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Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
Sharing some final photos from my time at @golden_art_fdn
Truly grateful to have had the opportunity to fully immerse myself in material exploration, working across an expansive range of paints, mediums, and technologies in ways that challenged and expanded my approach to making.
Thank you to Emma and Jess for taking such wonderful care of my co-residents and me throughout our month at the Foundation Studio. It was a truly a privilege to have access to the full range of Golden products 🤯 and minds of the brilliant team of technicians.
Would not be offended if that lemon tart recipe made its way into my inbox 🍋
◾️🔲Check out these installation views from Braxton Garneau’s latest solo exhibition ‘Ebb,’ on view at the College Art Galleries at the University of Saskatchewan in Saskatoon, through April 24, 2026! 🔲◾️
“With a focus on painting, sculpture, printmaking and installation, Garneau’s practice is rooted in materiality, costuming and transformation. Working in-between cultures, he combines visual influences from classical and contemporary forms with material investigations to consider cultural, social and historical implications.”
Curated by Leah Taylor, @leahmariet
For more information visit [kagcag.usask.ca]
◾️🔲◾️If you’re in Saskatoon, don’t miss it and if you’re in Toronto mark your calendar for the opening reception of the touring group exhibition, ‘Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean’, organized by @remaimodern , and opening @artmuseumuoft , on February 25th, from 6-8pm, featuring works by @karaaspringer & @braxton.studio ! ◾️🔲◾️
◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️
#BraxtonGarneau #EbbExhibition #CollegeArtGalleries #SaskatoonArt #PatelBrown
◾️🔲Check out these installation views from Braxton Garneau’s latest solo exhibition ‘Ebb,’ on view at the College Art Galleries at the University of Saskatchewan in Saskatoon, through April 24, 2026! 🔲◾️
“With a focus on painting, sculpture, printmaking and installation, Garneau’s practice is rooted in materiality, costuming and transformation. Working in-between cultures, he combines visual influences from classical and contemporary forms with material investigations to consider cultural, social and historical implications.”
Curated by Leah Taylor, @leahmariet
For more information visit [kagcag.usask.ca]
◾️🔲◾️If you’re in Saskatoon, don’t miss it and if you’re in Toronto mark your calendar for the opening reception of the touring group exhibition, ‘Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean’, organized by @remaimodern , and opening @artmuseumuoft , on February 25th, from 6-8pm, featuring works by @karaaspringer & @braxton.studio ! ◾️🔲◾️
◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️
#BraxtonGarneau #EbbExhibition #CollegeArtGalleries #SaskatoonArt #PatelBrown
◾️🔲Check out these installation views from Braxton Garneau’s latest solo exhibition ‘Ebb,’ on view at the College Art Galleries at the University of Saskatchewan in Saskatoon, through April 24, 2026! 🔲◾️
“With a focus on painting, sculpture, printmaking and installation, Garneau’s practice is rooted in materiality, costuming and transformation. Working in-between cultures, he combines visual influences from classical and contemporary forms with material investigations to consider cultural, social and historical implications.”
Curated by Leah Taylor, @leahmariet
For more information visit [kagcag.usask.ca]
◾️🔲◾️If you’re in Saskatoon, don’t miss it and if you’re in Toronto mark your calendar for the opening reception of the touring group exhibition, ‘Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean’, organized by @remaimodern , and opening @artmuseumuoft , on February 25th, from 6-8pm, featuring works by @karaaspringer & @braxton.studio ! ◾️🔲◾️
◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️
#BraxtonGarneau #EbbExhibition #CollegeArtGalleries #SaskatoonArt #PatelBrown
◾️🔲Check out these installation views from Braxton Garneau’s latest solo exhibition ‘Ebb,’ on view at the College Art Galleries at the University of Saskatchewan in Saskatoon, through April 24, 2026! 🔲◾️
“With a focus on painting, sculpture, printmaking and installation, Garneau’s practice is rooted in materiality, costuming and transformation. Working in-between cultures, he combines visual influences from classical and contemporary forms with material investigations to consider cultural, social and historical implications.”
