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This Saturday on March 14th, a new curatorial public program about Objects, Family and Reminiscence will open at BooBoo Shanghai space in Xiansuo Creative Park!🪑

Below is the note from the artist Lily Wu @jfditdueditcitcti

“The question I’m proposing in this project is what a home looks like after itsdeconstruction. How was the “home” formed initially? How many stages of actions are required that lead to the process of deconstruction? What are the things that’s too meticulous that only objects can catch during the progression? Like knife marks on a cutting board, footprints on the wall, stains on sofa upholsteries… What remained and continuously grew afterwards?

To clarify, to me, furniture and the people who live with them inevitably influence on each other. Object’s physical existence carries a lot more intimate messages such as attachments, memories, reflections…also the “owner’s” personality, habits, perceptions…

The action of mark making between people and objects is bilateral. The marks can also be both physical and spiritual. However, when the home is “deconstructed” in a spiritual sense (meaning loss of memories, division of relationship, resentment in perception), leaving only its physical shell behind, the marks of the spirits become hard to trace. When words no longer carryauthenticity, faces become unrecognizable, do objects really have the agency to tell the true story?

In order to find out the answers to these questions, I decided to showcase the collection called Heaven Garden, Building B,Unit 201 that documents the mutation of family dynamics as well as the mutation of furniture.”

Can’t wait to see everyone on Saturday!🚪😝

Furniture Artist: Lily(Ruisi) Wu @jfditdueditcitcti
Mid-term Event Co-Director: Louise Wu @loulou_uol

Supervisor: Thomas Jiang
Producer: Chuanchuan @lildancingghost

Opening Time: 2026.03.14 14:00-Late
Location: Room 216, Phase 1, Xiansuo Creative Park, No.273 Jiaozhou Road, Jing’an District, Shanghai

#shanghailife #shanghaiexhibition #contemporaryfurnituredesign #curatorialproject

This Saturday on March 14th, a new curatorial public program about Objects, Family and Reminiscence will open at BooBoo Shanghai space in Xiansuo Creative Park!🪑

Below is the note from the artist Lily Wu @jfditdueditcitcti

“The question I’m proposing in this project is what a home looks like after itsdeconstruction. How was the “home” formed initially? How many stages of actions are required that lead to the process of deconstruction? What are the things that’s too meticulous that only objects can catch during the progression? Like knife marks on a cutting board, footprints on the wall, stains on sofa upholsteries… What remained and continuously grew afterwards?

To clarify, to me, furniture and the people who live with them inevitably influence on each other. Object’s physical existence carries a lot more intimate messages such as attachments, memories, reflections…also the “owner’s” personality, habits, perceptions…

The action of mark making between people and objects is bilateral. The marks can also be both physical and spiritual. However, when the home is “deconstructed” in a spiritual sense (meaning loss of memories, division of relationship, resentment in perception), leaving only its physical shell behind, the marks of the spirits become hard to trace. When words no longer carryauthenticity, faces become unrecognizable, do objects really have the agency to tell the true story?

In order to find out the answers to these questions, I decided to showcase the collection called Heaven Garden, Building B,Unit 201 that documents the mutation of family dynamics as well as the mutation of furniture.”

Can’t wait to see everyone on Saturday!🚪😝

Furniture Artist: Lily(Ruisi) Wu @jfditdueditcitcti
Mid-term Event Co-Director: Louise Wu @loulou_uol

Supervisor: Thomas Jiang
Producer: Chuanchuan @lildancingghost

Opening Time: 2026.03.14 14:00-Late
Location: Room 216, Phase 1, Xiansuo Creative Park, No.273 Jiaozhou Road, Jing’an District, Shanghai

#shanghailife #shanghaiexhibition #contemporaryfurnituredesign #curatorialproject

This Saturday on March 14th, a new curatorial public program about Objects, Family and Reminiscence will open at BooBoo Shanghai space in Xiansuo Creative Park!🪑

Below is the note from the artist Lily Wu @jfditdueditcitcti

“The question I’m proposing in this project is what a home looks like after itsdeconstruction. How was the “home” formed initially? How many stages of actions are required that lead to the process of deconstruction? What are the things that’s too meticulous that only objects can catch during the progression? Like knife marks on a cutting board, footprints on the wall, stains on sofa upholsteries… What remained and continuously grew afterwards?

