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Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Anyone working in media or the arts has probably, at some point, fantasized about subverting or reprogramming the digital billboards of New York’s Times Square. What if…

And it just happened with GUCCICORE cruise show by @demna last night. Absolutely awe-inspiring to experience it!

Nostalgia and lore surrounding Gucci’s trifecta of elegance, seduction, and provocation is mined and transformed into clashing archetypes that generate PURE ENERGY. All the obvious criticism - too much Balenciaga, not enough new gestures or designs - may well be true, but ultimately feels beside the point.

(At heart, it’s a reactionary argument rooted in a vision of fashion that no longer exists, or at least no longer holds cultural relevance.)

Bravo @sungtieu !
@vitali_gelwich traveled to Venice to photograph SUNG TIEU during the installation of “Ruin,” the Berlin artist’s joint exhibition with the late HENRIKE NAUMANN for the German Pavilion at the Venice Biennale. The 61st edition of the international art exhibition officially opened to the public today, May 9. More coverage and interview soon on 032c.com

Bravo @sungtieu !
@vitali_gelwich traveled to Venice to photograph SUNG TIEU during the installation of “Ruin,” the Berlin artist’s joint exhibition with the late HENRIKE NAUMANN for the German Pavilion at the Venice Biennale. The 61st edition of the international art exhibition officially opened to the public today, May 9. More coverage and interview soon on 032c.com

Bravo @sungtieu !
@vitali_gelwich traveled to Venice to photograph SUNG TIEU during the installation of “Ruin,” the Berlin artist’s joint exhibition with the late HENRIKE NAUMANN for the German Pavilion at the Venice Biennale. The 61st edition of the international art exhibition officially opened to the public today, May 9. More coverage and interview soon on 032c.com

Bravo @sungtieu !
@vitali_gelwich traveled to Venice to photograph SUNG TIEU during the installation of “Ruin,” the Berlin artist’s joint exhibition with the late HENRIKE NAUMANN for the German Pavilion at the Venice Biennale. The 61st edition of the international art exhibition officially opened to the public today, May 9. More coverage and interview soon on 032c.com

Bravo @sungtieu !
@vitali_gelwich traveled to Venice to photograph SUNG TIEU during the installation of “Ruin,” the Berlin artist’s joint exhibition with the late HENRIKE NAUMANN for the German Pavilion at the Venice Biennale. The 61st edition of the international art exhibition officially opened to the public today, May 9. More coverage and interview soon on 032c.com

Bravo @sungtieu !
@vitali_gelwich traveled to Venice to photograph SUNG TIEU during the installation of “Ruin,” the Berlin artist’s joint exhibition with the late HENRIKE NAUMANN for the German Pavilion at the Venice Biennale. The 61st edition of the international art exhibition officially opened to the public today, May 9. More coverage and interview soon on 032c.com

Bravo @sungtieu !
@vitali_gelwich traveled to Venice to photograph SUNG TIEU during the installation of “Ruin,” the Berlin artist’s joint exhibition with the late HENRIKE NAUMANN for the German Pavilion at the Venice Biennale. The 61st edition of the international art exhibition officially opened to the public today, May 9. More coverage and interview soon on 032c.com

At the @032c store in Berlin, artist Zuzanna Czebatul (@zzzzccczzzz) uses the USM Haller system to transform a room into a charged conversation, intertwining design, art, and spatial structure.

Featuring sculptures of hammers and raised fists, "BILLIE & CHRIS“ explores the visual language of power and industry, and pushes familiar symbols into the uncanny. The modular USM furniture, itself a symbol of structure and function, becomes an active part of the narrative.

Opening at Gallery Weekend Berlin, this marks the first chapter of a long-term collaboration between USM and 032c.

📅 May 02-August 31, 2026
⏰ Tue-Sat, 11 am-7 pm
📍032c Store, Kantstraße 149, Berlin

#USMhaller #USMmodularfurniture #GalleryWeekendBerlin

At the @032c store in Berlin, artist Zuzanna Czebatul (@zzzzccczzzz) uses the USM Haller system to transform a room into a charged conversation, intertwining design, art, and spatial structure.

