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directed some films about how @littlesimz is the same as she’s always been and the important things never change (… and she hasn’t changed her shoes either)
so we went to spots in her area, with real local ppl and let life unfold 🛟⏱️❤️
@shea__c @jaimeackroyd @torgier @jaderacheart @sambanrhamad @jonchads @___jonny___lewis___ @rphljls @timotheous @mercedesmac @princessjiboye @vini.curtis @alexjrobson @petefullarton@alicedaisyevans @rapolasvilunas and the whole team ❤️❤️❤️
directed some films about how @littlesimz is the same as she’s always been and the important things never change (… and she hasn’t changed her shoes either)
so we went to spots in her area, with real local ppl and let life unfold 🛟⏱️❤️
@shea__c @jaimeackroyd @torgier @jaderacheart @sambanrhamad @jonchads @___jonny___lewis___ @rphljls @timotheous @mercedesmac @princessjiboye @vini.curtis @alexjrobson @petefullarton@alicedaisyevans @rapolasvilunas and the whole team ❤️❤️❤️
directed some films about how @littlesimz is the same as she’s always been and the important things never change (… and she hasn’t changed her shoes either)
so we went to spots in her area, with real local ppl and let life unfold 🛟⏱️❤️
@shea__c @jaimeackroyd @torgier @jaderacheart @sambanrhamad @jonchads @___jonny___lewis___ @rphljls @timotheous @mercedesmac @princessjiboye @vini.curtis @alexjrobson @petefullarton@alicedaisyevans @rapolasvilunas and the whole team ❤️❤️❤️
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
directed a video places to be for @anderson._paak and @fredagainagainagainagainagain
we wanted to make a video to capture the energy of two people who love music loving music (and watch anderson bodddyy the drums).
a live video but not stiff like top of the pops. trying to be more like one of those deep cuts of a music documentary you find on YouTube, where somehow someone was in the room and managed to bless us all by filming it.
so we filmed on one reel of film, until it ran out!
1. first things first the light BLESSED us and then @timotheous BLESSED the light
2. Anderson’s drums taking off
3. the day before when we found this…
4. fred conducting
5. figuring out something
6. the start, running down the stairs
7. the artwork for the track, shot by Theo in a down moment by some mirrors outside
8. the end, when the reel ran out
9. @gabrielconnelly after swinging the camera around on a very hot day. Love this guy a lot!
❤️ to the team who were very 🤌
@mrseri @dommckiernan @stinkfilms @kimjarrett_ @gabrielconnelly @thesamuelmarr @timotheous @gz.socorro @quinnbiddle @pancho_ortiz @furiosuh @pt.1 @post_samone @jha_ear
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
creative director for @fredagainagainagainagainagain first stadium show at the memorial coliseum
the coliseum is one of the most amazing venues I’ve ever been too. majestic! from the moment we saw it we knew we had to USE the WHOLE thing, exploiting every single corner of the space to create something that felt as sweaty and intimate as our tiny shows from not long ago.
this was the challenge of all challenges… we’re so blessed that every single man on the team was dooown with the experiment!! there was a city of warriors required to make this happen. and many many days that became nights that became mornings.
Design team (@humanprsn ). U guys are the GOATS. Every ridiculous idea you welcomed/challenged/bettered. Production. WARRIORS. Video. THE BEST NERDS! Audio. ENERGY! Backline. GANG! Fred and Tony. Ridiculous guys.
Here’s a breakdown…
1. The announcement (5 days before the show). Directed by me. DP by Jeff. Produced by Mike and Balint. Special mention to Tim who graded this overnight.
2. The MOAT. This is the circular, artery stage that brought the show close to everything. Mirroring the architecture of the stadium, it’s flowing and alive like a liquid.
3. Fred making moat plans last month.
4. Fred travelling on the moat. Kasper and Elliot killed this look.
5. One of many trips to the coliseum since we first visited in September last year. This is in April, working out how long it would take to walk across the stadium with Ben, Frankie, Josh, Steve and Fred.
6. Fred and Tony stood on the moat battling on the MPC from opposite sides of the stadium.
7. Fred and Obongjayar performing from the stands. We gave everyone torches to light them.
8. I could do a whole separate post about how much I love this stage design from Frankie and Ben. We wanted to create something with contrast. A soft and flowing base with a hard and sturdy stage on top. We created an A & B stage with the same design.
9. Finale. Love this photo. Fred and Tony looking like they’re floating a lake of soft liquid.
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed ‘stayinit’ with @uunnccaannyy for @lilyachty , @overmono and @fredagainagainagainagainagain
we went to New York a couple of weeks ago. fred realised yachty had never heard the tune out of anything bigger than a phone speaker before - so we filmed him hearing it for the first time out of a soundsystem
1. you ready?
