from our Look Customisation System. Which empowers DPs to fine tune certain visual elements of a lens.
Actor: @missluciasaavedra
Image 3: Our modular Look Development Studio, specifically designed for lens and camera tests.
Image 4: Out prep bays and a 30ft projection room (all with MYT Opti-Glide systems)
We’ll be at stand 252, which is located towards the back of the hall, right in front of the Seminar Theatre.
See you then
@bsc_expo - @bscine - @britishcinematographer
Here we go again, BSC Expo 2024.
Why not pop over to our stand for a drink (yes we have a bar 😎) and have a look at some very interesting optical
projects that we’ve been working on.
Plus, the highlights of Shift 4 Cine (our newly opened cutting edge facilities), and why it’s becoming a talking point in the industry amongst DPs, ACs, Directors and Producers.
Image 1: OMG 37mm lens - an in-house project for those wanting a unique ‘out-of-this-world’ look.
Actor: @missluciasaavedra
Image 2: A comparison of 2 different looks from our Look Customisation System. Which empowers DPs to fine tune certain visual elements of a lens.
Actor: @missluciasaavedra
Image 3: Our modular Look Development Studio, specifically designed for lens and camera tests.
Image 4: Out prep bays and a 30ft projection room (all with MYT Opti-Glide systems)
We’ll be at stand 252, which is located towards the back of the hall, right in front of the Seminar Theatre.
See you then
@bsc_expo - @bscine - @britishcinematographer
Our Lens Engineer @barden.ocular servicing our beloved Canon K35 rehoused by @pstechnik
Just Arrived 🙌 | IronGlass Soviet MKII
Rehoused by @ironglassadapters, this Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.
They use a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about
Some of the Close Focuses have been improved from the original lenses.
20mm MIR-20 • T3.6 • CF 7"
28mm MIR10A • T3.6 • CF 8"
37mm MIR-1V • T2.9 • CF 1'10"
58mm HELIOS 44-2 • T2.1 • CF 1'8"
85mm HELIOS 40-2 • T1.6 • CF 2'6"
135mm TAIR-11A • T2.9 • CF 3'11"
Who wants to come for a lens test? Drop us a DM.
Just Arrived 🙌 | IronGlass Soviet MKII
Rehoused by @ironglassadapters, this Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.
They use a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about
Some of the Close Focuses have been improved from the original lenses.
20mm MIR-20 • T3.6 • CF 7"
28mm MIR10A • T3.6 • CF 8"
37mm MIR-1V • T2.9 • CF 1'10"
58mm HELIOS 44-2 • T2.1 • CF 1'8"
85mm HELIOS 40-2 • T1.6 • CF 2'6"
135mm TAIR-11A • T2.9 • CF 3'11"
Who wants to come for a lens test? Drop us a DM.
Just Arrived 🙌 | IronGlass Soviet MKII
Rehoused by @ironglassadapters, this Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.
They use a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about
Some of the Close Focuses have been improved from the original lenses.
20mm MIR-20 • T3.6 • CF 7"
28mm MIR10A • T3.6 • CF 8"
37mm MIR-1V • T2.9 • CF 1'10"
58mm HELIOS 44-2 • T2.1 • CF 1'8"
85mm HELIOS 40-2 • T1.6 • CF 2'6"
135mm TAIR-11A • T2.9 • CF 3'11"
Who wants to come for a lens test? Drop us a DM.
Just Arrived 🙌 | IronGlass Soviet MKII
Rehoused by @ironglassadapters, this Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.
They use a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about
Some of the Close Focuses have been improved from the original lenses.
20mm MIR-20 • T3.6 • CF 7"
28mm MIR10A • T3.6 • CF 8"
37mm MIR-1V • T2.9 • CF 1'10"
58mm HELIOS 44-2 • T2.1 • CF 1'8"
85mm HELIOS 40-2 • T1.6 • CF 2'6"
135mm TAIR-11A • T2.9 • CF 3'11"
Who wants to come for a lens test? Drop us a DM.