Featuring sculptures of hammers and raised fists, "BILLIE & CHRIS“ explores the visual language of power and industry, and pushes familiar symbols into the uncanny. The modular USM furniture, itself a symbol of structure and function, becomes an active part of the narrative.

Opening at Gallery Weekend Berlin, this marks the first chapter of a long-term collaboration between USM and 032c.

📅 May 02-August 31, 2026
⏰ Tue-Sat, 11 am-7 pm
📍032c Store, Kantstraße 149, Berlin

#USMhaller #USMmodularfurniture #GalleryWeekendBerlin

At the @032c store in Berlin, artist Zuzanna Czebatul (@zzzzccczzzz) uses the USM Haller system to transform a room into a charged conversation, intertwining design, art, and spatial structure.

Featuring sculptures of hammers and raised fists, "BILLIE & CHRIS“ explores the visual language of power and industry, and pushes familiar symbols into the uncanny. The modular USM furniture, itself a symbol of structure and function, becomes an active part of the narrative.

Opening at Gallery Weekend Berlin, this marks the first chapter of a long-term collaboration between USM and 032c.

📅 May 02-August 31, 2026
⏰ Tue-Sat, 11 am-7 pm
📍032c Store, Kantstraße 149, Berlin

#USMhaller #USMmodularfurniture #GalleryWeekendBerlin

At the @032c store in Berlin, artist Zuzanna Czebatul (@zzzzccczzzz) uses the USM Haller system to transform a room into a charged conversation, intertwining design, art, and spatial structure.

Featuring sculptures of hammers and raised fists, "BILLIE & CHRIS“ explores the visual language of power and industry, and pushes familiar symbols into the uncanny. The modular USM furniture, itself a symbol of structure and function, becomes an active part of the narrative.

Opening at Gallery Weekend Berlin, this marks the first chapter of a long-term collaboration between USM and 032c.

📅 May 02-August 31, 2026
⏰ Tue-Sat, 11 am-7 pm
📍032c Store, Kantstraße 149, Berlin

#USMhaller #USMmodularfurniture #GalleryWeekendBerlin

Congratulations to my bro BRANDLEY for taking 3rd place at yesterday’s Prix St. Georges S* tournament in Teupitz!

032c Dressage Team ✨ @laura.stiller28@maria_koch for @032c_stable

EUPHORIA HOLDS A MIRROR TO OUR UNREALITIES. This Euphoria-inspired shoot by Ela Klingler and Franka Rosa Maria Klaproth, featuring model Vera Gundlach, embodies the transformation of the show’s dreamy, melancholic teenage eye as its characters progress into young adulthood in Season 3. The season premiered last week at an event hosted by @hbomaxde at Berlin’s Kater Blau. 📲 032c.com

Photography: @elaklingler
Fashion / Creative Direction: @frankarosa_
Talent: @vera_gundlach
Hair and Makeup: @rebecca_schmitz_mua
Nails: @spring.nails.berlin
Fashion Assistant: @maxine.schall
Lighting Assistant: @j8sef.z

EUPHORIA HOLDS A MIRROR TO OUR UNREALITIES. This Euphoria-inspired shoot by Ela Klingler and Franka Rosa Maria Klaproth, featuring model Vera Gundlach, embodies the transformation of the show’s dreamy, melancholic teenage eye as its characters progress into young adulthood in Season 3. The season premiered last week at an event hosted by @hbomaxde at Berlin’s Kater Blau. 📲 032c.com

Photography: @elaklingler
Fashion / Creative Direction: @frankarosa_
Talent: @vera_gundlach
Hair and Makeup: @rebecca_schmitz_mua
Nails: @spring.nails.berlin
Fashion Assistant: @maxine.schall
Lighting Assistant: @j8sef.z

EUPHORIA HOLDS A MIRROR TO OUR UNREALITIES. This Euphoria-inspired shoot by Ela Klingler and Franka Rosa Maria Klaproth, featuring model Vera Gundlach, embodies the transformation of the show’s dreamy, melancholic teenage eye as its characters progress into young adulthood in Season 3. The season premiered last week at an event hosted by @hbomaxde at Berlin’s Kater Blau. 📲 032c.com