2. Yachty really did walk straight into the space and Fred hit play. I’m enjoying finding the the perfect balance between documentary/real life and beautiful things atm.
3. Mika did not spec those sunbeams
4. I’ve never done a shoot in nyc without this guy @dimkiwi
5. the artwork shot by @gmuncey . cd by me. we tried to combine the worlds of all three artists
6. collaboration is a good thing 🤝
7. george standing in before the shoot. we had one chance for yachty to give us his genuine reaction so went heavy on camera and light rehearsals. here we give thanks to anders who bad boy busked the lights to this with a days notice🤴
8. lot radio tracklist. from the day before.
9. the end
DIRECTOR & PHOTOGRAPHER - UNCANNY @uunnccaannyy
DIRECTOR & CREATIVE DIRECTOR - LOOSE
COMMISSIONER - @kimjarrett_
EXEC - @theohuewilliams
PRODUCER - @levicmattey
NY PRODUCER - @gummyfilms
CREATIVE PRODUCER (EVENT) - @arun
DOP - @mikaaltskan
GRADE @dantegiani
LIGHTING DESIGN - @heberling
alsoooo ❤️
@omni_cloud @christopher_dagostino @gummyfilms @eli.beutel @adinamalterman @bailey.ww
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
directed a series of films when berwyn returned to trinidad after leaving 20 years ago. 🇹🇹
if you listen to Berwyn’s music you will know that his relationship with the UK authorities is a bit mad. this is from the trip that happened when his passport was finally patterned. What a privilege to be able to document it. the mission was to keep it real. Not a sob story but warmth, family and belonging.
everyone on this team was a warrior. with a crew of 2 aand some seeeeeerious trini fixers, we shot all of this in 3 days, on a weeks notice. met some absolute legends along the way and saw some of the most beautiful shit i think I’ll ever see…
right now this is my favourite film I’ve every made.
1.family dinner at Berwyn’s house with the aunties and uncles. This is the first time this has happened since B was about 5. At the end of this clip is Berwyn up a tree. Tarzan. this is from the path to satisfaction video.
2. we pulled up at Berwyn’s cousins barber shop one evening. Hamish had the idea to shoot a freestyle in one shot. This was the first take and we didn’t really have a plan. Konrad absolutely bodied this move.
3. the sea waves crashing.
4. tracking shot through the market. We had two goes before the police shut us down. Luckily the locals played ball.
5. this is how we got the tracking shot. Konrad in a trolley.
6. some of my favourite stills
7. B’s dad, Queenie who runs the market, and a hairdresser with her kids.
8. this boat journey became increasingly chaotic. Made sense when b was like.. ‘this is my first time on a boat’ 😩🤣
9. this sunset in Trinidad was absolutely fucked.
LOVEEEEE TO the squad here.
@theohuewilliams @konradlosch @josephtaylr @berwynberwynberwyn @angegrech @caitlinfine @hamishharris @kernos_ and everyone else!!!
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
creative director and show director of 5 nights at ally pally (and 6 x europe, 3 x NY & 8 x LA) w Fred again
always love to fred for always pushing us to push it. we wanted to create something that felt exciting and new but also was able to change and evolve. so, every single night we play completely different songs, in different orders, and all with unique lighting and video ideas.
the idea of a artist performing in a boxy stage has always felt counter intuitive to me. a show is all about the feeling of shared experience & everybody being under the same roof (literally!), so we wanted to create something that embodied this mentality without overthinking it.
big ups all the crew for stepping up to the challenge and working fucking hard to evolve, learn and create. A month of 19 hour days certifies warrior status.
1. this is the coolest photo anyone has taken of my work. Fred battles through the crowd and played the MPC. suddenly ally pally felt like a tiny club.
2. 🐠🐬🚙🧢🥣
3. the rig Tom drew when we were working out how to film in 3D. we shot 40 films for the show on iPhones so that we could stay agile while making and escape the un-human feeling you get working with on big sets. actual life.
4. watching the video Ethan shot off the back of a motorbike on the big screens for the first time. deep the stars!
5. how we tested content on the fly
6.when it rains at festivals it’s the most magical thing in the world. suddenly regardless of who u are, everyone is soaked and in the same boots. the only thing that could be better than this is snow, so we made it snow.
7. we gave everyone blue ‘gels’ to put in front of their phone torches. then made a starry blue sky too. the whole room was full of blue stars. this didn’t post :(
8. towards the end of the show take everyone into the present tense so the screens are taken over by iPhones in the crowd. this is the first time we tested also putting cameras in the roof. it was un expectedly exciting to see yourself from this perspective so now we leave it on at the end of the show so people feel that too
9. last night in Brussels during loving arms.love how orange every corner of room is.
