Visualizzatore Storie Instagram

Wishing you all a very Merry Christmas, Happy Hanukkah, and Magical New Year ✨🎄

Which version is your favourite: 1, 2, or 3?
I got option 2 printed (by Walmart, but I am deeply unimpressed by the quality; if anyone has a card printer they swear by, let me know!), but my sister prefers option 1, so I thought I would post all the variations... The vast majority of the printed card recipients will receive their cards after the holidays because that is the state of affairs this year (and most years, honestly).

Wishing you all a very Merry Christmas, Happy Hanukkah, and Magical New Year ✨🎄

Which version is your favourite: 1, 2, or 3?
I got option 2 printed (by Walmart, but I am deeply unimpressed by the quality; if anyone has a card printer they swear by, let me know!), but my sister prefers option 1, so I thought I would post all the variations... The vast majority of the printed card recipients will receive their cards after the holidays because that is the state of affairs this year (and most years, honestly).

Wishing you all a very Merry Christmas, Happy Hanukkah, and Magical New Year ✨🎄

Which version is your favourite: 1, 2, or 3?
I got option 2 printed (by Walmart, but I am deeply unimpressed by the quality; if anyone has a card printer they swear by, let me know!), but my sister prefers option 1, so I thought I would post all the variations... The vast majority of the printed card recipients will receive their cards after the holidays because that is the state of affairs this year (and most years, honestly).

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

In honour of @nightlight_vicpark happening THIS WEEKEND (Dave and I just went to check out the exhibits and they’re looking 🔥🔥🔥) I’m revisiting last year’s festival… A year ago today (?!?) I had the pleasure of exhibiting this work, Night Windows, at Night Light 2024 and I am still so, so grateful for the opportunity.
1/ A short clip from the overall animation. I started all the shapes and compositions in Rhino @mcneel.europe and textured and animated everything in @blender.official
2/ The same composition projection mapped on the historic Haultain School, my canvas for the duration of the festival.
3/ Me posing with my art piece! Thank you so much to all the family and friends who came to see it.
4/ My original application - I animated this as a GIF frame by frame in Photoshop 😂 It did the trick.
5/ Testing out project mapping software (we used Resolume) in my Winnipeg apartment last summer. That loft had flaws but the exposed brick was a dream.
6/ Further developing the animation in our Devenish studio.
7/ Mapping out the building facade with my fabulous mentor @jose.macasinag
8/ Behind the scenes! The projector had to be placed pretty high, so every night of the festival I’d climb up to get the software going. Big thanks to @nightlight_vicpark for facilitating the location, the projection software license, and the projector set up.
9/ We had an awesome turn out last year!
10/ The animation was two minutes long in the end, cycling through four different compositions. It was interesting to see what showed up best as a projection on the building vs what elements got a bit more lost.
11/ I snuck in a couple of my nephews’ drawings in the credits ♥️

😘 Thanks so much for scrolling through and be sure to check out Night Light this weekend!

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

Belated inspo from @nilufargallery in Milan. Sadly didn’t get to experience Milan during Design Week (though that’s still on the bucket list), but this was a nice little taste of it.

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

“A KIND OF LANGUAGE: STORYBOARDS AND OTHER RENDERINGS FOR CINEMA” At the Fondazione Prada Osservatorio in Milan...
Outpost of @fondazioneprada | Still can’t get over my luck that this exhibition was on during our Milan trip - here are some of my favourites:
1- Sketches by director Sofia Coppola for The Virgin Suicides, 1998
2- Storyboards by director Ericka Beckman for Switch Center, 2003 (I am obsessed with the idea of collage storyboards and need to try this at some point.)
3- Storyboards by storyboard artist Gabriel Hardman for Interstellar, date of storyboards are unknown but the movie came out in 2014
4- Drawings by artist Ron Cobb for Close Encounters of the Third Kind, 1977
5- Dave playing part of the theme from Close Encouncters of the Third Kind
6- Storyboards by artist David Byrne for Stop Making Sense, 1984 (Again, I’m obsessed with the use of collage!)
7- Storyboards by director Hayao Miyazaki for The Boy and the Heron, 2023 (💖)
8- Storyboards by artist Wim Wenders for Wings of Desire, 1987
9- Storyboards by Max Douy for Dune, 1973 (These were labelled as storyboards but frankly they seem more like Production Design concept sketches)
10- Work Diary / Shooting Script by director Ingmar Bergman for Persona, 1966
11- Storyboards by artist Martin Asbury for GoldenEye, 1995 (Dave especially enjoyed these)
12- I also really enjoyed the space of the gallery itself!
Designed by: @oma.eu
Built by: #colombocostruzioni