Just Arrived 🙌 | IronGlass Soviet MKII
Rehoused by @ironglassadapters, this Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.
They use a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about
Some of the Close Focuses have been improved from the original lenses.
20mm MIR-20 • T3.6 • CF 7"
28mm MIR10A • T3.6 • CF 8"
37mm MIR-1V • T2.9 • CF 1'10"
58mm HELIOS 44-2 • T2.1 • CF 1'8"
85mm HELIOS 40-2 • T1.6 • CF 2'6"
135mm TAIR-11A • T2.9 • CF 3'11"
Who wants to come for a lens test? Drop us a DM.
Just Arrived 🙌 | IronGlass Soviet MKII
Rehoused by @ironglassadapters, this Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.
They use a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about
Some of the Close Focuses have been improved from the original lenses.
20mm MIR-20 • T3.6 • CF 7"
28mm MIR10A • T3.6 • CF 8"
37mm MIR-1V • T2.9 • CF 1'10"
58mm HELIOS 44-2 • T2.1 • CF 1'8"
85mm HELIOS 40-2 • T1.6 • CF 2'6"
135mm TAIR-11A • T2.9 • CF 3'11"
Who wants to come for a lens test? Drop us a DM.
Just Arrived 🙌 | IronGlass Soviet MKII
Rehoused by @ironglassadapters, this Soviet Set consists of six classic lenses from the USSR, including the legendary Helios 44-2. Featuring slightly overcorrected bokeh, exaggerated spherical aberration (dream effect), gorgeous yet interesting focus falloff, and out of this world flares, these lenses are like nothing else available. With more than Full Frame coverage across the set, the MKII rehousing makes mechanical and material improvements over the original rehousing.
They use a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about
Some of the Close Focuses have been improved from the original lenses.
20mm MIR-20 • T3.6 • CF 7"
28mm MIR10A • T3.6 • CF 8"
37mm MIR-1V • T2.9 • CF 1'10"
58mm HELIOS 44-2 • T2.1 • CF 1'8"
85mm HELIOS 40-2 • T1.6 • CF 2'6"
135mm TAIR-11A • T2.9 • CF 3'11"
Who wants to come for a lens test? Drop us a DM.
Our Manchester office is hosting one of its regular Social and Lens Events - 4th October - focused on Full Frame lenses with the @cookeoptics SP3's!
It has limited numbers - reach out to jess@shift-4.com to register your interest.
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
Avantages d’Anonstories
Explorer les histoires IG discrètement
Suivez les mises à jour Instagram en toute discrétion tout en protégeant votre vie privée et en restant anonyme.
Visionneur privé Instagram
Consultez les profils et photos anonymement avec aisance grâce au visionneur de profil privé.
Visionneur d’histoires gratuit
Ce service gratuit vous permet de voir les histoires Instagram anonymement, garantissant que votre activité reste cachée de l’uploader.
Questions fréquemment posées
Anonymat
Anonstories permet aux utilisateurs de voir les histoires Instagram sans alerter le créateur.
Compatibilité des appareils
Fonctionne parfaitement sur iOS, Android, Windows, macOS et les navigateurs modernes comme Chrome et Safari.
Sécurité et confidentialité
Privilégie la navigation sécurisée et anonyme sans nécessiter de coordonnées de connexion.
Pas d’inscription
Les utilisateurs peuvent voir des histoires publiques en entrant simplement un nom d’utilisateur — sans compte requis.
Formats pris en charge
Télécharge les photos (JPEG) et les vidéos (MP4) facilement.
Coût
Le service est gratuit.
Comptes privés
Le contenu des comptes privés n’est accessible qu’aux abonnés.
Utilisation des fichiers
Les fichiers sont destinés à un usage personnel ou éducatif uniquement et doivent respecter les règles de droit d’auteur.
Comment ça marche
Entrez un nom d’utilisateur public pour voir ou télécharger des histoires. Le service génère des liens directs pour sauvegarder le contenu localement.