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Writer, illustrator, and researcher Ahmad Nabil is bringing his testimonial of Palestinian folklore to the following cities! This tour is launching the English translation of Ahmad’s book done by Fatema Alhashemi.
Presented by The Fiction Council, these intimate readings explore a world where jinns and ghouls, guardians and tricksters, wizards and possessors move through everyday life in the Old City of Jerusalem.
Join Ahmad for readings, vivid storytelling, and conversations about craft, memory, and the whisper networks that carry these tales.
RSVP links in bio 🌱
#indiepublisher #booktour
Writer, illustrator, and researcher Ahmad Nabil is bringing his testimonial of Palestinian folklore to the following cities! This tour is launching the English translation of Ahmad’s book done by Fatema Alhashemi.
Presented by The Fiction Council, these intimate readings explore a world where jinns and ghouls, guardians and tricksters, wizards and possessors move through everyday life in the Old City of Jerusalem.
Join Ahmad for readings, vivid storytelling, and conversations about craft, memory, and the whisper networks that carry these tales.
RSVP links in bio 🌱
#indiepublisher #booktour
Writer, illustrator, and researcher Ahmad Nabil is bringing his testimonial of Palestinian folklore to the following cities! This tour is launching the English translation of Ahmad’s book done by Fatema Alhashemi.
Presented by The Fiction Council, these intimate readings explore a world where jinns and ghouls, guardians and tricksters, wizards and possessors move through everyday life in the Old City of Jerusalem.
Join Ahmad for readings, vivid storytelling, and conversations about craft, memory, and the whisper networks that carry these tales.
RSVP links in bio 🌱
#indiepublisher #booktour
Writer, illustrator, and researcher Ahmad Nabil is bringing his testimonial of Palestinian folklore to the following cities! This tour is launching the English translation of Ahmad’s book done by Fatema Alhashemi.
Presented by The Fiction Council, these intimate readings explore a world where jinns and ghouls, guardians and tricksters, wizards and possessors move through everyday life in the Old City of Jerusalem.
Join Ahmad for readings, vivid storytelling, and conversations about craft, memory, and the whisper networks that carry these tales.
RSVP links in bio 🌱
#indiepublisher #booktour
Archival photo restoration project.
My grandmother, in Jerusalem, Palestine.
Cousins, let me know if you want a print 🖤
The next stop is… Chicago!
Join Ahmad Nabil & Ahmad Jitan at @pilsencommunitybooks on Wednesday, June 3rd as they explore the spiritual world through the lens of the jinn, examining the connections between mysticism and Palestine’s intangible heritage. Together, they will reflect on how writing, illustrating and education can help preserve and reimagine our relationship to collective memory.
This event marks the launch of the English translation of Hidden Companions: Paranormals from the Old City of Jerusalem by Ahmad Nabil, translated from the Arabic by Fatema Alhashemi.
“Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.” —Fawz Kabra
Copies of the book will be available for purchase at the event.
The next stop is… Chicago!
Join Ahmad Nabil & Ahmad Jitan at @pilsencommunitybooks on Wednesday, June 3rd as they explore the spiritual world through the lens of the jinn, examining the connections between mysticism and Palestine’s intangible heritage. Together, they will reflect on how writing, illustrating and education can help preserve and reimagine our relationship to collective memory.
This event marks the launch of the English translation of Hidden Companions: Paranormals from the Old City of Jerusalem by Ahmad Nabil, translated from the Arabic by Fatema Alhashemi.
“Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.” —Fawz Kabra
Copies of the book will be available for purchase at the event.
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
“Books often travel farther than their authors—and they don’t travel alone. We will be speaking with you all about what happened around [the making of] the book, but also what happens when language, interpretation and cultural context reshape a work for new readers.
This book sits at the intersection of folklore, translation, visual art, oral history, memory, and cultural preservation.
Hidden Companions: Paranormals from the Old City of Jerusalem is a collection and archive of supernatural testimonies in Jerusalem’s Old City gathered by Ahmad Nabil, through interviews with the City’s residents. The book treats jinn stories, tricksters and paranormal encounters, not only as folklore, but also as a part of Palestinian intangible heritage and collective memory.