Curated by Leah Taylor, @leahmariet
For more information visit [kagcag.usask.ca]
◾️🔲◾️If you’re in Saskatoon, don’t miss it and if you’re in Toronto mark your calendar for the opening reception of the touring group exhibition, ‘Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean’, organized by @remaimodern , and opening @artmuseumuoft , on February 25th, from 6-8pm, featuring works by @karaaspringer & @braxton.studio ! ◾️🔲◾️
◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️🔲◾️
#BraxtonGarneau #EbbExhibition #CollegeArtGalleries #SaskatoonArt #PatelBrown
I’ve got another announcement …🌚🌚🌚
I’m excited to share my upcoming solo show at the College Art Galleries at the University of Saskatchewan.
“Ebb” opens Friday, January 23rd, from 6:30–8 pm.
Curated by Leah Taylor.
New and recent works exploring materiality, transformation, and cultural memory through painting, sculpture, and installation.
On view January 23 – April 24, 2026.
Headshot: @emile_kirsch 🤍🪶
“Processioners”
8” x 10”
Asphalt, acrylic, raffia on canvas
2022
📷: @bblaineccampbell
I’ve got another announcement …🌚🌚🌚
I’m excited to share my upcoming solo show at the College Art Galleries at the University of Saskatchewan.
“Ebb” opens Friday, January 23rd, from 6:30–8 pm.
Curated by Leah Taylor.
New and recent works exploring materiality, transformation, and cultural memory through painting, sculpture, and installation.
On view January 23 – April 24, 2026.
Headshot: @emile_kirsch 🤍🪶
“Processioners”
8” x 10”
Asphalt, acrylic, raffia on canvas
2022
📷: @bblaineccampbell
I’ve got another announcement …🌚🌚🌚
I’m excited to share my upcoming solo show at the College Art Galleries at the University of Saskatchewan.
“Ebb” opens Friday, January 23rd, from 6:30–8 pm.
Curated by Leah Taylor.
New and recent works exploring materiality, transformation, and cultural memory through painting, sculpture, and installation.
On view January 23 – April 24, 2026.
Headshot: @emile_kirsch 🤍🪶
“Processioners”
8” x 10”
Asphalt, acrylic, raffia on canvas
2022
📷: @bblaineccampbell
Braxton Garneau, 'Antilles Lace III', 2025
asphalt and acrylic on canvas with ground pearl and marble dust
15 x 10 in
Featured in ‘Antilles Lace’, @Braxton.studio's first solo exhibition at moniquemeloche, on view through next Saturday, November 1. 🖤
moniquemeloche
451 N. Paulina St.
Tuesday-Saturday, 11-6pm
Photo: @bob.mov
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
On view
Braxton Garneau: 'Antilles Lace' 🖤
In his first solo exhibition at moniquemeloche, Garneau presents a series of richly textured portraits created with harvested and hand-processed materials such as raffia, ground pearls, and asphalt, a medium that connects his Trinidadian heritage to his family’s migration to Alberta. Layered with symbols of spirituality, trade, and cultural continuity, these works reflect on how materials can hold memory and transform histories into new forms.
On view through November 1.
Photos: @bob.mov
@braxton.studio
Huge thank you to @newcitymag and writer Teddy Sandler for the incredibly thoughtful review of 'Antilles Lace', Braxton Garneau’s debut solo exhibition at moniquemeloche!
“Garneau crystalizes diasporic and colonial histories into a pearl of resistance … a visual language that feels both intimate and monumental.” 💜
Read the full review at the link in our bio, and experience 'Antilles Lace' in person through November 1.
@newcitymag @braxton.studio @sandler.tdy
Huge thank you to @newcitymag and writer Teddy Sandler for the incredibly thoughtful review of 'Antilles Lace', Braxton Garneau’s debut solo exhibition at moniquemeloche!
“Garneau crystalizes diasporic and colonial histories into a pearl of resistance … a visual language that feels both intimate and monumental.” 💜
Read the full review at the link in our bio, and experience 'Antilles Lace' in person through November 1.
@newcitymag @braxton.studio @sandler.tdy
Huge thank you to @newcitymag and writer Teddy Sandler for the incredibly thoughtful review of 'Antilles Lace', Braxton Garneau’s debut solo exhibition at moniquemeloche!
“Garneau crystalizes diasporic and colonial histories into a pearl of resistance … a visual language that feels both intimate and monumental.” 💜
Read the full review at the link in our bio, and experience 'Antilles Lace' in person through November 1.