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed ‘i’d rather die than be deported’ for @berwynberwynberwyn . its one of my favourite things we’ve ever made because it looks simple but it was actually a madness to pull off. here’s why…
1. the whole film is shot in one take from a camera inside car in the parallel lane. I’m chatting to berwyn through AirPods that we hid in his scarf. we didn’t have much money so this car acted as a tripod. tracking veichle, jib, and safety mechanism.
2. we intricately planned out the whole story with toy cars. the moves were choreographedin time with the music.
3. 🏆🦈
4. love this photo Reuben took. as you can see berwyn is the greatest performer and that’s why it got the love.
5.the aftermath
6. detailed planning! it was a weekday rush hour with everyone trying to get in the way of the shot. everytime it went wrong, it took half an hour to get to the start again 🥲 this was our 16th take.
7. the dartford bridge is so epic. ever since i drove over it for the first time I wanted to make a video here. weirdly it’s right next to where berwyn grew up too which we realised on the day!
8. the Saab broke down so much
@shea__c @thomas_english @scarlettlarouge @kingofcurtis @aepeduzzi @berwynberwynberwyn @hamishharris @quart3y @aepeduzzi @frankienoller @jamesherring611 @stewystew @reuben.bl @charlieehutchins
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
directed and wrote a film with @footballbeyondborders (a 🔥 charity) about how a new era of girls sport is fun, doesn’t dictate your entire personality and that its ok to be a girl that does both.
this was a hellllaaaa fun and inspirational one.
we did a workshop with the fbb girls before finalising a script.I asked what excuses their mates givewhen they want to play a game of football. the girls had NONE!! this hit me hard and is such a different outlook to my own experience as a teenager. FBB are nurturing a legendary generation of girls.
after this the girls and i wrote a story, to reflect their reality. we all decided that we hated sob stories and cringey stereotypes in films about women’s football. so instead we decided to make something real…
1. part 1 of the film. we pulled all this audio from a legit groupchat we made.
2. part 2 of the film. I wish that ball hitting Isabella’s head was scripted, but it wasn’t.
3. the workshop we did early days, where I realised how different things are for 16 year olds now.
4. FBB 🤝 Fred again.. shirt swap (maybe more to come here..) @ceylonandi who is wearing the shirt here heads up Girls at FBB and is a real legend. It’s nice to meet people who care!
5. recce crew. shea hustling. never has a man made a budget stretch soooo far.
6. haha. directing.
7. The girls after watching the film for the first time.
8. dancing while waiting for some lights to be rigged. rule number 1 is always have fun.
❤️❤️ to everyone who worked very hard on this.
@shea__c @sammeyerdop @hugoharris_art @thesamuelmarr @aimeeblowers @colourbymegwan @space_cash_ @debraanelson @ceylonandi @diegofcg94 @jasperkain @dommckiernan @savannahseymourr @aepeduzzi @elifjam @alcopland @harry.hough_ @lilysimmonds_mua @rosiehopehill @joeyouens@anildurucamera @andrepintoo @felix_omalley @pegmcmillan
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
four tet, Fred again.. & skrillex aka pangbourne house mafia headlined coachella with 3 days notice.
we’ve had a crazy year. we did the first ever PHM surprise show at electric ballroom, Camden in January. There was no agenda other than ‘this will be fun’. 4 months, and 7 surprise shows later (including Madison Square Gardens 🤣) the lads are TBAin front of 80,000 at coachella.
big ups all the team - this was the most insane graft from all. here are some slides to try and piece together what happened -
1.wow!!
2. the guys walking along the catwalk with thier bags and beers, to the intro Fred, @jas and I made an hour earlier
3. 2am on Friday morning planning it all, about 9 hours after the thumbs up 👍 48 hours to go!
4. 22 hours to go. midnight on Saturday straight after calvins set. Fred and Arun working out how we turn an ice rink into a stage
5. 🚫😴
6. this drone shot is my favourite thing to look at from the show. we flipped coachella on it’s head. the first ever coachella set in the round! the idea was that everyone felt under the same roof, like in a club. no crazy pyro or visuals - just a very smart lighting rig that meant the crowd always felt experienced exactly the same thing as the guys, sharing the moment together.This created a very rare and special coachella energy.
7. emergency pre vis rig in somebodies garage in Palm Springs on Saturday night. 24 hours to go. This ‘light shaft’ was an exciting evolution for an in-the-round roofless stage
8. directing the livestream, which is on YouTube now.
9. the guys leaving with their bags and beers. rule number 1 is always have fun.
❤️❤️❤️
@fourtetkieran @fredagainagainagainagainaga @skrillex @bendinglite.productions @arunmalhootra @roberthdyarjr @van_roon @ejmahowald @4017lll
@goodlife__management @theohuewilliams @leilahebden @visavisvideo @jas @olav @theobatterhamdrew and Parker 🙏🙏
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
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