Ahmad is doing something particularly important in preserving these stories and making a space for these stories to be told in the first place.” — opening remarks by Fawz Kabra
Thanks to our excellent moderator Fawz (of @brief_histories) who led us through an enriching conversation recounting the journey in the making of this book and its translation process.
And big thanks to all who joined the Book Launch for the English translation of Hidden Companions at @nypl, Jefferson Market Branch, held on May 26 2026.
Co-hosted by @the_fictioncouncil & @radix.coop
Photo courtesy of: Dennis Madamba
Video courtesy of: @anw_rahim
Join us for the closing program of Mohammad Omer Khalil: Common Ground on Saturday, May 30 at 4 PM: An Ode To You, a literary reading featuring New York–based Sudanese writers.
Daad Sharfi is a poet and immigrant-rights advocate from Chicago, originally from Sudan. She earned dual BAs in Economics and Ethnicity, Race & Migration from Yale University.
Dalia Elhassan is a Sudanese-American poet and writer based in New York City. She is the author of In Half Light, a chapbook in the New-Generation African Poets Series (Sita), published in collaboration with Akashic Books and the African Poetry Book Fund.
Mayada Ibrahim is a literary translator, editor, and writer based in Queens, New York, with roots in Khartoum and London. Working between Arabic and English, her translations have received the inaugural PEN Presents x International Booker Prize grant and the English PEN Translates Award. She is also a recipient of the MacDowell Fellowship.
Mohammed Zenia is a Sudanese/Eritrean poet and the author of Tel Aviv, James Baldwin’s Lungs in the 80s, and Black Bedouin. Their work has appeared in e-flux, the Poetry Project, and 240 magazine, among other publications.
For more details, visitrbpmw-efanyc.org
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, an initiative dedicated to preserving the legacy of the esteemed artist and curator.
@teigerfoundation @jennilcrain @j7md @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives @jayseveninc
Join us for the closing program of Mohammad Omer Khalil: Common Ground on Saturday, May 30 at 4 PM: An Ode To You, a literary reading featuring New York–based Sudanese writers.
Daad Sharfi is a poet and immigrant-rights advocate from Chicago, originally from Sudan. She earned dual BAs in Economics and Ethnicity, Race & Migration from Yale University.
Dalia Elhassan is a Sudanese-American poet and writer based in New York City. She is the author of In Half Light, a chapbook in the New-Generation African Poets Series (Sita), published in collaboration with Akashic Books and the African Poetry Book Fund.
Mayada Ibrahim is a literary translator, editor, and writer based in Queens, New York, with roots in Khartoum and London. Working between Arabic and English, her translations have received the inaugural PEN Presents x International Booker Prize grant and the English PEN Translates Award. She is also a recipient of the MacDowell Fellowship.
Mohammed Zenia is a Sudanese/Eritrean poet and the author of Tel Aviv, James Baldwin’s Lungs in the 80s, and Black Bedouin. Their work has appeared in e-flux, the Poetry Project, and 240 magazine, among other publications.
For more details, visitrbpmw-efanyc.org
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, an initiative dedicated to preserving the legacy of the esteemed artist and curator.
@teigerfoundation @jennilcrain @j7md @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives @jayseveninc
Join us for the closing program of Mohammad Omer Khalil: Common Ground on Saturday, May 30 at 4 PM: An Ode To You, a literary reading featuring New York–based Sudanese writers.
Daad Sharfi is a poet and immigrant-rights advocate from Chicago, originally from Sudan. She earned dual BAs in Economics and Ethnicity, Race & Migration from Yale University.
Dalia Elhassan is a Sudanese-American poet and writer based in New York City. She is the author of In Half Light, a chapbook in the New-Generation African Poets Series (Sita), published in collaboration with Akashic Books and the African Poetry Book Fund.
Mayada Ibrahim is a literary translator, editor, and writer based in Queens, New York, with roots in Khartoum and London. Working between Arabic and English, her translations have received the inaugural PEN Presents x International Booker Prize grant and the English PEN Translates Award. She is also a recipient of the MacDowell Fellowship.
Mohammed Zenia is a Sudanese/Eritrean poet and the author of Tel Aviv, James Baldwin’s Lungs in the 80s, and Black Bedouin. Their work has appeared in e-flux, the Poetry Project, and 240 magazine, among other publications.
