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countereditions
Counter Editions
Prints and multiples by leading contemporary artists
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.
“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “
🎟️ DM us for free tickets, Thursday - Sunday.
🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.
“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “
🎟️ DM us for free tickets, Thursday - Sunday.
🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.
“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “
🎟️ DM us for free tickets, Thursday - Sunday.
🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.
“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “
🎟️ DM us for free tickets, Thursday - Sunday.
🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.
“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “
🎟️ DM us for free tickets, Thursday - Sunday.
🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.
“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “
🎟️ DM us for free tickets, Thursday - Sunday.
🎨🌟 Six new lithographs by Tracey Emin are being exhibited for the first time at the London Original Print Fair today at Somerset House until Sunday 17 May.
“I feel really at home printmaking - what I really love about it is somehow, when I’ve made the print, I always think ‘God, why can’t I paint like that?’. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there’s a kind of magic and I really, really love it. “
🎟️ DM us for free tickets, Thursday - Sunday.
Tracey Emin
Six New Prints |Launching 14 May
📽️🎞️ A film by John O’Rourke
@jorourke72
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
"I feel really at home printmaking - what I really love about it is somehow, when I've made the print, I always think 'God, why can't I paint like that?'. I get a whole different kind of freedom from printmaking, because of the alchemy, and the fluidity, and because of the chance involved... there's a kind of magic and I really, really love it. "
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
Six New Prints |Launching 14 May
Exclusively from CounterEditions.com
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Tracey Emin
Six New Prints |Launching 14 May
Exclusively from CounterEditions.com
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Tracey Emin
Six New Prints |Launching 14 May
Exclusively from CounterEditions.com
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Tracey Emin
Six New Prints |Launching 14 May
Exclusively from CounterEditions.com
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Tracey Emin
Six New Prints |Launching 14 May
Exclusively from CounterEditions.com
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Tracey Emin
Six New Prints |Launching 14 May
Exclusively from CounterEditions.com
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Tracey Emin
Six New Prints |Launching 14 May
Exclusively from CounterEditions.com
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to our mailing list (🔗 in bio) for updates and priority access.
Exclusively from CounterEditions.com
The works retain the immediacy of Emin’s mark-making, closely aligned with her drawing practice, with each image carrying a direct sense of her hand and the subtle tonal variation and depth unique to the lithographic process. The series coincides with Emin’s exhibition A Second Life at Tate Modern, widely recognised as a major moment in her career.
The prints will be exhibited for the first time at the London Original Print Fair at Somerset House, 14 – 17 May.
Congratulations Lubaina Himid @lubainapics on the opening of her Venice Biennale pavilion, representing Great Britain.
📣 The British Pavilion at the 61st International Art Exhibition at La Biennale di Venezia: Lubaina Himid, Predicting History: Testing Translation. 📣
Through a new series of large, multipaneled paintings in dazzling colours and surreal, magical settings, Himid establishes characters, narratives, and imagined dialogues, collaborating with Magda Stawarska to create a surreal soundscape.
#BritishPavilion #PredictingHistoryTestingTranslation #VeniceBiennale @labiennale #LubainaHimid
Lubaina Himid
Naming the Money: Kwesi, 2004/2021 (2021)
Edition of 125
21 Colour Screenprint and Inkjet on Somerset Enhanced Radiant White Satin 330gsm. Printed by Counter Studio.
76 x 60 cm ( 29.9 x 23.6 in)
Signed, numbered and dated by the artist
Published by Counter Editions
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to Counter Editions mailing list (🔗 in @CounterEditions bio) for updates and priority access.
Exclusively from CounterEditions.com
Tracey Emin
I Need Tomorrow
Six New Prints |Launching 14 May
Sign up to Counter Editions mailing list (🔗 in @CounterEditions bio) for updates and priority access.
Exclusively from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🎉 Available Now - Waxing Star (2026) by Anya Gallaccio
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
Head to the 🔗 in @CounterEditions bio to purchase the limited edition print.
* Prints are sold unframed. Contact us if you’d like to get a frame quote. Framed images are for reference.
#AnyaGallaccio #LimitedEditionPrint
Exclusively available from CounterEditions.com
🎨🍏 Waxing Star (2026), our first edition with Anya Gallaccio, launches this week on Thursday 30 April at 2pm (BST).
Created through an intensive, process‑driven collaboration that began with the artist’s long‑standing fascination with historic apple imagery, the print offers a rare moment of stillness within a practice rooted in transformation.
Beginning with a series of studio photographs of individual apples – shot after Gallaccio arrived in the studio with a book of apple illustrations and a bag of fresh fruit – she then worked closely with the studio team to build a composition.
The final work combines inkjet underlayers with hand‑applied, pigmented varnishes, and ground pastel mixed into the surface. The result is a subtly intricate print that foregrounds the handmade, with each impression carrying its own character and the tactile presence of the artist’s process.
Gallaccio’s practice has long centred on works that resist permanence. Projects shaped by time, growth, decay and continual change; from her orchard of heritage Kent apple varieties planted at Lees Court with local primary school children, to large‑scale installations that evolve with the seasons, her work often unfolds slowly and collaboratively.
Waxing Star marks a rare moment of distillation: a print that captures her ongoing engagement with apples, process and material transformation, while acknowledging the challenge of fixing something from a practice that is usually in flux. Developed from photographs of individual apples and built through layered, hand‑worked surfaces, the print becomes a snapshot of her wider investigations into growth, labour and the passage of time.
Exclusively available from CounterEditions.com
Anya Gallaccio
Waxing Star (2026)
Edition of 40
Inkjet with 5 layers of screen printed varnish and 12 layers of pigment suspended in varnish, on Hahnemuhle Photorag Ultra Smooth 305gsm paper
77 x 61 cm
Signed, dated and numbered by the artist
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