@newcitymag @braxton.studio @sandler.tdy
Huge thank you to @newcitymag and writer Teddy Sandler for the incredibly thoughtful review of 'Antilles Lace', Braxton Garneau’s debut solo exhibition at moniquemeloche!
“Garneau crystalizes diasporic and colonial histories into a pearl of resistance … a visual language that feels both intimate and monumental.” 💜
Read the full review at the link in our bio, and experience 'Antilles Lace' in person through November 1.
@newcitymag @braxton.studio @sandler.tdy
Huge thank you to @newcitymag and writer Teddy Sandler for the incredibly thoughtful review of 'Antilles Lace', Braxton Garneau’s debut solo exhibition at moniquemeloche!
“Garneau crystalizes diasporic and colonial histories into a pearl of resistance … a visual language that feels both intimate and monumental.” 💜
Read the full review at the link in our bio, and experience 'Antilles Lace' in person through November 1.
@newcitymag @braxton.studio @sandler.tdy
Chicago Exhibition Weekend! 💜
Coinciding with CXW 2025, moniquemeloche is thrilled to present Luke Agada: ‘To Translate is to Move Across’ in our main galleries, alongside Braxton Garneau: ‘Antilles Lace’ in gallery 3 opening this Saturday, September 20.
Join us for a special gallery talk with both artists in conversation, moderated by Danny Dunson, at 3 PM, followed by our opening reception from 4–7 PM. RSVP @ the link in bio.
Also debuting during the festivities of CXW is ‘Over My Head: Encounters with Conceptual Art in a Flyover City, 1984–2015’, featuring an installation by Rashid Johnson, reimagined from his notable #onthewall project at moniquemeloche in 2013.
As part of the weekend’s programming, Brendan Fernandes will join artist Molly Gochman for a conversation moderated by Samara Furlong at Secrist Beach on Saturday, September 20 at 2 PM.
@lukechidiagada @braxtongarneau @gertie.co @chicagoexhibitionweekend @brendanfernandes
Chicago Exhibition Weekend! 💜
Coinciding with CXW 2025, moniquemeloche is thrilled to present Luke Agada: ‘To Translate is to Move Across’ in our main galleries, alongside Braxton Garneau: ‘Antilles Lace’ in gallery 3 opening this Saturday, September 20.
Join us for a special gallery talk with both artists in conversation, moderated by Danny Dunson, at 3 PM, followed by our opening reception from 4–7 PM. RSVP @ the link in bio.
Also debuting during the festivities of CXW is ‘Over My Head: Encounters with Conceptual Art in a Flyover City, 1984–2015’, featuring an installation by Rashid Johnson, reimagined from his notable #onthewall project at moniquemeloche in 2013.
As part of the weekend’s programming, Brendan Fernandes will join artist Molly Gochman for a conversation moderated by Samara Furlong at Secrist Beach on Saturday, September 20 at 2 PM.
@lukechidiagada @braxtongarneau @gertie.co @chicagoexhibitionweekend @brendanfernandes
Chicago Exhibition Weekend! 💜
Coinciding with CXW 2025, moniquemeloche is thrilled to present Luke Agada: ‘To Translate is to Move Across’ in our main galleries, alongside Braxton Garneau: ‘Antilles Lace’ in gallery 3 opening this Saturday, September 20.
Join us for a special gallery talk with both artists in conversation, moderated by Danny Dunson, at 3 PM, followed by our opening reception from 4–7 PM. RSVP @ the link in bio.
Also debuting during the festivities of CXW is ‘Over My Head: Encounters with Conceptual Art in a Flyover City, 1984–2015’, featuring an installation by Rashid Johnson, reimagined from his notable #onthewall project at moniquemeloche in 2013.
As part of the weekend’s programming, Brendan Fernandes will join artist Molly Gochman for a conversation moderated by Samara Furlong at Secrist Beach on Saturday, September 20 at 2 PM.
@lukechidiagada @braxtongarneau @gertie.co @chicagoexhibitionweekend @brendanfernandes
moniquemeloche is pleased to present two solo exhibitions opening next Saturday, September 20.