For more details, visitrbpmw-efanyc.org
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, an initiative dedicated to preserving the legacy of the esteemed artist and curator.
@teigerfoundation @jennilcrain @j7md @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives @jayseveninc
Join us for the closing program of Mohammad Omer Khalil: Common Ground on Saturday, May 30 at 4 PM: An Ode To You, a literary reading featuring New York–based Sudanese writers.
Daad Sharfi is a poet and immigrant-rights advocate from Chicago, originally from Sudan. She earned dual BAs in Economics and Ethnicity, Race & Migration from Yale University.
Dalia Elhassan is a Sudanese-American poet and writer based in New York City. She is the author of In Half Light, a chapbook in the New-Generation African Poets Series (Sita), published in collaboration with Akashic Books and the African Poetry Book Fund.
Mayada Ibrahim is a literary translator, editor, and writer based in Queens, New York, with roots in Khartoum and London. Working between Arabic and English, her translations have received the inaugural PEN Presents x International Booker Prize grant and the English PEN Translates Award. She is also a recipient of the MacDowell Fellowship.
Mohammed Zenia is a Sudanese/Eritrean poet and the author of Tel Aviv, James Baldwin’s Lungs in the 80s, and Black Bedouin. Their work has appeared in e-flux, the Poetry Project, and 240 magazine, among other publications.
For more details, visitrbpmw-efanyc.org
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, an initiative dedicated to preserving the legacy of the esteemed artist and curator.
@teigerfoundation @jennilcrain @j7md @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives @jayseveninc
Join us for the closing program of Mohammad Omer Khalil: Common Ground on Saturday, May 30 at 4 PM: An Ode To You, a literary reading featuring New York–based Sudanese writers.
Daad Sharfi is a poet and immigrant-rights advocate from Chicago, originally from Sudan. She earned dual BAs in Economics and Ethnicity, Race & Migration from Yale University.
Dalia Elhassan is a Sudanese-American poet and writer based in New York City. She is the author of In Half Light, a chapbook in the New-Generation African Poets Series (Sita), published in collaboration with Akashic Books and the African Poetry Book Fund.
Mayada Ibrahim is a literary translator, editor, and writer based in Queens, New York, with roots in Khartoum and London. Working between Arabic and English, her translations have received the inaugural PEN Presents x International Booker Prize grant and the English PEN Translates Award. She is also a recipient of the MacDowell Fellowship.
Mohammed Zenia is a Sudanese/Eritrean poet and the author of Tel Aviv, James Baldwin’s Lungs in the 80s, and Black Bedouin. Their work has appeared in e-flux, the Poetry Project, and 240 magazine, among other publications.
For more details, visitrbpmw-efanyc.org
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, an initiative dedicated to preserving the legacy of the esteemed artist and curator.
@teigerfoundation @jennilcrain @j7md @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives @jayseveninc
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
NYC & LA, here are the Upcoming HIDDEN COMPANIONS events happening near you this week:
NYC
*TONITE at 6pm: Book Launch at @nypl: Jefferson Market Branch with @djinnabad, @fattooshe & @j7md in conversation with Fawz Kabra
LOS ANGELES
*THURSDAY: Reading and Conversation at Jackson Market with @djinnabad @rollaselbak
Reading & conversation with @djinnabad & @rajarrar
*FRIDAY: May 30 at 4pm: @midnightbooksla
*SATURDAY: May 31 at 4pm: at @villagewellcc
Thanks to everyone who joined us last week for the first week of the tour and ordered the book so far.
Word is traveling fast about the jinn of Jerusalem —
Catch us at a city near you: LA, Chicago, Detroit, D.C., Baltimore, *NEW*: Philly; and back to NYC for closing events, TBA.
Order a book online with with @radix.coop @jayseveninc
Request your indie publisher to carry the book through @asterism_books @akpressdistro
Details of the tour are in link in bio.
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Mohammad Omer Khalil’s Common Ground has been extended through Sunday, June 7 at The Study Center at the Robert Blackburn Printmaking Workshop, a program of the Elizabeth Foundation for the Arts. On View through June 1 at JaySeven, Inc. (Brooklyn).