Photography: @elaklingler
Fashion / Creative Direction: @frankarosa_
Talent: @vera_gundlach
Hair and Makeup: @rebecca_schmitz_mua
Nails: @spring.nails.berlin
Fashion Assistant: @maxine.schall
Lighting Assistant: @j8sef.z

EUPHORIA HOLDS A MIRROR TO OUR UNREALITIES. This Euphoria-inspired shoot by Ela Klingler and Franka Rosa Maria Klaproth, featuring model Vera Gundlach, embodies the transformation of the show’s dreamy, melancholic teenage eye as its characters progress into young adulthood in Season 3. The season premiered last week at an event hosted by @hbomaxde at Berlin’s Kater Blau. 📲 032c.com

Photography: @elaklingler
Fashion / Creative Direction: @frankarosa_
Talent: @vera_gundlach
Hair and Makeup: @rebecca_schmitz_mua
Nails: @spring.nails.berlin
Fashion Assistant: @maxine.schall
Lighting Assistant: @j8sef.z

EUPHORIA HOLDS A MIRROR TO OUR UNREALITIES. This Euphoria-inspired shoot by Ela Klingler and Franka Rosa Maria Klaproth, featuring model Vera Gundlach, embodies the transformation of the show’s dreamy, melancholic teenage eye as its characters progress into young adulthood in Season 3. The season premiered last week at an event hosted by @hbomaxde at Berlin’s Kater Blau. 📲 032c.com

Photography: @elaklingler
Fashion / Creative Direction: @frankarosa_
Talent: @vera_gundlach
Hair and Makeup: @rebecca_schmitz_mua
Nails: @spring.nails.berlin
Fashion Assistant: @maxine.schall
Lighting Assistant: @j8sef.z

EUPHORIA HOLDS A MIRROR TO OUR UNREALITIES. This Euphoria-inspired shoot by Ela Klingler and Franka Rosa Maria Klaproth, featuring model Vera Gundlach, embodies the transformation of the show’s dreamy, melancholic teenage eye as its characters progress into young adulthood in Season 3. The season premiered last week at an event hosted by @hbomaxde at Berlin’s Kater Blau. 📲 032c.com

Photography: @elaklingler
Fashion / Creative Direction: @frankarosa_
Talent: @vera_gundlach
Hair and Makeup: @rebecca_schmitz_mua
Nails: @spring.nails.berlin
Fashion Assistant: @maxine.schall
Lighting Assistant: @j8sef.z

EUPHORIA HOLDS A MIRROR TO OUR UNREALITIES. This Euphoria-inspired shoot by Ela Klingler and Franka Rosa Maria Klaproth, featuring model Vera Gundlach, embodies the transformation of the show’s dreamy, melancholic teenage eye as its characters progress into young adulthood in Season 3. The season premiered last week at an event hosted by @hbomaxde at Berlin’s Kater Blau. 📲 032c.com

Photography: @elaklingler
Fashion / Creative Direction: @frankarosa_
Talent: @vera_gundlach
Hair and Makeup: @rebecca_schmitz_mua
Nails: @spring.nails.berlin
Fashion Assistant: @maxine.schall
Lighting Assistant: @j8sef.z

WISH I WAS THERE. The Polish @ultrace_official car festival lands in Düsseldorf this week. 032c‘s car fanatic Julia Kraeplin meets founder Adrian Kapicato discuss how car culture becomes Culture with a capital “C”. 📲 032c.com

WISH I WAS THERE. The Polish @ultrace_official car festival lands in Düsseldorf this week. 032c‘s car fanatic Julia Kraeplin meets founder Adrian Kapicato discuss how car culture becomes Culture with a capital “C”. 📲 032c.com

The head of ATHENA overlooks my desk: Greek goddess of wisdom, warfare, and craft. (I guess a fitting ally in fashion and media!)

Now, a 13-year-old boy has found a Greek bronze coin from the 3rd century BC in a field in Berlin, minted in Troy between 281–261 BC. Athena is depicted on both sides. It is the first recorded archaeological find from ancient Greece in Berlin.

The past is not gone.

The head of ATHENA overlooks my desk: Greek goddess of wisdom, warfare, and craft. (I guess a fitting ally in fashion and media!)

