इंस्टाग्राम स्टोरी व्यूअर
गुमनाम रूप से इंस्टा स्टोरी देखें
pendleton.adam
Adam Pendleton
Artist
Earlier this year, The Museum of Modern Art (@themuseumofmodernart) announced its acquisition of all 35 works from Adam Pendleton’s (@pendleton.adam) 2021-2022 exhibition “Who Is Queen?”. The acquisition included paintings and drawings from Pendleton’s Black Dada and WE ARE NOT bodies of work, as well as three videos, including “Notes on Resurrection City”, “Notes on the Robert E. Lee Monument, Richmond VA (figure)”, and “So We Moved: A Portrait of Jack Halberstam”.
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The Mexico City-based photographer and filmmaker Anna Pla-Narbona captured one of the last moments Pendleton had in his studio with the painting “Everything” before it left for the museum’s collection.
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“Who Is Queen?” was organized by Stuart Comer, the Lonti Ebers Chief Curator of Media and Performance (@stuartcomer), with Danielle A. Jackson, former Curatorial Assistant (@virtuosa12), and Gee Wesley, Curatorial Assistant, and with the support of Veronika Molnar, Intern, Department of Media and Performance.
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Photos by @annaplanarbona
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Everything, 2021
Silkscreen ink and black gesso on canvas
120 x 234 in (304.8 x 594.4 cm)
Collection of The Museum of Modern Art, NY
Earlier this year, The Museum of Modern Art (@themuseumofmodernart) announced its acquisition of all 35 works from Adam Pendleton’s (@pendleton.adam) 2021-2022 exhibition “Who Is Queen?”. The acquisition included paintings and drawings from Pendleton’s Black Dada and WE ARE NOT bodies of work, as well as three videos, including “Notes on Resurrection City”, “Notes on the Robert E. Lee Monument, Richmond VA (figure)”, and “So We Moved: A Portrait of Jack Halberstam”.
-
The Mexico City-based photographer and filmmaker Anna Pla-Narbona captured one of the last moments Pendleton had in his studio with the painting “Everything” before it left for the museum’s collection.
-
“Who Is Queen?” was organized by Stuart Comer, the Lonti Ebers Chief Curator of Media and Performance (@stuartcomer), with Danielle A. Jackson, former Curatorial Assistant (@virtuosa12), and Gee Wesley, Curatorial Assistant, and with the support of Veronika Molnar, Intern, Department of Media and Performance.
-
Photos by @annaplanarbona
-
Everything, 2021
Silkscreen ink and black gesso on canvas
120 x 234 in (304.8 x 594.4 cm)
Collection of The Museum of Modern Art, NY
“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio
“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio
“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio
“In the Heart of Washington, Adam Pendleton’s Work Demands Deep Thought” @nytimes @debonairpierre #lookatthematerial #linkinbio
My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story
Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”
Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.
My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story
Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”
Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.
My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story
Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”
Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.
My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story
Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”
Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.
My new Brooklyn studio is featured in @archdigest today. Link in bio for the full story
Via @archdigest:
Artist Adam Pendleton (@pendleton.adam) and longtime collaborator, architect Frederick Tang (@fredericktangarchitecture) recently turned two former storefronts in Brooklyn into a tailor-made studio for Pendleton. Through invitingly tall glass gallery doors, shipped from Italy, they carved out a series of discrete private chambers, as well as a 13-foot-high white box viewing room. On the building’s brick façade they added a band of raked black stucco that calls to mind the textural surfaces of Pendleton’s paintings. “At an institution, my goal is to deconstruct, reimagine, or repurpose,” Pendleton says. “That’s one of the things a painting can do, and I think that’s what good architecture does. It repurposes space. It enacts transformation.”
Step inside the Clinton Hill studio at the link in our bio. Photo by @jasonschmidtstudio; design by @fredericktangarchitecture; words by Kat Herriman.
Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - September 20.
Watch the full video via the link in bio at @langenfoundation
Filmed by @artbeatsberlin
Untitled (Days), 2026
Silkscreen ink and black gesso on canvas
84 x 101 in. (213.4 x 256.5 cm)
Untitled (Days), 2026
Silkscreen ink and black gesso on canvas
84 x 101 in. (213.4 x 256.5 cm)
Untitled (Days), 2026
Silkscreen ink and black gesso on canvas
84 x 101 in. (213.4 x 256.5 cm)
Untitled (WE ARE NOT), 2025-26
Silkscreen ink and black gesso on canvas
60 x 75 in. (152.4 x 190.5 cm)
Untitled (WE ARE NOT), 2025-26
Silkscreen ink and black gesso on canvas
60 x 75 in. (152.4 x 190.5 cm)
Untitled (WE ARE NOT), 2025-26
Silkscreen ink and black gesso on canvas
60 x 75 in. (152.4 x 190.5 cm)
Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.
Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.
Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.
Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.
Now on view, Adam Pendleton + Antoni Tàpies, at @alfonsoartiacogallery, in Naples, Italy, through June 20.
Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy.
Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy.
Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy.
Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy.
Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy.
Adam Pendleton + Antoni Tàpies, opening May 11, 2026 at Alfonso Artiaco Gallery (@alfonsoartiacogallery), Naples, Italy.
Untitled (Days), 2025-26
Silkscreen ink and black gesso on canvas
50 x 60 in. (127 x 152.4 cm)
Untitled (Days), 2025-26
Silkscreen ink and black gesso on canvas
50 x 60 in. (127 x 152.4 cm)
Untitled (Days), 2025-26
Silkscreen ink and black gesso on canvas
50 x 60 in. (127 x 152.4 cm)
An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau
An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau
An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau
An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau
An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau
An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau
An Art and Fashion Party for Nina Simone. Adam Pendleton and Gabriela Hearst celebrated a recent collaboration with an evening-long tribute to the legendary musician and activist. @tmagazine, @gabrielahearst, by Rose Courteau
Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.
Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.
Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.
Now on view: Adam Pendleton: Can I Be?, Langen Foundation (@langenfoundation), Neuss, Germany, April 19 - August 09.
Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.
Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.
Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.
Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.
Opening April 19th—Adam Pendleton: Can I Be? at the @langenfoundation in Neuss, Germany.
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