To clarify, to me, furniture and the people who live with them inevitably influence on each other. Object’s physical existence carries a lot more intimate messages such as attachments, memories, reflections…also the “owner’s” personality, habits, perceptions…

The action of mark making between people and objects is bilateral. The marks can also be both physical and spiritual. However, when the home is “deconstructed” in a spiritual sense (meaning loss of memories, division of relationship, resentment in perception), leaving only its physical shell behind, the marks of the spirits become hard to trace. When words no longer carryauthenticity, faces become unrecognizable, do objects really have the agency to tell the true story?

In order to find out the answers to these questions, I decided to showcase the collection called Heaven Garden, Building B,Unit 201 that documents the mutation of family dynamics as well as the mutation of furniture.”

Can’t wait to see everyone on Saturday!🚪😝

Furniture Artist: Lily(Ruisi) Wu @jfditdueditcitcti
Mid-term Event Co-Director: Louise Wu @loulou_uol

Supervisor: Thomas Jiang
Producer: Chuanchuan @lildancingghost

Opening Time: 2026.03.14 14:00-Late
Location: Room 216, Phase 1, Xiansuo Creative Park, No.273 Jiaozhou Road, Jing’an District, Shanghai

#shanghailife #shanghaiexhibition #contemporaryfurnituredesign #curatorialproject

This Saturday on March 14th, a new curatorial public program about Objects, Family and Reminiscence will open at BooBoo Shanghai space in Xiansuo Creative Park!🪑

Below is the note from the artist Lily Wu @jfditdueditcitcti

“The question I’m proposing in this project is what a home looks like after itsdeconstruction. How was the “home” formed initially? How many stages of actions are required that lead to the process of deconstruction? What are the things that’s too meticulous that only objects can catch during the progression? Like knife marks on a cutting board, footprints on the wall, stains on sofa upholsteries… What remained and continuously grew afterwards?

To clarify, to me, furniture and the people who live with them inevitably influence on each other. Object’s physical existence carries a lot more intimate messages such as attachments, memories, reflections…also the “owner’s” personality, habits, perceptions…

The action of mark making between people and objects is bilateral. The marks can also be both physical and spiritual. However, when the home is “deconstructed” in a spiritual sense (meaning loss of memories, division of relationship, resentment in perception), leaving only its physical shell behind, the marks of the spirits become hard to trace. When words no longer carryauthenticity, faces become unrecognizable, do objects really have the agency to tell the true story?

In order to find out the answers to these questions, I decided to showcase the collection called Heaven Garden, Building B,Unit 201 that documents the mutation of family dynamics as well as the mutation of furniture.”

Can’t wait to see everyone on Saturday!🚪😝

Furniture Artist: Lily(Ruisi) Wu @jfditdueditcitcti
Mid-term Event Co-Director: Louise Wu @loulou_uol

Supervisor: Thomas Jiang
Producer: Chuanchuan @lildancingghost

Opening Time: 2026.03.14 14:00-Late
Location: Room 216, Phase 1, Xiansuo Creative Park, No.273 Jiaozhou Road, Jing’an District, Shanghai

#shanghailife #shanghaiexhibition #contemporaryfurnituredesign #curatorialproject

This Saturday on March 14th, a new curatorial public program about Objects, Family and Reminiscence will open at BooBoo Shanghai space in Xiansuo Creative Park!🪑

Below is the note from the artist Lily Wu @jfditdueditcitcti

“The question I’m proposing in this project is what a home looks like after itsdeconstruction. How was the “home” formed initially? How many stages of actions are required that lead to the process of deconstruction? What are the things that’s too meticulous that only objects can catch during the progression? Like knife marks on a cutting board, footprints on the wall, stains on sofa upholsteries… What remained and continuously grew afterwards?

To clarify, to me, furniture and the people who live with them inevitably influence on each other. Object’s physical existence carries a lot more intimate messages such as attachments, memories, reflections…also the “owner’s” personality, habits, perceptions…

The action of mark making between people and objects is bilateral. The marks can also be both physical and spiritual. However, when the home is “deconstructed” in a spiritual sense (meaning loss of memories, division of relationship, resentment in perception), leaving only its physical shell behind, the marks of the spirits become hard to trace. When words no longer carryauthenticity, faces become unrecognizable, do objects really have the agency to tell the true story?

In order to find out the answers to these questions, I decided to showcase the collection called Heaven Garden, Building B,Unit 201 that documents the mutation of family dynamics as well as the mutation of furniture.”