Now, a 13-year-old boy has found a Greek bronze coin from the 3rd century BC in a field in Berlin, minted in Troy between 281–261 BC. Athena is depicted on both sides. It is the first recorded archaeological find from ancient Greece in Berlin.

The past is not gone.

The head of ATHENA overlooks my desk: Greek goddess of wisdom, warfare, and craft. (I guess a fitting ally in fashion and media!)

Now, a 13-year-old boy has found a Greek bronze coin from the 3rd century BC in a field in Berlin, minted in Troy between 281–261 BC. Athena is depicted on both sides. It is the first recorded archaeological find from ancient Greece in Berlin.

The past is not gone.

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

Highlights from our 40 page @nineinchnails dossier in the current 032 Issue – featuring conversations with Trent Reznor, Atticus Ross and the creative director of Peel It Back tour, @toddtourso 📕 Text @elitewaste 📸 tour @kraw

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

032c for Berlin‘s finest
@gabixkahl
@victor_bass_sk8
@florenceulrich03

📸 @tinakh_

My longest creative collaboration has been with our art director @mikemeire , alongside his deputy Tim Giesen. For almost 20 years - since Issue 13, Energy Experimentation - he has played a crucial role in shaping the identity of 032c. I still remember traveling to Cologne to present himthe very first issue, slightly in awe, because he was… Mike Meiré.

But change is necessary. As we reset 032c in multiple ways, we are also confronting new questions around the magazine’s design and aesthetics. At its core, the challenge is both simple and fundamental: what does it mean to publish a magazine in an AI world?

To explore this, we have decided to begin a new chapter with a different art director and team for the years ahead. This brings an extraordinary run with Mike and Tim (@newflower_edition) to a close - though, in true 032c Hotel California fashion (“You can’t check out”), we are already in conversation about a new project together.

We salute Mike and Tim for their remarkable contribution to 032c, with deep gratitude.

Joerg Koch, founder / EIC

Images:
👀 Mike and me reviewing the very first issue together in Cologne, 2007
📕 The first 23 covers of 102 covers

My longest creative collaboration has been with our art director @mikemeire , alongside his deputy Tim Giesen. For almost 20 years - since Issue 13, Energy Experimentation - he has played a crucial role in shaping the identity of 032c. I still remember traveling to Cologne to present himthe very first issue, slightly in awe, because he was… Mike Meiré.

But change is necessary. As we reset 032c in multiple ways, we are also confronting new questions around the magazine’s design and aesthetics. At its core, the challenge is both simple and fundamental: what does it mean to publish a magazine in an AI world?

To explore this, we have decided to begin a new chapter with a different art director and team for the years ahead. This brings an extraordinary run with Mike and Tim (@newflower_edition) to a close - though, in true 032c Hotel California fashion (“You can’t check out”), we are already in conversation about a new project together.

We salute Mike and Tim for their remarkable contribution to 032c, with deep gratitude.

Joerg Koch, founder / EIC

Images:
👀 Mike and me reviewing the very first issue together in Cologne, 2007
📕 The first 23 covers of 102 covers

My longest creative collaboration has been with our art director @mikemeire , alongside his deputy Tim Giesen. For almost 20 years - since Issue 13, Energy Experimentation - he has played a crucial role in shaping the identity of 032c. I still remember traveling to Cologne to present himthe very first issue, slightly in awe, because he was… Mike Meiré.

But change is necessary. As we reset 032c in multiple ways, we are also confronting new questions around the magazine’s design and aesthetics. At its core, the challenge is both simple and fundamental: what does it mean to publish a magazine in an AI world?

To explore this, we have decided to begin a new chapter with a different art director and team for the years ahead. This brings an extraordinary run with Mike and Tim (@newflower_edition) to a close - though, in true 032c Hotel California fashion (“You can’t check out”), we are already in conversation about a new project together.

We salute Mike and Tim for their remarkable contribution to 032c, with deep gratitude.

Joerg Koch, founder / EIC

Images:
👀 Mike and me reviewing the very first issue together in Cologne, 2007
📕 The first 23 covers of 102 covers

My longest creative collaboration has been with our art director @mikemeire , alongside his deputy Tim Giesen. For almost 20 years - since Issue 13, Energy Experimentation - he has played a crucial role in shaping the identity of 032c. I still remember traveling to Cologne to present himthe very first issue, slightly in awe, because he was… Mike Meiré.