Widely recognized as the first contemporary printmaker from the Arab world, Mohammad Omer Khalil (b. 1936) has developed a multidisciplinary practice spanning more than six decades. Curated by Amina Ahmed and Jenna Hamed in collaboration with the Robert Blackburn Printmaking Workshop, Common Ground presents a selection of paintings and prints that trace the depth and evolution of his work.
Currently on display at The New York Public Library (May 16–31, 2026): ephemera from Khalil’s Artist File in the Rose Main Reading Room. Curated by the curatorial duo in collaboration with Hiba Abid, Curator of Middle East Studies at NYPL. @nypl @hibarabstract
Final public program:
May 30, 4–6 PM
An Ode To You — a literary reading with New York–based Sudanese writers Daad Sharfi, Dalia Elhassan, Mayada Ibrahim, and Mohammed Zenia. @daliaelhassan @mayadamayadamay @mohammedsaniasiddig
Programs at the Blackburn Study Center are made possible with major support from Teiger Foundation. The exhibition is also supported by The Jenni Crain Foundation, dedicated to preserving the legacy of the esteemed artist and curator.
For more information: rbpmw-efanyc.org
@teigerfoundation @jennilcrain @j7md
@mohammadomerkhalil
Thank you to our partners: @12gates @theafricacenter @queensmuseum @maqam.studio.nyc @prattinstitute @anthologyfilmarchives
Photo credit: @samorius
Press inquiries: @samour.world
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
Happy Pub Day to HIDDEN COMPANIONS! Thank you to @unnameablebooks for hosting the book preview last night. We thought we might beat the rain, but the jinn always get their way.
We are so proud to have partnered with @djinnabad and @the_fictioncouncil, along with @j7md and @fattooshe, to bring this beautiful book to life. We appreciate the people who braved the weather to attend the reading and purchase a book. If you missed it, you have plenty of other opportunities! Check the tour graphic on our profile. The journey has only just begun.
HIDDEN COMPANIONS: PARANORMALS FROM THE OLD CITY OF JERUSALEM 2026 TOUR––Link in bio for details!
On Sunday, @djinnabad arrived to NYC from Jerusalem to embark on a six-city tour through the US, traveling along the east coast (NYC, DC, Baltimore); Midwest (Detroit, Chicago); and the West Coast (Los Angeles).
Wednesday marks the beginning of the tour launching the English Translation, co-published by @radix.coop @the_fictioncouncil
I hope you will join us for a lineup of events in NYC, or a city near you.
NYC events in the next week:
* Wednesday, May 20: Book Preview @unnameablebooks, 7PM
* Thursday, May 21: gathering, exhibition, and launch celebration at @jayseveninc, 7PM
* Friday, May 22: @bklynlibrary, Bay Ridge branch, 4PM
* Tuesday, May 26: Book Launch, reading, conversation with @djinnabad @fattooshe @j7md and Fawz Kabra at NYPL Jefferson Market Branch, 6PM
Slide 1: Spread of a recent sketch from Ahmad’s notebook
Slide 2: Page from a manuscript on witchcraft found in Hebron
Slide 3: Cover from the first edition of Hidden Companions, entirely produced in Jerusalem in 2022, designed by @omaima_dajani
Slide 4: A spread from the English version, translated by Fatema Alhashemi
Slide 5: Spread from Fetus Exodus Zine, written and illustrated by Ahmad, the zine will be for sale at the tour sites.
Scans by @archivereform
HIDDEN COMPANIONS: PARANORMALS FROM THE OLD CITY OF JERUSALEM 2026 TOUR––Link in bio for details!
On Sunday, @djinnabad arrived to NYC from Jerusalem to embark on a six-city tour through the US, traveling along the east coast (NYC, DC, Baltimore); Midwest (Detroit, Chicago); and the West Coast (Los Angeles).
Wednesday marks the beginning of the tour launching the English Translation, co-published by @radix.coop @the_fictioncouncil
I hope you will join us for a lineup of events in NYC, or a city near you.
