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indigenousscreen
Indigenous Screen Office
Expanding the opportunity, reach and impact of Indigenous storytellers in Canada
The Production program for Features & TV Series closes on May 20, 2026. This program offers support to Indigenous screen-based creators in the production of a TV series or feature-length film.
📎 Link in bio
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Le programme de production du BEA pour les longs métrages et les séries télévisées prend fin le 20 mai 2026. Ce programme offre un soutien aux créateurs autochtones du domaine de l'écran pour la production d'une série télévisée ou d'un long métrage.
📎 Lien dans la bio
The Production program for Features & TV Series closes on May 20, 2026. This program offers support to Indigenous screen-based creators in the production of a TV series or feature-length film.
📎 Link in bio
-
Le programme de production du BEA pour les longs métrages et les séries télévisées prend fin le 20 mai 2026. Ce programme offre un soutien aux créateurs autochtones du domaine de l'écran pour la production d'une série télévisée ou d'un long métrage.
📎 Lien dans la bio
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.
The panels was recorded and is available in Cinando with a MDF industry access.
Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).
Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.
The Marketing, Promotion, and Distribution program supports Indigenous screen-based companies in accessing markets and audiences for their short and feature films, tv and web series, and interactive and immersive projects.
This program has a rolling deadline until March 1, 2027, or until all funds have been allocated.
📎 Link in bio
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Le programme « Marketing, promotion et distribution » aide les sociétés autochtones du secteur audiovisuel à accéder aux marchés et au public pour leurs courts et longs métrages, leurs séries télévisées et web, ainsi que leurs projets interactifs et immersifs.
Les candidatures pour ce programme peuvent être déposées à tout moment jusqu'au 1er mars 2027 ou jusqu'à épuisement des fonds.
📎 Lien dans la bio
The Marketing, Promotion, and Distribution program supports Indigenous screen-based companies in accessing markets and audiences for their short and feature films, tv and web series, and interactive and immersive projects.
This program has a rolling deadline until March 1, 2027, or until all funds have been allocated.
📎 Link in bio
-
Le programme « Marketing, promotion et distribution » aide les sociétés autochtones du secteur audiovisuel à accéder aux marchés et au public pour leurs courts et longs métrages, leurs séries télévisées et web, ainsi que leurs projets interactifs et immersifs.
Les candidatures pour ce programme peuvent être déposées à tout moment jusqu'au 1er mars 2027 ou jusqu'à épuisement des fonds.
📎 Lien dans la bio
The ISO and the @cmf.fmc announce a $480,000.00 combined investment in three projects selected for funding through the ISO’s 2025-2026 Interactive and Immersive Program.
The projects are:
Project: Dàsa
Key Creatives: Amanda Strong, Métis
Format: Video game
Project: The Seven Dancers
Key Creatives: Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format: Video game series
Project: Waves of Buffalo
Key Creatives: Tasha Hubbard, Cree
Format: XR Installation
🔗 link in bio
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Le Bureau de l’écran autochtone (BEA) et le Fonds des médias du Canada (FMC) annoncent un investissement combiné de 480 000 $ pour trois projets sélectionnés dans le cadre du programme interactif et immersif 2025-2026 du BEA.
Les projets sont les suivants :
Projet : Dàsa
Direction créative : Amanda Strong, Métisse
Format : Jeu vidéo
Projet : The Seven Dancers
Direction créative : Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format : Série de jeux vidéo
Projet : Waves of Buffalo
Direction créative : Tasha Hubbard, Crie
Format : Installation en réalité étendue
🔗 lien dans la bio
The ISO and the @cmf.fmc announce a $480,000.00 combined investment in three projects selected for funding through the ISO’s 2025-2026 Interactive and Immersive Program.
The projects are:
Project: Dàsa
Key Creatives: Amanda Strong, Métis
Format: Video game
Project: The Seven Dancers
Key Creatives: Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format: Video game series
Project: Waves of Buffalo
Key Creatives: Tasha Hubbard, Cree
Format: XR Installation
🔗 link in bio
-
Le Bureau de l’écran autochtone (BEA) et le Fonds des médias du Canada (FMC) annoncent un investissement combiné de 480 000 $ pour trois projets sélectionnés dans le cadre du programme interactif et immersif 2025-2026 du BEA.
Les projets sont les suivants :
Projet : Dàsa
Direction créative : Amanda Strong, Métisse
Format : Jeu vidéo
Projet : The Seven Dancers
Direction créative : Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format : Série de jeux vidéo
Projet : Waves of Buffalo
Direction créative : Tasha Hubbard, Crie
Format : Installation en réalité étendue
🔗 lien dans la bio
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.
What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Deadline reminder!
🗓️ The CMF Indigenous Predevelopment & Development program closes on May 13, 2026
🗓️ The CMF Indigenous Production program closes on May 13, 2026
🔗 link in bio
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Rappel de la date limite !
🗓️ Le programme de pré-développement et développement autochtones du FMC prend fin le 13 mai 2026.
🗓️ Le programme de production autochtone du FMC prend fin le 13 mai 2026.
🔗 lien dans la bio
Deadline reminder!
🗓️ The CMF Indigenous Predevelopment & Development program closes on May 13, 2026
🗓️ The CMF Indigenous Production program closes on May 13, 2026
🔗 link in bio
-
Rappel de la date limite !
🗓️ Le programme de pré-développement et développement autochtones du FMC prend fin le 13 mai 2026.
🗓️ Le programme de production autochtone du FMC prend fin le 13 mai 2026.
🔗 lien dans la bio
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).
Come and listen and connect with us at Marché du Film! 💫
Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.