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Marbles of Milan.
Our first trip to Italy was brief and delightful but what I didn’t expect was the be shocked by the marble. It felt outrageous. Where I might expect faux tiles (for example, in an otherwise decrepit subway station), there would be stunning marble. Most elevator interiors we saw were just … fully clad in marble. It was wild and beautiful. And I was reminded of how different real marble feels compared to other materials - I was particularly enamoured with a marble bath tub we experienced at the spa and fear I may need to have my own marble bathroom tub one day. I’ve never been particularly into marble but now I’m obsessed. Our next trip to Italy will most certainly involve a trip to Carrara to see a quarry and / or a sculptor’s studio.

Swipe through to take the train with us from Paris to Milan 🚂🖤

Swipe through to take the train with us from Paris to Milan 🚂🖤

Swipe through to take the train with us from Paris to Milan 🚂🖤

Swipe through to take the train with us from Paris to Milan 🚂🖤

Swipe through to take the train with us from Paris to Milan 🚂🖤

Layover in Paris 🎈

📍Maeklong Railway Market
Part of a day trip west of Bangkok. Many tours offer this as a package together with Damnoen Saduak Floating Market
This was kind of silly but worthwhile!

I’m a huge fan of immersive art installations and this one did not disappoint! Inflatables are all the rage right now and this was a very cool example.
📍ICONSIAM, Bangkok: (6th floor) “Modern Guru and the Path to Artificial Happiness”
Until January 5, 2025

Another instalment from me in my workshop era.
A+ birthday gift from @davejotsandhu and @abhi__ahluwalia at @clubcherryindia 🫶
Yes, it was stressful wearing that outfit at the wheel.

Another instalment from me in my workshop era.
A+ birthday gift from @davejotsandhu and @abhi__ahluwalia at @clubcherryindia 🫶
Yes, it was stressful wearing that outfit at the wheel.

Another instalment from me in my workshop era.
A+ birthday gift from @davejotsandhu and @abhi__ahluwalia at @clubcherryindia 🫶
Yes, it was stressful wearing that outfit at the wheel.

Another instalment from me in my workshop era.
A+ birthday gift from @davejotsandhu and @abhi__ahluwalia at @clubcherryindia 🫶
Yes, it was stressful wearing that outfit at the wheel.

Another instalment from me in my workshop era.
A+ birthday gift from @davejotsandhu and @abhi__ahluwalia at @clubcherryindia 🫶
Yes, it was stressful wearing that outfit at the wheel.

The countdown is on - Victoria Park NIGHT LIGHT is starting TOMORROW! If I haven’t already talked your ear off about this in person, it’s a 3 night art festival celebrating an array of art mediums that will most certainly light up the night. The team behind @nightlight_vicpark is absolutely incredible and I am so, so grateful to be a participating artist! I’ll be exhibiting my projection art at Haultain Park (225 13 Ave SW) this week Thurs-Saturday 6pm-11pm amidst three major hubs of stunning visuals and good fun. See you there 😉
Big thanks to my mentor @jose.macasinag 😍 If you don’t follow him already - go check out Jose’s art!

Have you ever taken an art workshop abroad?

I’ve been fortunate enough to do a fair bit of travelling over the last couple of years, between travelling for weddings and accompanying @davejotsandhu for work travel. Enough travelling and enough travel *planning* to realize some nuances in what activities I want to pursue when on vacation. One big thing I only realized recently is that, by far, my favourite travel experiences have been the creative ones. (Big surprise, I know.) Perhaps that started in 2014 when I studied architectural drawing in Berlin with my design schoolmates and @danielroehrdrawings (an experience of a lifetime). Truly, I wish I could do a creative course abroad on a regular basis. But I’ve recently realized I can tap into that on a smaller scale by signing up for short (half day or less) workshops when travelling. The photos here are from a Batik workshop I did while on a trip to attend an (amazing, very special) wedding in Malaysia last summer. Batik is a traditional method for decorating fabric with hot wax and dye, and has been practiced for centuries in parts of China, Japan, India, South America and Europe. It reminded me of the art of making pysanky (Ukrainian easter eggs),which also uses hot wax and dye. The Batik workshop was one of the highlights of my whole trip. I met really interesting people, created something beautiful, and learned so much. I found the class through airbnb experiences, a tool I plan to utilize more in the future, but hope to find more platforms etc for finding workshops. If you’re reading this and you’ve heard of a great art workshop anywhere in the world, let me know! I’m planning a trip to London in 2025 specifically for art workshops 😅😍

Have you ever taken an art workshop abroad?