NYC events in the next week:
* Wednesday, May 20: Book Preview @unnameablebooks, 7PM
* Thursday, May 21: gathering, exhibition, and launch celebration at @jayseveninc, 7PM
* Friday, May 22: @bklynlibrary, Bay Ridge branch, 4PM
* Tuesday, May 26: Book Launch, reading, conversation with @djinnabad @fattooshe @j7md and Fawz Kabra at NYPL Jefferson Market Branch, 6PM
Slide 1: Spread of a recent sketch from Ahmad’s notebook
Slide 2: Page from a manuscript on witchcraft found in Hebron
Slide 3: Cover from the first edition of Hidden Companions, entirely produced in Jerusalem in 2022, designed by @omaima_dajani
Slide 4: A spread from the English version, translated by Fatema Alhashemi
Slide 5: Spread from Fetus Exodus Zine, written and illustrated by Ahmad, the zine will be for sale at the tour sites.
Scans by @archivereform
HIDDEN COMPANIONS: PARANORMALS FROM THE OLD CITY OF JERUSALEM 2026 TOUR––Link in bio for details!
On Sunday, @djinnabad arrived to NYC from Jerusalem to embark on a six-city tour through the US, traveling along the east coast (NYC, DC, Baltimore); Midwest (Detroit, Chicago); and the West Coast (Los Angeles).
Wednesday marks the beginning of the tour launching the English Translation, co-published by @radix.coop @the_fictioncouncil
I hope you will join us for a lineup of events in NYC, or a city near you.
NYC events in the next week:
* Wednesday, May 20: Book Preview @unnameablebooks, 7PM
* Thursday, May 21: gathering, exhibition, and launch celebration at @jayseveninc, 7PM
* Friday, May 22: @bklynlibrary, Bay Ridge branch, 4PM
* Tuesday, May 26: Book Launch, reading, conversation with @djinnabad @fattooshe @j7md and Fawz Kabra at NYPL Jefferson Market Branch, 6PM
Slide 1: Spread of a recent sketch from Ahmad’s notebook
Slide 2: Page from a manuscript on witchcraft found in Hebron
Slide 3: Cover from the first edition of Hidden Companions, entirely produced in Jerusalem in 2022, designed by @omaima_dajani
Slide 4: A spread from the English version, translated by Fatema Alhashemi
Slide 5: Spread from Fetus Exodus Zine, written and illustrated by Ahmad, the zine will be for sale at the tour sites.
Scans by @archivereform
HIDDEN COMPANIONS: PARANORMALS FROM THE OLD CITY OF JERUSALEM 2026 TOUR––Link in bio for details!
On Sunday, @djinnabad arrived to NYC from Jerusalem to embark on a six-city tour through the US, traveling along the east coast (NYC, DC, Baltimore); Midwest (Detroit, Chicago); and the West Coast (Los Angeles).
Wednesday marks the beginning of the tour launching the English Translation, co-published by @radix.coop @the_fictioncouncil
I hope you will join us for a lineup of events in NYC, or a city near you.
NYC events in the next week:
* Wednesday, May 20: Book Preview @unnameablebooks, 7PM
* Thursday, May 21: gathering, exhibition, and launch celebration at @jayseveninc, 7PM
* Friday, May 22: @bklynlibrary, Bay Ridge branch, 4PM
* Tuesday, May 26: Book Launch, reading, conversation with @djinnabad @fattooshe @j7md and Fawz Kabra at NYPL Jefferson Market Branch, 6PM
Slide 1: Spread of a recent sketch from Ahmad’s notebook
Slide 2: Page from a manuscript on witchcraft found in Hebron
Slide 3: Cover from the first edition of Hidden Companions, entirely produced in Jerusalem in 2022, designed by @omaima_dajani
Slide 4: A spread from the English version, translated by Fatema Alhashemi
Slide 5: Spread from Fetus Exodus Zine, written and illustrated by Ahmad, the zine will be for sale at the tour sites.
Scans by @archivereform
HIDDEN COMPANIONS: PARANORMALS FROM THE OLD CITY OF JERUSALEM 2026 TOUR––Link in bio for details!
On Sunday, @djinnabad arrived to NYC from Jerusalem to embark on a six-city tour through the US, traveling along the east coast (NYC, DC, Baltimore); Midwest (Detroit, Chicago); and the West Coast (Los Angeles).