In the main galleries, 'To Translate is to Move Across' features new works by Lagos-born, Chicago-based Luke Agada. Drawing on Homi Bhabha’s concept of the “third space,” Agada explores globalization, migration, and cultural dislocation through surrealist paintings and drawings that hover between form and fluidity. Since moving to the US in 2021 for his MFA at the School of the Art Institute of Chicago, Agada has reflected on how home can mean more than one place. For his first full solo exhibition with the gallery, the works articulate a vision of movement that resists fixed categories, exposing the hybrid, fluid nature of meaning and belonging.
In Gallery 3, 'Antilles Lace' marks the first solo exhibition at the gallery by Canadian artist Braxton Garneau. Garneau draws from European portraiture and Afro-Caribbean traditions to explore diasporic and colonial histories rooted in his Trinidadian heritage. Using raffia, ground pearls, marble dust, and notably asphalt- linking Trinidad’s Pitch Lake to Alberta’s oil sands, Garneau creates textured portraits that act as shrines of memory, adorned with symbols of spirituality, trade, and cultural continuity.
Coinciding with Chicago Exhibition Weekend, join us for a special artist talk with Luke Agada and Braxton Garneau, moderated by Danny Dunson at 3pm, preceding our opening reception from 4-7pm.
Luke Agada, Photo: Robert Chase Heishman
Luke Agada, The Song and Dance After Crossing, 2025, oil on canvas, 72 x 60 in
Braxton Garneau, Photo: Emile Kirsch
Braxton Garneau, Antilles Lace IX, 2025, asphalt and acrylic on canvas with ground pearl and marble dust, 40 x 30 in
@lukechidiagada @braxtongarneu @chicagoexhibitionweekend @gertie.co @legacybros
moniquemeloche is pleased to present two solo exhibitions opening next Saturday, September 20.
In the main galleries, 'To Translate is to Move Across' features new works by Lagos-born, Chicago-based Luke Agada. Drawing on Homi Bhabha’s concept of the “third space,” Agada explores globalization, migration, and cultural dislocation through surrealist paintings and drawings that hover between form and fluidity. Since moving to the US in 2021 for his MFA at the School of the Art Institute of Chicago, Agada has reflected on how home can mean more than one place. For his first full solo exhibition with the gallery, the works articulate a vision of movement that resists fixed categories, exposing the hybrid, fluid nature of meaning and belonging.
In Gallery 3, 'Antilles Lace' marks the first solo exhibition at the gallery by Canadian artist Braxton Garneau. Garneau draws from European portraiture and Afro-Caribbean traditions to explore diasporic and colonial histories rooted in his Trinidadian heritage. Using raffia, ground pearls, marble dust, and notably asphalt- linking Trinidad’s Pitch Lake to Alberta’s oil sands, Garneau creates textured portraits that act as shrines of memory, adorned with symbols of spirituality, trade, and cultural continuity.
Coinciding with Chicago Exhibition Weekend, join us for a special artist talk with Luke Agada and Braxton Garneau, moderated by Danny Dunson at 3pm, preceding our opening reception from 4-7pm.
Luke Agada, Photo: Robert Chase Heishman
Luke Agada, The Song and Dance After Crossing, 2025, oil on canvas, 72 x 60 in
Braxton Garneau, Photo: Emile Kirsch
Braxton Garneau, Antilles Lace IX, 2025, asphalt and acrylic on canvas with ground pearl and marble dust, 40 x 30 in
@lukechidiagada @braxtongarneu @chicagoexhibitionweekend @gertie.co @legacybros
moniquemeloche is pleased to present two solo exhibitions opening next Saturday, September 20.
In the main galleries, 'To Translate is to Move Across' features new works by Lagos-born, Chicago-based Luke Agada. Drawing on Homi Bhabha’s concept of the “third space,” Agada explores globalization, migration, and cultural dislocation through surrealist paintings and drawings that hover between form and fluidity. Since moving to the US in 2021 for his MFA at the School of the Art Institute of Chicago, Agada has reflected on how home can mean more than one place. For his first full solo exhibition with the gallery, the works articulate a vision of movement that resists fixed categories, exposing the hybrid, fluid nature of meaning and belonging.
