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ignasi
Ignasi Monreal
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
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Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
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