Wednesday marks the beginning of the tour launching the English Translation, co-published by @radix.coop @the_fictioncouncil
I hope you will join us for a lineup of events in NYC, or a city near you.
NYC events in the next week:
* Wednesday, May 20: Book Preview @unnameablebooks, 7PM
* Thursday, May 21: gathering, exhibition, and launch celebration at @jayseveninc, 7PM
* Friday, May 22: @bklynlibrary, Bay Ridge branch, 4PM
* Tuesday, May 26: Book Launch, reading, conversation with @djinnabad @fattooshe @j7md and Fawz Kabra at NYPL Jefferson Market Branch, 6PM
Slide 1: Spread of a recent sketch from Ahmad’s notebook
Slide 2: Page from a manuscript on witchcraft found in Hebron
Slide 3: Cover from the first edition of Hidden Companions, entirely produced in Jerusalem in 2022, designed by @omaima_dajani
Slide 4: A spread from the English version, translated by Fatema Alhashemi
Slide 5: Spread from Fetus Exodus Zine, written and illustrated by Ahmad, the zine will be for sale at the tour sites.
Scans by @archivereform
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Since going freelance & independent, bookfairs are now my ticket to travel. It’s not lost on me what a privilege it is. I was fortunate enough to spend 10 days this past January in the beautiful CDMX (with @keylarql via @letramuertainc) for the Index art bookfair, and a few days in OAX, where I connected with so many warm and brilliant people, absolutely captivated by the innovation with the publishing and art book scene and the research initiatives and projects happening in Mexico and across Latin America... I also found this new typewriter en español that became part of an impromptu interactive element to our fair table, and is part of my now-ongoing multilingual collection of typewriters…
It had been a while since I left the country at the time due to the heavy lift of work I’ve been (willingly) committing to, and not really feeling motivated to travel anywhere else internationally but home. Despite / in light of the woes of traveling as U.S. citizen in a city heavily gentrified (colonized) by people who carry the same passport as me, and still being received by locals with such warmth, I felt a familiar sense as being back in Jerusalem... for all its complications and comforts.
Still riding off that energy, and in the midst of many huge projects, I’ll be traveling to LA for the art book fair next week. Super curious to explore what the publishing scene looks like at the west coast “best coast” loll if you’re around, do come by my booth G13, share recs for food, music, beachhh etc. I’ll have books, media, artworks from @jayseveninc as well as friends, collaborators, comrades @letramuertainc @radix.coop @afi.onl @excentrik @book_arts_solidarity to name a fewww❤️🔥🌹
Hidden Companions now travels in English 📕🪽
Touring U.S. & London (May–June 2026).
Support or share:
https://chuffed.org/project/palestinian-imagination
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
Vantaggi di Anonstories
Esplora le Storie IG in Privato
Segui gli aggiornamenti di Instagram discretamente proteggendo la tua privacy e restando anonimo.
Visualizzatore Privato di Instagram
Guarda profili e foto in modo anonimo facilmente usando il Visualizzatore di profili privati.
Visualizzatore di Storie Gratuito
Questo strumento gratuito ti permette di visualizzare le storie di Instagram in modo anonimo, garantendo che la tua attività rimanga nascosta dall'utente che carica la storia.
Domande frequenti
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Anonstories consente agli utenti di guardare le storie di Instagram senza avvisare il creatore.
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Funziona senza problemi su iOS, Android, Windows, macOS e browser moderni come Chrome e Safari.
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Garantisce una navigazione sicura e anonima senza richiedere credenziali di accesso.
Nessuna Registrazione
Gli utenti possono visualizzare storie pubbliche semplicemente inserendo un nome utente—nessun account richiesto.
Formati Supportati
Scarica foto (JPEG) e video (MP4) facilmente.
Costo
Il servizio è gratuito.
Account Privati
Il contenuto degli account privati è accessibile solo ai follower.
Utilizzo dei File
I file sono destinati solo a uso personale o educativo e devono rispettare le normative sul copyright.
Come Funziona
Inserisci un nome utente pubblico per visualizzare o scaricare storie. Il servizio genera link diretti per salvare i contenuti localmente.