But change is necessary. As we reset 032c in multiple ways, we are also confronting new questions around the magazine’s design and aesthetics. At its core, the challenge is both simple and fundamental: what does it mean to publish a magazine in an AI world?

To explore this, we have decided to begin a new chapter with a different art director and team for the years ahead. This brings an extraordinary run with Mike and Tim (@newflower_edition) to a close - though, in true 032c Hotel California fashion (“You can’t check out”), we are already in conversation about a new project together.

We salute Mike and Tim for their remarkable contribution to 032c, with deep gratitude.

Joerg Koch, founder / EIC

Images:
👀 Mike and me reviewing the very first issue together in Cologne, 2007
📕 The first 23 covers of 102 covers

My longest creative collaboration has been with our art director @mikemeire , alongside his deputy Tim Giesen. For almost 20 years - since Issue 13, Energy Experimentation - he has played a crucial role in shaping the identity of 032c. I still remember traveling to Cologne to present himthe very first issue, slightly in awe, because he was… Mike Meiré.

But change is necessary. As we reset 032c in multiple ways, we are also confronting new questions around the magazine’s design and aesthetics. At its core, the challenge is both simple and fundamental: what does it mean to publish a magazine in an AI world?

To explore this, we have decided to begin a new chapter with a different art director and team for the years ahead. This brings an extraordinary run with Mike and Tim (@newflower_edition) to a close - though, in true 032c Hotel California fashion (“You can’t check out”), we are already in conversation about a new project together.

We salute Mike and Tim for their remarkable contribution to 032c, with deep gratitude.

Joerg Koch, founder / EIC

Images:
👀 Mike and me reviewing the very first issue together in Cologne, 2007
📕 The first 23 covers of 102 covers

My longest creative collaboration has been with our art director @mikemeire , alongside his deputy Tim Giesen. For almost 20 years - since Issue 13, Energy Experimentation - he has played a crucial role in shaping the identity of 032c. I still remember traveling to Cologne to present himthe very first issue, slightly in awe, because he was… Mike Meiré.

But change is necessary. As we reset 032c in multiple ways, we are also confronting new questions around the magazine’s design and aesthetics. At its core, the challenge is both simple and fundamental: what does it mean to publish a magazine in an AI world?

To explore this, we have decided to begin a new chapter with a different art director and team for the years ahead. This brings an extraordinary run with Mike and Tim (@newflower_edition) to a close - though, in true 032c Hotel California fashion (“You can’t check out”), we are already in conversation about a new project together.

We salute Mike and Tim for their remarkable contribution to 032c, with deep gratitude.

Joerg Koch, founder / EIC

Images:
👀 Mike and me reviewing the very first issue together in Cologne, 2007
📕 The first 23 covers of 102 covers

FROST CHILDREN for 032c

Read it now ⌨️📕
Writer: @elitewaste
Photography: @tomfnk
Fashion: @izecis
Makeup: @juliabarde
Hair: @norinorinorikohair
Photography assistant: @jaycop_jr

FROST CHILDREN for 032c

Read it now ⌨️📕
Writer: @elitewaste
Photography: @tomfnk
Fashion: @izecis
Makeup: @juliabarde
Hair: @norinorinorikohair
Photography assistant: @jaycop_jr

FROST CHILDREN for 032c

Read it now ⌨️📕
Writer: @elitewaste
Photography: @tomfnk
Fashion: @izecis
Makeup: @juliabarde
Hair: @norinorinorikohair
Photography assistant: @jaycop_jr

FROST CHILDREN for 032c

Read it now ⌨️📕
Writer: @elitewaste
Photography: @tomfnk
Fashion: @izecis
Makeup: @juliabarde
Hair: @norinorinorikohair
Photography assistant: @jaycop_jr

FROST CHILDREN for 032c

Read it now ⌨️📕
Writer: @elitewaste
Photography: @tomfnk
Fashion: @izecis
Makeup: @juliabarde
Hair: @norinorinorikohair
Photography assistant: @jaycop_jr

🎙️S6 EP26: @brendahashtag 🤝 @032c !!