In Gallery 3, 'Antilles Lace' marks the first solo exhibition at the gallery by Canadian artist Braxton Garneau. Garneau draws from European portraiture and Afro-Caribbean traditions to explore diasporic and colonial histories rooted in his Trinidadian heritage. Using raffia, ground pearls, marble dust, and notably asphalt- linking Trinidad’s Pitch Lake to Alberta’s oil sands, Garneau creates textured portraits that act as shrines of memory, adorned with symbols of spirituality, trade, and cultural continuity.
Coinciding with Chicago Exhibition Weekend, join us for a special artist talk with Luke Agada and Braxton Garneau, moderated by Danny Dunson at 3pm, preceding our opening reception from 4-7pm.
Luke Agada, Photo: Robert Chase Heishman
Luke Agada, The Song and Dance After Crossing, 2025, oil on canvas, 72 x 60 in
Braxton Garneau, Photo: Emile Kirsch
Braxton Garneau, Antilles Lace IX, 2025, asphalt and acrylic on canvas with ground pearl and marble dust, 40 x 30 in
@lukechidiagada @braxtongarneu @chicagoexhibitionweekend @gertie.co @legacybros
moniquemeloche is pleased to present two solo exhibitions opening next Saturday, September 20.
In the main galleries, 'To Translate is to Move Across' features new works by Lagos-born, Chicago-based Luke Agada. Drawing on Homi Bhabha’s concept of the “third space,” Agada explores globalization, migration, and cultural dislocation through surrealist paintings and drawings that hover between form and fluidity. Since moving to the US in 2021 for his MFA at the School of the Art Institute of Chicago, Agada has reflected on how home can mean more than one place. For his first full solo exhibition with the gallery, the works articulate a vision of movement that resists fixed categories, exposing the hybrid, fluid nature of meaning and belonging.
In Gallery 3, 'Antilles Lace' marks the first solo exhibition at the gallery by Canadian artist Braxton Garneau. Garneau draws from European portraiture and Afro-Caribbean traditions to explore diasporic and colonial histories rooted in his Trinidadian heritage. Using raffia, ground pearls, marble dust, and notably asphalt- linking Trinidad’s Pitch Lake to Alberta’s oil sands, Garneau creates textured portraits that act as shrines of memory, adorned with symbols of spirituality, trade, and cultural continuity.
Coinciding with Chicago Exhibition Weekend, join us for a special artist talk with Luke Agada and Braxton Garneau, moderated by Danny Dunson at 3pm, preceding our opening reception from 4-7pm.
Luke Agada, Photo: Robert Chase Heishman
Luke Agada, The Song and Dance After Crossing, 2025, oil on canvas, 72 x 60 in
Braxton Garneau, Photo: Emile Kirsch
Braxton Garneau, Antilles Lace IX, 2025, asphalt and acrylic on canvas with ground pearl and marble dust, 40 x 30 in
@lukechidiagada @braxtongarneu @chicagoexhibitionweekend @gertie.co @legacybros
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
Vantaggi di Anonstories
Esplora le Storie IG in Privato
Segui gli aggiornamenti di Instagram discretamente proteggendo la tua privacy e restando anonimo.
Visualizzatore Privato di Instagram
Guarda profili e foto in modo anonimo facilmente usando il Visualizzatore di profili privati.
Visualizzatore di Storie Gratuito
Questo strumento gratuito ti permette di visualizzare le storie di Instagram in modo anonimo, garantendo che la tua attività rimanga nascosta dall'utente che carica la storia.
Domande frequenti
Anonimato
Anonstories consente agli utenti di guardare le storie di Instagram senza avvisare il creatore.
Compatibilità Dispositivi
Funziona senza problemi su iOS, Android, Windows, macOS e browser moderni come Chrome e Safari.
Sicurezza e Privacy
Garantisce una navigazione sicura e anonima senza richiedere credenziali di accesso.
Nessuna Registrazione
Gli utenti possono visualizzare storie pubbliche semplicemente inserendo un nome utente—nessun account richiesto.
Formati Supportati
Scarica foto (JPEG) e video (MP4) facilmente.
Costo
Il servizio è gratuito.
Account Privati
Il contenuto degli account privati è accessibile solo ai follower.
Utilizzo dei File
I file sono destinati solo a uso personale o educativo e devono rispettare le normative sul copyright.
Come Funziona
Inserisci un nome utente pubblico per visualizzare o scaricare storie. Il servizio genera link diretti per salvare i contenuti localmente.