Can’t wait to see everyone on Saturday!🚪😝

Furniture Artist: Lily(Ruisi) Wu @jfditdueditcitcti
Mid-term Event Co-Director: Louise Wu @loulou_uol

Supervisor: Thomas Jiang
Producer: Chuanchuan @lildancingghost

Opening Time: 2026.03.14 14:00-Late
Location: Room 216, Phase 1, Xiansuo Creative Park, No.273 Jiaozhou Road, Jing’an District, Shanghai

#shanghailife #shanghaiexhibition #contemporaryfurnituredesign #curatorialproject

:P

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

Last Sunday, the public program combining film &installation art&music, organized by me, was finally unveiled to the public! Special thanks for the wonderful crew!(Installation: @gypsy_dfcSpeakers: @ssbebop46 @loulou_uolMusic: @kaneda_xiufeng）And the great photograph support @p1ny1_ @guanxin7144 :P

In “The Mute Lover” installation(P8-9), artist set up a continuously breathing LED light as the visual endpoint of “In Hiding” exhibition(P7-9), attempting to present “the deepest, unsayable vitality in human heart”,and this is where the program embark on.

Before this program, I’ve long been thinking about how our original genuineness slowly disappears over time. How far have we drifted from it? How did that distance form, and is it something we should try to bridge?

After collaborating with Gypsy, other questions emerged: how do we grow from babbling infants into adults whose language is shaped by rules, boundaries, and power? How do we become filled with conclusions and full stops, rather than curiosity and questions?

In Aftersun, a daughter comes to understand her late father more fully through old videotapes—frozen fragments of memory. Similarly, in the installation, the artist “retrieves” his own past. The flickering LED light becomes a synecdoche for human vitality itself: a primal, continuous breath.

This is where the theme of “Between Memory&Illusion” , given by the two speakers, naturally meets the installation’s connotation. Reconnecting with our memories is a meandering, constant experience, but well, it’s interesting.

2025.12
Flyer design for party at ExitShanghai,
curated by Personal Castration label

#flyerdesign

QQ的

Tonight:)
Design for event of @queerest_label in @hven.tokyo
Can't wait!

Flyer design for party at @dirtyhousesh

Flyer design for ‘Honey, it hurts!’ party at @dong.hangzhou

2025.10.18
Post design for event at @dadabarbeijing
Also wrote partial text:)

#flyerdesign

2025.10.18
Post design for event at @dadabarbeijing
Also wrote partial text:)

#flyerdesign

2025.10.18
Post design for event at @dadabarbeijing
Also wrote partial text:)

#flyerdesign

2025.10.18
Post design for event at @dadabarbeijing
Also wrote partial text:)

#flyerdesign

2025.10.18
Post design for event at @dadabarbeijing
Also wrote partial text:)

#flyerdesign

水水的

High Tension
Design for event at @heimshanghai on Oct.1st
Curated by @floatingysgg
Save the date!

#flyerdesign #posterdesign #clubdesign #musicdesign

🪂Save the date for the upcoming body art & music event ‘Control Your Mouth, Move Your Legs” at @oilclub_official on Sep.6th, organized by @floatingysgg

🎫Get the tickets and read the full article at LINK in Bio.

Performer:
@enema_stone
@jaredmimm
@chorin_hu

Design & copywriting by @lildancingghost
Edit by @floatingysgg

一颗光滑的头颅，领着数亿万计的树状突起降临脖颈。嘴唇用于引诱，摄取糖油混合物，也和声带一起传递赞美与误解。牙齿除开咀嚼，倒也要在欢愉时为舌头让步。脊背更狡猾，双眼直视黑暗时，它永远站在对立面。手可以用来耕种也可以用来自渎。而大脑永远自负，总要处心积虑引起注意，永远抗衡其他十倍于它的体积。

身体无情，头脑最光怪陆离时，它面不改色，给出吝啬信息量，阻碍互相理解的效率。身体也知趣，被甜美爱抚时懂得挡住粘稠内脏。身体犯臭美，要请针尖来为皮肤注入染料。身体爱谦卑，愿意配合高跟鞋抬起脚跟，也抬起头颅的姿态。

领着它来吧，Floating将携Enema Stone掀起舞池，CHORIN应超随后吹响哨语，Jared带你钻进移动迷宫，与理智亡灵纠缠不清。在九月出头的夜晚，欢迎捎上你甜腻汗腥的体，酣畅淋漓的心，为身份降半旗。