I’ve been fortunate enough to do a fair bit of travelling over the last couple of years, between travelling for weddings and accompanying @davejotsandhu for work travel. Enough travelling and enough travel *planning* to realize some nuances in what activities I want to pursue when on vacation. One big thing I only realized recently is that, by far, my favourite travel experiences have been the creative ones. (Big surprise, I know.) Perhaps that started in 2014 when I studied architectural drawing in Berlin with my design schoolmates and @danielroehrdrawings (an experience of a lifetime). Truly, I wish I could do a creative course abroad on a regular basis. But I’ve recently realized I can tap into that on a smaller scale by signing up for short (half day or less) workshops when travelling. The photos here are from a Batik workshop I did while on a trip to attend an (amazing, very special) wedding in Malaysia last summer. Batik is a traditional method for decorating fabric with hot wax and dye, and has been practiced for centuries in parts of China, Japan, India, South America and Europe. It reminded me of the art of making pysanky (Ukrainian easter eggs),which also uses hot wax and dye. The Batik workshop was one of the highlights of my whole trip. I met really interesting people, created something beautiful, and learned so much. I found the class through airbnb experiences, a tool I plan to utilize more in the future, but hope to find more platforms etc for finding workshops. If you’re reading this and you’ve heard of a great art workshop anywhere in the world, let me know! I’m planning a trip to London in 2025 specifically for art workshops 😅😍

Have you ever taken an art workshop abroad?

I’ve been fortunate enough to do a fair bit of travelling over the last couple of years, between travelling for weddings and accompanying @davejotsandhu for work travel. Enough travelling and enough travel *planning* to realize some nuances in what activities I want to pursue when on vacation. One big thing I only realized recently is that, by far, my favourite travel experiences have been the creative ones. (Big surprise, I know.) Perhaps that started in 2014 when I studied architectural drawing in Berlin with my design schoolmates and @danielroehrdrawings (an experience of a lifetime). Truly, I wish I could do a creative course abroad on a regular basis. But I’ve recently realized I can tap into that on a smaller scale by signing up for short (half day or less) workshops when travelling. The photos here are from a Batik workshop I did while on a trip to attend an (amazing, very special) wedding in Malaysia last summer. Batik is a traditional method for decorating fabric with hot wax and dye, and has been practiced for centuries in parts of China, Japan, India, South America and Europe. It reminded me of the art of making pysanky (Ukrainian easter eggs),which also uses hot wax and dye. The Batik workshop was one of the highlights of my whole trip. I met really interesting people, created something beautiful, and learned so much. I found the class through airbnb experiences, a tool I plan to utilize more in the future, but hope to find more platforms etc for finding workshops. If you’re reading this and you’ve heard of a great art workshop anywhere in the world, let me know! I’m planning a trip to London in 2025 specifically for art workshops 😅😍

Have you ever taken an art workshop abroad?

I’ve been fortunate enough to do a fair bit of travelling over the last couple of years, between travelling for weddings and accompanying @davejotsandhu for work travel. Enough travelling and enough travel *planning* to realize some nuances in what activities I want to pursue when on vacation. One big thing I only realized recently is that, by far, my favourite travel experiences have been the creative ones. (Big surprise, I know.) Perhaps that started in 2014 when I studied architectural drawing in Berlin with my design schoolmates and @danielroehrdrawings (an experience of a lifetime). Truly, I wish I could do a creative course abroad on a regular basis. But I’ve recently realized I can tap into that on a smaller scale by signing up for short (half day or less) workshops when travelling. The photos here are from a Batik workshop I did while on a trip to attend an (amazing, very special) wedding in Malaysia last summer. Batik is a traditional method for decorating fabric with hot wax and dye, and has been practiced for centuries in parts of China, Japan, India, South America and Europe. It reminded me of the art of making pysanky (Ukrainian easter eggs),which also uses hot wax and dye. The Batik workshop was one of the highlights of my whole trip. I met really interesting people, created something beautiful, and learned so much. I found the class through airbnb experiences, a tool I plan to utilize more in the future, but hope to find more platforms etc for finding workshops. If you’re reading this and you’ve heard of a great art workshop anywhere in the world, let me know! I’m planning a trip to London in 2025 specifically for art workshops 😅😍

Have you ever taken an art workshop abroad?