#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026
May 5 is the national day of awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQIA+ People, also known as Red Dress Day. Join ISO in remembering and amplifying Indigenous voices as we stand with survivors, families, and advocates who call for change.
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Le 5 mai est la journée nationale de sensibilisation aux femmes, filles et personnes 2SLGBTQIA+ autochtones disparues et assassinées, également connue sous le nom de « Red Dress Day » (Journée de la robe rouge). Joignez-vous au BEA pour honorer la mémoire des victimes et faire entendre la voix des communautés autochtones, aux côtés des survivantes, des familles et des défenseurs qui réclament un changement.
May 5 is the national day of awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQIA+ People, also known as Red Dress Day. Join ISO in remembering and amplifying Indigenous voices as we stand with survivors, families, and advocates who call for change.
—
Le 5 mai est la journée nationale de sensibilisation aux femmes, filles et personnes 2SLGBTQIA+ autochtones disparues et assassinées, également connue sous le nom de « Red Dress Day » (Journée de la robe rouge). Joignez-vous au BEA pour honorer la mémoire des victimes et faire entendre la voix des communautés autochtones, aux côtés des survivantes, des familles et des défenseurs qui réclament un changement.
Watch our 2026-2027 Funding program changes webinar
The ISO has recorded a webinar to provide our community with Funding Program updates! The team presents changes that impact all programs and individual programs. Have a question? Email us at funding@iso-bea.ca
🔗 link in bio
-
Regardez notre webinaire sur les changements apportés au programme de financement 2026-2027
Le BEA a enregistré un webinaire afin de faire le point sur les programmes de financement destinés à notre communauté ! L'équipe y présente les changements qui concernent l'ensemble des programmes ainsi que certains programmes spécifiques. Vous avez une question ? Écrivez-nous à l'adresse financement@iso-bea.ca
🔗 lien dans la bio
Watch our 2026-2027 Funding program changes webinar
The ISO has recorded a webinar to provide our community with Funding Program updates! The team presents changes that impact all programs and individual programs. Have a question? Email us at funding@iso-bea.ca
🔗 link in bio
-
Regardez notre webinaire sur les changements apportés au programme de financement 2026-2027
Le BEA a enregistré un webinaire afin de faire le point sur les programmes de financement destinés à notre communauté ! L'équipe y présente les changements qui concernent l'ensemble des programmes ainsi que certains programmes spécifiques. Vous avez une question ? Écrivez-nous à l'adresse financement@iso-bea.ca
🔗 lien dans la bio
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.
In theatres May 8!
Shot by @arthurmola
#attheplaceofghosts #brettenhannam
@aptn_ca, @radiocanada et le BEA sont ravis d’annoncer le projet choisi dans le cadre du programme visant à soutenir les créateur·trice·s autochtones dans la phase de pré-développement de leurs projets.
Le projet sélectionné est :
Uassat (documentaire – 52 minutes)
Créatrice: Lily Bellefleur
Province : Québec
Ainsi, Lily Bellefleur recevra un soutien adapté à son projet, dans le but de mener celui-ci à la phase du développement et ultimement, le cas échéant, à la production.
🔗 lien dans la bio
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
We're excited to highlight the 5 podcasts that @youtube Canada will support through our Podcasting program ❤️❤️❤️
Project: Before I Go – Embracing the Journey of MAiD – Season 2
Company: Vision Quest Communications Inc.
Key Creative: Danielle Wilson-Brown, Gitxaała Nation
@bigpodcastbyvqc
Project: Indigenous Midwives: Our Stories – Season 1
Company: IndigeKin Productions Inc.
Key Creative: Lolly de Jonge, Métis
@indigekinproductions
Project: Lynx River Revisited: A North of 60 Rewatch Podcast – Season 2
Key Creative: Melaw Nakehk’o, Dene/Dënesųłıné
@lynxriverpod
Project: Matriarch Movement Video Podcast – Season 6: Indigenous Voices of This Generation
Company: Matriarch Movement Foundation
Key Creative: Shayla Oulette, Métis-Cree
@matriarch.movement
Project: The Aunties Dandelion – Season 5
Company: The Aunties Dandelion Inc.
Key Creative: Kahstoserakwathe Paulette Moore, Kanyen’kehà:ka/Mohawk
@theauntiesdandelion
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
Vantaggi di Anonstories
Esplora le Storie IG in Privato
Segui gli aggiornamenti di Instagram discretamente proteggendo la tua privacy e restando anonimo.
Visualizzatore Privato di Instagram
Guarda profili e foto in modo anonimo facilmente usando il Visualizzatore di profili privati.
Visualizzatore di Storie Gratuito
Questo strumento gratuito ti permette di visualizzare le storie di Instagram in modo anonimo, garantendo che la tua attività rimanga nascosta dall'utente che carica la storia.
Domande frequenti
Anonimato
Anonstories consente agli utenti di guardare le storie di Instagram senza avvisare il creatore.
Compatibilità Dispositivi
Funziona senza problemi su iOS, Android, Windows, macOS e browser moderni come Chrome e Safari.
Sicurezza e Privacy
Garantisce una navigazione sicura e anonima senza richiedere credenziali di accesso.
Nessuna Registrazione
Gli utenti possono visualizzare storie pubbliche semplicemente inserendo un nome utente—nessun account richiesto.
Formati Supportati
Scarica foto (JPEG) e video (MP4) facilmente.
Costo
Il servizio è gratuito.
Account Privati
Il contenuto degli account privati è accessibile solo ai follower.
Utilizzo dei File
I file sono destinati solo a uso personale o educativo e devono rispettare le normative sul copyright.
Come Funziona
Inserisci un nome utente pubblico per visualizzare o scaricare storie. Il servizio genera link diretti per salvare i contenuti localmente.