I’ve been fortunate enough to do a fair bit of travelling over the last couple of years, between travelling for weddings and accompanying @davejotsandhu for work travel. Enough travelling and enough travel *planning* to realize some nuances in what activities I want to pursue when on vacation. One big thing I only realized recently is that, by far, my favourite travel experiences have been the creative ones. (Big surprise, I know.) Perhaps that started in 2014 when I studied architectural drawing in Berlin with my design schoolmates and @danielroehrdrawings (an experience of a lifetime). Truly, I wish I could do a creative course abroad on a regular basis. But I’ve recently realized I can tap into that on a smaller scale by signing up for short (half day or less) workshops when travelling. The photos here are from a Batik workshop I did while on a trip to attend an (amazing, very special) wedding in Malaysia last summer. Batik is a traditional method for decorating fabric with hot wax and dye, and has been practiced for centuries in parts of China, Japan, India, South America and Europe. It reminded me of the art of making pysanky (Ukrainian easter eggs),which also uses hot wax and dye. The Batik workshop was one of the highlights of my whole trip. I met really interesting people, created something beautiful, and learned so much. I found the class through airbnb experiences, a tool I plan to utilize more in the future, but hope to find more platforms etc for finding workshops. If you’re reading this and you’ve heard of a great art workshop anywhere in the world, let me know! I’m planning a trip to London in 2025 specifically for art workshops 😅😍

Have you ever taken an art workshop abroad?

I’ve been fortunate enough to do a fair bit of travelling over the last couple of years, between travelling for weddings and accompanying @davejotsandhu for work travel. Enough travelling and enough travel *planning* to realize some nuances in what activities I want to pursue when on vacation. One big thing I only realized recently is that, by far, my favourite travel experiences have been the creative ones. (Big surprise, I know.) Perhaps that started in 2014 when I studied architectural drawing in Berlin with my design schoolmates and @danielroehrdrawings (an experience of a lifetime). Truly, I wish I could do a creative course abroad on a regular basis. But I’ve recently realized I can tap into that on a smaller scale by signing up for short (half day or less) workshops when travelling. The photos here are from a Batik workshop I did while on a trip to attend an (amazing, very special) wedding in Malaysia last summer. Batik is a traditional method for decorating fabric with hot wax and dye, and has been practiced for centuries in parts of China, Japan, India, South America and Europe. It reminded me of the art of making pysanky (Ukrainian easter eggs),which also uses hot wax and dye. The Batik workshop was one of the highlights of my whole trip. I met really interesting people, created something beautiful, and learned so much. I found the class through airbnb experiences, a tool I plan to utilize more in the future, but hope to find more platforms etc for finding workshops. If you’re reading this and you’ve heard of a great art workshop anywhere in the world, let me know! I’m planning a trip to London in 2025 specifically for art workshops 😅😍

Have you ever taken an art workshop abroad?

I’ve been fortunate enough to do a fair bit of travelling over the last couple of years, between travelling for weddings and accompanying @davejotsandhu for work travel. Enough travelling and enough travel *planning* to realize some nuances in what activities I want to pursue when on vacation. One big thing I only realized recently is that, by far, my favourite travel experiences have been the creative ones. (Big surprise, I know.) Perhaps that started in 2014 when I studied architectural drawing in Berlin with my design schoolmates and @danielroehrdrawings (an experience of a lifetime). Truly, I wish I could do a creative course abroad on a regular basis. But I’ve recently realized I can tap into that on a smaller scale by signing up for short (half day or less) workshops when travelling. The photos here are from a Batik workshop I did while on a trip to attend an (amazing, very special) wedding in Malaysia last summer. Batik is a traditional method for decorating fabric with hot wax and dye, and has been practiced for centuries in parts of China, Japan, India, South America and Europe. It reminded me of the art of making pysanky (Ukrainian easter eggs),which also uses hot wax and dye. The Batik workshop was one of the highlights of my whole trip. I met really interesting people, created something beautiful, and learned so much. I found the class through airbnb experiences, a tool I plan to utilize more in the future, but hope to find more platforms etc for finding workshops. If you’re reading this and you’ve heard of a great art workshop anywhere in the world, let me know! I’m planning a trip to London in 2025 specifically for art workshops 😅😍